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1 occurrence of pontoosuce
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FRUIT OF TRAVEL LONG AGO

VENICE

With Pantheist energy of will
The little craftsman of the Coral Sea
Strenuous in the blue abyss,
Up-builds his marvelous gallery

239

And long arcade,
Erections freaked with many a fringe
Of marble garlandry,
Evincing what a worm can do.
Laborious in a shallower wave,
Advanced in kindred art,
A prouder agent proved Pan's might
When Venice rose in reefs of palaces.

IN A BYE-CANAL

A swoon of noon, a trance of tide,
The hushed siesta brooding wide
Like calms far off Peru;
No floating wayfarer in sight,
Dumb noon, and haunted like the night
When Jael the wiled one slew.
A languid impulse from the oar
Plied by my indolent gondolier
Tinkles against a palace hoar,
And, hark, response I hear!
A lattice clicks; and lo, I see
Between the slats, mute summoning me,
What loveliest eyes of scintillation,
What basilisk glance of conjuration!

240

Fronted I have, part taken the span
Of portents in nature and peril in man.
I have swum—I have been
Twixt the whale's black flukes and the white shark's fin;
The enemy's desert have wandered in,
And there have turned, have turned and scanned,
Following me how noiselessly,
Envy and Slander, lepers hand in hand.
All this. But at the latticed eye—
“Hey! Gondolier, you sleep, my man;
Wake up!” And, shooting by, we ran;
The while I mused, This, surely now,
Confutes the Naturalists, allow!
Sirens, true sirens verily be,
Sirens, waylayers in the sea.
Well, wooed by these same deadly misses,
Is it shame to run?
No! flee them did divine Ulysses,
Brave, wise, and Venus' son.

PISA'S LEANING TOWER

The Tower in tiers of architraves,
Fair circle over cirque,
A trunk of rounded colonades,
The maker's master-work,
Impends with all its pillared tribes,

241

And, poising them, debates:
It thinks to plunge—but hesitates;
Shrinks back—yet fain would slide;
Withholds itself—itself would urge;
Hovering, shivering on the verge,
A would-be suicide!

IN A CHURCH OF PADUA

In vaulted place where shadows flit,
An upright sombre box you see:
A door, but fast, and lattice none,
But punctured holes minutely small
In lateral silver panel square
Above a kneeling-board without,
Suggest an aim if not declare.
Who bendeth here the tremulous knee
No glimpse may get of him within,
And he immured may hardly see
The soul confessing there the sin;
Nor yields the low-sieved voice a tone
Whereby the murmurer may be known.
Dread diving-bell! In thee inurned
What hollows the priest must sound,
Descending into consciences
Where more is hid than found.

242

MILAN CATHEDRAL

Through light green haze, a rolling sea
Over gardens where redundance flows,
The fat old plain of Lombardy,
The White Cathedral shows.
Of Art the miracles
Its tribes of pinnacles
Gleam like to ice-peaks snowed; and higher,
Erect upon each airy spire
In concourse without end,
Statues of saints over saints ascend
Like multitudinous forks of fire.
What motive was the master-builder's here?
Why these synodic hierarchies given,
Sublimely ranked in marble sessions clear,
Except to signify the host of heaven.

PAUSILIPPO

(IN THE TIME OF BOMBA)

A hill there is that laves its feet
In Naples' bay and lifts its head
In jovial season, curled with vines.
Its name, in pristine years conferred
By settling Greeks, imports that none
Who take the prospect thence can pine,
For such the charm of beauty shown
Even sorrow's self they cheerful weened
Surcease might find and thank good Pan.

243

Toward that hill my landeau drew;
And there, hard by the verge, was seen
Two faces with such meaning fraught
One scarce could mark and straight pass on.
A man it was less hoar with time
Than bleached through strange immurement long,
Retaining still, by doom depressed,
Dim trace of some aspiring prime.
Seated he tuned a homely harp
Watched by a girl, whose filial mien
Toward one almost a child again,
Took on a staid maternal tone.
Nor might one question that the locks
Which in smoothed natural silvery curls
Fell on the bowed one's thread-bare coat
Betrayed her ministering hand.
Anon, among some ramblers drawn,
A murmur rose “Tis Silvio, Silvio!”
With inklings more in tone suppressed
Touching his story, part recalled:
Clandestine arrest abrupt by night;
The sole conjecturable cause
The yearning in a patriot ode
Construed as treason; trial none;
Prolonged captivity profound;
Vain liberation late. All this,
With pity for impoverishment
And blight forestalling age's wane.

244

Hillward the quelled enthusiast turned,
Unmanned, made meek through strenuous wrong,
Preluding, faltering; then began,
But only thrilled the wire—no more,
The constant maid supplying voice,
Hinting by no ineloquent sign
That she was but his mouth-piece mere,
Himself too spiritless and spent.
Pausilippo, Pausilippo,
Pledging easement unto pain,
Shall your beauty even solace
If one's sense of beauty wane?
Could light airs that round ye play
Waft heart-heaviness away
Or memory lull to sleep,
Then, then indeed your balm
Might Silvio becharm,
And life in fount would leap,
Pausilippo!
Did not your spell invite,
In moods that slip between,
A dream of years serene,
And wake, to dash, delight—
Evoking here in vision
Fulfilment and fruition—

245

Nor mine, nor meant for man!
Did hope not frequent share
The mirage when despair
Overtakes the caravan,
Me then your scene might move
To break from sorrow's snare,
And apt your name would prove,
Pausilippo!
But I've looked upon your revel—
It unravels not the pain:
Pausilippo, Pausilippo,
Named benignly if in vain!
It ceased. In low and languid tone
The tideless ripple lapped the passive shore;
As listlessly the bland untroubled heaven
Looked down as silver doled was silent given
In pity—futile as the ore!

THE ATTIC LANDSCAPE

Tourist, spare the avid glance
That greedy roves the sight to see:
Little here of “Old Romance,”
Or Picturesque of Tivoli.
No flushful tint the sense to warm—
Pure outline pale, a linear charm.
The clear-cut hills carved temples face,
Respond, and share their sculptural grace.

246

'Tis Art and Nature lodged together,
Sister by sister, cheek to cheek;
Such Art, such Nature, and such weather
The All-in-All seems here a Greek.

THE SAME

A circumambient spell it is,
Pellucid on these scenes that waits,
Repose that does of Plato tell—
Charm that his style authenticates.

THE PARTHENON

I
SEEN ALOFT FROM AFAR

Estranged in site,
Aerial gleaming, warmly white,
You look a suncloud motionless
In noon of day divine;
Your beauty charmed enhancement takes
In Art's long after-shine.

II
NEARER VIEWED

Like Lais, fairest of her kind,
In subtlety your form's defined—
The cornice curved, each shaft inclined,

247

While yet, to eyes that do but revel
And take the sweeping view,
Erect this seems, and that a level,
To line and plummet true.
Spinoza gazes; and in mind
Dreams that one architect designed
Lais—and you!

III
THE FRIEZE

What happy musings genial went
With airiest touch the chisel lent
To frisk and curvet light
Of horses gay—their riders grave—
Contrasting so in action brave
With virgins meekly bright,
Clear filing on in even tone
With pitcher each, one after one
Like water-fowl in flight.

IV
THE LAST TILE

When the last marble tile was laid
The winds died down on all the seas;
Hushed were the birds, and swooned the glade;
Ictinus sat; Aspasia said
“Hist!—Art's meridian, Pericles!”

248

GREEK MASONRY

Joints were none that mortar sealed:
Together, scarce with line revealed,
The blocks in symmetry congealed.

GREEK ARCHITECTURE

Not magnitude, not lavishness,
But Form—the Site;
Not innovating wilfulness,
But reverence for the Archetype.

OFF CAPE COLONNA

Aloof they crown the foreland lone,
From aloft they loftier rise—
Fair columns, in the aureola rolled
From sunned Greek seas and skies.
They wax, sublimed to fancy's view,
A god-like group against the blue.
Over much like gods! Serene they saw
The wolf-waves board the deck,
And headlong hull of Falconer,
And many a deadlier wreck.

249

THE ARCHIPELAGO

Sail before the morning breeze
The Sporads through and Cyclades
They look like isles of absentees—
Gone whither?
You bless Apollo's cheering ray,
But Delos, his own isle, today
Not e'en a Selkirk there to pray
God friend me!
Scarce lone these groups, scarce lone and bare
When Theseus roved a Raleigh there,
Each isle a small Virginia fair—
Unravished.
Nor less through havoc fell they rue,
They still retain in outline true
Their grace of form when earth was new
And primal.
But beauty clear, the frame's as yet,
Never shall make one quite forget
Thy picture, Pan, therein once set—
Life's revel!
'Tis Polynesia reft of palms,
Seaward no valley breathes her balms—
Not such as musk thy rings of calms,
Marquesas!

250

SYRA

(A TRANSMITTED REMINISCENCE.)

Fleeing from Scio's smouldering vines
(Where when the sword its work had done
The Turk applied the torch) the Greek
Came here, a fugitive stript of goods,
Here to an all but tenantless isle,
Nor here in footing gained at first,
Felt safe. Still from the turbaned foe
Dreading the doom of shipwrecked men
Whom feline seas permit to land
Then pounce upon and drag them back,
For height they made, and prudent won
A cone-shaped fastness on whose flanks
With pains they pitched their eyrie camp,
Stone huts, whereto they wary clung;
But, reassured in end, come down—
Multiplied through compatriots now,
Refugees like themselves forlorn—
And building along the water's verge
Begin to thrive; and thriving more
When Greece at last flung off the Turk,
Make of the haven mere a mart.
I saw it in its earlier day—
Primitive, such an isled resort
As hearthless Homer might have known
Wandering about the Ægean here.
Sheds ribbed with wreck-stuff faced the sea
Where goods in transit shelter found;

251

And here and there a shanty-shop
Where Fez-caps, swords, tobacco, shawls
Pistols, and orient finery, Eve's—
(The spangles dimmed by hands profane)
Like plunder on a pirate's deck
Lay orderless in such loose way
As to suggest things ravished or gone astray.
Above a tented inn with fluttering flag
A sunburnt board announced Greek wine
In self-same text Anacreon knew,
Dispensed by one named “Pericles.”
Got up as for the opera's scene,
Armed strangers, various, lounged or lazed,
Lithe fellows tall, with gold-shot eyes.
Sunning themselves as leopards may.
Off-shore lay xebecs trim and light,
And some but dubious in repute.
But on the strand, for docks were none,
What busy bees! no testy fry;
Frolickers, picturesquely odd,
With bales and oil-jars lading boats,
Lighters that served an anchored craft,
Each in his tasseled Phrygian cap,
Blue Eastern drawers and braided vest;
And some with features cleanly cut
As Proserpine's upon the coin.
Such chatterers all! like children gay
Who make believe to work, but play.

252

I saw, and how help musing too.
Here traffic's immature as yet:
Forever this juvenile fun hold out
And these light hearts? Their garb, their glee,
Alike profuse in flowing measure,
Alike inapt for serious work,
Blab of grandfather Saturn's prime
When trade was not, nor toil, nor stress,
But life was leisure, merriment, peace,
And lucre none and love was righteousness.

DISINTERMENT OF THE HERMES

What forms divine in adamant fair—
Carven demigod and god,
And hero-marbles rivalling these,
Bide under Latium's sod,
Or lost in sediment and drift
Alluvial which the Grecian rivers sift.
To dig for these, O better far
Than raking arid sands
For gold more barren meetly theirs
Sterile, with brimming hands.

253

THE APPARITION

(THE PARTHENON UPLIFTED ON ITS ROCK FIRST CHALLENGING THE VIEW ON THE APPROACH TO ATHENS)

Abrupt the supernatural Cross,
Vivid in startled air,
Smote the Emperor Constantine
And turned his soul's allegiance there.
With other power appealing down,
Trophy of Adam's best!
If cynic minds you scarce convert,
You try them, shake them, or molest.
Diogenes, that honest heart,
Lived ere your date began;
Thee had he seen, he might have swerved
In mood nor barked so much at Man.

IN THE DESERT

Never Pharoah's Night,
Whereof the Hebrew wizards croon,
Did so the Theban flamens try
As me this veritable Noon.
Like blank ocean in blue calm
Undulates the ethereal frame;
In one flowing oriflamme
God flings his fiery standard out.

254

Battling with the Emirs fierce
Napoleon a great victory won,
Through and through his sword did pierce;
But, bayonetted by this sun
His gunners drop beneath the gun.
Holy, holy, holy Light!
Immaterial incandescence,
Of God the effluence of the essence,
Shekinah intolerably bright!

THE GREAT PYRAMID

Your masonry—and is it man's?
More like some Cosmic artisan's.
Your courses as in strata rise,
Beget you do a blind surmise
Like Grampians.
Far slanting up your sweeping flank
Arabs with Alpine goats may rank,
And there they find a choice of passes
Even like to dwarfs that climb the masses
Of glaciers blank.
Shall lichen in your crevice fit?
Nay, sterile all and granite-knit:
Weather nor weather-strain ye rue,
But aridly you cleave the blue
As lording it.

255

Morn's vapor floats beneath your peak,
Kites skim your side with pinion weak;
To sand-storms battering, blow on blow,
Raging to work your overthrow,
You—turn the cheek.
All elements unmoved you stem,
Foursquare you stand and suffer them:
Time's future infinite you dare,
While, for the past, 'tis you that wear
Eld's diadem.
Slant from your inmost lead the caves
And labyrinths rumored. These who braves
And penetrates (old palmers said)
Comes out afar on deserts dead
And, dying, raves.
Craftsmen, in dateless quarries dim,
Stones formless into form did trim,
Usurped on Nature's self with Art,
And bade this dumb I AM to start,
Imposing him.

256

L'ENVOI

THE RETURN OF THE SIRE DE NESLE.

A.D. 16---

My towers at last! These rovings end,
Their thirst is slaked in larger dearth:
The yearning infinite recoils,
For terrible is earth.
Kaf thrusts his snouted crags through fog:
Araxes swells beyond his span,
And knowledge poured by pilgrimage
Overflows the banks of man.
But thou, my stay, thy lasting love
One lonely good, let this but be!
Weary to view the wide world's swarm,
But blest to fold but thee.