Clarel | ||
I.
THE HOSTEL.
In chamber low and scored by time,
Masonry old, late washed with lime—
Much like a tomb new-cut in stone;
Elbow on knee, and brow sustained
All motionless on sidelong hand,
A student sits, and broods alone.
Masonry old, late washed with lime—
Much like a tomb new-cut in stone;
Elbow on knee, and brow sustained
All motionless on sidelong hand,
A student sits, and broods alone.
The small deep casement sheds a ray
Which tells that in the Holy Town
It is the passing of the day—
The Vigil of Epiphany.
Beside him in the narrow cell
His luggage lies unpacked; thereon
The dust lies, and on him as well—
The dust of travel. But anon
His face he lifts—in feature fine,
Yet pale, and all but feminine
But for the eye and serious brow—
Then rises, paces to and fro,
And pauses, saying, “Other cheer
Than that anticipated here,
By me the learner, now I find.
Theology, art thou so blind?
What means this naturalistic knell
In lieu of Siloh's oracle
Which here should murmur? Snatched from grace,
And waylaid in the holy place!
Not thus it was but yesterday
Off Jaffa on the clear blue sea;
Nor thus, my heart, it was with thee
Landing amid the shouts and spray;
Nor thus when mounted, full equipped,
Out through the vaulted gate we slipped
Beyond the walls where gardens bright
With bloom and blossom cheered the sight.
“The plain we crossed. In afternoon,
How like our early autumn bland—
So softly tempered for a boon—
The breath of Sharon's prairie land!
And was it, yes, her titled Rose,
That scarlet poppy oft at hand?
Then Ramleh gleamed, the sail-white town
At even. There I watched day close
From the fair tower, the suburb one:
Seaward and dazing set the sun:
Inland I turned me toward the wall
Of Ephraim, stretched in purple pall.
Romance of mountains! But in end
What change the near approach could lend.
Which tells that in the Holy Town
It is the passing of the day—
The Vigil of Epiphany.
Beside him in the narrow cell
His luggage lies unpacked; thereon
The dust lies, and on him as well—
The dust of travel. But anon
His face he lifts—in feature fine,
Yet pale, and all but feminine
But for the eye and serious brow—
Then rises, paces to and fro,
And pauses, saying, “Other cheer
Than that anticipated here,
By me the learner, now I find.
Theology, art thou so blind?
What means this naturalistic knell
In lieu of Siloh's oracle
8
And waylaid in the holy place!
Not thus it was but yesterday
Off Jaffa on the clear blue sea;
Nor thus, my heart, it was with thee
Landing amid the shouts and spray;
Nor thus when mounted, full equipped,
Out through the vaulted gate we slipped
Beyond the walls where gardens bright
With bloom and blossom cheered the sight.
“The plain we crossed. In afternoon,
How like our early autumn bland—
So softly tempered for a boon—
The breath of Sharon's prairie land!
And was it, yes, her titled Rose,
That scarlet poppy oft at hand?
Then Ramleh gleamed, the sail-white town
At even. There I watched day close
From the fair tower, the suburb one:
Seaward and dazing set the sun:
Inland I turned me toward the wall
Of Ephraim, stretched in purple pall.
Romance of mountains! But in end
What change the near approach could lend.
“The start this morning—gun and lance
Against the quarter-moon's low tide:
The thieves' huts where we hushed the ride;
Chill day-break in the lorn advance;
In stony strait the scorch of noon.
Thrown off by crags, reminding one
Of those hot paynims whose fierce hands
Flung showers of Afric's fiery sands
In face of that crusader-king,
Louis, to wither so his wing;
And, at the last, aloft for goal,
Like the ice-bastions round the Pole.
Thy blank, blank towers, Jerusalem!”
Against the quarter-moon's low tide:
The thieves' huts where we hushed the ride;
Chill day-break in the lorn advance;
In stony strait the scorch of noon.
Thrown off by crags, reminding one
Of those hot paynims whose fierce hands
Flung showers of Afric's fiery sands
In face of that crusader-king,
Louis, to wither so his wing;
And, at the last, aloft for goal,
9
Thy blank, blank towers, Jerusalem!”
Again he droops, with brow on hand.
But, starting up, “Why, well I knew
Salem to be no Samarcand;
'Twas scarce surprise; and yet first view
Brings this eclipse. Needs be my soul,
Purged by the desert's subtle air
From bookish vapors, now is heir
To nature's influx of control;
Comes likewise now to consciousness
Of the true import of that press
Of inklings which in travel late
Through Latin lands, did vex my state,
And somehow seemed clandestine. Ah!
These under-formings in the mind.
Banked corals which ascend from far,
But little heed men that they wind
Unseen, unheard—till lo, the reef—
The reef and breaker, wreck and grief.
But here unlearning, how to me
Opes the expanse of time's vast sea!
Yes, I am young, but Asia old.
The books, the books not all have told.
But, starting up, “Why, well I knew
Salem to be no Samarcand;
'Twas scarce surprise; and yet first view
Brings this eclipse. Needs be my soul,
Purged by the desert's subtle air
From bookish vapors, now is heir
To nature's influx of control;
Comes likewise now to consciousness
Of the true import of that press
Of inklings which in travel late
Through Latin lands, did vex my state,
And somehow seemed clandestine. Ah!
These under-formings in the mind.
Banked corals which ascend from far,
But little heed men that they wind
Unseen, unheard—till lo, the reef—
The reef and breaker, wreck and grief.
But here unlearning, how to me
Opes the expanse of time's vast sea!
Yes, I am young, but Asia old.
The books, the books not all have told.
“And, for the rest, the facile chat
Of overweenings—what was that
The grave one said in Jaffa lane
Whom there I met, my countryman,
But new-returned from travel here;
Some word of mine provoked the strain;
His meaning now begins to clear:
Let me go over it again:—
Of overweenings—what was that
The grave one said in Jaffa lane
Whom there I met, my countryman,
But new-returned from travel here;
Some word of mine provoked the strain;
His meaning now begins to clear:
Let me go over it again:—
“Our New World's worldly wit so shrewd
Lacks the Semitic revereat mood,
Unworldly—hardly may confer
Fitness for just interpreter
Of Palestine. Forego the state
Of local minds inveterate,
Tied to one poor and casual form.
To avoid the deep saves not from storm.
Lacks the Semitic revereat mood,
Unworldly—hardly may confer
10
Of Palestine. Forego the state
Of local minds inveterate,
Tied to one poor and casual form.
To avoid the deep saves not from storm.
“Those things he said, and added more;
No clear authenticated lore
I deemed. But now, need now confess
My cultivated narrowness,
Though scarce indeed of sort he meant?
'Tis the uprooting of content!”
No clear authenticated lore
I deemed. But now, need now confess
My cultivated narrowness,
Though scarce indeed of sort he meant?
'Tis the uprooting of content!”
So he, the student. 'Twas a mind,
Earnest by nature, long confined
Apart like Vesta in a grove
Collegiate, but let to rove
At last abroad among mankind,
And here in end confronted so
By the true genius, friend or foe,
And actual visage of a place
Before but dreamed of in the glow
Of fancy's spiritual grace.
Earnest by nature, long confined
Apart like Vesta in a grove
Collegiate, but let to rove
At last abroad among mankind,
And here in end confronted so
By the true genius, friend or foe,
And actual visage of a place
Before but dreamed of in the glow
Of fancy's spiritual grace.
Further his meditations aim,
Reverting to his different frame
Bygone. And then: “Can faith remove
Her light, because of late no plea
I've lifted to her source above?”
Dropping thereat upon the knee,
His lips he parted; but the word
Against the utterance demurred
And failed him. With infirm intent
He sought the house-top. Set of sun:
His feet upon the yet warm stone,
He, Clarel, by the coping leant,
In silent gaze. The mountain town,
A walled and battlemented one,
With houseless suburbs front and rear,
And flanks built up from steeps severe,
Saddles and turrets the ascent—
Tower which rides the elephant.
Hence large the view. There where he stood,
Was Acra's upper neighborhood.
The circling hills he saw, with one
Excelling, ample in its crown,
Making the uplifted city low
By contrast—Olivet. The flow
Of eventide was at full brim;
Overlooked, the houses sloped from him—
Terraced or domed, unchimnied, gray,
All stone—a moor of roofs. No play
Of life; no smoke went up, no sound
Except low hum, and that half drowned.
Reverting to his different frame
Bygone. And then: “Can faith remove
Her light, because of late no plea
I've lifted to her source above?”
Dropping thereat upon the knee,
His lips he parted; but the word
Against the utterance demurred
And failed him. With infirm intent
He sought the house-top. Set of sun:
His feet upon the yet warm stone,
He, Clarel, by the coping leant,
In silent gaze. The mountain town,
A walled and battlemented one,
With houseless suburbs front and rear,
11
Saddles and turrets the ascent—
Tower which rides the elephant.
Hence large the view. There where he stood,
Was Acra's upper neighborhood.
The circling hills he saw, with one
Excelling, ample in its crown,
Making the uplifted city low
By contrast—Olivet. The flow
Of eventide was at full brim;
Overlooked, the houses sloped from him—
Terraced or domed, unchimnied, gray,
All stone—a moor of roofs. No play
Of life; no smoke went up, no sound
Except low hum, and that half drowned.
The inn abutted on the pool
Named Hezekiah's, a sunken court
Where silence and seclusion rule,
Hemmed round by walls of nature's sort.
Base to stone structures seeming one
E'en with the steeps they stand upon.
Named Hezekiah's, a sunken court
Where silence and seclusion rule,
Hemmed round by walls of nature's sort.
Base to stone structures seeming one
E'en with the steeps they stand upon.
As a three-decker's stern-lights peer
Down on the oily wake below,
Upon the sleek dark waters here
The inn's small lattices bestow
A rearward glance. And here and there
In flaws the languid evening air
Stirs the dull weeds adust, which trail
In festoons from the crag, and veil
The ancient fissures, overtopped
By the tall convent of the Copt,
Built like a light-house o'er the main.
Down on the oily wake below,
Upon the sleek dark waters here
The inn's small lattices bestow
A rearward glance. And here and there
In flaws the languid evening air
Stirs the dull weeds adust, which trail
In festoons from the crag, and veil
The ancient fissures, overtopped
By the tall convent of the Copt,
Built like a light-house o'er the main.
Blind arches showed in walls of wane,
Sealed windows, portals masoned fast,
And terraces where nothing passed
By parapets all dumb. No tarn
Among the Kaatskills, high above
Farm-house and stack, last lichened barn
And log-bridge rotting in remove—
More lonesome looks than this dead pool
In town where living creatures rule.
Sealed windows, portals masoned fast,
And terraces where nothing passed
By parapets all dumb. No tarn
12
Farm-house and stack, last lichened barn
And log-bridge rotting in remove—
More lonesome looks than this dead pool
In town where living creatures rule.
Not here the spell might he undo;
The strangeness haunted him and grew.
The strangeness haunted him and grew.
But twilight closes. He descends
And toward the inner court he wends.
And toward the inner court he wends.
Clarel | ||