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Poems by Thomas Odiorne .

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Odiorne, Thomas (1769-1851)

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No. I.
  
NYMPH OF THE VALLEY.
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MINOR POEMS.
  
THE ROBIN.
  
ECHO.
  
PLEASANT VIEW.
  
THE MONTH OF MARCH.
  
KATE, CRAZED.
  
REFLECTION ON LIFE.
  
ON THE BIBLE.
  
ARK OF FAITH.
  
TO HOPE.
  
TO CHARITY.
  
ON GARRICK.
  
ON WOMAN.
  
ON THE SEXES.
  
SOLEMN MUSING IN A STORM.
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ETHIC STRAINS, ON SUBJECTS SUBLIME AND BEAUTIFUL, IN THREE PARTS; AND MINOR POEMS.
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ETHIC STRAINS.
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Part I.
 1. 
SECTION I. Love of Solitude.
 2. 
SECTION II. Invocation to Reason and Revelation—God in the Cloud—Divine Agency in Nature—The Rainbow, a Benevolent Token.
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SECTION III. Natural and Moral Evils, marvellous—Notice of some of their Effects—Instability of Human Affairs, but Nature immutable in her Purpose—A Glance at the Condition of Man—From the Discovery of Deity in the Wisdom of Nature, Moral Truth suggested, and Reason assisted to form harmonious Conclusions.
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SECTION IV. Influence of External Nature on the Mind—Invitation to associate with Sublime and Beautiful Objects—Images of Fancy, by Similitude—Power of Imagination to retain, and to retrace her Perceptions.
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SECTION V. Survey of Sublime Prospects, with Reflections.
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SECTION VI. A Glance at Ocean, a high Cliff, Torrent, Cataract, Alps in Switzerland, Mont Blanc—Alexander of Russia, illuminated, and his Fame, by Comparison.
 7. 
SECTION VII. Diffusion of Divine Truth—Blessed be the Missionaries!
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Part II.
 1. 
SECTION I. Morn—Apostrophe to Nature—Imagined Efforts under other Circumstances.
 2. 
SECTION II. Effects of Pleasant Prospects—Good Humour—Rural Walk—Descriptions in which several Beautiful Objects are noticed—A perched Bird, singing; Ascending Vapour; An Eagle circling the Skies.
 3. 
SECTION III. Evening.
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Part III.
 1. 
SECTION I. Morn—An Ocean-Scene—Sublime Tempest—Its deliberate Preparations, and dread Pause, previous to its Onset.—Terrible Appendages, and woful Catastrophes.—The Tempest Moralized.
 2. 
SECTION II. Other Objects Moralized.
 3. 
SECTION III. Effects of the Sublime, other than of Fear.
 4. 
SECTION IV. Instances of the Moral Sublime in a Mariner, and in the Poet.
 5. 
SECTION V. Moral Sublime in David.
 6. 
SECTION VI. Washington crossing the Delaware—His parting Scene—News of his death—His Character, a Prototype to future years.
 7. 
SECTION VII. Character of Alphonzo.
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No. II.
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MORAL EVIL NO ACCIDENT.
  
[prologue]
 1. 
Part I.
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PART II.
 1. 
I.
 2. 
II.
 3. 
III.
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IV.
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V.
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VI.
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VII.
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VIII.
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IX.
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X.
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XI.
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XII.
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XIII.
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XIV.
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XV.
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XVI.
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XVII.
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XVIII.
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XIX.
 20. 
XX.
 21. 
XXI.
 22. 
XXII.
 23. 
XXIII.
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MINOR POEMS.
  
ON THE MOON.
  
A GLANCE AT WINTER,

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48

ON GARRICK.

When on the stage fam'd Garrick trod,
And shook the benches by a nod,
His author's genius all his own,
O, how he shone!
As from his lips the words expir'd,
With animation fir'd,
A twofold language from conception broke;
He personated what he spoke,
And gazing auditors admir'd.
His looks were at his own command;
Through vaulted roofs his words expand;
While from their seats spectators lean
With greedy ears to hear;
Their passions, at his will, are seen,
Revenge, or hate, or love, or fear.
Now o'er his visage pity creeps;
Feign'd grief seems real as he weeps;
Now mov'd by love, he charms, he charms;
His ardour every bosom warms;
Hard hearts he melts to passion's tide,
And wakes desires which Nature had deny'd.
49

But, stung by angry passions now,
He shakes live scorpions from his brow.
Madness was in his look—
Vengeance, and scorn, and hate,
Brew'd, in his frown, the downfall of the state.
The vaulted mansion shook;
In wild despair,
Fear seiz'd the monarch's hair;—
He started from his seat:—
With gaping mouths, as op'd by fate,
Like statues of dumb wood,
Spectators stood
With fury in their ire,
With horror in their stare;
For Garrick's was a soul of fire,
And the grim spectre of the play was there.
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