 | Songs of Love and Empire |  |
75
III
77
“SHEPHERDS ALL AND MAIDENS FAIR”
Pipe, shepherds, pipe, the summer's ripe;
So wreathe your crooks with flowers;
The world's in tune to Love and June,
The days are rich in hours,
In rosy hours, in golden hours—
Love's crown and fortune fair,
So gather gold for Love to hold,
And flowers for Love to wear!
So wreathe your crooks with flowers;
The world's in tune to Love and June,
The days are rich in hours,
In rosy hours, in golden hours—
Love's crown and fortune fair,
So gather gold for Love to hold,
And flowers for Love to wear!
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ing, maidens, sing! A dancing ring
Of pleasures speed your way;
Too harsh and dry is fierce July,
Too maiden-meek was May;
But Love and June their old sweet tune
Are singing at your ear:
So learn the song and troop along
To meet your shepherds dear!
Of pleasures speed your way;
Too harsh and dry is fierce July,
Too maiden-meek was May;
But Love and June their old sweet tune
Are singing at your ear:
So learn the song and troop along
To meet your shepherds dear!
Oh, Chloris fair, a rose to wear,
And gold to spend have I—
When all are gay on this June day
You would not bid me sigh?
You would not scorn a swain forlorn—
Each shepherd far and near
Hastes to his sweet, with flying feet,
As I towards my dear.
And gold to spend have I—
When all are gay on this June day
You would not bid me sigh?
You would not scorn a swain forlorn—
Each shepherd far and near
Hastes to his sweet, with flying feet,
As I towards my dear.
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No maids there be in Arcady
But have their shepherds true;
Must you alone despise the one
Who only pipes for you?
You have no ear my pipe to hear
Though all for you it be;
And I no eyes for her who sighs
And only sings for me!
But have their shepherds true;
Must you alone despise the one
Who only pipes for you?
You have no ear my pipe to hear
Though all for you it be;
And I no eyes for her who sighs
And only sings for me!
80
A PORTRAIT
Like the sway of the silver birch in the breeze of dawn
Is her dainty way;
Like the gray of a twilight sky or a starlit lawn
Are her eyes of gray;
Like the clouds in their moving white
Is her breast's soft stir;
And white as the moon and bright
Is the soul of her.
Is her dainty way;
Like the gray of a twilight sky or a starlit lawn
Are her eyes of gray;
Like the clouds in their moving white
Is her breast's soft stir;
And white as the moon and bright
Is the soul of her.
Like murmur of woods in spring ere the leaves be green,
Like the voice of a bird
That sings by a stream that sings through the night unseen,
So her voice is heard.
And the secret her eyes withhold
In my soul abides,
For white as the moon and cold
Is the heart she hides.
Like the voice of a bird
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So her voice is heard.
And the secret her eyes withhold
In my soul abides,
For white as the moon and cold
Is the heart she hides.
82
THE OFFERING
What will you give me for this heart of mine,
No heart of gold—and yet my dearest treasure?
It has its graces—it can ache and pine,
And beat true time to your sweet voice's measure;
It bears your name, it lives but for your pleasure:
What will you give me for this heart I bring,
That holds my life, my joy, my everything?
No heart of gold—and yet my dearest treasure?
It has its graces—it can ache and pine,
And beat true time to your sweet voice's measure;
It bears your name, it lives but for your pleasure:
What will you give me for this heart I bring,
That holds my life, my joy, my everything?
How can I ask a price, when all my prayer
Is that, without return, you will but take it—
Feed it with hope, or starve it to despair,
Keep it to play with, mock it, crush it, break it,
And, if your will lies there, at last forsake it?
Its epitaph shall voice its deathless pride:
“She held me in her hands until I died.”
Is that, without return, you will but take it—
Feed it with hope, or starve it to despair,
Keep it to play with, mock it, crush it, break it,
And, if your will lies there, at last forsake it?
Its epitaph shall voice its deathless pride:
“She held me in her hands until I died.”
83
ENTREATY
O Love, let us part now!
Ours is the tremulous, low-spoken vow,
Ours is the spell of meeting hands and eyes.
The first, involuntary, sacred kiss
Still on our lips in benediction lies.
O Love, be wise!
Love at its best is worth no more than this—
Let us part now!
Ours is the tremulous, low-spoken vow,
Ours is the spell of meeting hands and eyes.
The first, involuntary, sacred kiss
Still on our lips in benediction lies.
O Love, be wise!
Love at its best is worth no more than this—
Let us part now!
O Love, let us part now!
Ere yet the roses wither on my brow,
Ere yet the lilies wither in your breast,
Ere the implacable hour shall flower to bear
The seeds of deathless anguish and unrest.
To part is best.
Between us still the drawn sword flameth fair—
Let us part now!
Ere yet the roses wither on my brow,
Ere yet the lilies wither in your breast,
Ere the implacable hour shall flower to bear
The seeds of deathless anguish and unrest.
To part is best.
Between us still the drawn sword flameth fair—
Let us part now!
84
THE FOREST POOL
Lean down and see your little face
Reflected in the forest pool,
Tall foxgloves grow about the place,
Forget-me-nots grow green and cool.
Look deep and see the naiad rise
To meet the sunshine of your eyes.
Reflected in the forest pool,
Tall foxgloves grow about the place,
Forget-me-nots grow green and cool.
Look deep and see the naiad rise
To meet the sunshine of your eyes.
Lean down and see how you are fair,
How gold your hair, your mouth how red;
See the leaves dance about your hair
The wind has left unfilleted.
What naiad of them can compare
With you for good and dear and fair?
How gold your hair, your mouth how red;
See the leaves dance about your hair
The wind has left unfilleted.
What naiad of them can compare
With you for good and dear and fair?
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Ah! look no more—the water stirs,
The naiad weeps your face to see,
Your beauty is more rare than hers,
And you are more beloved than she.
Fly! fly, before she steals the charms
The pool has trusted to her arms.
The naiad weeps your face to see,
Your beauty is more rare than hers,
And you are more beloved than she.
Fly! fly, before she steals the charms
The pool has trusted to her arms.
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DISCRETION
Ah, turn your pretty eyes away!
You would not have me love again?
Love's pleasure does not live a day,
Immortal is Love's pain,
And I am tired of pain.
You would not have me love again?
Love's pleasure does not live a day,
Immortal is Love's pain,
And I am tired of pain.
I have loved once—aye, once or twice;
The pleasure died, the pain lives here;
I will not look in your sweet eyes,
I will not love you, Dear,
Lest you should grow too dear.
The pleasure died, the pain lives here;
I will not look in your sweet eyes,
I will not love you, Dear,
Lest you should grow too dear.
For I am weary and afraid.
Have I not seen why life was fair,
And known how good a world God made,
How sweet the blossoms were,
How dear the green fields were?
Have I not seen why life was fair,
And known how good a world God made,
How sweet the blossoms were,
How dear the green fields were?
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And I have found how life was gray,
A mist-hung road, a quest in vain,
Until once more Love smiled my way
And fooled me once again,
And taught me grief again.
A mist-hung road, a quest in vain,
Until once more Love smiled my way
And fooled me once again,
And taught me grief again.
Now I will gather no more grief;
I only ask to see the sky,
The budding flower, the budding leaf,
And put old dreamings by,
The dreams Love tortures by.
I only ask to see the sky,
The budding flower, the budding leaf,
And put old dreamings by,
The dreams Love tortures by.
For, being wise, I love no more;
You, if you will, snare with those eyes
Some fool who never loved before,
And teach him to be wise!
For why should you be wise?
You, if you will, snare with those eyes
Some fool who never loved before,
And teach him to be wise!
For why should you be wise?
88
SPRING SONG
Here's the Spring-time, Sweet!
Earth's green gown is new,
Lambs begin to bleat,
Doves begin to coo,
Birds begin to woo
In the wood and lane;
Sweet, the tale is true
Spring is here again!
Earth's green gown is new,
Lambs begin to bleat,
Doves begin to coo,
Birds begin to woo
In the wood and lane;
Sweet, the tale is true
Spring is here again!
I have been discreet
All the winter through;
Now, before your feet,
Blossoms let me strew.
Flowers, as yet, are few;
Will my lady deign
Take this flower or two?
Spring is here again
All the winter through;
Now, before your feet,
Blossoms let me strew.
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Will my lady deign
Take this flower or two?
Spring is here again
Make the year complete,
Give the Spring her due!
All the flowers entreat,
All the song-birds sue.
'Twixt the green and blue
Let Love wake and reign,
Let me worship you—
Spring is here again!
Give the Spring her due!
All the flowers entreat,
All the song-birds sue.
'Twixt the green and blue
Let Love wake and reign,
Let me worship you—
Spring is here again!
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TOO LATE
WHEN Love, sweet Love, was tangled in my snare
I clipped his wings, and dressed his cage with flowers,
Made him my little joy for little hours,
And fed him when I had a song to spare.
And then I saw how good life's good things were,
The kingdoms and the glories and the powers.
Flowers grew in sheaves and stars were shed in showers,
And, when the great things wearied, Love was there.
I clipped his wings, and dressed his cage with flowers,
Made him my little joy for little hours,
And fed him when I had a song to spare.
And then I saw how good life's good things were,
The kingdoms and the glories and the powers.
Flowers grew in sheaves and stars were shed in showers,
And, when the great things wearied, Love was there.
But when, within his cage, one winter day
I found him lying still with folded wings,
No longer fluttering, eager to be fed—
Kingdoms and powers and glories passed away,
And of life's countless, precious, priceless things
Nothing was left but Love—and Love was dead!
I found him lying still with folded wings,
No longer fluttering, eager to be fed—
Kingdoms and powers and glories passed away,
And of life's countless, precious, priceless things
Nothing was left but Love—and Love was dead!
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BY FAITH WITH THANKSGIVING
Love is no bird that nests and flies,
No rose that buds and blooms and dies,
No star that shines and disappears,
No fire whose ashes strew the years:
Love is the god who lights the star,
Makes music of the lark's desire,
Love tells the rose what perfumes are,
And lights and feeds the deathless fire.
No rose that buds and blooms and dies,
No star that shines and disappears,
No fire whose ashes strew the years:
Love is the god who lights the star,
Makes music of the lark's desire,
Love tells the rose what perfumes are,
And lights and feeds the deathless fire.
Love is no joy that dies apace
With the delight of dear embrace—
Love is no feast of wine and bread,
Red-vintaged and gold-harvested:
Love is the god whose touch divine
On hands that clung and lips that kissed,
Has turned life's common bread and wine
Into the Holy Eucharist.
With the delight of dear embrace—
Love is no feast of wine and bread,
Red-vintaged and gold-harvested:
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On hands that clung and lips that kissed,
Has turned life's common bread and wine
Into the Holy Eucharist.
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THE APPEAL
ALL summer-time you said:
“Love has no need of shelter nor of kindness,
For all the flowers take pity on his blindness,
And lead him to his scented rose-soft bed.”
“Love has no need of shelter nor of kindness,
For all the flowers take pity on his blindness,
And lead him to his scented rose-soft bed.”
“He is a king,” you said.
“That I bow not the knee will never grieve him,
For all the summer-palaces receive him.”
But now Love has not where to lay his head.
“That I bow not the knee will never grieve him,
For all the summer-palaces receive him.”
But now Love has not where to lay his head.
“He is a god,” you said.
“His altars are wherever roses blossom.”
And summer made his altar of her bosom,
But now the altar is ungarlanded.
“His altars are wherever roses blossom.”
And summer made his altar of her bosom,
But now the altar is ungarlanded.
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Take back the words you said:
Out in the rain he shivers broken-hearted;
Summer who bore him has with tears departed,
And o'er her grave he weeps uncomforted.
Out in the rain he shivers broken-hearted;
Summer who bore him has with tears departed,
And o'er her grave he weeps uncomforted.
And you, for all you said,
Would weep too, if when dawn stills the wind's riot,
You found him on your threshold, pale and quiet,
Clasped him at last, and found the child was dead.
Would weep too, if when dawn stills the wind's riot,
You found him on your threshold, pale and quiet,
Clasped him at last, and found the child was dead.
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AUTUMN SONG
“Will you not walk the woods with me?
The shafts of sunlight burn
On many a golden-crested tree
And many a russet fern.
The Summer's robe is dyed anew,
And Autumn's veil of mist
Is gemmed with little pearls of dew
Where first we met and kissed.”
The shafts of sunlight burn
On many a golden-crested tree
And many a russet fern.
The Summer's robe is dyed anew,
And Autumn's veil of mist
Is gemmed with little pearls of dew
Where first we met and kissed.”
“I will not walk the woodlands brown
Where ghosts and mists are blown,
But I will walk the lonely down
And I will walk alone.
Where Night spreads out her mighty wing
And dead days keep their tryst,
There will I weep the woods of Spring
Where first we met and kissed.”
Where ghosts and mists are blown,
But I will walk the lonely down
And I will walk alone.
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And dead days keep their tryst,
There will I weep the woods of Spring
Where first we met and kissed.”
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THE LAST ACT
Never a ring or a lock of hair
Or a letter stained with tears,
No crown for the princely hour to wear,
To be mocked of the rebel years.
Not a spoken vow, not a written page
And never a rose or a rhyme
To tell to the wintry ear of age
The tale of the summer time.
Or a letter stained with tears,
No crown for the princely hour to wear,
To be mocked of the rebel years.
Not a spoken vow, not a written page
And never a rose or a rhyme
To tell to the wintry ear of age
The tale of the summer time.
Never a tear or a farewell kiss
When the time is come to part;
For the kiss would burn and the tear would hiss
On the smouldering fire in my heart.
But let me creep to the kindly clay,
And nothing be left to tell
How I played in your play a year and a day,
And died when the curtain fell!
When the time is come to part;
For the kiss would burn and the tear would hiss
On the smouldering fire in my heart.
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And nothing be left to tell
How I played in your play a year and a day,
And died when the curtain fell!
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FAUTE DE MIEUX
When the corn is green and the poppies red
And the fields are crimson with love-lies-bleeding,
When the elms are black deep overhead
And the shade lies cool where the calves are feeding,
When the blackbird whistles the song of June,
When kine knee-deep in the pond are drowsing,
Leave pastoral peace—come up through the noon
To the high chalk downs where the sheep are browsing.
And the fields are crimson with love-lies-bleeding,
When the elms are black deep overhead
And the shade lies cool where the calves are feeding,
When the blackbird whistles the song of June,
When kine knee-deep in the pond are drowsing,
Leave pastoral peace—come up through the noon
To the high chalk downs where the sheep are browsing.
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Oh! sweet to dream in the noontide heat,
On the scented bed of thyme and clover,
With the air from the sea, blown keen and sweet,
And the wings of the wide sky folded over,
While, far in the blue, the skylark sings,
Renounce desire and renounce endeavour,
Forget life's little unworthy things
And dream that the dream will last for ever.
On the scented bed of thyme and clover,
With the air from the sea, blown keen and sweet,
And the wings of the wide sky folded over,
While, far in the blue, the skylark sings,
Renounce desire and renounce endeavour,
Forget life's little unworthy things
And dream that the dream will last for ever.
The love of your life, in your heart's hid shrine,
With its gifts and its torments, leave it sighing,
And I will bury the pain of mine
In the selfsame grave where its joy is lying.
Let me hold your hand for a quiet hour
In the wild thyme's scent and the clear blue weather,
Then come what may, we have plucked one flower,
This hour on the downs alone together.
With its gifts and its torments, leave it sighing,
And I will bury the pain of mine
In the selfsame grave where its joy is lying.
Let me hold your hand for a quiet hour
In the wild thyme's scent and the clear blue weather,
Then come what may, we have plucked one flower,
This hour on the downs alone together.
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SONG OF LONG AGO
LONG ago, long ago,
When the hawthorn buds were pearly
And the birds sang, late and early,
All the songs that lovers know,
How we lingered in the lane,
Kissed and parted, kissed again,
Parted, laggard foot and slow!
What a pretty world we knew
Dressed in moonlight, dreams and dew,
Long ago, my first sweet sweetheart,
Long ago!
When the hawthorn buds were pearly
And the birds sang, late and early,
All the songs that lovers know,
How we lingered in the lane,
Kissed and parted, kissed again,
Parted, laggard foot and slow!
What a pretty world we knew
Dressed in moonlight, dreams and dew,
Long ago, my first sweet sweetheart,
Long ago!
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Long ago, long ago,
When the wind was on the river
Where the lights and shadows shiver,
And the streets were all aglow.
In the gaudy gas-lit street
We two parted, sweet, my sweet,
And the crowd went to and fro,
And your veil was wet with tears
For the inevitable years—
Long ago, my last sweet sweetheart,
Long ago!
When the wind was on the river
Where the lights and shadows shiver,
And the streets were all aglow.
In the gaudy gas-lit street
We two parted, sweet, my sweet,
And the crowd went to and fro,
And your veil was wet with tears
For the inevitable years—
Long ago, my last sweet sweetheart,
Long ago!
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IN ECLIPSE
Pale veil of mist bound round the trees
Pale fringe of rain upon the hills,
Cold earth, cold sky and biting breeze
That mock the withered daffodils.
And yet so short a while ago,
The sunlight on the quickened land
Laughed at the memory of the snow,
And we went hand in hand.
Pale fringe of rain upon the hills,
Cold earth, cold sky and biting breeze
That mock the withered daffodils.
And yet so short a while ago,
The sunlight on the quickened land
Laughed at the memory of the snow,
And we went hand in hand.
Pale veil of doubt wound round my heart,
Pale fringe of tears upon your eyes;
Why did we choose the evil part?
Why did we leave our Paradise?
There were such green and pleasant ways
Where you and I with happy heart
Laughed at the old unhappy days,
And now—we are apart.
Pale fringe of tears upon your eyes;
Why did we choose the evil part?
Why did we leave our Paradise?
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Where you and I with happy heart
Laughed at the old unhappy days,
And now—we are apart.
Will the sun shine again some day?
Will you forgive me and forget?
Chill is the east, the west is gray,
And all our world with tears is wet.
Ah! love, the world is wide and cold,
The weary skies are wild with rain;
Give me at least your hand to hold
Till the sun shines again.
Will you forgive me and forget?
Chill is the east, the west is gray,
And all our world with tears is wet.
Ah! love, the world is wide and cold,
The weary skies are wild with rain;
Give me at least your hand to hold
Till the sun shines again.
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SPECIAL PLEADING
The world's a path all fresh and sweet,
A sky all fresh and fair,
With daisies underneath your feet
And roses for your hair;
Red roses for your pretty hair,
Green trees to shade your way,
And lavish blossoms everywhere,
Because the time is May.
A sky all fresh and fair,
With daisies underneath your feet
And roses for your hair;
Red roses for your pretty hair,
Green trees to shade your way,
And lavish blossoms everywhere,
Because the time is May.
How gold the sun shines through the green!
How soft the turf is spread!
How richly falls the shimmering sheen
About your darling head!
How in the dawn of Paradise
Should you foresee the night?
How, with the sunlight in your eyes,
See aught beyond the light?
How soft the turf is spread!
How richly falls the shimmering sheen
About your darling head!
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Should you foresee the night?
How, with the sunlight in your eyes,
See aught beyond the light?
The world's a path all rough and wild,
A sky all black with fears,
Among the ghosts, unhappy child,
You stumble, blind with tears;
The track is faint, and far the fold,
And very far the day:
Unless you have a hand to hold,
How will you find the way?
A sky all black with fears,
Among the ghosts, unhappy child,
You stumble, blind with tears;
The track is faint, and far the fold,
And very far the day:
Unless you have a hand to hold,
How will you find the way?
107
“LOVE WELL THE HOUR”
Heart of my heart, my life and light,
If you were lost what should I do?
I dare not let you from my sight,
Lest Death should fall in love with you.
If you were lost what should I do?
I dare not let you from my sight,
Lest Death should fall in love with you.
Such countless terrors lie in wait.
The gods know well how dear you are:
What if they left me desolate
And plucked and set you for their star?
The gods know well how dear you are:
What if they left me desolate
And plucked and set you for their star?
So hold my hand—the gods are strong,
And perfect joy so rare a flower
No man may hope to keep it long,
And I might lose it any hour.
And perfect joy so rare a flower
No man may hope to keep it long,
And I might lose it any hour.
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So, kiss me close, my star, my flower,
Thus shall the future spare me this:
The thought that there was ever an hour
We might have kissed and did not kiss.
Thus shall the future spare me this:
The thought that there was ever an hour
We might have kissed and did not kiss.
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BETRAYED
I went back to our home to-day
That still its robe of roses wore;
My feet took the old easy way,
And led me to our door.
That still its robe of roses wore;
My feet took the old easy way,
And led me to our door.
And you are gone and never more
Those little feet of yours will come
To meet me at the open door,
The threshold of our home.
Those little feet of yours will come
To meet me at the open door,
The threshold of our home.
The door unlatched did not protest:
I entered, and the silence drew
My steps towards the little nest
That once I shared with you.
I entered, and the silence drew
My steps towards the little nest
That once I shared with you.
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There lay your fan, your open book,
Your seam half-sewn, and I could see
The window whence you used to look—
Yes, once you looked—for me.
Your seam half-sewn, and I could see
The window whence you used to look—
Yes, once you looked—for me.
Print of your little head caressed
Our pillow still, and on the floor
Still lay, dropped there when last you dressed,
The scarf and rose you wore.
Our pillow still, and on the floor
Still lay, dropped there when last you dressed,
The scarf and rose you wore.
All should have spoken of you plain,
Yet, when I bade the silence tell
Of you, my bidding was in vain,
I could not break its spell.
Yet, when I bade the silence tell
Of you, my bidding was in vain,
I could not break its spell.
The silence would not speak, my dear,
Till the last level light grew dim;
Then, in the twilight I could hear;
The silence spoke—of him.
Till the last level light grew dim;
Then, in the twilight I could hear;
The silence spoke—of him.
111
THE HEART OF SADNESS
It is not, Dear, because I am alone,
For I am lonelier when the rest are near,
But that my place against your heart has grown
Too dear to dream of when you are not here.
For I am lonelier when the rest are near,
But that my place against your heart has grown
Too dear to dream of when you are not here.
I weep because my thoughts no more may roam
To meet, half-way, your longing thoughts of me,
To turn with these and spread glad wings for home,
For the dear haven where I fain would be.
To meet, half-way, your longing thoughts of me,
To turn with these and spread glad wings for home,
For the dear haven where I fain would be.
When first we loved, I loved to steal away
To show to solitude what love could do,
To fill the waste space of the night and day
With thousand-wingèd dreams that flew to you;
To show to solitude what love could do,
To fill the waste space of the night and day
With thousand-wingèd dreams that flew to you;
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But now through many tears I am grown wise
To know how mighty and how dear love is;
I dare not turn to him my longing eyes,
Nor even in dreams lean out my face to his,
To know how mighty and how dear love is;
I dare not turn to him my longing eyes,
Nor even in dreams lean out my face to his,
Because, if once I let my caged heart go
Through dreams to seek you, I should follow too
Through wrong and right, through wisdom and through woe,
Through heaven and hell, until I won to you!
Through dreams to seek you, I should follow too
Through wrong and right, through wisdom and through woe,
Through heaven and hell, until I won to you!
113
THE HEART OF JOY
Dear, do you sigh that your love may not stay with you,
Laugh with and play with you,
Weep with and pray with you,
All his life through?
Think, O my heart, if you never had found me,
Crept through the cere-clothes the world has wound round me,
What would you do?
Laugh with and play with you,
Weep with and pray with you,
All his life through?
Think, O my heart, if you never had found me,
Crept through the cere-clothes the world has wound round me,
What would you do?
Wide is the world, and so many would sigh for you,
Long for and cry for you,
Weep for and die for you,
You being you.
I only I, am the man you could sigh for,
Live for and suffer for, sorrow and die for,
Twenty lives through.
Long for and cry for you,
Weep for and die for you,
You being you.
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Live for and suffer for, sorrow and die for,
Twenty lives through.
Think! Had I missed you! The world was so wide for us,
Traps on each side for us,
Nothing as guide for us,
Yet I and you
Found Life's great treasure, the last and the first, love;
Life's little things, Time and Space, do their worst, love!
What, after all, can they do?
Traps on each side for us,
Nothing as guide for us,
Yet I and you
Found Life's great treasure, the last and the first, love;
Life's little things, Time and Space, do their worst, love!
What, after all, can they do?
115
THE HEART OF GRIEF
YOU will not come again
Along the deep-banked lane
To where the field and fold so long have missed you;
You know no more the way
To where, so many a day
Before the world grew gray,
Your lover kissed you.
Along the deep-banked lane
To where the field and fold so long have missed you;
You know no more the way
To where, so many a day
Before the world grew gray,
Your lover kissed you.
The wonders and delights
Of London days and nights
Hold fast a soul not made for pastoral pleasures;
The scent of mignonette
Brings to you no regret,
No withered flowers lie yet
Among your treasures.
Of London days and nights
Hold fast a soul not made for pastoral pleasures;
The scent of mignonette
Brings to you no regret,
No withered flowers lie yet
Among your treasures.
116
And I, who long for you
Sad and glad seasons through,
Find my grief's heart in knowing grief will find you;
Some day you too will sigh,
And lay a dead flower by,
And weep to see joy lie
At last behind you.
Sad and glad seasons through,
Find my grief's heart in knowing grief will find you;
Some day you too will sigh,
And lay a dead flower by,
And weep to see joy lie
At last behind you.
What though the flower you hide
With London wire be tied?
What though the heart that broke your heart be rotten?
You too at last must miss
The smile, the word, the kiss,
And know how hard it is
To be forgotten.
With London wire be tied?
What though the heart that broke your heart be rotten?
You too at last must miss
The smile, the word, the kiss,
And know how hard it is
To be forgotten.
117
REQUIEM
Now veiled in the inviolable past
Love lies asleep, who never more will wake;
Nor would you wake him, even for my sake
Who for your sake pray he sleep sound at last.
Love lies asleep, who never more will wake;
Nor would you wake him, even for my sake
Who for your sake pray he sleep sound at last.
What good thing had we of him—we who bore
So long his yoke? what pleasant thing had we
That we should weep his deathlong sleep to see,
Or call on Life to waken him once more?
So long his yoke? what pleasant thing had we
That we should weep his deathlong sleep to see,
Or call on Life to waken him once more?
A little joy he gave, and much of pain,
A little pleasure, and enduring grief,
One flower of joy, and pain piled sheaf on sheaf,
Harvests of loss, for every bud of gain.
A little pleasure, and enduring grief,
One flower of joy, and pain piled sheaf on sheaf,
Harvests of loss, for every bud of gain.
118
Yet where he lies in this deserted place
Divided by his narrow grave we sit,
Welded together by the depths of it,
Watching the years pass, with averted face.
Divided by his narrow grave we sit,
Welded together by the depths of it,
Watching the years pass, with averted face.
We do not mourn for him, for here is peace;
The old unrest frets not these empty years;
With him went smiles a few, and many tears,
And peace is sweeter far than those or these.
The old unrest frets not these empty years;
With him went smiles a few, and many tears,
And peace is sweeter far than those or these.
Only—we owe him nothing. If he gave,
We too gave gifts—his gifts were less than ours:
We gave the world, that held so many flowers
For this—the world that only holds his grave.
We too gave gifts—his gifts were less than ours:
We gave the world, that held so many flowers
For this—the world that only holds his grave.
119
TEINT NEUTRE
Wide downs all gray, with gray of clouds roofed over,
Chill fields stripped naked of their gown of grain,
Small fields of rain-wet grass and close-grown clover,
Wet, wind-blown trees—and, over all, the rain.
Chill fields stripped naked of their gown of grain,
Small fields of rain-wet grass and close-grown clover,
Wet, wind-blown trees—and, over all, the rain.
Does memory lie? For Hope her missal closes
So far away the may and roses seem;
Ah! was there ever a garden red with roses?
Ah! were you ever mine save in a dream?
So far away the may and roses seem;
Ah! was there ever a garden red with roses?
Ah! were you ever mine save in a dream?
120
So long it is since Spring, the skylark waking
Heard her own praises in his perfect strain;
Low hang the clouds, the sad year's heart is breaking,
And mine, my heart—and, over all, the rain.
Heard her own praises in his perfect strain;
Low hang the clouds, the sad year's heart is breaking,
And mine, my heart—and, over all, the rain.
121
OUT OF HOPE
If through the rain and wind along the street,
Where the wet stone reflects the flickering gas,
Some weeping autumn night your wandering feet,
Lost in a lonely world, should chance to pass;
If, passing many doors that welcomed you
When robes of good renown your dear name wore,
Your feet again, as once they used to do,
Paused at my door,—
Where the wet stone reflects the flickering gas,
Some weeping autumn night your wandering feet,
Lost in a lonely world, should chance to pass;
If, passing many doors that welcomed you
When robes of good renown your dear name wore,
Your feet again, as once they used to do,
Paused at my door,—
Should I shut fast my heart for the old ill,
The old wrong done, the sorrow and the sin?
Or—only knowing that I love you still—
Should I throw wide the door and let you in?
Come—with your sins—my tears shall wash them all,
The heart you broke still waits to be your home.
Yet if you came. . . . Oh! lost beyond recall
You never more will come.
The old wrong done, the sorrow and the sin?
Or—only knowing that I love you still—
Should I throw wide the door and let you in?
122
The heart you broke still waits to be your home.
Yet if you came. . . . Oh! lost beyond recall
You never more will come.
123
HAUNTED
The house is haunted; when the little feet
Go pattering about it in their play,
I tremble lest the little one should meet
The ghosts that haunt the happy night and day.
Go pattering about it in their play,
I tremble lest the little one should meet
The ghosts that haunt the happy night and day.
And yet I think they only come to me;
They come through night of ease and pleasant day
To whisper of the torment that must be
If I some day should be, alas! as they.
They come through night of ease and pleasant day
To whisper of the torment that must be
If I some day should be, alas! as they.
And when the child is lying warm asleep,
The ghosts draw back the curtain of my bed,
And past them through the dreadful dark I creep,
Clasp close the child, and so am comforted.
The ghosts draw back the curtain of my bed,
And past them through the dreadful dark I creep,
Clasp close the child, and so am comforted.
124
Cling close, cling close, my darling, my delight,
Sad voices on the wind come thin and wild,
Ghosts of poor mothers crying in the night—
“Father, have pity—once I had a child!”
Sad voices on the wind come thin and wild,
Ghosts of poor mothers crying in the night—
“Father, have pity—once I had a child!”
125
A DIRGE
LET Summer go
To other gardens; here we have no need of her.
She smiles and beckons, but we take no heed of her,
Who love not Summer, but bare boughs and snow.
To other gardens; here we have no need of her.
She smiles and beckons, but we take no heed of her,
Who love not Summer, but bare boughs and snow.
Set the snow free
To choke the insolent triumph of the year,
With birds that sing as though he still were here,
And flowers that blow as if he still could see.
To choke the insolent triumph of the year,
With birds that sing as though he still were here,
And flowers that blow as if he still could see.
126
Let the rose die—
What ailed the rose to blow? she is not dear to us,
Nor all the summer pageant that draws near to us;
Let it be over soon, let it go by!
What ailed the rose to blow? she is not dear to us,
Nor all the summer pageant that draws near to us;
Let it be over soon, let it go by!
Let winter come,
With the wild mourning of the wind-tossed boughs
To drown the stillness of the empty house
To which no more the little feet come home.
With the wild mourning of the wind-tossed boughs
To drown the stillness of the empty house
To which no more the little feet come home.
| Songs of Love and Empire | |