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Pierides

or The Muses Mount. By Hugh Crompton
Crompton, Hugh
  
[dedication]

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[section]
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PIERIDES:
 I. 
I. Bacchus.
 II. 
II. The Power.
 III. 
III. The Apprentice.
 IV. 
IV. The Discharge.
 V. 
V. The Conceit.
 VI. 
VI. The Encomium.
 VII. 
VII. Winifred.
 VIII. 
VIII. Honesty.
 IX. 
IX. The Farewell to the World.
 X. 
X. The Puff.
 XI. 
XI. The Ejection.
 12. 
12. The Suit.
 13. 
13. Loves best object.
 14. 
14. To our Mistresses.
 15. 
15. An Epithalme.
 16. 
16. The Comparison.
 17. 
17. Man.
 18. 
18. On the renowned, Mary Villers, Dutchesse Richmond, &c.
 19. 
19. The Acrostick reduplicate.
 20. 
20. The degrees of Bacchus.
 21. 
21. Her Continence.
 22. 
22. The Soliloquy.
 23. 
23. The Lovers form.
 24. 
24. To my friends R. A. I. an Epithalme.
 25. 
25. Another.
 26. 
26. To Zoilus.
 27. 
27. The way to Wooe.
 28. 
28. Taylors.
 29. 
29. Wisdom.
 30. 
30. The Mind.
 31. 
31. The Interruption.
 32. 
32. The Requital.
 33. 
33. The Dream.
 34. 
34. The Change.
 35. 
35. The Mistake.
 36. 
36. The Encomium.
 37. 
37. Three Friends.
 38. 
38. The Apology.
 39. 
39. The Encouragement.
 40. 
40. The request to walk.
 41. 
41. The self-check.
 42. 
42. The Advise.
 43. 
43. The Blush.
 44. 
44. The Protest.
 45. 
45. The Item.
 46. 
46. The Maids Soliloquie.
 47. 
47. The Dialogue.
 48. 
48. The Times.
 49. 
49. Put the case
 50. 
50. The Ramble.
 51. 
51. The Desertion.
 52. 
52. Adonibezeck.
 53. 
53. Donec eris fœlix.
 54. 
54. The Souldier and his Mistress.
 55. 
55. The Exclamation.
 56. 
56. The Invitation to Marry.
 57. 
57. The Preeminence.
 50. 
50. The Drollery.
 59. 
59. Love beyond Reason.
 60. 
60. In the Garden.
 61. 
61. A Kiss.
 62. 
62. Hero.
 63. 
63. The Ruine.
 65. 
65. Good Liquor.
 66. 
66. The Air.
 67. 
67. Time. The Interpreter.
 68. 
68. Knowledge.
 69. 
69. The Vineyard.
 70. 
70. The Quere.
 71. 
71. The life and death of Sarah.
collapse section72. 
72. The Messenger.
  
[subsection]
  
Answere
 72. 
72. The Mask of Adonis.
 73. 
73. The lost Maidenhead.
 57. 
57. Good Fellowship.
 75. 
75. The Aspirer.
 75. 
75. Vice Courted.
 76. 
76. Semper Idem.
 77. 
77. Nobility.
 78. 
78. The Extremes.
 79. 
79. The dying Lover.
 80. 
80. Furioso.
 81. 
81. Loves frailty.
 82. 
82. The She Cockney.
 83. 
83. Weak Love.
 84. 
84. Rosella Sleeping.
 85. 
85. Minerva.
 86. 
86. The Charm.
 87. 
87. Rosella Maskt.
 88. 
88. Tom Tell-troth.
 89. 
89. The Dejection
 90. 
90. O Yes!
 91. 
91. The Reply.
 93. 
93. A Token.
 94. 
94. The Station.
 95. 
95. Urbs in fœlix.
 96. 
96. The Iron Age.
 97. 
97. The Bride Weeping.
 98. 
98. The Passion.
 99. 
99. To Fate.
 100. 
100. Confidence.
 101. 
101. The Check.
 102. 
102. Sack-Drawers.
 103. 
103. Her Endowments.
 104. 
104. Griefe.
 55. 
55. A Quiet Mind.
 106. 
106. Love stealing his Mistress.
 107. 
107. A Health.
 108. 
108. The Exaltation.
 109. 
109. Reality.
 110. 
110. The Ultimum vale.

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114

77. Nobility.

Tell me no more, no more, thou young transgressor
Of the renown due to thy predecessor
Tell me no more, no more, thou tardy Stoick,
What man was famous, or what man Heroick,
Thou being idle: This will rather bring
Lead, then a feather to the failing wing
Of thy own same. This is not thy defence,
The publick eye looks on the present tense.
It looks not backward, then recite not thou
Thy fathers fame or merit: tell me now
Thy noble Acts, and so thou shalt repair
His rusty glory, and thine own: forbear
Fond Thraso, else you know such brags will be
Disparagements unto thy line and thee.
What if thy father had been born a fool,
Hadst thou but prosper'd in th' heroick School
Of rare exploits, then thou shouldst have enjoy
Thy recompence (which none should have deni'd,)
Abundantly, and in as ample measure,
As though all vertue were thy fathers treasure,
But if th' art foolish, though thy father was
A Tully or a Hector; yet alas
'Tis no more beneficial unto thee,
Then Alexanders glory is to me:
Only it adds more anguish to thy mind.
When thou remembrest how thou hast declin'd.
115

Know then, Nobility, if rightly meant,
Is rather by self-action then descent.
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