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University of Virginia Library

Poems

by William Ernest Henley

Henley, William Ernest (1849-1903)

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[Ask me not how they came]

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I.

I ENTER PATIENT

II.

III.

IV.

V.

VI.

VII.

VIII.

VIII STAFF-NURSE: OLD STYLE

IX.

IX LADY-PROBATIONER

X.

X STAFF-NURSE: NEW STYLE

XI.

XII.

XIII.

XIV.

XIV AVE, CAESAR!

XV.

XV ‘THE CHIEF’

XVI.

XVI HOUSE-SURGEON

XVII.

XVIII.

XVIII CHILDREN: PRIVATE WARD

XIX.

XX.

XXI.

XXII.

XXIII.

XXIV.

XXV.

XXVI.

XXVI ANTEROTICS

XXVII.

XXVIII.

XXVIII DISCHARGED

THE SONG OF THE SWORD

ARABIAN NIGHTS' ENTERTAINMENTS

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BALLADE OF A TOYOKUNI COLOUR-PRINT

BALLADE (DOUBLE REFRAIN) OF YOUTH AND AGE

BALLADE (DOUBLE REFRAIN) OF MIDSUMMER DAYS AND NIGHTS

BALLADE OF DEAD ACTORS

BALLADE MADE IN THE HOT WEATHER

BALLADE OF TRUISMS

DOUBLE BALLADE OF LIFE AND FATE

DOUBLE BALLADE OF THE NOTHINGNESS OF THINGS

ATTADALE, WEST HIGHLANDS

FROM A WINDOW IN PRINCES STREET

[The gods are dead? Perhaps they are! Who knows?]

[When you are old, and I am passed away—]

[Beside the idle summer sea]

I. M. R. G. C. B. 1878

[We shall surely die]

[What is to come we know not. But we know]

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I.

II.

III.

IV.

IV I. M. R. T. HAMILTON BRUCE (1846–1899)

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

XIX.

XX.

XXI.

XXII.

XXIII.

XXIV.

XXV.

XXVI.

XXVII.

XXVIII.

XXVIII To S. C.

XXIX.

XXIX To R. L. S.

XXX.

XXXI.

XXXII.

XXXIII.

XXXIV.

XXXIV To K. de M.

XXXV.

XXXV I. M. MARGARITÆ SORORIS (1886)

XXXVI.

XXXVII.

XXXVII To W. A.

XXXVIII.

XXXIX.

XL.

XLI.

XLI To R. A. M. S.

XLII.

XLIII.

XLIV.

XLV.

XLV To W. B. B.

XLVI.

XLVI MATRI DILECTISSIMÆ I. M.

XLVII.

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RHYMES AND RHYTHMS

I.

I To H. B. M. W.

II.

III.

IV.

V.

VI.

VII.

VIII.

VIII To A. J. H.

IX.

X.

XI.

XII.

XIII.

XIII To JAMES McNEILL WHISTLER

XIV.

XIV To J. A. C.

XV.

XVI.

XVII.

XVII CARMEN PATIBULARE To H. S.

XVIII.

XVIII I. M. MARGARET EMMA HENLEY (1888–1894)

XIX.

XIX I. M. R. L. S. (1850–1894)

XX.

XXI.

XXII.

XXII To P. A. G.

XXIII.

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HAWTHORN AND LAVENDER

I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

XIX.

XX.

XXI.

XXII.

XXIII.

XXIV.

XXV.

XXVI.

XXVII.

XXVIII.

XXIX.

XXX.

XXXI.

XXXII.

XXXIII.

XXXIV.

XXXV.

XXXVI.

XXXVII.

XXXVIII.

XXXIX.

XL.

XLI.

XLII.

XLIII.

XLIV.

XLV.

XLVI.

XLVII.

XLVIII.

XLIX.

L.

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LONDON VOLUNTARIES

I.

II.

III.

IV.

V.

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I.

II.

II LIFE-GUARDSMAN

III.

IV.

V.

VI.

VII.

VIII.

VIII BLUECOAT BOY

IX.

IX MOUNTED POLICE

X.

XI.

XII.

XII FLOWER-GIRL

XIII.

[The Artist muses at his ease]

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THREE PROLOGUES

I.

II.

II RICHARD SAVAGE

III.

III ADMIRAL GUINEA

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FOR ENGLAND'S SAKE

I.

II.

II THE MAN IN THE STREET

III.

III PRO REGE NOSTRO

IV.

IV THE LEVY OF SHIELDS

V.

VI.

VI A NEW SONG TO AN OLD TUNE

VII.

VII ‘OUR CHIEF OF MEN’

VIII.

VIII ‘A HEALTH UNTO HER MAJESTY’

IX.

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IN MEMORIAM THOMAS EDWARD BROWN

IN MEMORIAM GEORGE WARRINGTON STEEVENS

IN MEMORIAM REGINAE DILECTISSIMAE VICTORIAE

A SONG OF SPEED

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[In the time of snows]

[The pretty washermaiden]

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OF THE FROWARDNESS OF WOMAN

OF ANTIQUE DANCES

OF SPRING MUSIC

OF LADIES' NAMES

[In the street of By-and-By]

[‘Felicity. Enquire within.]

[We 'll to the woods and gather may]

[My love to me is always kind]

[With strawberries we filled a tray]

[The leaves are sere, and on the ground]

MY MEERSCHAUM PIPE

PIPE OF MY SOUL

WITH A FAN FROM RIMMEL'S

VILLON'S STRAIGHT TIP TO ALL CROSS COVES

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273

OF ANTIQUE DANCES

To A. D.

Before the town had lost its wits,
And scared the bravery from its beaux,
When money-grubs were merely cits,
And verse was crisp and clear as prose,
Ere Chloë and Strephon came to blows
For votes, degrees, and cigarettes,
The world rejoiced to point its toes
In Gigues, Gavottes, and Minuets.

The solemn fiddlers touch their kits;
The tinkling clavichord o'erflows
With contrapuntal quirks and hits;
And, with all measure and repose,
Through figures grave as royal shows,
With noble airs and pirouettes,
They move, to rhythms Handel knows,
In Gigues, Gavottes, and Minuets.

O Fans and Swords, O Sacques and Mits,
That was the better part you chose!
You know not how those gamesome chits,
Waltz, Polka, and Schottische, arose,
Nor how Quadrille—a kind of doze
In time and tune—the dance besets;
You aired your fashion to the close
In Gigues, Gavottes, and Minuets.

Envoy

Muse of the many-twinkling hose,
Terpsichore, O teach your pets

274

The charm that shines, the grace that glows
In Gigues, Gavottes, and Minuets.