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Skialetheia

Or, A shadowe of Truth, in certaine Epigrams and Satyres [by Edward Guilpin]
Guilpin, Edward

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[section]
  
To the Reader.
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EPIGRAMS.
 1. 
Proœmium. 1.
 2. 
To the Reader. 2.
 3. 
Of Titus. 3.
 4. 
To Liuia. 4.
 5. 
Of Matho. 5.
 6. 
Of Faber. 6.
 7. 
Of a railing humour. 7.
 8. 
To Deloney. 8.
 9. 
Of Paule. 9.
 10. 
Of Syluio. 10.
 11. 
To Gue. 11.
 12. 
Of Cotta. 12.
 13. 
Of the same. 13.
 14. 
To Licus. 14.
 15. 
Of Zeno. 15.
 16. 
Of Riuus. 16.
 17. 
Of Clodius. 17.
 18. 
Of Curio. 18.
 19. 
Of Faustus. 19.
 20. 
To Candidus. 20.
 21. 
Of Procus. 21.
 22. 
To Clodius. 22.
 23. 
Of Sextilius. 23.
 24. 
Of Fuscus. 24.
 25. 
Of Gnatho. 25.
 26. 
To Pollio. 26.
 27. 
Of the same. 27.
 28. 
Of Zeno. 28.
 29. 
Of Arion. 29.
 30. 
Of Chrysogonus. 30.
 31. 
Of Torques. 31.
 32. 
Of Lais. 32.
 33. 
Of Fidens. 33.
 34. 
Of Orpheus. 34.
 35. 
Of Cotta. 35.
 36. 
Of Metius. 36.
 37. 
Of the same. 37.
 38. 
To Licus. 38.
 39. 
Of Chrestina. 39.
 40. 
Of Næuia. 40.
 41. 
Of the same. 41.
 42. 
Of the same 42.
 43. 
Of Clodius. 43.
 44. 
Of Phrix. 44.
 45. 
In Zelotypum. 45.
 46. 
Of Gellia. 46.
 47. 
To the Reader. 47.
 48. 
To Lydia. 48.
 49. 
To Cotta. 49.
 50. 
To Women. 50.
 51. 
Of Chrestina. 51.
 52. 
Of Pansa. 52.
 53. 
Of Cornelius. 53.
 54. 
Of Issa. 54.
 55. 
To Mira. 55.
 56. 
De Ignoto. 56.
 57. 
Of Nigrina. 57.
 58. 
Of Drus. 58.
 59. 
To Mira. 59.
 60. 
De Ignoto. 60.
 61. 
Of Nigrina. 61.
 62. 
Of the same. 62.
 63. 
Of Bassus. 63.
 64. 
To Mira. 64.
 65. 
Of Nigrina. 65.
 66. 
Of Gellia. 66.
 67. 
Ad Crocum. 67.
 68. 
Of Cæius. 68.
 69. 
To the Reader. 69.
 70. 
Conclusion to the Reader. 70.
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[subsection]
  
SATYRE PRELUDIUM.
 1. 
Satyra prima.
 2. 
Satyra secunda.
 3. 
Satyra tertia.
 4. 
Satyra Quarta.
 5. 
Satyra Quinta.
 6. 
Satyra sexta.

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Of Clodius. 43.

Clodius me thinks lookes passing big of late,
With Dunstons browes, and Allens Cutlacks gate:
What humours haue possest him so, I wonder,
His eyes are lightning, and his words are thunder:
What meanes the Bragart by his alteration?
He knows he's known too wel, for this fond fashion:
To cause him to be feard: what meanes he than?
Belike, because he cannot play the man.
Yet would be awde, he keepes this filthy reuell,
Stalking and roaring like to Iobs great deuill.
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