University of Virginia Library


61

THE TALE OF THE TALL ALCALDE

Shadows that shroud the tomorrow,
Glists from the life that's within,
Traces of pain and of sorrow,
And maybe a trace of sin,
Reachings for God in the darkness,
And for—what should have been.
Stains from the gall and the wormwood,
Memories bitter like myrrh,
A sad brown face in a fir wood,
Blotches of heart's blood here,
But never the sound of a wailing,
Never the sign of a tear.
Where mountains repose in their blueness,
Where the sun first lands in his newness,
And marshals his beams and his lances,
Ere down to the vale he advances
With visor erect, and rides swiftly
On the terrible night in his way,
And slays him, and, dauntless and deftly,
Hews out the beautiful day
With his flashing sword of silver,—
Lay nestled the town of Renalda,
Far famed for its stately Alcalde,
The iron judge of the mountain mine,
With heart like the heart of woman,
Humanity more than human;—
Far famed for its gold and silver,
Fair maids and its mountain wine.
The feast was full, and the guests afire,
The shaven priest and the portly squire,

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The solemn judge and the smiling dandy,
The duke and the don and the commandante,
All, save one, shouted or sang divine,
Sailing in one great sea of wine;
Till roused, red-crested knight Chanticleer
Answer'd and echo'd their song and cheer.
Some boasted of broil, encounter, in battle,
Some boasted of maidens most cleverly won,
Boasted of duels most valiantly done,
Of leagues of land and of herds of cattle,
These men at the feast up in fair Renalda.
All boasted but one, the calm Alcalde:
Though hard they press'd from first of the feast,
Press'd commandanté, press'd poet and priest,
And steadily still an attorney press'd,
With lifted glass and his face aglow,
Heedless of host and careless of guest—
“A tale! the tale of your life, so ho!
For not one man in all Mexico
Can trace your history two decade.”
A hand on the rude one's lip was laid:
“Sacred, my son,” the priest went on,
“Sacred the secrets of every one,
Inviolate as an altar-stone.
Yet what in the life of one who must
Have lived a life that is half divine—
Have been so pure to be so just,
What can there be, O advocate,
In the life of one so desolate
Of luck with matron, or love with maid,
Midnight revel or escapade,
To stir the wonder of men at wine?
But should the Alcalde choose, you know,”—
(And here his voice fell soft and low,

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As he set his wine-horn in its place,
And look'd in the judge's care-worn face)—
“To weave us a tale that points a moral
Out of his vivid imagination,
Of lass or of love, or lover's quarrel,
Naught of his fame or name or station
Shall lose in luster by its relation.”
Softly the judge set down his horn,
Kindly look'd on the priest all shorn,
And gazed in the eyes of the advocate
With a touch of pity, but none of hate;
Then look'd he down in the brimming horn,
Half defiant and half forlorn.
Was it a tear? Was it a sigh?
Was it a glance of the priest's black eye?
Or was it the drunken revel-cry
That smote the rock of his frozen heart
And forced his pallid lips apart?
Or was it the weakness like to woman
Yearning for sympathy
Through the dark years,
Spurning the secrecy,
Burning for tears,
Proving him human,—
As he said to the men of the silver mine,
With their eyes held up as to one divine,
With his eyes held down to his untouch'd wine:
“It might have been where moonbeams kneel
At night beside some rugged steep;
It might have been where breakers reel,
Or mild waves cradle men to sleep;
It might have been in peaceful life,

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Or mad tumult and storm and strife,
I drew my breath; it matters not.
A silver'd head, a sweetest cot,
A sea of tamarack and pine,
A peaceful stream, a balmy clime,
A cloudless sky, a sister's smile,
A mother's love that sturdy Time
Has strengthen'd as he strengthens wine,
Are mine, are with me all the while,
Are hung in memory's sounding halls,
Are graven on her glowing walls.
But rage, nor rack, nor wrath of man,
Nor prayer of priest, nor price, nor ban
Can wring from me their place or name,
Or why, or when, or whence I came;
Or why I left that childhood home,
A child of form yet old of soul,
And sought the wilds where tempests roll
O'er snow peaks white as driven foam.
“Mistaken and misunderstood,
I sought a deeper wild and wood.
A girlish form, a childish face,
A wild waif drifting from place to place.
“Oh for the skies of rolling blue,
The balmy hours when lovers woo,
When the moon is doubled as in desire,
And the lone bird cries in his crest of fire,
Like vespers calling the soul to bliss
In the blessed love of the life above,
Ere it has taken the stains of this!
“The world afar, yet at my feet,
Went steadily and sternly on;

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I almost fancied I could meet
The crush and bustle of the street,
When from my mountain I look'd down.
And deep down in the cañon's mouth
The long-tom ran and pick-ax rang,
And pack-trains coming from the south
Went stringing round the mountain high
In long gray lines, as wild geese fly,
While mul'teers shouted hoarse and high,
And dusty, dusky mul'teers sang—
‘Senora with the liquid eye!
No floods can ever quench the flame,
Or frozen snows my passion tame,
O Juanna with the coal-black eye!
O senorita, bide a bye!’
“Environed by a mountain wall,
That caped in snowy turrets stood;
So fierce, so terrible, so tall,
It never yet had been defiled
By track or trail, save by the wild
Free children of the wildest wood;
An unkiss'd virgin at my feet,
Lay my pure, hallow'd, dreamy vale,
Where breathed the essence of my tale;
Lone dimple in the mountain's face,
Lone Eden in a boundless waste
It lay so beautiful! so sweet!
“There in the sun's decline I stood
By God's form wrought in pink and pearl,
My peerless, dark-eyed Indian girl;
And gazed out from a fringe of wood,
With full-fed soul and feasting eyes,
Upon an earthly paradise.

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Inclining to the south it lay,
And long league's southward roll'd away,
Until the sable-feather'd pines
And tangled boughs and amorous vines
Closed like besiegers on the scene,
The while the stream that intertwined
Had barely room to flow between.
It was unlike all other streams,
Save those seen in sweet summer dreams;
For sleeping in its bed of snow,
Nor rock nor stone was ever known,
But only shining, shifting sands,
Forever sifted by unseen hands.
It curved, it bent like Indian bow,
And like an arrow darted through,
Yet uttered not a sound nor breath,
Nor broke a ripple from the start;
It was as swift, as still as death,
Yet was so clear, so pure, so sweet,
It wound its way into your heart
As through the grasses at your feet.
“Once, through the tall untangled grass,
I saw two black bears careless pass,
And in the twilight turn to play;
I caught my rifle to my face,
She raised her hand with quiet grace
And said: ‘Not so, for us the day,
The night belongs to such as they.”
“And then from out the shadow'd wood
The antler'd deer came stalking down
In half a shot of where I stood;
Then stopp'd and stamp'd impatiently,
Then shook his head and antlers high,

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And then his keen horns backward threw
Upon his shoulders broad and broawn,
And thrust his muzzle in the air,
Snuff'd proudly; then a blast he blew
As if to say: ‘No danger there.’
And then from out the sable wood
His mate and two sweet dappled fawns
Stole forth, and by the monarch stood,
Such bronzes, as on kingly lawns;
Or seen in picture, read in tale.
Then he, as if to reassure
The timid, trembling and demure,
Again his antlers backward threw,
Again a blast defiant blew,
Then led them proudly down the vale.
“I watch'd the forms of darkness come
Slow stealing from their sylvan home,
And pierce the sunlight drooping low
And weary, as if loth to go.
Night stain'd the lances as he bled,
And, bleeding and pursued, he fled
Across the vale into the wood.
I saw the tall grass bend its head
Beneath the stately martial tread
Of Shades, pursuer and pursued.
“‘Behold the clouds,’ Winnema said,
‘All purple with the blood of day;
The night has conquer'd in the fray,
The shadows live, and light is dead.’

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“She turn'd to Shasta gracefully,
Around whose hoar and mighty head
Still roll'd a sunset sea of red,
While troops of clouds a space below
Were drifting wearily and slow,
As seeking shelter for the night
Like weary sea-birds in their flight;
Then curved her right arm gracefully
Above her brow, and bow'd her knee,
And chanted in an unknown tongue
Words sweeter than were ever sung.
“‘And what means this?’ I gently said
‘I prayed to God, the Yopitone,
Who dwells on yonder snowy throne,’
She softly said with drooping head;
‘I bow'd to God. He heard my prayer,
I felt his warm breath in my hair,

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He heard me all my wishes tell,
For God is good, and all is well.’
“The dappled and the dimpled skies,
The timid stars, the spotted moon,
All smiled as sweet as sun at noon.
Her eyes were like the rabbit's eyes,
Her mien, her manner, just as mild,
And though a savage war-chief's child,
She would not harm the lowliest worm.
And, though her beaded foot was firm,
And though her airy step was true,
She would not crush a drop of dew.
“Her love was deeper than the sea,
And stronger than the tidal rise,
And clung in all its strength to me.
A face like hers is never seen
This side the gates of paradise,
Save in some Indian Summer scene,
And then none ever sees it twice—
Is seen but once, and seen no more,
Seen but to tempt the skeptic soul,
And show a sample of the whole
That Heaven has in store.
“You might have plucked beams from the moon,
Or torn the shadow from the pine
When on its dial track at noon,
But not have parted us one hour,
She was so wholly, truly mine.
And life was one unbroken dream
Of purest bliss and calm delight,
A flow'ry-shored, untroubled stream

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Of sun and song, of shade and bower,
A full-moon'd serenading night.
“Sweet melodies were in the air,
And tame birds caroll'd everywhere.
I listened to the lisping grove
And cooing pink-eyed turtle dove,
I loved her with the holiest love;
Believing with a brave belief
That everything beneath the skies
Was beautiful and born to love,
That man had but to love, believe,
And earth would be a paradise
As beautiful as that above.
My goddess, Beauty, I adored,
Devoutly, fervid, her alone;
My Priestess, Love, unceasing pour'd
Pure incense on her altar-stone.
“I carved my name in coarse design
Once on a birch down by the way,
At which she gazed, as she would say,
‘What does this say? What is this sign?’
And when I gaily said, ‘Some day
Some one will come and read my name,
And I will live in song and fame,
Entwined with many a mountain tale,
As he who first found this sweet vale,
And they will give the place my name,’
She was most sad, and troubled much,
And looked in silence far away;
Then started trembling from my touch,
And when she turn'd her face again,
I read unutterable pain.

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“At last she answered through her tears,
‘Ah! yes; this, too, foretells my fears:
Yes, they will come—my race must go
As fades a vernal fall of snow;
And you be known, and I forgot
Like these brown leaves that rust and rot
Beneath my feet; and it is well:
I do not seek to thrust my name
On those who here, hereafter, dwell,
Because I have before them dwelt;
They too will have their tales to tell,
They too will have their time and fame.
“‘Yes, they will come, come even now;
The dim ghosts on yon mountain's brow,
Gray Fathers of my tribe and race,
Do beckon to us from their place,
And hurl red arrows through the air
At night, to bid our braves beware.
A footprint by the clear McCloud,
Unlike aught ever seen before,
Is seen. The crash of rifles loud
Is heard along its farther shore.’
“What tall and tawny men were these,
As somber, silent, as the trees
They moved among! and sad some way
With temper'd sadness, ever they,—
Yet not with sorrow born of fear.
The shadow of their destinies
They saw approaching year by year,
And murmur'd not. They saw the sun
Go down; they saw the peaceful moon
Move on in silence to her rest,

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Saw white streams winding to the west;
And thus they knew that oversoon,
Somehow, somewhere, for every one
Was rest beyond the setting sun.
They knew not, never dream'd of doubt,
But turn'd to death as to a sleep,
And died with eager hands held out
To reaching hands beyond the deep,—
And died with choicest bow at hand,
And quiver full, and arrow drawn
For use, when sweet tomorrow's dawn
Should waken in the Spirit Land.
“What wonder that I linger'd there
With Nature's children! Could I part
With those that met me heart to heart,
And made me welcome, spoke me fair,
Were first of all that understood
My waywardness from others' ways,
My worship of the true and good,
And earnest love of Nature's God?
Go court the mountains in the clouds,
And clashing thunder, and the shrouds
Of tempests, and eternal shocks,
And fast and pray as one of old
In earnestness, and ye shall hold
The mysteries; shall hold the rod
That passes seas, that smites the rocks
Where streams of melody and song
Shall run as white streams rush and flow
Down from the mountains' crests of snow,
Forever, to a thirsting throng.

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“Between the white man and the red
There lies no neutral, halfway ground.
I heard afar the thunder sound
That soon should burst above my head,
And made my choice; I laid my plan,
And childlike chose the weaker side;
And ever have, and ever will,
While might is wrong and wrongs remain,
As careless of the world as I
Am careless of a cloudless sky.
With wayward and romantic joy
I gave my pledge like any boy,
But kept my promise like a man,
And lost; yet with the lesson still
Would gladly do the same again.
“‘They come! they come! the pale-face come!’
The chieftain shouted where he stood,
Sharp watching at the margin wood,
And gave the war-whoop's treble yell,
That like a knell on fond hearts fell
Far watching from my rocky home.
“No nodding plumes or banners fair
Unfurl'd or fretted through the air;
No screaming fife or rolling drum
Did challenge brave of soul to come:
But, silent, sinew-bows were strung,
And, sudden, heavy quivers hung
And, swiftly, to the battle sprung
Tall painted braves with tufted hair,
Like death-black banners in the air.
“And long they fought, and firm and well
And silent fought, and silent fell,

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Save when they gave the fearful yell
Of death, defiance, or of hate.
But what were feathered flints to fate?
And what were yells to seething lead?
And what the few and untrained feet
To troops that came with martial tread,
And moved by wood and hill and stream
As thick as people in a street,
As strange as spirits in a dream?
“From pine and poplar, here and there,
A cloud, a flash, a crash, a thud,
A warrior's garments roll'd in blood,
A yell that rent the mountain air
Of fierce defiance and despair,
Told all who fell, and when and where.
Then tighter drew the coils around,
And closer grew the battle-ground,
And fewer feather'd arrows fell,
And fainter grew the battle yell,
Until upon that hill was heard
The short, sharp whistle of the bird:
Until that blood-soaked battle hill
Was still as death, so more than still.
“The calm, that cometh after all,
Look'd sweetly down at shut of day,
Where friend and foe commingled lay
Like leaves of forest as they fall.
Afar the somber mountains frown'd,
Here tall pines wheel'd their shadows round,
Like long, slim fingers of a hand
That sadly pointed out the dead.
Like some broad shield high overhead
The great white moon led on and on,

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As leading to the better land.
All night I heard black cricket's trill,
A night-bird calling from the hill—
The place was so profoundly still.
“The mighty chief at last was down,
A broken gate of brass and pride!
His hair all dust, and this his crown!
His firm lips were compress'd in hate
To foes, yet all content with fate;
While, circled round him thick, the foe
Had folded hands in dust, and died.
His tomahawk lay at his side,
All blood, beside his broken bow.
One arm stretch'd out, still over-bold,
One hand half doubled hid in dust,
And clutch'd the earth, as if to hold
His hunting grounds still in his trust.
“Here tall grass bow'd its tassel'd head
In dewy tears above the dead,
And there they lay in crook'd fern,
That waved and wept above by turn:
And further on, by somber trees,
They lay, wild heroes of wild deeds,
In shrouds alone of weeping weeds,
Bound in a never-to-be-broken peace.
“No trust that day had been betrayed;
Not one had falter'd, not one brave
Survived the fearful struggle, save
One—save I the renegade,
The red man's friend, and—they held me so
For this alone—the white man's foe.

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“They bore me bound for many a day
Through fen and wild, by foamy flood,
From my dear mountains far away,
Where an adobé prison stood
Beside a sulty, sullen, town,
With iron eyes and stony frown;
And in a dark and narrow cell,
So hot it almost took my breath,
And seem'd but some outpost of hell,
They thrust me—as if I had been
A monster, in a monster's den.
I cried aloud, I courted death,
I call'd unto a strip of sky,
The only thing beyond my cell
That I could see, but no reply
Came but the echo of my breath.
I paced—how long I cannot tell—
My reason fail'd, I knew no more,
And swooning, fell upon the floor.
Then months went on, till deep one night,
When long thin bars of cool moonlight
Lay shimmering along the floor,
My senses came to me once more.
“My eyes look'd full into her eyes—
Into her soul so true and tried,
I thought myself in paradise,
And wonder'd when she too had died.
And then I saw the stripéd light
That struggled past the prison bar,
And in an instant, at the sight,
My sinking soul fell just as far
As could a star loosed by a jar
From out the setting in a ring,

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The purpled semi-circled ring
That seems to circle us at night.
“She saw my senses had return'd,
Then swift to press my pallid face—
Then, as if spurn'd, she sudden turn'd
Her sweet face to the prison wall;
Her bosom rose, her hot tears fell
Fast as drip moss-stones in a well,
And then, as if subduing all
In one strong struggle of the soul
Be what they were of vows or fears,
With kisses and hot tender tears,
There in the deadly, loathsome place,
She bathed my pale and piteous face.
“I was so weak I could not speak
Or press my pale lips to her cheek;
I only looked my wish to share
The secret of her presence there.
Then looking through her falling hair,
She press'd her finger to her lips,
More sweet than sweets the brown bee sips.
More sad than any grief untold,
More silent than the milk-white moon,
She turned away. I heard unfold
An iron door, and she was gone.
“At last, one midnight, I was free;
Again I felt the liquid air
Around my hot brow like a sea,
Sweet as my dear Madonna's prayer,
Or benedictions on the soul;
Pure air, which God gives free to all,
Again I breathed without control—

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Pure air that man would fain enthrall;
God's air, which man hath seized and sold
Unto his fellow-man for gold.
“I bow'd down to the bended sky,
I toss'd my two thin hands on high,
I call'd unto the crooked moon,
I shouted to the shining stars,
With breath and rapture uncontroll'd,
Like some wild school-boy loosed at noon,
Or comrade coming from the wars,
Hailing his companiers of old.
“Short time for shouting or delay,—
The cock is shrill, the east is gray,
Pursuit is made, we must away.
They cast me on a sinewy steed,
And bid me look to girth and guide—
A caution of but little need.
I dash the iron in his side,
Swift as the shooting stars I ride;
I turn, I see, to my dismay,
A silent rider red as they;
I glance again—it is my bride,
My love, my life, rides at my side.
“By gulch and gorge and brake and all,
Swift as the shining meteors fall,
We fly, and never sound nor word
But ringing mustang hoof is heard,
And limbs of steel and lungs of steam
Could not be stronger than theirs seem.
Grandly as in some joyous dream,
League on league, and hour on hour,
Far, far from keep pursuit, or power

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Of sheriff or bailiff, high or low,
Into the bristling hills we go.
“Into the tumbled, clear McCloud,
White as the foldings of a shroud;
We dash into the dashing stream,
We breast the tide, we drop the rein,
We clutch the streaming, tangled mane—
And yet the rider at my side
Has never look nor word replied.
“Out in its foam, its rush, its roar,
Breasting away to the farther shore;
Steadily, bravely, gain'd at last,
Gain'd where never a dastard foe
Has dared to come, or friend to go.
Pursuit is baffled and danger pass'd.
“Under an oak whose wide arms were
Lifting aloft, as if in prayer,
Under an oak, where the shining moon
Like feather'd snow in a winter noon
Quiver'd, sifted, and drifted down
In spars and bars on her shoulders brown:
And yet she was as silent still
As block stones toppled from the hill—
Great basalt blocks that near us lay,
Deep nestled in the grass untrod
By aught save wild beasts of the wood—
Great, massive, squared, and chisel'd stone,
Like columns that had toppled down
From temple dome or tower crown,
Along some drifted, silent way
Of desolate and desert town
Built by the children of the sun.

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And I in silence sat on one,
And she stood gazing far away
To where her childhood forests lay,
Still as the stone I sat upon.
“I sought to catch her to my breast
And charm her from her silent mood;
She shrank as if a beam, a breath,
Then silently before me stood,
Still, coldly, as the kiss of death,
Her face was darker than a pall,
Her presence was so proudly tall,
I would have started from the stone
Where I sat gazing up at her,
As from a form to earth unknown,
Had I possess'd the power to stir.
“‘O touch me not, no more, no more;
'Tis past, and my sweet dream is o'er.
Impure! Impure! Impure!’ she cried,
In words as sweetly, weirdly wild
As mingling of a rippled tide,
And music on the waters spill'd....
‘But you are free. Fly! Fly alone.
Yes, you will win another bride
In some far clime where nought is known
Of all that you have won or lost,
Or what your liberty has cost;
Will win you name, and place, and power,
And ne'er recall this face, this hour,
Save in some secret, deep regret,
Which I forgive and you'll forget.
Your destiny will lead you on
Where, open'd wide to welcome you,
Rich, ardent hearts and bosoms are,

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And snowy arms, more purely fair,
And breasts—who dare say breasts more true?
“‘They said you had deserted me,
Had rued you of your wood and wild.
I knew, I knew it could not be,
I trusted as a trusting child.
I cross'd yon mountains bleak and high
That curve their rough backs to the sky,
I rode the white-maned mountain flood,
And track'd for weeks the trackless wood.
The good God led me, as before,
And brought me to your prison-door.
“‘That madden'd call! that fever'd moan!
I heard you in the midnight call
My own name through the massive wall,
In my sweet mountain-tongue and tone—
And yet you call'd so feebly wild,
I near mistook you for a child.
The keeper with his clinking keys
I sought, implored upon my knees
That I might see you, feel your breath,
Your brow, or breathe you low replies
Of comfort in your lonely death.
His red face shone, his redder eyes
Were like a fiend's that feeds on lies.
Again I heard your feeble moan,
I cried—unto a heart of stone.
Ah! why the hateful horrors tell?
Enough! I crept into your cell.
“‘I nursed you, lured you back to life,
And when you knew, and called me wife

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And love, with pale lips rife
With love and feeble loveliness,
I turn'd away, I hid my face,
In mad reproach and such distress,
In dust down in that loathsome place.
“‘And then I vow'd a solemn vow
That you should live, live and be free.
And you have lived—are free; and now
Too slow yon red sun comes to see
My life or death, or me again.
Oh, death! the peril and the pain
I have endured! the dark, dark stain
That I did take on my fair soul,
All, all to save you, make you free,
Are more than mortal can endure;
But flame can make the foulest pure.
“‘Behold this finished funeral pyre,
All ready for the form and fire,
Which these, my own hands, did prepare
For this last night; then lay me there.
I would not hide me from my God
Beneath the cold and sullen sod,
But, wrapp'd in fiery shining shroud,
Ascend to Him, a wreathing cloud.’
“She paused, she turn'd, she lean'd apace
Her glance and half-regretting face,
As if to yield herself to me;
And then she cried, ‘It cannot be,
For I have vow'd a solemn vow,
And, God help me to keep it now!’

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“I stood with arms extended wide
To catch her to my burning breast;
She caught a dagger from her side
And, ere I knew to stir or start,
She plunged it in her bursting heart,
And fell into my arms and died—
Died as my soul to hers was press'd,
Died as I held her to my breast,
Died without one word or moan,
And left me with my dead—alone.
“I laid her warm upon the pile,
And underneath the lisping oak
I watch'd the columns of dark smoke
Embrace her sweet lips, with a smile
Of frenzied fierceness, while there came
A gleaming column of red flame,
That grew a grander monument
Above her nameless noble mould
Than ever bronze or marble lent
To king or conqueror of old.
“It seized her in its hot embrace,
And leapt as if to reach the stars.
Then looking up I saw a face
So saintly and so sweetly fair,
So sad, so pitying, and so pure,
I nigh forgot the prison bars,
And for one instant, one alone,
I felt I could forgive, endure.”
“I laid a circlet of white stone,
And left her ashes there alone....
Years after, years of storm and pain,
I sought that sacred ground again.

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I saw the circle of white stone
With tall, wild grasses overgrown.
I did expect, I know not why,
From out her sacred dust to find
Wild pinks and daisies blooming fair;
And when I did not find them there
I almost deem'd her God unkind,
Less careful of her dust than I.
“But why the dreary tale prolong?
And deem you I confess'd me wrong,
That I did bend a patient knee
To all the deep wrongs done to me?
That I, because the prison mould
Was on my brow, and all its chill
Was in my heart as chill as night,
Till soul and body both were cold,
Did curb my free-born mountain will
And sacrifice my sense of right?
“No! no! and had they come that day
While I with hands and garments red
Stood by her pleading, patient clay,
The one lone watcher by my dead,
With cross-hilt dagger in my hand,
And offer'd me my life and all
Of titles, power, or of place,
I should have spat them in the face,
And spurn'd them every one.
I live as God gave me to live,
I see as God gave me to see.
'Tis not my nature to forgive,
Or cringe and plead and bend the knee
To God or man in woe or weal,
In penitence I cannot feel.

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“I do not question school nor creed
Of Christian, Protestant, or Priest;
I only know that creeds to me
Are but new names for mystery,
That good is good from east to east,
And more I do not know nor need
To know, to love my neighbor well.
I take their dogmas, as they tell,
Their pictures of their Godly good,
In garments thick with heathen blood;
Their heaven with his harp of gold,
Their horrid pictures of their hell—
Take hell and heaven undenied,
Yet were the two placed side by side,
Placed full before me for my choice,
As they are pictured, best and worst,
As they are peopled, tame and bold,
The canonized, and the accursed
Who dared to think, and thinking speak,
And speaking act, bold cheek to cheek,
I would in transports choose the first,
And enter hell with lifted voice.
“Go read the annals of the North
And records there of many a wail,
Of marshaling and going forth
For missing sheriffs, and for men
Who fell and none knew how nor when,—
Who disappear'd on mountain trail,
Or in some dense and narrow vale.
Go, traverse Trinity and Scott,
That curve their dark backs to the sun:
Go, prowl them all. Lo! have they not
The chronicles of my wild life?

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My secrets on their lips of stone,
My archives built of human bone?
Go, range their wilds as I have done,
From snowy crest to sleeping vales,
And you will find on every one
Enough to swell a thousand tales.
“The soul cannot survive alone,
And hate will die, like other things;
I felt an ebbing in my rage;
I hunger'd for the sound of one,
Just one familiar word,—
Yearn'd but to hear my fellow speak,
Or sound of woman's mellow tone,
As beats the wild, imprisoned bird,
That long nor kind nor mate has heard,
With bleeding wings and panting beak
Against its iron cage.
“I saw a low-roof'd rancho lie,
Far, far below, at set of sun,
Along the foot-hills crisp and dun—
A lone sweet star in lower sky;
Saw children passing to and fro,
The busy housewife come and go,
And white cows come at her command,
And none look'd larger than my hand.
Then worn and torn, and tann'd and brown,
And heedless all, I hasten'd down;
A wanderer, wandering lorn and late,
I stood before the rustic gate.
“Two little girls, with brown feet bare,
And tangled, tossing, yellow hair,

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Play'd on the green, fantastic dress'd,
Around a great Newfoundland brute
That lay half-resting on his breast,
And with his red mouth open'd wide
Would make believe that he would bite,
As they assail'd him left and right,
And then sprang to the other side,
And fill'd with shouts the willing air.
Oh, sweeter far than lyre or lute
To my then hot and thirsty heart,
And better self so wholly mute,
Were those sweet voices calling there.
“Though some sweet scenes my eyes have seen,
Some melody my soul has heard,
No song of any maid, or bird,
Or splendid wealth of tropic scene,
Or scene or song of anywhere,
Has my impulsive soul so stirr'd,
As those young angels sporting there.
“The dog at sight of me arose,
And nobly stood with lifted nose,
Afront the children, now so still,
And staring at me with a will.
‘Come in, come in,’ the rancher cried,
As here and there the housewife hied;
‘Sit down, sit down, you travel late.
What news of politics or war?
And are you tired? Go you far?
And where you from? Be quick, my Kate,
This boy is sure in need of food.’
The little children close by stood,
And watch'd and gazed inquiringly,
Then came and climbed upon my knee.

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“‘That there's my Ma,’ the eldest said,
And laugh'd and toss'd her pretty head;
And then, half bating of her joy,
‘Have you a Ma, you stranger boy?
And there hangs Carlo on the wall
As large as life; that mother drew
With berry stains upon a shred
Of tattered tent; but hardly you
Would know the picture his at all,
For Carlo's black, and this is red.’
Again she laugh'd, and shook her head,
And shower'd curls all out of place;
Then sudden sad, she raised her face
To mine, and tenderly she said,
‘Have you, like us, a pretty home?
Have you, like me, a dog and toy?
Where do you live, and whither roam?
And where's your Pa, poor stranger boy?’
“It seem'd so sweetly out of place
Again to meet my fellow-man.
I gazed and gazed upon his face
As something I had never seen.
The melody of woman's voice
Fell on my ear as falls the rain
Upon the weary, waiting plain.
I heard, and drank and drank again,
As earth with crack'd lips drinks the rain,
In green to fevel and rejoice.
I ate with thanks my frugal food,
The first return'd for many a day.
I had met kindness by the way!
I had at last encounter'd good!

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“I sought my couch, but not to sleep;
New thoughts were coursing strong and deep
My wild, impulsive passion-heart;
I could not rest, my heart was moved,
My iron will forgot its part,
And I wept like a child reproved.
“I lay and pictured me a life
Afar from peril, hate, or pain;
Enough of battle, blood, and strife,
I would take up life's load again;
And ere the breaking of the morn
I swung my rifle from the horn,
And turned to other scenes and lands
With lighten'd heart and whiten'd hands.
“Where orange blossoms never die,
Where red fruits ripen all the year
Beneath a sweet and balmy sky,
Far from my language or my land,
Reproach, regret, or shame or fear,
I came in hope, I wander'd here—
Yes, here; and this red, bony hand
That holds this glass of ruddy cheer—”
“'Tis he!” hiss'd the crafty advocate.
He sprang to his feet, and hot with hate
He reach'd his hands, and he call'd aloud,
“'Tis the renegade of the red McCloud!”
Slowly the Alcalde rose from his chair;
“Hand me, touch me, him who dare!”
And his heavy glass on the board of oak
He smote with such savage and mighty stroke,
It ground to dust in his bony hand,

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And heavy bottles did clink and tip
As if an earthquake were in the land.
He tower'd up, and in his ire
Seem'd taller than a church's spire.
He gazed a moment—and then, the while
An icy cold and defiant smile
Did curve his thin and livid lip,
He turn'd on his heel, he strode through the hall
Grand as a god, so grandly tall,
Yet white and cold as a chisel'd stone;
He passed him out the adobé door
Into the night, and he passed alone,
And never was known or heard of more.

Byron's Corsair had but four hundred lines when first out, but he finally built it up to about fifteen hundred.

The lesson of this poem is that of persistent toil and endeavor. It certainly is not “a little thing dashed off before breakfast,” for it was twice revised and published before its first appearance in London, and has been cut and revised at least half a dozen times since; and is still incomplete and very unsatisfying to the writer, except as to the descriptions. It was my first attempt at telling a story in verse, that was thought worth preserving. It was begun when but a lad, camped with our horses for a month's rest in an old adobe ruin on the Reading Ranch, with the gleaming snows of Mount Shasta standing out above the clouds against the cold, blue north. The story is not new, having been written, or at least lived in every mountain land of intermixed races that has been: a young outlaw in love with a wild mountain beauty, his battles for her people against his own, the capture, prison, brave release, flight, return, and revenge—a sort of modified Mazeppa. But it has been a fat source of feeding for grimly humorous and sensational writers, who long ago claimed to have found in it the story of my early life; and strangely enough I was glad when they did so, and read their stories with wild delight. I don't know why I always encouraged this idea of having been an outlaw, but I recall that when Trelawny told me that Byron was more ambitious to be thought the hero of his wildest poems than even to be king of Greece I could not help


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saying to myself, as Napoleon said to the thunders preceding Waterloo, “We are of accord.”

The only serious trouble about the claim that I made the fight of life up the ugly steeps from a hole in an adobe prison-wall to the foothills of Olympus instead of over the pleasant campus of a college, is at the fact that “our friends the enemy” fixed the date at about the same time in which I am on record as reading my class poem in another land. Besides, I was chosen to the bench on the very ticket when the very sheriff who should have kept me in his adobe prison was elected senator, and by some of the very men of my Mount Shasta with whom I had served in war against these same Indians for whom it is said I sold my birthright. Or did I have a double, and was it the other self who was at college? And is it not possible that I am even now the original and only real Joaquin Murietta? For more than once in the old days I was told (and how pleased I was to hear it said) that no other than Joaquin Murietta could ever ride as I rode. But here again is confusion, even more than the confusion of dates and deeds and names. For his hair was as black as a whole midnight, while mine was the hue of hammered gold. And, after all, was it not my vanity and willingness to be thought Joaquin, rather than pity for the brave boy outlaw, driven to desperation by wrongs too brutal to be told, that made me write of him and usurp his bloody name? Anyhow, I'd rather to-day be Joaquin Murietta, dead or living, than the wretch who got the reward for his alleged taking off. And was Joaquin Murietta really killed when that party of Texans surprised and butchered a band of unarmed Mexicans? Nine men in ten will say not.

Mrs. Gale Page, daughter of an early governor of Oregon, told me at Walla Walla, July 5th, 1896, in her own house, that her father, who knew and liked Joaquin, when a miner, had had two letters from him, dated and postmarked Mexico, years after his alleged death. So he certainly was not killed as told. But pity, pity, that men should so foolishly waste time with either me or mine when I have led them into the mighty heart of majestic Shasta. Why yonder, lone as God and white as the great white throne, there looms against the sapphire upper seas a mountain peak that props the very porch of heaven; and yet they bother with and want to torment a poor mote of dust that sinks in the grasses at their feet! Why, I know a single cañon there so deep, so bottomless, and broad and somber that a whole night once housed there and let a gold and silver day glide on and on and


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over it all the vast day long, and all day long night lay there undiscovered. Yet in this presence there be those who will stoop to look at me, a mere mote at their feet, or on their shoes, and bother to know whether it be a black speck or a white; preferring, however, to find it black.


 

The Sierra Madre range of mountains comes up to us from way down in Mexico. It passes on up toward the north in all its savage majesty and splendor until it melts into and blends in with the Sierra Nevada Mountains of the north, Sierra Nevada Mountains—mountains of snow; Sierra, series—saw teeth of snow, to be literal and exact.

Mount Shasta (Chasti), so named by the French, marked the limit of Spain (Mexico) to the north and the end of the Sierra de Nevada. But the Spanish and Portuguese explorers sailing up the Oregon River gave this same great range of mountains coming up from their Mexico the same name—Sierra—with the deserved additional name, Grande del Nord—Sierra Grande del Nord. This mighty mountain range is finally lost in Canada and Alaska. If you want to speak of any one of these particular divisions you say Sierra this or Sierra that. But the custom, which has become a law, is to say the Sierras when you want to speak of these mountains as a body.

The one sublimest mountain view of all the Sierras is the summit and center of the park in the city of Portland, Ore. Here they have seven great snow peaks right at your feet.