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The Poems of Winthrop Mackworth Praed

With a Memoir by the Rev. Derwent Coleridge. Fourth Edition. In Two Volumes

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LETTERS FROM TEIGNMOUTH.
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207

LETTERS FROM TEIGNMOUTH.

I. OUR BALL.

“Comment! c'est lui? que je le regarde encore! C'est que vraiment il est bien changé; n'est ce pas, mon papa?”—Les Premiers Amours.

You'll come to our Ball;—since we parted,
I've thought of you more than I'll say;
Indeed, I was half broken-hearted
For a week, when they took you away.
Fond fancy brought back to my slumbers
Our walks on the Ness and the Den,
And echoed the musical numbers
Which you used to sing to me then.
I know the romance, since it's over,
'T were idle, or worse, to recall;
I know you're a terrible rover;
But Clarence, you'll come to our Ball!
It's only a year, since, at College,
You put on your cap and your gown;
But, Clarence, you're grown out of knowledge,
And changed from the spur to the crown:

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The voice that was best when it faltered
Is fuller and firmer in tone,
And the smile that should never have altered—
Dear Clarence—it is not your own:
Your cravat was badly selected;
Your coat don't become you at all;
And why is your hair so neglected?
You must have it curled for our Ball.
I've often been out upon Haldon
To look for a covey with pup;
I've often been over to Shaldon,
To see how your boat is laid up:
In spite of the terrors of Aunty,
I've ridden the filly you broke;
And I've studied your sweet little Dante
In the shade of your favourite oak:
When I sat in July to Sir Lawrence,
I sat in your love of a shawl;
And I'll wear what you brought me from Florence,
Perhaps, if you'll come to our Ball.
You'll find us all changed since you vanished;
We've set up a National School;
And waltzing is utterly banished,
And Ellen has married a fool;

209

The Major is going to travel,
Miss Hyacinth threatens a rout,
The walk is laid down with fresh gravel,
Papa is laid up with the gout;
And Jane has gone on with her easels,
And Anne has gone off with Sir Paul,
And Fanny is sick with the measles,—
And I'll tell you the rest at the Ball.
You'll meet all your Beauties; the Lily,
And the Fairy of Willowbrook Farm,
And Lucy, who made me so silly
At Dawlish, by taking your arm;
Miss Manners, who always abused you
For talking so much about Hock,
And her sister, who often amused you
By raving of rebels and Rock;
And something which surely would answer,
An heiress quite fresh from Bengal;
So, though you were seldom a dancer,
You'll dance, just for once, at our Ball.
But out on the World! from the flowers
It shuts out the sunshine of truth:
It blights the green leaves in the bowers,
It makes an old age of our youth;

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And the flow of our feeling, once in it,
Like a streamlet beginning to freeze,
Though it cannot turn ice in a minute,
Grows harder by sudden degrees:
Time treads o'er the graves of affection;
Sweet honey is turned into gall;
Perhaps you have no recollection
That ever you danced at our Ball!
You once could be pleased with our ballads,—
To-day you have critical ears;
You once could be charmed with our salads—
Alas! you've been dining with Peers;
You trifled and flirted with many,—
You've forgotten the when and the how;
There was one you liked better than any,—
Perhaps you've forgotten her now.
But of those you remember most newly,
Of those who delight or enthrall,
None love you a quarter so truly
As some you will find at our Ball.
They tell me you've many who flatter,
Because of your wit and your song:
They tell me—and what does it matter?—
You like to be praised by the throng:

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They tell me you're shadowed with laurel:
They tell me you're loved by a Blue:
They tell me you're sadly immoral—
Dear Clarence, that cannot be true!
But to me, you are still what I found you,
Before you grew clever and tall;
And you'll think of the spell that once bound you;
And you'll come—won't you come?—to our Ball!

212

II. PRIVATE THEATRICALS.

—“Sweet, when actors first appear,
The loud collision of applauding gloves.”
—Moultrie.

Your labours, my talented brother,
Are happily over at last:
They tell me—that, somehow or other,
The Bill is rejected,—or past;
And now you'll be coming, I'm certain,
As fast as your posters can crawl,
To help us to draw up our curtain,
As usual, at Fustian Hall.
Arrangements are nearly completed;
But still we've a Lover or two,
Whom Lady Albina entreated
We'd keep, at all hazards, for you:
Sir Arthur makes horrible faces;
Lord John is a trifle too tall;
And yours are the safest embraces
To faint in, at Fustian Hall.

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Come, Clarence;—it's really enchanting
To listen and look at the rout:
We're all of us puffing and panting,
And raving, and running about;
Here Kitty and Adelaide bustle;
There Andrew and Anthony bawl;
Flutes murmur—chains rattle—robes rustle
In chorus, at Fustian Hall.
By the bye, there are two or three matters
We want you to bring us from Town:
The Inca's white plumes from the hatter's,
A nose and a hump for the Clown;
We want a few harps for our banquet;
We want a few masks for our ball;
And steal from your wise friend Bosanquet
His white wig, for Fustian Hall!
Hunca Munca must have a huge sabre;
Friar Tuck has forgotten his cowl;
And we're quite at a stand still with Weber
For want of a lizard and owl:
And then, for our funeral procession,
Pray get us a love of a pall,—
Or how shall we make an impression
On feelings, at Fustian Hall?

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And, Clarence, you'll really delight us,
If you'll do your endeavour to bring,
From the Club, a young person to write us
Our prologue, and that sort of thing;
Poor Crotchet, who did them supremely,
Is gone for a Judge to Bengal;
I fear we shall miss him extremely
This season, at Fustian Hall.
Come, Clarence! your idol Albina
Will make a sensation, I feel;
We all think there never was seen a
Performer so like the O'Neill:
At rehearsals, her exquisite fury
Has deeply affected us all;
For one tear that trickles at Drury,
There'll be twenty at Fustian Hall!
Dread objects are scattered before her
On purpose to harrow her soul;
She stares, till a deep spell comes o'er her,
At a knife, or a cross, or a bowl.
The sword never seems to alarm her
That hangs on a peg to the wall;
And she doats on thy rusty old armour.
Lord Fustian, of Fustian Hall.

215

She stabbed a bright mirror this morning,—
(Poor Kitty was quite out of breath!)—
And trampled, in anger and scorning,
A bonnet and feathers to death.
But hark!—I've a part in “The Stranger,”—
There's the Prompter's detestable call!
Come, Clarence—our Romeo and Ranger—
We want you at Fustian Hall!