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Laurella and other poems

by John Todhunter

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CÄCILCHEN AT THE PIANO.
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
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91

CÄCILCHEN AT THE PIANO.

‘She drew an angel down.’

I.

Sat a maiden playing
In the twilight lone;
Through the window straying
Went the music's tone.

II.

In their gleeful labour
Fast her fingers flew
Through some piece of Weber,
Fiery, strange, and new;
Valse, or quaint toccata,
Rondo, fantaisie,
Saraband, sonata
At them all went she.

III.

Spells Mozart and Haydn
Wrought in moods of power,

92

Kept this pretty maiden
Idling for an hour;
Themes that shook Beethoven
In the dusk she played,
(Which the little sloven
Murdered, I'm afraid).

IV.

Hark a step! How wide her
Blues eyes open can!
In three strides beside her
Stands the queerest man,
Silent, quaint in vesture,
(How small hearts can beat!)
With imperious gesture
Waving her from her seat.

V.

She with awed amazement
Silently obeys;
Slamming to the casement,
Down he sits and plays.

VI.

What her flippant fingers
Dashed at anyhow,

93

On the ear it lingers
Ravishingly now.
In another fashion
Speak the rushing keys—
What immortal passion!
Surging harmonies,
Melodies how tender,
Tones beyond all words,
Tempest-bursts that render
Up the ghost in chords;
Music's rapturous ocean
Billowing through the room,
Mysteries of emotion
Sighing in the gloom.

VII.

Spell-bound sat the maiden,
Gazing o'er the sea
Blankly, while he played, in
Deepest reverie,
Till, by silence startled,
Quick she raised her eyes,
When no more his art held
Speechless with surprise.
With an eager question
Turned she. He had flown—

94

At the freak's suggestion,
Like a ghost was gone!

VIII.

So she sat in wonder,
Musing in the gloom,
When the tuneful thunder
Lone had left the room;
Then her heart beat faster,
And her cheek grew hot;
‘Lo, it was the Master,
And I knew him not!’