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The works of Sr William Davenant

... Consisting of Those which were formerly Printed, and Those which he design'd for the Press: Now published Out of the Authors Originall Copies
D'Avenant, William (1606-1668)
  
[dedication]

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GONDIBERT:
  
TO Sr WILL. D'AVENANT,
  
TO Sir WILLIAM D'AVENANT,
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GONDIBERT.
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THE FIRST BOOK.
 1. 
Canto the First.
 2. 
Canto the Second.
 3. 
Canto the Third.
 4. 
Canto the Fourth.
 5. 
Canto the Fifth.
 6. 
Canto the Sixth.
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THE SECOND BOOK.
 1. 
Canto the First.
 2. 
Canto the Second.
 3. 
Canto the Third.
 4. 
Canto the Fourth.
 5. 
Canto the Fifth.
 6. 
Canto the Sixth.
 7. 
Canto the Seventh.
 8. 
Canto the Eighth.
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THE THIRD BOOK.
 1. 
Canto the First.
 2. 
Canto the Second.
 3. 
Canto the Third.
 4. 
Canto the Fourth.
 5. 
Canto the Fifth.
 6. 
Canto the Sixth.
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MADAGASCAR,
  
[dedication]
  
To my worthy Friend Mr. William D'avenant; upon his Poem of Madagascar, which he writ to the most Illustrious Prince Rupert.
  
To my Friend William D'avenant; upon his Poem of Madagascar.
  
On his other Poems.
  
To Will. D'avenant my Friend.
  
To my Friend, William D'avenant.
  
Madagascar. A POEM,
  
ELIZIUM.
  
To the Lord D. L. upon his Marriage.
  
A Journey into Worcestershire.
  
To Endimion Porter.
  
To the Queen, entertain'd at night by the Countess of Anglesey.
  
In remembrance of Master William Shakespire.
  
To the Lady Bridget Kingsmill sent with Mellons after a report of my Death.
  
To the King on Newyeares day. 1630.
  
To the Queen, presented with a Suit, in the behalf of F. S. directed from Orpheus Prince of Poets.
  
To the Lord B. in performance of a vow, that night to write to him.
  
To Endimion Porter.
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Jeffereidos, on the Captivity of Jeffery.
 1. 
Canto the First.
 2. 
Canto the Second.
  
For the Lady Olivia Porter; A Present upon a New-years day.
  
To I. C. Robb'd by his Man Andrew.
  
To the Earl of Portland, Lord Treasurer; on the Marriage of his Son.
  
The Queen returning to London, after a long absence.
  
To I. W. upon the death of his Mistress.
  
To Endimion Porter.
  
Epitaph on I. Walker.
  
To Doctor Cademan, Physitian to the Queen.
  
To Endimion Porter, when my Comedy (call'd the Wits) was presented at Black-Fryers.
  
In celebration of the yearly Preserver of the Games Costwald.
  
On the Death of the Lady Marquess of Winchester.
  
To Endimion Porter, upon his recovery from a long Sickness.
  
Upon the Nuptials of Charles Lord Herbert, and the Lady M. Villers
  
Prologue to a reviv'd Play of Mr. Fletchers, call'd, The Woman-hater.
  
To Endimion Porter, passing to Court to him by Water.
  
Elegie on B. Haselrick, slain in's youth, in a Duell.
  
To the QUEEN upon a New-years day.
  
Elegie,
  
To Endimion Porter.
  
To the Countess of Carlile, on the death of the Earle her Husband.
  
Epilogue, to LOVE and HONOR, A Tragicomedy.
  
Epilogue, to a Vacation Play at the Globe.
  
To the QUEEN, upon a New-yeares day.
  
To Edward Earl of Dorset, after his Sickness, and happy Recovery.
  
Written, when Collonel Goring was believ'd to be slain at the Siege of Breda.
  
To the Lord Cary of Lepington, upon his Translation of Malvezzi.
  
To Henry Jarmin.
  
To Tho. Carew.
  
To Doctor Duppa Dean of Christ-Church, and Tutor to the Prince. An acknowledgment for his Collection, in Honour of Ben. Johnson's Memory.
  
To his Excellency the Lord General Monck.
  
POEM upon His Sacred Majestie's most happy Return to His Dominions.
  
POEM to the Kings most Sacred Majesty.
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POEMS
  
POEM TO THE Earl of Orrery.
  
To him who Prophecy'd a Succesles end of the Parliament, in the Year 1630.
  
The Countess of ANGLESEY lead Captive by the Rebels, at the Disforresting of Pewsam.
  
The long Vacation in London, in Verse Burlesque, or Mock-Verse.
  
EPITAPH.
  
Song.
  
Upon the Marriage of the Lady Jane Cavendish with Mr. Cheney.
  
To the Duke of Richmond, in the Year 1639.
  
To Mr, W. M. Against Absence.
  
A New-years-Gift to the Queen, in the Year 1643.
  
To the QUEEN; Entertain'd at Night. In the Year 1644.
  
To the QUEEN.
  
PROLOGUE,
  
EPILOGUE.
  
PROLOGUE,
  
EPILOGUE.
  
EPITAPH
  
SONG.
  
The PLOTS.
  
Sung as a Prologue when the faithful Shepherdess was Presented.
  
EPITAPH.
  
Master Serjeant's Clients
  
To my Friend Mr. Ogilby,
  
SONG.
  
To Mr. Edward Laurence.
  
EPITHALAMIUM.
  
The DREAME.
  
To the Earle of Monmouth.
  
EPITAPH
  
To Edward Earl of Dorset.
  
SONG.
  
In the Person of a Spy,
  
Against Womens pride.
  
To the Dutchess of Buckingham.
  
SONG.
  
SONG.
  
Sent with a Lock of Hair.
  
The Philosopher and the Lover; to a Mistress dying.
  
SONG.
  
To Mistress E. S. Married to an old Usurer.
  
To Mr. Benlowes, on his Divine Poem.
  
Epitaph on a young Virgin.
  
To all Poets upon the recovery of Endimion Porter from a long Sickness.
  
The Mistress.
  
The Philosophers Disquisition directed to the Dying Christian.
  
The Christians Reply to the Phylosopher.
  
To the Lord Lieutenant of Ireland.
  
To Clelia.
  
A BALLAD.
  
Prologue for the Temple: at the Acting of Fivehours Adventure, to my Lord Chancelor.
  
EPILOGUE to the King at Whitehall, at the Acting the Siege of Rhodes.
  
EPILOGUE to the Villain;
  
The First Dayes Entertainment at Rutland-House, by Declamations and Musick: after the manner of the Ancients.
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Cœlum Britannicum, A Masque at Whitehal in the Banquetting-House, on Shrove-Tuesday night, the 18 of February 1633
  
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 1. 
The first SONG.
 2. 
The Second SONG.
 3. 
The third SONG
 4. 
The fourth SONG.
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The TEMPLE of LOVE A Masque. Presented by the Queens Majesty, and her Ladies at Whitehall.
  
[section]
  
The Song after they have retir'd (playing on their Instruments) by the Chorus of Poets.
  
The Entry of the Magicians.
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The Antimask of the Spirits.
 1. 
1. Entry.
 2. 
2. Entry.
 3-4. 
3. and 4. Entry.
 5. 
5. Entry.
 6. 
6. Entry.
 7. 
7. Entry.
  
[section]
  
The Song of the Brachmani, in Answer to Orpheus his Harp.
  
[section]
  
The SONG.
  
The SONG.
  
The Song.
  
The Triumphs of the Prince D'Amour. A Masque Presented by his Highness at his Palace in the Middle Temple.

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To the Lady Bridget Kingsmill sent with Mellons after a report of my Death.

Madam, that Ghosts have walk'd; and kindly did
Convey Men heretofore to Money hid;
That they wear Chaines, which rattle 'till they make
More noyse, than injured Ale-wives at a Wake;
All this is free to faith, but Sozomine,
Nor th' Abbot Tretenheim, nor Rhodigine,
Nor the Jew Tripho, though they all defend
Such dreams, can urge one Ghost that verses pend:
Therefore, be pleas'd to think, when these are read;
I am no Ghost, nor have been three weeks dead.
Yet Poets that so nobly vaine have been,
To want so carelesly, till want prove sin;
Through avarice of late, to th' Arches sent,
To know the chief within my Testament:
And th' Aldermen by Charter, title lay
('Cause writ 'ith City's Verge) to my new play:
So if the Proclamations, kind, nice, care
Keep you not (Madam) from our black raw Aire,
Next Term, you'l find it own'd thus on each Wall
Writ by the Lord May'r, and acted at Guild-Hall.
But then I must be dead, which if you will
In curteous pitty feare, and suspect still;
These Mellons shall approach your pensive Eye,
Not as a Token but a Legacy.
Would they were such, as could have reach'd the sense,
To know what use they had of excellence,
Since destin'd to be yours; such as would be
(Now yours) justly ambitious of a Tree
To grow upon; scorne a dejected birth
Course German Tiles, low Stalkes, that lace the Earth.
Such as since gladly yours, got skill, and pow'r,
To choose the strongest Sun, and weakest Showre:
Such as in Groves Cecilian Lovers eat,
To cool those wishes, that their Ladies heat.
But if the Gard'ner make (like Adam) all
Our humane hopes, bold, and apocryphal:
And that my Mellons prove no better than
Those lovely Pompeon's, which in Berbican,
Fencers, and Vaulters Widows please to eat,
Not as a Sallad, but cheap-filling Meat;
Think then I'm dead indeed; and that they were
Early bequeath'd, but pay'd too late i'th Year;
220

So the just scornes, of your lov'd wit, no more
Can hazard me, but my Executor.
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