The Vow of the Peacock, and Other Poems | ||
FUGITIVE PIECES.
THE FACTORY.
A dark funereal shroud:
'Tis not the tempest hurrying down,
'Tis not a summer cloud.
Is as a type and sign;
A shadow flung by the despair
Within those streets of thine.
The sunset's purple hues,
The morning's pearly dews.
Around thy daily life;
Heavy with care, and pale with fear,
With future tumult rife.
A low appealing cry,
A thousand children are resigned
To sicken and to die!
We sicken at the name,
And seem to hear the infant cries—
And yet we do the same;—
The heathen altar gave,
But we give years,—our idol, Gain,
Demands a living grave!
Before his mother's sight,
With bright hair dancing in the sun,
And eyes of azure light!
For summer days are long;
A prayer upon the little mouth,
Lull'd by his nurse's song.
Are innocent and free;
Beside his mother's knee.
Such as await man's prime,
How will he think of that dear home,
And childhood's lovely time!
The fairy well; to bring
To life's worn, weary memory
The freshness of its spring.
And infancy, like age,
Knows of existence but its worst,
One dull and darkened page;—
Crushed from the earliest hour,
Weeds darkening on the bitter soil
That never knew a flower.
Its knees are bow'd with pain;
It mutters from its wretched bed,
“Oh, let me sleep again!”
Turn mournfully away;
Alas! 'tis time, the child must rise,
And yet it is not day.
The spare cloak's scanty fold
The child is pale and cold.
Their task accustom'd ply;
While daily, some mid those pale bands,
Droop, sicken, pine, and die.
That has no childish days,
No careless play, no frolics wild,
No words of prayer and praise!
To earn their daily bread,
And heap the heat and toil of noon
Upon an infant's head.
Or starve,—is such the doom
That makes of many an English home
One long and living tomb?
No mercy in those skies;
Hath then the heart of man no love,
To spare such sacrifice?
Proclaim thee great and free,
While those small children pine like slaves,
There is a curse on thee!
APRIL.
Give April's month to me,
For earth and sky are then so filled
With sweet variety.
The pear-tree's pearly hue,
As beautiful as Woman's blush,
As evanescent too.
Comes from the violet bed,
Had all their odours shed.
To hold the morning's tear;
The bird's-eye, like a sapphire star;
The primrose, pale like fear.
Upon the guelderose;
The woodbine's fairy trumpets, where
The elf his war-note blows.
In every bud a flower;
But scarcely bud or flower will last
Beyond the present hour.
Then all again sunshine;
Then clouds again, but brightened with
The rainbow's coloured line.
I could not love a scene
Where the blue sky was always blue,
The green earth always green.
An ever-changing thing,—
The love that I could worship must
Be ever on the wing.
Must be both brief and bright;
With every changing light.
The smiles she wore to-day;
This moment's look of tenderness,
The next one must be gay.
Of what my love must be;
One varying like the varying bloom
Is just the love for me.
GLENCOE.
Although so very sweet;
It is a song of other years,
For thee and me unmeet.
Thy heart beats close to mine;
Methinks it were unjust to heaven,
If we should now repine.
That thrilling song again,—
When last I heard that strain.
We stood by the hill side,
And we could see my ship afar
Breasting the ocean tide.
A calm blue sky above,
Beneath were little cottages,
The homes of peace and love.
One hand in mine was laid;
The other, wandering 'mid the chords,
A soothing music made:
An echo of thy tone,—
The cushat's song was on the wind
And mingled with thine own.
I looked on thy sweet face;
I thought how dear, this voyage o'er,
Would be my resting place.
Thy last one,—and its sigh—
As safely as the stars are kept
In yonder azure sky.
And scarce I knew the place,
On every thing their trace.
Choked was our little rill,
There was no sign of corn or grass,
The cushat's song was still:
Was every cottage round;—
I listened, but I could not hear
One single human sound:
Were echoed from the hill;
I sat me down to weep, and curse
The hand that wrought this ill.
Thou wert another one
Saved from this work of sin and death,—
I was not quite alone.
Of guilt and suffering,
Till I prayed the curse of God might fall
On the false-hearted king.
Art saved, and saved for me!
And gallantly my little bark
Cuts through the moonlight sea.
The waves are bright below;
Think upon dark Glencoe.
A ceaseless fire should be,
Burning by day, burning by night,
Kept like a thought of thee.
That e'er a time should come,
When we should shun our own sweet land,
And seek another home!
Falls on my heart like balm;
The waves are still, the air is hushed,
And I too will be calm.
Of hope, stars, flowers, sunshine;
I shall forget the dark green hills
Of that which once was mine!
THE WRECK.
It shone over sea and sky;
And there was nothing but water and air
To meet the gazing eye.
Bright and blue spread the sea;
The stars from their home shone down on the wave,
Till they seemed in the wave to be.
That vessel cut her way;
That upon the waters lay.
The lord of the vessel paced
The deck, as he thought on the waves below,
And the glorious heaven he faced.
From its bearing high and proud—
But yet it was not a thought of fear,
That the seaman's spirit bow'd:
With blood, and that blood his own;
When the dying were pillowed upon the dead,
And yet you heard not a groan—
And the cannon roar'd aloud;
And the heavy smoke hung round each ship,
Even like its death shroud.
Seemed stepping every wave,
And the wind swept away the wreath of foam,
To show a yawning grave.
Its blue and midnight hour,
Wakened the hidden springs of his heart
With a deep and secret power.
Like a noiseless voice from the tomb?—
To warn of death and doom?
And the warm tear rushed to his eye;
Almost with fear he looked around,
But no cloud was on the sky.
The wine cup was passing round;
He joined in their laugh, he joined in the song,
But no mirth was in the sound.
In the soft and lovely night;
But, like life, the sea was false, and hid
The cold dark rock from sight.
And the sleepers sprang from bed;
There was one fierce cry of last despair—
The waves closed over head.
No fierce wind on the morning air;
The sun shone over the proud ship's track,
But no proud ship was there!
MOON.
But lonely all, as if she pined
For somewhat of companionship,
And felt it was in vain she shined:
Are as the court around her throne;
She is a beauty and a queen;
But what is this? she is alone.
Thy glorious royalty on high?
Thou lovely orphan of the sky.
That grows, my mother Earth, on thee,
So there were others of my kin,
To blossom, bloom, droop, die with me.
But with these better could I bear,
Than reach and rule yon radiant sphere,
And be a Solitary there.
THE FROZEN SHIP.
And her path lay white behind,
And dreamily amid her sails
Scarce moved the sleeping wind.
Whose words were home and love;
Waveless the wide sea spread beneath—
And calm the heaven above.
Albeit they knew not why;
For quiet was the waveless sea,
And cloudless was the sky.
'Twas pain to draw the breath;
And the silence and the chill around
Were e'en like those of death.
Spell-bound seem'd the waves to be;
And ere night fell, they knew they were lock'd
In the arms of that icy sea.
And snow pass'd o'er the main;
Each thought, but none spoke, of distant home
They should never see again.
Pale as funereal stone;
For none could feel his own.
Stood on the dread deck to die;
The sleet was their shroud, the wind their dirge,
And their churchyard the sea and the sky.
And prayers to the wild winds gave;
But never again came that stately ship
To breast the English wave.
Till both alike were done:
And the bride lay down in her grave alone,
And the mother without her son.
Nothing of tidings came;
Till, in after-time, when her fate had grown
But a tale of fear and a name—
The tale was told to me;
The sailor who told, in his youth had been
Over that icy sea.
Nor the living nor yet the dead,
And the light glared strange in the glassy eyes
Whose human look was fled.
And kept them from decay;
Look'd the dead of yesterday.
'Twas an awful doom to dree;
But fearful and wondrous are thy works,
O God! in the boundless sea!
THE MINSTREL'S MONITOR.
Whose birth-place we know not, and seek not to know,
Though wild as the flight of the shaft from yon quiver,
Is the course of its waves as in music they flow.
Like ivory barks which a fairy hath made;
The rose o'er it bends with its beautiful bosom,
As though 'twere enamour'd itself of its shade.
On the stream, as it loved the bright place of its rest;
Had given to those waters their sweetest and best.
There the first birth of violets' odour-showers weep—
There the bee heaps his earliest treasure of honey,
Or sinks in the depths of the harebell to sleep.
The waters fling gaily their spray to the sun;
Who can tell me from whence that glad river has risen?
Who can say whence its springs in its beauty?—not one.
Read thy fate in yon river, for such is thine own!
Mid those the chief praise on thy music bestowing,
Who cares for the lips from whence issue the tone?
Whence yet the sweet waters of melody came:
'Tis the long after-course, not the source, will inherit
The beauty and glory of sunshine and fame.
THE SPIRIT AND THE ANGEL OF DEATH.
Spirit.When the blushing morning gave daylight birth:
The boughs and the grass were sown with pearls,
As an Eastern queen had unbound her curls,
And shower'd their tresses o'er leaf and flower;
And then I saw how the noontide hour
Kiss'd them away, as if the sun
Touch'd all with joy that it shone upon.
I saw a crimson rose, like an urn
Wherein a thousand odours burn;
It grew in the shade, but the place was bright
With the glory and glow of its fragrant light.
To a maiden his gentle love-tale telling;
He pluck'd a rose from out of the shade—
'Twas not bright as the cheek on which it was laid:
The tale was told in the sunny noon,
Yet the same was heard by the rising moon.
I have sang the sweet peal of the lily bells;
I have pass'd on a diamond lake,
Where white swans summer pleasaunce take;
I saw the sun sink down in the sea,—
Blushes and bridal seem'd there to be.
Calm, in the moonlight, its proud towers slept,
And its stately columns arose on the air
As cut from snow mountains—they were so fair.
The young and the gay were at festival:
The cheek of rose flush'd a redder dye;
Flash'd the wild light from the full dark eye;
Laugh'd the sweet lip with a sunny glance,
As the beauty went through the graceful dance.
And I saw the rich wine from the goblet spring,
Like the sudden flash of a spirit's wing.
I heard a convent's vesper hymn:
Beautiful were the vestal train
That dwelt at peace in their holy fane.
Paused I in air, to hear a song
Which rather might to heaven belong;
The very winds for delight were mute,—
And I know 'twas the poet's gifted lute.
The nations were gathering together in war,
Like a cloud in the sunset; the banner was spread;
Victory had dyed it of meteor red;
Floating scarfs shew'd their broider'd fold,
White foam dash'd the bridles of gold:
Gallant it was the sight to see
Of the young and noble chivalrie.
Pass not in darkness over her face;
Yet call back thy words of doom—
They are too gay and too fair for the tomb.
Angel of Death.
Thou hast seen on earth, as a passer by,
But the outward show of mortality:
Go, let the veil from thine eyes depart;
Search the secrets of every heart;
Then come and say, are they not ripe for me.
Spirit.
I have heard the voice of sorrow and pain;
I saw a shining almond-tree fling
Its silver wreath, like a gift, to Spring:
A cold breath came from the northern air;
The leaves were scatter'd, the boughs were bare.
Queen of the waters she seem'd to be;
An hundred voices benizon gave,
As she cut her path through the frothing wave.
'Twas midnight—she anchor'd before a town,
Over which the sun had gone lingering down,
As loath to set upon what was so fair.
Now the smiling moon rode on the air,
And gardens, that seem'd to rejoice in night;
When the pealing thunder roll'd on the main,
And the town was awaked by the fiery rain,
And the cry of battle, for blood and fame
Follow'd wherever that war-ship came.
Sweet as before, that gifted song.
But look'd I now on the minstrel's thought—
There many an inward sorrow wrought,
Work of wasting; pining for fame,
Yet loathing the gift of an empty name;
Hope, whose promise was little worth,
And Genius, tainted with cares of earth.
I have watch'd the young,—there are thorns with their bloom;
The gay,—but their inward heart was gloom;
Showers that came down on April hours;
And have seen—alas! 'tis but outward show—
The sunshine of yon green earth below:
Glad of rest must the wretched and way-worn be—
Angel of Death, they are ready for thee!
THE LOST STAR.
A star has left its sphere;
The beautiful—and do they die
In yon bright world as here?
Will that star leave a lonely place,
A darkness on the night?—
No; few will miss its lovely face,
And none think heaven less bright!
What mystery was thine?
Thy beauty from the east is gone:
What was thy sway and sign?
And is it then for thee,
Its frank glad thoughts, its stainless truth,
So early cease to be?
How soon hope sinks in shade;
Or else of human loveliness,
In sign how it will fade?
How was thy dying? like the song,
In music to the last,
An echo flung the winds among,
And then for ever past?
The fair moon renders vain?
Thou didst not shine again.
Didst thou fade gradual from the time
The first great curse was hurled,
Till lost in sorrow and in crime,
Star of our early world?
A thousand glories shine
Round the blue midnight's regal car,
Who then remembers thine?
Save when some mournful bard like me
Dreams over beauty gone,
And in the fate that waited thee,
Reads what will be his own.
THE DANISH WARRIOR'S DEATH SONG.
No leech could aid me now;
The chill of death is at my heart,
Its damp upon my brow.
Within a warrior's eyes:
Away! how can ye weep for him
Who in the battle dies?
Upon my lady's knee—
Had Fate stood by my silken bed,
Then might ye weep for me.
Before the sea and sky;
The wind that sweeps my gallant sails
Will have my latest sigh.
Another droops below:
Well with my heart's best blood is paid
Such purchase from a foe.
A fair-hair'd boy of mine;
Give him my sword, while yet the blood
Darkens that falchion's shine.
Should wash such stains away;
There needs no more to say.
Now fling me on the wave;
One cup of wine, and one of blood,
Pour on my bounding grave.
THE CHANGE.
They wore in happier days;
Though still there may be much to love,
There's little left to praise.
There's scarce a blush left now;
And there's a dark and weary sign
Upon thine altered brow.
Thine eyes are dim with tears;
And care, before thy youth is past,
Has done the work of years.
Though changed, is very fair;
Like beauty's moonlight, left to shew
Her morning sun was there.
Recall thine early smile;
And wear yon wreath, whose glad red rose
Will lend its bloom awhile.
The song you used to sing—
The bird-like song:—See, though unused,
The lute has every string.
Thy brow reject the wreath?
There's more of change beneath!
The blush shine and depart;
But farewell when their sense is quench'd
Within the breaking heart.
The shades of past delight:
Fling down the wreath, and break the lute;
They mock our souls to-night.
THE ASPEN TREE.
Was laid on every summer leaf;
That purple shade was on each flower,
At once so beautiful, so brief.
But still, with an unquiet song,
Kept murmuring to the gentle west,
And cast a changeful shade along.
Had greener boughs, and statelier stem;
And those had fruit, and blossoms these,
Yet still I chose this tree from them.
Which dwells within the human heart;
From earth below to heaven above,
In each, in all, it fain has part.
And hence beliefs, the fond, the vain,
The thousand shapes that fancies take,
To bind the fine connecting chain.
And love to see them droop and fade;
For every leaf that sheds its bloom
Seems like a natural tribute paid.
What are the flowers we hold most dear?
The sign of human thought or tear.
A place within the heart, denied
To fairer foreign flowers, to those
To earlier memories allied?
Fluctuates in my weary mind;
Uncertain tree! my fate was wrought
In the same loom where thine was twined.
Did I still watch the aspen-tree,
Because in its unrest I found
Somewhat of sympathy with me.
THE VIOLET.
Love I this little flower?
Because its fragrant leaves are those
I loved in childhood's hour.
The violet has my love;
I did not pass my childish days
In garden or in grove:
Upon whose edge was set
A little vase—the fair, the sweet—
It was the violet.
How I did watch its growth!
For health and bloom, what plans I tried,
And often injured both!
I placed it in the sun;
And ever, at the evening hour,
My work seemed half undone.
How slow they seemed to be!
At last there came a tinge of blue,—
'Twas worth the world to me!
Shed from their purple wreath;
Has now so sweet a breath.
Such rich gifts to bestow;
So precious in my sight, I deemed
That all must think them so.
To be a child once more;
If future years could bring again
All that they brought before?
It is no more of flowers;
Their bloom is past, their breath is flown,
Yet I recall those hours.
By spring or summer nurst;
Yet still I love the violet best,
Because I loved it first.
THE LITTLE SHROUD.
A chaplet on his head;
And gather'd early primroses
To scatter o'er the dead.
'Twas hard to lay him there,
When spring was putting forth its flowers,
And every thing was fair.
The last of them was gone;
And day and night she sat and wept
Beside the funeral stone.
Were falling with the dew,
She heard a voice, and lo! her child
Stood by her weeping too!
He said,—“I cannot sleep,
Your tears have made my shroud so wet;
Oh, mother, do not weep!”
Was filled with tender fears;
Oh, love is strong!—and for her child
Her grief restrained its tears.
And there she saw him stand—
Her infant, in his little shroud,
A taper in his hand.
And I can sleep once more!”
And beautiful the parting smile
The little infant wore.
He laid his weary head;
And soon the early violets
Grew o'er his grassy bed.
Again she knelt in prayer,
And only asked of Heaven its aid
Her heavy lot to bear.
THE CHURCHYARD.
Hallowing its place of rest; and here the dead
Slumber, where all religious impulses,
And sad and holy feelings, angel like,
Make the spot sacred with themselves, and wake
Those sorrowful emotions in the heart
Which purify it, like a temple meet
For an unearthly presence. Life, vain Life,
The bitter and the worthless, wherefore here
Do thy remembrances intrude?
A green and solitary shade;
And many a wild flower on that mound
Its pleasant summer home has made.
And every breath that waves a leaf
Flings down upon the lonely flowers
A moment's sunshine, bright and brief—
A blessing looked by passing hours.
Half sleep, half song—half false, half true,
As if the wind that brought them there
Had touched them with its music too.
It is the very place to dream
Away a twilight's idle rest;
Where Thought floats down a starry stream,
Without a shadow on its breast.
Without its low and petty cares;
Where Pleasure some new veil has thrown,
To hide the weary face she wears.
Where hopes are high, yet cares come not,
Those fellow-waves of life's drear sea,
Its froth and depth—where Love is what
Love only in a dream can be.
I cannot dream beneath that shade—
Too solemn is the haunted ground
Where Death his resting-place has made.
I feel my heart beat but to think
Each pulse is bearing life away;
I cannot rest upon the grave,
And not feel kindred to its clay.
Alas! and can it be the same—
The young, the lovely, and the loved?—
It is too soon to bear thy name.
Too soon!—oh no, 'tis best to die
Ere all of life save breath is fled:
Have long been numbered with the dead?
No check, no soil had either known
The angel natures of yon sky
Will only be to thee thine own.
Thou knew'st no rainbow-hopes that weep
Themselves away to deeper shade;
Nor Love, whose very happiness
Should make the weakening heart afraid.
The tears the stars at midnight weep,
The dewy wild-flowers—such as these
Are fitting mourners o'er thy sleep.
That scorch and wither as they flow;
Then let them flow for those who live,
And not for those who sleep below.
Has long been loosed, and yet live on—
The doomed to drink of life's dark wave,
Whose golden bowl has long been gone!
Ay, weep for those, the wearied, worn,
Dragged downward by some earthly tie,
By some vain hope, some vainer love,
Who loathe to live, yet fear to die.
CHANGE.
For the departing colour of thy flowers—
The green leaves early falling from thy boughs—
Thy birds so soon forgetful of their songs—
Thy skies, whose sunshine ends in heavy showers;—
But thou dost leave thy memory, like a ghost,
To haunt the ruined heart, which still recurs
To former beauty; and the desolate
Is doubly sorrowful when it recalls
It was not always desolate.
When those eyes have forgotten the smile they wear now,
When care shall have shadowed that beautiful brow—
When thy hopes and thy roses together lie dead,
And thy heart turns back pining to days that are fled—
Like the moonlight on water, the breath-stain on glass:
Oh! maiden, the lovely and youthful, to thee,
How rose-touched the page of thy future must be!
By the past, if thou judge it, how little is there
But flowers that flourish, but hopes that are fair;
And what is thy present? a southern sky's spring,
With thy feelings and fancies like birds on the wing.
As the rose by the fountain flings down on the wave
Its blushes, forgetting its glass is its grave:
So the heart sheds its colour on life's early hour,
But the heart has its fading as well as the flower.
The charmed light darkens, the rose-leaves are gone,
And life, like the fountain, floats colourless on.
Said I, when thy beauty's sweet vision was fled,
How wouldst thou turn, pining, to days like the dead!
Wilt thou weep like a mourner o'er all thou lovest now;
When thy hopes, like spent arrows, fall short of their mark;
Or, like meteors at midnight, make darkness more dark;
When thy feelings lie fettered like waters in frost,
Or, scattered too freely, are wasted and lost:
For aye cometh sorrow, when youth has pass'd by—
What saith the Arabian? Its memory's a sigh.
THE THREE BROTHERS.
I.
They dwelt in a valley of sunshine, those Brothers;Green were the palm-trees that shadowed their dwelling;
Sweet, like low music, the sound of the fountains
That fell from the rocks round their beautiful home:
There the pomegranate blushed like the cheek of the maiden
When she hears in the distance the step of her lover,
And blushes to know it before her young friends.
They dwelt in the valley—their mine was the corn-field
Heavy with gold, and in autumn they gathered
The grapes that hung clustering together like rubies:
And the ringdoves filled every grove with their song.
II.
But those Brothers were weary; for hope like a gloryLived in each bosom—that hope of the future
Which turns where it kindles the heart to an altar,
And urges to honour and noble achievement.
To this fine spirit our earth owes her greatest:
For the future is purchased by scorning the present,
And life is redeemed from its clay soil by fame.
They leant in the shades of the palm-trees at evening,
When a crimson haze swept down the side of the mountain:
Glorious in power and terrible beauty,
The Spirit that dwelt in the star of their birth
Each felt his destiny hung on that moment;
Each from his hand took futurity's symbol—
One took a sceptre, and one took a sword;
But a little lute fell to the share of the youngest,
And his Brothers turned from him and laughed him to scorn.
III.
And the King said, “The earth shall be filled with my glory:”And he built him a temple—each porphyry column
Was the work of a life; and he built him a city—
A hundred gates opened the way to his palace,
(Too few for the crowds that there knelt as his slaves),
And the highest tower saw not the extent of the walls.
The banks of the river were covered with gardens;
The turrets were shining with taper and lamp,
Which filled the night-wind, as it passed them, with odours.
The angel of death came and summoned the monarch;
But he looked on the city, the fair and the mighty,
And said, “Ye proud temples, I leave ye my fame.”
IV.
The conqueror went forth, like the storm over ocean,His chariot-wheels red with the blood of the vanquished;
Nations grew pale at the sound of his trumpet,
Thousands rose up at the wave of his banners,
And the valleys were white with the bones of the slain
Heavy and crimson his banner was waving
O'er the plain where his victories were written in blood,
And he welcomed the wound whence his life's tide was flowing;
For death is the seal to the conqueror's fame.
V.
But the youngest went forth with his lute—and the valleysWere filled with the sweetness that sighed from its strings;
Maidens, whose dark eyes but opened on palaces,
Wept as at twilight they murmured his words.
He sang to the exile the songs of his country,
Till he dreamed for a moment of hope and of home;
While the tears of his childhood sprang into his eyes.
He died—and his lute was bequeathed to the cypress,
And his tones to the hearts that loved music and song.
VI.
Long ages pass'd, from the dim world of shadowsThese Brothers return'd to revisit the earth;
They came to revisit the place of their glory,
To hear and rejoice in the sound of their fame.
They looked for the palace—the temple of marble—
The rose-haunted gardens—a desert was there;
The sand, like the sea in its wrath, had swept o'er them,
And tradition had even forgotten their names.
The Conqueror stood on the place of his battles,
And the green grass was waving its growth of wild flowers;
And they, not his banner, gave name to the place.
They passed a king's garden, and there sat his daughter,
Singing a sweet song remember'd of old,
And the song was caught up, and sent back like an echo,
From a young voice that came from a cottage beside.
Then smiled the Minstrel, “You hear it, my Brothers,
My Songs yet are sweet on the lute and the lip.”
King, not a vestige remains of your palaces;
Conqueror, forgotten the fame of your battles:
But the Poet yet lives in the sweetness of music—
He appeal'd to the heart, that never forgets.
EDITH.
We have to make a grave;
The flowers will grow, the birds will sing,
The early roses wave;
And make the sod we're spreading fair,
For her who sleeps below:
We might not bear to lay her there
In winter frost and snow.
When but a fairy child,
With dancing step, and birdlike song,
And eyes that only smiled;
Was even in her mirth;
She look'd a flower that one rough gale
Would bear away from earth.
Within her radiant eyes;
They were too beautiful, too bright,
Too like their native skies:
Too changeable the rose which shed
Its colour on her face,
Now burning with a passionate red,
Now with just one faint trace.
Its shell the spirit wore;
We only feared the more.
The crimson deepen'd on her cheek,
Her blue eyes shone more clear,
And every day she grew more weak,
And every hour more dear.
The loving and beloved;
Yon sky which was her native clime
Hath but its own removed.
This earth was not for one, to whom
Nothing of earth was given;
'Twas but a resting-place, her tomb,
Between the world and heaven.
THE FORGOTTEN ONE.
Where once thy footsteps roved;
Nor leaf, nor blossom, bear a trace
Of how thou wert beloved.
The very night dew disappears
Too soon, as if it spared its tears.
Were listen'd for like song!
They used to call thy voice so sweet;—
It did not haunt them long.
Thou, with thy fond and fairy mirth—
How could they bear their lonely hearth!
Thy glad and open brow;
No profiled outline on the wall
Seems like thy shadow now;
They have not even kept to wear
One ringlet of thy golden hair.
But just like yesterday;
It startles me to think that years
Since then are pass'd away.
The old oak tree that was our tent,
No leaf seems changed, no bough seems rent.
Drove us beneath the shade;
The spreading branches made.
The raindrops shine upon the bough,
The passing rain—but where art thou?
Have wash'd this old oak tree,
The winter and the summer hours,
Since I stood here with thee:
And I forget how chance a thought
Thy memory to my heart has brought.
As if they still should weep;
I speak of grief that long has slept,
As if it could not sleep;
Have I, myself, forgotten less?
Nor thought how there was laid
One fair and young as any there,
In silence and in shade.
How could I see a sweet mouth shine
With smiles, and not remember thine?
Or who could linger on
Beneath a sky whose stars are set,
On earth whose flowers are gone?
For who could welcome loved ones near,
Thinking of those once far more dear,
We cannot feel again
The earnest love, the simple truth,
Which made us such friends then.
We grow suspicious, careless, cold;
We love not as we loved of old.
Love must and will expand,
Loved and beloving we must be,
With open heart and hand,
Which only ask to trust and share
The deep affections which they bear.
And now that it is past,
Than where my lot is cast.
My eyes fill with their sweetest tears
In thinking of those early years.
Shine gladly o'er thy tomb;
To see the wild flowers o'er it run
In such luxuriant bloom.
Now I feel glad that they should keep
A bright sweet watch above thy sleep.
Only recall'd its own;
It is Hope that now breathes thy name,
Though borrowing Memory's tone.
The native home of one like thee.
Upon thy grass-grown bed
Are like the thoughts that now recall
Thine image from the dead.
A blessing hallows thy dark cell—
I will not stay to weep. Farewell!
THE ALTERED RIVER.
Thou lovely river, thou art nowAs fair as fair can be,
Pale flowers wreathe upon thy brow,
The rose bends over thee.
Only the morning sun hath leave
To turn thy waves to light,
Cool shade the willow branches weave
When noon becomes too bright.
The lilies are the only boats
Upon thy diamond plain,
The swan alone in silence floats
Around thy charm'd domain.
With fairy favours starr'd,
Seems made the summer haunt to be
Of melancholy bard.
Fair as thou art, thou wilt be food
For many a thought of pain;
For who can gaze upon thy flood,
Nor wish it to remain
The same pure and unsullied thing
Where heaven's face is as clear
Mirror'd in thy blue wandering
As heaven's face can be here.
Flowers fling their sweet bonds on thy breast,
The willows woo thy stay,
In vain,—thy waters may not rest,
Their course must be away.
What all find—toil and care:
Your flowers you have left behind
Far other weight to bear.
The heavy bridge confines your stream,
Through which the barges toil,
Smoke has shut out the sun's glad beam,
Thy waves have caught the soil.
On—on—though weariness it be,
By shoal and barrier cross'd,
Till thou hast reach'd the mighty sea,
And there art wholly lost.
Bend thou, young poet, o'er the stream—
Such fate will be thine own;
Thy lute's hope is a morning dream,
And when have dreams not flown?
THE CITY OF THE DEAD.
Drear shadows on the fairer trees and flowers—
Affection's latest signs. [OMITTED]
Dark portal of another world—the grave—
I do not fear thy shadow; and methinks,
If I may make my own heart oracle,—
The many long to enter thee, for thou
Alone canst reunite the loved and lost
With those who pine for them. I fear thee not;
I only fear my own unworthiness,
Lest it prove barrier to my hope, and make
Another parting in another world.
I.
Laurel! oh, fling thy green boughs on the air,There is dew on thy branches, what doth it do there?
Thou that art worn on the conqueror's shield,
When his country receives him from glory's red field;
When the song of its sweetness has won its reward.
Earth's changeless and sacred—thou proud laurel tree!
The tears of the midnight, why hang they on thee?
II.
Rose of the morning, the blushing and bright,Thou whose whole life is one breath of delight;
Beloved of the maiden, the chosen to bind
Her dark tresses' wealth from the wild summer wind.
Fair tablet, still vow'd to the thoughts of the lover,
Whose rich leaves with sweet secrets are written all over;
Fragrant as blooming—thou lovely rose tree!
The tears of the midnight, why hang they on thee?
III.
Dark cypress! I see thee—thou art my reply,Why the tears of the night on thy comrade trees lie;
That laurel it wreathed the red brow of the brave,
Yet thy shadow lies black on the warrior's grave.
That rose was less bright than the lip which it prest,
Yet thy sad branches bend o'er the maiden's last rest;
The brave and the lovely alike they are sleeping,
I marvel no more rose and laurel are weeping.
IV.
Yet, sunbeam of heaven! thou fall'st on the tomb—Why pausest thou by such dwelling of doom?
Before thee the grove and the garden are spread—
Why lingerest thou round the place of the dead?
Thou art from another, a lovelier sphere,
Unknown to the sorrows that darken us here.
Weep, mourner, no more o'er thy grief and thy love!
Still thy heart in its beating; be glad of such rest,
Though it call from thy bosom its dearest and best.
Weep no more that affection thus loosens its tie;
Weep no more that the loved and the loving must die;
Weep no more o'er the cold dust that lies at your feet:
But gaze on yon starry world—there ye shall meet.
V.
O heart of mine! is there not One dwelling thereTo whom thy love clings in its hope and its prayer?
For whose sake thou numberest each hour of the day,
As a link in the fetters that keep me away?
When I think of the glad and the beautiful home,
Which oft in my dreams to my spirit hath come:
That when our last sleep on my eyelids hath prest,
When wanderer no longer on life's weary shore,
I may kneel at thy feet, and part from thee no more:
While death holds such hope forth to soothe and to save,
Oh, sunbeam of heaven, thou may'st well light the grave!
ADMIRAL COLLINGWOOD.
To sail upon the deep;
A thousand sailors under you,
Their watch and ward to keep:
To see your gallant battle-flag
So scornfully unrolled,
As scarcely did the wild wind dare
To stir one crimson fold:
Like birds upon the wing;
Yet know they only wait your will—
It is a glorious thing.
And looked upon the sea;
He held the glass in his right hand,
And far and near looked he:
Abroad upon the main;
From east to west, from north to south,
It was his own domain.
“Good news for England this, good news,”
Forth may her merchants fare;
Thick o'er the sea, no enemy
Will cross the pathway there.
A shadow to his brow;
What is it ails him now?
Tears stand within the brave man's eyes,
Each softer pulse is stirred:
It is the sickness of the heart,
Of hope too long deferred.
And for his native shore;
All but his honour he would give,
To be at home once more.
He does not know his children's fare;
His wife might pass him by,
He is so altered, did they meet,
With an unconscious eye:
He's worn with wind and wave;
He asks a little breathing space
Between it and his grave:
He feels his breath come heavily,
His keen eye faint and dim;
It was a weary sacrifice
That England asked of him.
The deep voice of the gun,
The lowering of his battle-flag,
Told when his life was done.
His sailors walked the deck and wept;
Around them howled the gale;
A widow's cheek grew pale.
Our history's blazoned line,
I know not one, brave Collingwood,
That touches me like thine.
THE FIRST GRAVE.
[This poem originated in the circumstance of the first grave being formed in the churchyard of the new church at Brompton. The place had been recently a garden, and some of the flowers yet shewed themselves among the grass, where this one tenant, the forerunner of its population, had taken up his last abode.]
In this unbroken ground,
Where yet the garden leaf and flower
Are lingering around.
A single grave!—my heart has felt
How utterly alone
In crowded halls, were breathed for me
Not one familiar tone;
All but the distant sky;—
I've felt the loneliness of night
When the dark winds pass'd by;
My pulse has quickened with its awe,
My lip has gasped for breath;
But what were they to such as this—
The solitude of death!
How sunder human ties,
When round the silent place of rest
A gathered kindred lies.
We stand beneath the haunted yew,
And watch each quiet tomb;
And in the ancient churchyard feel
Solemnity, not gloom:
The hope that is of prayer;
And human love, and heavenward thought,
And pious faith, are there.
The wild flowers spring amid the grass;
And many a stone appears,
Carved by affection's memory,
Wet with affection's tears.
Is loosed, not rent in twain;
And love, and hope, and fear, unite
To bring the past again.
But this grave is so desolate,
With no remembering stone,
No fellow-graves for sympathy—
'Tis utterly alone.
His history or name—
Whether if, lonely in his life,
He is in death the same:
Whether he died unloved, unmourned,
The last leaf on the bough;
Or, if some desolated hearth
Is weeping for him now.
Though single be his sod,
Yet not the less it has around
The presence of his God.
It may be weakness of the heart,
But yet its kindliest, best:
Better if in our selfish world
It could be less represt.
Man closer with his kind—
Those sweet humanities which make
The music which they find.
How many a bitter word 'twould hush—
How many a pang 'twould save,
If life more precious held those ties
Which sanctify the grave!
THE FEAST OF LIFE.
Each one thou lovest is gather'd there;
Yet put thou on a mourning robe,
And bind the cypress in thy hair.
The hall is vast, and cold, and drear;
The board with faded flowers is spread;
Shadows of beauty flit around,
But beauty from which bloom has fled;
But music with a dirge-like sound;
And pale and silent are the guests,
And every eye is on the ground.
And drink to human hopes and fears;
'Tis from their native element
The cup is fill'd—it is of tears.
Thou scornest this poor feast of mine;
And askest for a purple robe,
Light words, glad smiles, and sunny wine.
In vain—the veil has left thine eyes,
Or such these would have seem'd to thee;
Before thee is the Feast of Life,
But life in its reality!
FOLLOW ME!
Was on the fallen castle: other days
Were here remembered vividly; the past
Was even as the present, nay, perhaps more—
For that we do not pause to think upon.
First, o'er the arching gateway was a shield,
The sculptured arms defaced, but visible
Was the bold motto, “Follow me:” again
I saw it scrolled around the lofty crest
Which, mouldering, decked the ruined banquet-room:
A third time did I trace these characters—
On the worn pavement of an ancient grave
Was written “Follow me!”
No eye must turn, and no step must yield;
In the thick of the battle look ye to be:
On!—'tis my banner ye follow, and me.
Where the maidens smile and the minstrels sing;
Hark! to our name is the bright wine poured:
Follow me on to the banquet-board!
When the strength and the pride of the victor ends
Pale in the thick grass the wild flowers bloom:
Follow me on to the silent tomb!
THE LEGACY OF THE LUTE.
'Tis all I have to offer thee;
And may it be less fatal gift
Than it has ever been to me.
My sigh yet lingers on the strings,
The strings I have not heart to break:
Wilt thou not, dearest! keep the lute
For mine—for the departed's sake?
Leave it upon the cypress tree;
I would have crushed its charmed chords,
But they so oft were strung to thee.
Or weary destiny is thine!
Thy life a twilight's haunted dream—
Thou, victim, at an idol's shrine.
Thy hope, a thing beyond the grave,—
Thy heart, bare to the vulture's beak—
Thyself a bound and barter'd slave.
And yet a dangerous charm o'er all,
A bright but ignis-fatuus flame,
Luring thee with a show of power,
Dazzling thee with a blaze of fame.
The throbbing music of thine own;
Alone—ay, utterly alone.
I sought to fling my laurel wreath
Away upon the autumn wind:
In vain,—'twas like those poison'd crowns
Thou may'st not from the brow unbind.
On dreams, yet watch those dreams depart;
To bear through life—to feel in death—
A burning and a broken heart.
Then hang it on the cypress bough,
The minstrel-lute I leave to thee;
And be it only for the wind
To wake its mournful dirge for me.
THE FESTIVAL.
Who shall talk of our wearisome life,
And dwell upon weeds and on weeping—
The struggle, the sorrow, the strife?
The hours of our being are coloured,
And many are coloured with rose;
Though on some be a sign and a shadow,
I list not to speak now of those.
Of lamps, like large pearls which some fay
If softer, is as bright as of day.
Beneath the verandah are flowers—
Camellias like ivory wrought
With the grace of a young Grecian sculptor,
Who traced what some Oread brought;
'Tis the song of a far-distant land;
But never, in vineyard or valley,
Assembled a lovelier band.
Come thou, with thy glad golden ringlets,
Like rain which is lit by the sun—
With eyes, the bright spirit's bright mirrors—
Whose cheek and the rose-bud are one.
For thee has forgotten the throng,
And builds on thy fairy-like beauty
A future of sigh and of song.
Ay, listen, but as unto music
The wild wind is bearing away,
As sweet as the sea-shells at evening,
But far too unearthly to stay.
Is coloured too much by his mind—
A fabric of fancy and falsehood,
But never for lasting designed.
For he lives but in beauty—his visions
Inspire with their passion his strain;
And the spirit so quick at impression
Was never meant long to retain.
Oh, pause! let me gaze on thy brow:
I've seen thee, fair lady, thrice lovely,
But never so lovely as now.
Thou art changed since those earlier numbers
When thou wert a vision to me;
And, copies from some fairest picture,
My heroines were painted from thee.
My sweet summer queen of romance;
No more will my princes pay homage,
My knights for thy smile break the lance,
Confess they were exquisite lovers,
The fictions that knelt at thy throne;
But the graceful, the gallant, the noble,
What fancy could equal thine own?
Mid the earlier dreams that have past
O'er my lute, like the fairies by moonlight,
To leave it more lonely at last.
Alas! it is sad to remember
The once gentle music now mute;
Ah! many a chord hath time stolen
Alike from my heart and my lute.
There are dreams enow floating around;
But, ah! our soft dreams while thus waking
Are aye the most dangerous found.
Like the note of a lute was that whisper—
Fair girl, do not raise those dark eyes:
Love only could breathe such a murmur;
And what will Love bring thee but sighs?
Is flushed with the circle's light praise,
Oh! let it not dwell on thy spirit—
How vain are the hopes it will raise!
The praise of the crowd and the careless,
Just caught by a chance and a name,
Oh! take it as pleasant and passing,
But never mistake it for fame!
When thy rapt spirit eagle-like springs;
But, for the gay circle now passing,
Take only the butterfly's wings.
The flowers around us are fading—
Meet comrades for revels are they;
And the lamps overhead are decaying—
How cold seems the coming of day!
And bid the dark curtains round close;
For your cheek from the morning's tired slumber
Must win its sweet exile the rose.
What, weary and saddened! this evening
Is an earnest what all pleasures seem—
A few eager hours' enjoyment—
A toil, a regret, and a dream!
THE MIDDLE TEMPLE GARDENS.
Like a melody bringing sweet fancies to mind;
Some to grieve, some to gladden: around them they cast
The hopes of the morrow, the dreams of the past.
Away in the distance is heard the vast sound,
From the streets of the city that compass it round,
Like the echo of mountains, or ocean's deep call;
Yet that fountain's low singing is heard over all.
Of the Thames, that sweeps onwards—a world at its side:
Of the thousand tall ships that have weathered the gale:
While beyond the arched bridge the old abbey appears,
Where England has garnered the glories of years.
There the royal, the lovely, the gifted, the brave,
Haunt the heart with a poetry born of the grave.
The elm and the lime over flower-beds bend;
And the sunshine rains in as the light leaves are stirred,
When away from the nest he has built springs the bird.
And the sunset has crimsoned the boughs over head:
But the lamps are now shining, the colours are gone,
And the garden lies shadowy, silent, and lone.
That asks from the night-time the toils of the day!
I fancy I see the brow bent o'er the page,
Whose youth wears the paleness and wrinkles of age.
The hour may be coming when fortune and fame
May crown the endeavour, and honour the name:
But the toil has been long that too early began;
And the judge and the peer is a world-weary man.
How many sink down ere the race be half run!
What struggles, what hopes, what despair may have been,
Where sweep those dark branches of shadowy green!
What crowds are around us, what misery is there,
Could the heart, like the face which conceals it, lay bare!
But we know not each other—we seek not to know
What the social world hides in the darkness below.
Of the fountain, now bright with the new risen moon.
In the chamber within are the gay and the young;
The light laugh is laughed, and the sweet song is sung.
The jest is an omen, the smile is a task.
A slave in a pageant, I walk through life's part,
With smiles on the lip, and despair at the heart.
I know not that I have ever been more struck than with the beauty of the Middle Temple Gardens, as seen on a still summer evening. There is about it such a singular mixture of action and repose. The trees cast an undisturbed shadow on the turf; the barges rest tranquilly on the dark river; only now and then the dim outline of a scarcely seen sail flits by; the very lamps in the distance seem as if shining in their sleep. But the presence of life is around. Lights appear in most of the windows; and there comes upon the air the unceasing murmur of the city around. Nothing is distinct; all varieties of noise blending into one deep sound. But the little fountain is heard amid it all; the ear does not lose a note of its low sweet music: it is the poetry of the place, or, rather, the voice of the poetry with which it is filled.
The Vow of the Peacock, and Other Poems | ||