 | The complete poetical writings of J. G. Holland |  |
LABOR.
Ten years of love!—a sleep, a pleasant dream
That passed its culmen in the early half,
Concluding in confusion—a wild scene
Of bargains, auctions, partings, and what not?—
And an awaking!
That passed its culmen in the early half,
Concluding in confusion—a wild scene
Of bargains, auctions, partings, and what not?—
And an awaking!
I was in Broadway,
A unit in a million. Like a bath
In ocean surf, blown in from farthest seas
Under the August ardors, the grand rush
Of crested life assailed me with its waves,
And cooled me while it fired. With sturdy joy
I sought its broadest billows, and resigned
My spirit to their surge and sway; or stood
In sheltered coves, reached only by the spume
And crepitant bubbles of the yesty floods,
Drinking the roar, the sheen, the restlessness,
As inspiration, both of sense and soul.
A unit in a million. Like a bath
In ocean surf, blown in from farthest seas
Under the August ardors, the grand rush
Of crested life assailed me with its waves,
And cooled me while it fired. With sturdy joy
I sought its broadest billows, and resigned
My spirit to their surge and sway; or stood
In sheltered coves, reached only by the spume
And crepitant bubbles of the yesty floods,
Drinking the roar, the sheen, the restlessness,
As inspiration, both of sense and soul.
I saw the waves of life roll up the steps
Of great cathedrals and retire; and break
In charioted grandeur at the feet
Of marble palaces, and toss their spray
Of feathered beauty through the open doors,
To pile the restless foam within; and burst
On crowded caravansaries, to fall
In quick return; and in dark currents glide
Through sinuous alleys and the grimy loops
Of reeking cellars; and with softest plash
Assail the gilded shrines of opulence,
And slide in musical relapse away.
Of great cathedrals and retire; and break
In charioted grandeur at the feet
Of marble palaces, and toss their spray
Of feathered beauty through the open doors,
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On crowded caravansaries, to fall
In quick return; and in dark currents glide
Through sinuous alleys and the grimy loops
Of reeking cellars; and with softest plash
Assail the gilded shrines of opulence,
And slide in musical relapse away.
With senses dazed and stunned, and soul o'erfilled
With chaos of new thoughts, I turned away,
And sought my city home. There all was calm,
With wife and daughter waiting my return,
And eager with their welcome. That was life!—
An interest in the great world of life,
A place for toil within a world of toil,
And love for its reward. “Amen!” I said,
“And twice amen! I've found my life at last,
And we will all be happy.”
With chaos of new thoughts, I turned away,
And sought my city home. There all was calm,
With wife and daughter waiting my return,
And eager with their welcome. That was life!—
An interest in the great world of life,
A place for toil within a world of toil,
And love for its reward. “Amen!” I said,
“And twice amen! I've found my life at last,
And we will all be happy.”
Day by day—
The while I sought adjustment to the life
Which I had chosen, and with careful thought
Gathered to hand the fair material
Elect by Fancy for the organism
Over whose germ she brooded—I went out,
To bathe again upon the shore of life
My long-enfeebled nature.
The while I sought adjustment to the life
Which I had chosen, and with careful thought
Gathered to hand the fair material
Elect by Fancy for the organism
Over whose germ she brooded—I went out,
To bathe again upon the shore of life
My long-enfeebled nature.
Every day
I met some face I knew. My college friends
Came up in strange disguises. Here was one,
With a white neck-cloth and a saintly face,
Who had been rusticated and disgraced
For lawlessness. Now he administered
A charge which proved that he had been at work.
And made himself a man. And there was one—
A lumpy sort of boy, as memory
Recalled him to me—grown to portliness
And splendid spectacles. He drove a chaise,
And practiced surgery,—was on his way
To meet a class of youth, who sought to be
Great surgeons like himself, and took full notes
Of all his stolen wisdom. By his watch—
A gold repeater, with a mighty chain—
He gave me just five minutes; then rolled off—
Pretension upon wheels. Another grasped
My hand as if I were his bosom friend,
Just in from a long voyage. He was one
Who stole my wood in college, and received
With grace the kick I gave him. He had grown
To be the tail of a portentous firm
Of city lawyers: managed, as he said,
The matter of collections; and had made
In his small way—to use his modest phrase,
Truthful as modest—quite a pretty plum.
He was o'erjoyed to see me in the town:
Hoped I would call upon him at his den:
If I had any business in his line,
Would do it for me promptly; as for price,
No need to talk of that between two friends!
I met some face I knew. My college friends
Came up in strange disguises. Here was one,
With a white neck-cloth and a saintly face,
Who had been rusticated and disgraced
For lawlessness. Now he administered
A charge which proved that he had been at work.
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A lumpy sort of boy, as memory
Recalled him to me—grown to portliness
And splendid spectacles. He drove a chaise,
And practiced surgery,—was on his way
To meet a class of youth, who sought to be
Great surgeons like himself, and took full notes
Of all his stolen wisdom. By his watch—
A gold repeater, with a mighty chain—
He gave me just five minutes; then rolled off—
Pretension upon wheels. Another grasped
My hand as if I were his bosom friend,
Just in from a long voyage. He was one
Who stole my wood in college, and received
With grace the kick I gave him. He had grown
To be the tail of a portentous firm
Of city lawyers: managed, as he said,
The matter of collections; and had made
In his small way—to use his modest phrase,
Truthful as modest—quite a pretty plum.
He was o'erjoyed to see me in the town:
Hoped I would call upon him at his den:
If I had any business in his line,
Would do it for me promptly; as for price,
No need to talk of that between two friends!
But these, and all—the meanest and the best—
Were hard at work. They always questioned me
Before we parted, touching my pursuits;
And though they questioned kindly, I grew sore
Under the repetition, and ashamed
To iterate my answer, till I burned
To do some work, so lifted into fame,
That shame should be to him whose ignorance
Compelled a question.
Were hard at work. They always questioned me
Before we parted, touching my pursuits;
And though they questioned kindly, I grew sore
Under the repetition, and ashamed
To iterate my answer, till I burned
To do some work, so lifted into fame,
That shame should be to him whose ignorance
Compelled a question.
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Simplest foresters
Have learned the trick of woodland broods, that fly
In radiant divergence from the flash
Of death and danger, and, when all is still,
Steal back to where their fellows bit the dust
For rendezvous. And thus society
Follows the brutal instinct. When the friends,
Who from her father's ruin fled amain,
Found out my wife, and learned that it was safe
To gather back to the old feeding-ground,
They came. Her old home had become my own
And they were all delighted. It was sweet
To have her back again; and it was sad
To know that those who once were happy there,
Dispensing happiness, could come no more.
Have learned the trick of woodland broods, that fly
In radiant divergence from the flash
Of death and danger, and, when all is still,
Steal back to where their fellows bit the dust
For rendezvous. And thus society
Follows the brutal instinct. When the friends,
Who from her father's ruin fled amain,
Found out my wife, and learned that it was safe
To gather back to the old feeding-ground,
They came. Her old home had become my own
And they were all delighted. It was sweet
To have her back again; and it was sad
To know that those who once were happy there,
Dispensing happiness, could come no more.
It had its modicum of earnestness,—
This talk of their's—and she received it all
With hearty courtesy, and yielded it
The unction of her charity, so far
That it was smooth and redolent to her.
The difference—the world-wide difference—
Between my wife and them was obvious;
But she was generous through nature's gift
I fancied—could not well be otherwise;
Although their fawning filled me with disgust.
Oh! fool and blind! not to perceive the Christ
That shone and spoke in her!
This talk of their's—and she received it all
With hearty courtesy, and yielded it
The unction of her charity, so far
That it was smooth and redolent to her.
The difference—the world-wide difference—
Between my wife and them was obvious;
But she was generous through nature's gift
I fancied—could not well be otherwise;
Although their fawning filled me with disgust.
Oh! fool and blind! not to perceive the Christ
That shone and spoke in her!
The hour approached—
The pre-determined time—when I should close
My study-door, and wrap my kindling brain
In the poetic dream which, day by day,
Was gathering consistence in my brain.
The quick, creative instinct in me plumed
Its pinions for the flight, and I could feel
The influx of fresh power; but whence it came,
I did not question; though it fired my heart
With the assurance of success.
The pre-determined time—when I should close
My study-door, and wrap my kindling brain
In the poetic dream which, day by day,
Was gathering consistence in my brain.
The quick, creative instinct in me plumed
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The influx of fresh power; but whence it came,
I did not question; though it fired my heart
With the assurance of success.
I told
My dear companion of my hopeful plans
For winning fame, and making for myself
A lofty place; but I could not inspire
Her heart with my ambition, or win o'er
Her judgment to my motive. She adhered
To her old theory, and gave no room
To any motive it did not embrace.
We argued much, but always argued wide,
And ended where we started. Postulates
On which we stood in perfect harmony,
Were points of separation, out from which
We struck divergently, till sympathy,
That only lives by rhythm of thoughts and hearts,
Lay dead between us.
My dear companion of my hopeful plans
For winning fame, and making for myself
A lofty place; but I could not inspire
Her heart with my ambition, or win o'er
Her judgment to my motive. She adhered
To her old theory, and gave no room
To any motive it did not embrace.
We argued much, but always argued wide,
And ended where we started. Postulates
On which we stood in perfect harmony,
Were points of separation, out from which
We struck divergently, till sympathy,
That only lives by rhythm of thoughts and hearts,
Lay dead between us.
“Man loves praise,” I said.
“It is an appetence which He who made
The human soul, made to be satisfied.
It is a tree He planted. If it grow
On that which feeds it, and become at last
Thrifty and fruitful, it is still His own,
With usury. And if, in His intent,
This passion have no place among the powers
Of active life, why is it mighty there
From youngest childhood? Pray you what is fame
But concrete praise?—the universal voice
Which bears, from every quarter of the earth,
Its homage to a name, that grows thereby
To be its own immortal monument,
Outlasting all the marble and the bronze
Which cunning fingers, since the world began,
Have shaped or stamped with story? What is fame
But aggregate of praise? And if it be
Legitimate to win, for sake of praise,
The praise of one, why not of multitudes?”
“It is an appetence which He who made
The human soul, made to be satisfied.
It is a tree He planted. If it grow
On that which feeds it, and become at last
Thrifty and fruitful, it is still His own,
With usury. And if, in His intent,
This passion have no place among the powers
Of active life, why is it mighty there
From youngest childhood? Pray you what is fame
But concrete praise?—the universal voice
Which bears, from every quarter of the earth,
Its homage to a name, that grows thereby
To be its own immortal monument,
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Which cunning fingers, since the world began,
Have shaped or stamped with story? What is fame
But aggregate of praise? And if it be
Legitimate to win, for sake of praise,
The praise of one, why not of multitudes?”
“Ay,” she replied; “'tis true that men love praise;
And it is true that He who made the soul
Planted therein the love of praise, to be
A motive in its life—all true so far;
And so far we agree. But motives all
Have their appropriate sphere and sway, like men
Who bear them in their breasts. The love of praise
Fills life with fine amenities. Not all
Who live have pleasant tempers, and not all
The gift of gracious manners, or the love
Of nobler motive, higher meed than praise.
The world is full of bears, who smooth their hair,
And glove their paws, and put on manly airs,
And hold our honey sacred, and our lives
Our own, because they hunger for our praise.
'Tis a fine thing for bears—this love of praise—
And those who deal with them; and a good thing
For children, and for parents, teachers—all
Who have them in their keeping. It may hold
A little mind to rectitude, until
It grow, and grow ashamed to yield itself
To such a petty motive. Children all
Like sugar, and it may admit of doubt
Whether our praise or sugar sweetens more
Their petulant sub-acids; but a man
Would choke in swallowing the compliment
Which we should pay him, were we but to say
‘Go to! Do some great deed, and you shall have
Your pay in sugar:—maple, mind you, now,
So you shall do it featly.’”
And it is true that He who made the soul
Planted therein the love of praise, to be
A motive in its life—all true so far;
And so far we agree. But motives all
Have their appropriate sphere and sway, like men
Who bear them in their breasts. The love of praise
Fills life with fine amenities. Not all
Who live have pleasant tempers, and not all
The gift of gracious manners, or the love
Of nobler motive, higher meed than praise.
The world is full of bears, who smooth their hair,
And glove their paws, and put on manly airs,
And hold our honey sacred, and our lives
Our own, because they hunger for our praise.
'Tis a fine thing for bears—this love of praise—
And those who deal with them; and a good thing
For children, and for parents, teachers—all
Who have them in their keeping. It may hold
A little mind to rectitude, until
It grow, and grow ashamed to yield itself
To such a petty motive. Children all
Like sugar, and it may admit of doubt
Whether our praise or sugar sweetens more
Their petulant sub-acids; but a man
Would choke in swallowing the compliment
Which we should pay him, were we but to say
‘Go to! Do some great deed, and you shall have
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So you shall do it featly.’”
“Very good!”
I answered, “very good, indeed! if we
Engage in talk for sport; but argument
On themes like these must have the element
Of candor. Highest truth, in certain lights,
May be ridiculous, and yet be truth.
Women are angels: just a little weak
And just a little wicked, it may be,
Yet still the sweetest beings in the world;
But when one stands with apprehensive gasp
At verge of sternutation, or leaps off,
Projecting all her being in a sneeze,
Or snores with lips wide-parted, or essays
The ‘double-quick,’ we turn our eyes away
In sadness, that a creature so divine
Can be so shockingly ridiculous;
Yet who shall say she's not an angel still?
Now you present to me the meanest face
Of a most noble truth. I laugh with you
Over its sorry semblance; but the truth
Is still divine, and claims our reverence.
The great King Solomon—and you believe
In Solomon—has said that a good name
Is more to be desired than much fine gold.
If a good name be matter of desire
Beyond all wealth—and you will pardon me
For holding to the record—it may stand
As a grand motive in the life of man,
To grand endeavor. I have yet to learn
That Solomon addressed his words to bears,
Or little children. I am forced to think
That you and I, and all who read his words,
Are those for whom he wrote.”
I answered, “very good, indeed! if we
Engage in talk for sport; but argument
On themes like these must have the element
Of candor. Highest truth, in certain lights,
May be ridiculous, and yet be truth.
Women are angels: just a little weak
And just a little wicked, it may be,
Yet still the sweetest beings in the world;
But when one stands with apprehensive gasp
At verge of sternutation, or leaps off,
Projecting all her being in a sneeze,
Or snores with lips wide-parted, or essays
The ‘double-quick,’ we turn our eyes away
In sadness, that a creature so divine
Can be so shockingly ridiculous;
Yet who shall say she's not an angel still?
Now you present to me the meanest face
Of a most noble truth. I laugh with you
Over its sorry semblance; but the truth
Is still divine, and claims our reverence.
The great King Solomon—and you believe
In Solomon—has said that a good name
Is more to be desired than much fine gold.
If a good name be matter of desire
Beyond all wealth—and you will pardon me
For holding to the record—it may stand
As a grand motive in the life of man,
To grand endeavor. I have yet to learn
That Solomon addressed his words to bears,
Or little children. I am forced to think
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Are those for whom he wrote.”
Rejoining she:
“A good may be the subject of desire,
And not be motive to achievement. Life,
If I may speak the riddle, is a scheme
Of indirections. My own happiness
Is something to desire; and yet, I know
That I must win it by forgetting it
In ministry to others. If I make
My happiness the motive of my work,
I spoil it by the taint of selfishness.
But are you sure that you do not presume
Somewhat too much, in claiming the desire
For a good name as motive of your life?
Greatness, not goodness, is the end you seek,
If I mistake you not; and these are held,
In the world's thought, as two, and most distinct.
King Solomon was wise, but wiser He
Who said to those who loved and followed him,
‘Who would be great among you, let him serve.’
The greatest men—and artists should be such,
For they are God's nobility and man's—
Should work from greatest motives. Selfishness
Is never great, and moves to no great deeds.
To honor God, to benefit mankind,
To serve with lofty gifts the lowly needs
Of the poor race for which the God-man died,
And do it all for love—oh! this is great!
And he who does this will achieve a name
Not only great but good.”
“A good may be the subject of desire,
And not be motive to achievement. Life,
If I may speak the riddle, is a scheme
Of indirections. My own happiness
Is something to desire; and yet, I know
That I must win it by forgetting it
In ministry to others. If I make
My happiness the motive of my work,
I spoil it by the taint of selfishness.
But are you sure that you do not presume
Somewhat too much, in claiming the desire
For a good name as motive of your life?
Greatness, not goodness, is the end you seek,
If I mistake you not; and these are held,
In the world's thought, as two, and most distinct.
King Solomon was wise, but wiser He
Who said to those who loved and followed him,
‘Who would be great among you, let him serve.’
The greatest men—and artists should be such,
For they are God's nobility and man's—
Should work from greatest motives. Selfishness
Is never great, and moves to no great deeds.
To honor God, to benefit mankind,
To serve with lofty gifts the lowly needs
Of the poor race for which the God-man died,
And do it all for love—oh! this is great!
And he who does this will achieve a name
Not only great but good.”
“Not in this world,”
I answered her. “I know too much of it.
The world is selfish; and it never gives
Due credit to a motive which assumes
To be above its own. If a man write,
It takes for granted that he writes for fame,
And judges him accordingly. It holds
Of no account all other aims and ends;
And visits with contempt the man who bears
A mission to his kind. The critic pens
That twiddle with his work, or play with it
As cats with mice, are not remarkable
For gentle instincts; and my name must live
By pens like these. I choose to take the world
Just as I find it, and I pitch my tune
To the world's key, that it may sing my tune,
And sing for me. Ay, and I take myself
Just as I find myself. I do not love
The human race enough to work for it.
Having no motive of philanthropy,
I'll make pretense to none. The love of praise
I count legitimate and laudable.
'Tis not the noblest motive in the world,
But it is good; and it has won more fames
Than any other. Surely, my good wife,
You would not shut me from it, and deprive
My power of its sole impulse.”
I answered her. “I know too much of it.
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Due credit to a motive which assumes
To be above its own. If a man write,
It takes for granted that he writes for fame,
And judges him accordingly. It holds
Of no account all other aims and ends;
And visits with contempt the man who bears
A mission to his kind. The critic pens
That twiddle with his work, or play with it
As cats with mice, are not remarkable
For gentle instincts; and my name must live
By pens like these. I choose to take the world
Just as I find it, and I pitch my tune
To the world's key, that it may sing my tune,
And sing for me. Ay, and I take myself
Just as I find myself. I do not love
The human race enough to work for it.
Having no motive of philanthropy,
I'll make pretense to none. The love of praise
I count legitimate and laudable.
'Tis not the noblest motive in the world,
But it is good; and it has won more fames
Than any other. Surely, my good wife,
You would not shut me from it, and deprive
My power of its sole impulse.”
“No; oh! no,”
She answered quickly. “I am only sad
That it should be the captain of your host.
All creatures of the brain are the result
Of many motives and of many powers.
All life is such, indeed. The power that leads—
The motive dominant—this stamps the work
With its own likeness. Throughout all the world
Are careful souls, with careful consciences,
That pierce themselves with questionings and fears
Because that, with the motives which are good,
And which alone they seek, a hundred come
They do not seek, and aye sophisticate
Their finest action. They are wrong in this:
All motives bowing to one leadership,
And aiding its emprise, are one with it—
The same in trend, the same in terminus.
All the low motives that obey the law,
And aid the work, of one above them all,
Do holy service, and fulfill the end
For which they were designed. The love of praise
Is not the lowest motive which can move
The human soul. Nay, it may do good work
As a subordinate, and leave no soil
On whitest fabric, at whose selvage shines
The Master's broidered signature. Although
You write for fame, think not you will escape
The press of other motives. You love me;
You love your child; you love your pleasant home;
You love the memory of one long dead.
These, joined with all those qualities of heart
Which make you dear to me, will throng around
The leader you appoint, and come and go
Under his banner; and the work of God
Will thrive through these, the while your own goes on.
God will not be defrauded, nor yet man;
And you, who like the Pharisees make prayer
At corners of the streets, for praise of men,
Will have reward you seek.”
She answered quickly. “I am only sad
That it should be the captain of your host.
All creatures of the brain are the result
Of many motives and of many powers.
All life is such, indeed. The power that leads—
The motive dominant—this stamps the work
With its own likeness. Throughout all the world
Are careful souls, with careful consciences,
252
Because that, with the motives which are good,
And which alone they seek, a hundred come
They do not seek, and aye sophisticate
Their finest action. They are wrong in this:
All motives bowing to one leadership,
And aiding its emprise, are one with it—
The same in trend, the same in terminus.
All the low motives that obey the law,
And aid the work, of one above them all,
Do holy service, and fulfill the end
For which they were designed. The love of praise
Is not the lowest motive which can move
The human soul. Nay, it may do good work
As a subordinate, and leave no soil
On whitest fabric, at whose selvage shines
The Master's broidered signature. Although
You write for fame, think not you will escape
The press of other motives. You love me;
You love your child; you love your pleasant home;
You love the memory of one long dead.
These, joined with all those qualities of heart
Which make you dear to me, will throng around
The leader you appoint, and come and go
Under his banner; and the work of God
Will thrive through these, the while your own goes on.
God will not be defrauded, nor yet man;
And you, who like the Pharisees make prayer
At corners of the streets, for praise of men,
Will have reward you seek.”
“Ay, verily!”
Responded I with laughter. “Verily!
Though not a saint, I'll do a saintly work
For my own profit, and in spite of all
The selfishness that moves me. Better, this,
Than I suspected. My sweet casuist—
My gentle, learned, lovely casuist—
I thank you; and I'll pay you more than thanks.
I'll promise that when these fine motives come,
And volunteer their service, they shall find
Welcome and entertainment, and a place
Within the rank and file, with privilege
Of quick promotion, so they show themselves
Motives of mettle.”
Responded I with laughter. “Verily!
Though not a saint, I'll do a saintly work
For my own profit, and in spite of all
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Than I suspected. My sweet casuist—
My gentle, learned, lovely casuist—
I thank you; and I'll pay you more than thanks.
I'll promise that when these fine motives come,
And volunteer their service, they shall find
Welcome and entertainment, and a place
Within the rank and file, with privilege
Of quick promotion, so they show themselves
Motives of mettle.”
This the type of talk
That passed between us. I was not a fool
To count her wisdom worthless; nor a God,
To work regeneration in myself.
That something which I longed for, to fill up
The measure of my good, was human praise;
Yet I could see that she was wholly right,
And that she held within herself resource
Of satisfaction better than my own.
But I was quite content—content to know
I trod the average altitude of those
Within the paths of art, and had no aims
To be misconstrued or misunderstood
By Pride and Selfishness—that these, in truth,
Expected of me what I had to give.
That passed between us. I was not a fool
To count her wisdom worthless; nor a God,
To work regeneration in myself.
That something which I longed for, to fill up
The measure of my good, was human praise;
Yet I could see that she was wholly right,
And that she held within herself resource
Of satisfaction better than my own.
But I was quite content—content to know
I trod the average altitude of those
Within the paths of art, and had no aims
To be misconstrued or misunderstood
By Pride and Selfishness—that these, in truth,
Expected of me what I had to give.
Strange, how a man may carry in his heart,
From year to year—through all his life, indeed—
A truth, or a conviction, which shall be
No more a part of it, and no more worth
Than to his flask the cork that slips within!
Of this he learns by sourness of his wine,
Or muddle of its color; by the bits
That vex his lips while drinking; but he feels
No impulse in his hand to draw it forth,
And bid it crown and keep the draught it spoils.
From year to year—through all his life, indeed—
A truth, or a conviction, which shall be
No more a part of it, and no more worth
Than to his flask the cork that slips within!
Of this he learns by sourness of his wine,
Or muddle of its color; by the bits
That vex his lips while drinking; but he feels
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And bid it crown and keep the draught it spoils.
I write this, here, not for its relevance
To this one passage of my story, but
Because there slipped into my consciousness
Just at this juncture, and would not depart,
A truth I carried there for many years,
Each minute seeing, feeling, tasting it,
Yet never touching it with an attempt
To draw it forth, and put it to its place.
To this one passage of my story, but
Because there slipped into my consciousness
Just at this juncture, and would not depart,
A truth I carried there for many years,
Each minute seeing, feeling, tasting it,
Yet never touching it with an attempt
To draw it forth, and put it to its place.
One evening, when our usual theme was up,
I asked my wife in playful earnestness
How she became so wise. “You talk,” I said,
“Like one who has survived a thousand years,
And drunk the wisdom of a thousand lives.”
I asked my wife in playful earnestness
How she became so wise. “You talk,” I said,
“Like one who has survived a thousand years,
And drunk the wisdom of a thousand lives.”
“Who lacketh wisdom, let him ask of God,
Who giveth freely and upbraideth not,”
Was her reply.
Who giveth freely and upbraideth not,”
Was her reply.
“I never ask of God,”
I said. “So, while you take at second hand
His breathings to the artist, I will take
At second hand the wisdom that he gives
To you, his teacher.”
I said. “So, while you take at second hand
His breathings to the artist, I will take
At second hand the wisdom that he gives
To you, his teacher.”
“Do you never pray?”
“Never,” I answered her. “I cannot pray:
You know the reason. Never since the day
God shut his heart against my mother's prayer
Have I raised one petition, or been moved
To reverence.”
You know the reason. Never since the day
God shut his heart against my mother's prayer
Have I raised one petition, or been moved
To reverence.”
255
Her long, dark lashes fell,
And from her eyes there dropped two precious tears
That bathed her folded hands. She pitied me,
With tenderness beyond the reach of words.
I did not seek her pity. I was proud,
And asked her if she blamed me.
And from her eyes there dropped two precious tears
That bathed her folded hands. She pitied me,
With tenderness beyond the reach of words.
I did not seek her pity. I was proud,
And asked her if she blamed me.
“No,” she said;
“I have no right to blame you, and no wish.
I marvel only that a man like you
Can hold so long the errors of a boy.
I've looked—with how much longing, words of mine
Can never tell—for reason to restore
That priceless thing which passion stole from you,
And looked in vain.”
“I have no right to blame you, and no wish.
I marvel only that a man like you
Can hold so long the errors of a boy.
I've looked—with how much longing, words of mine
Can never tell—for reason to restore
That priceless thing which passion stole from you,
And looked in vain.”
Though piqued by the reproach
Her words conveyed (unwittingly I knew),
I wished to learn where, in her theory
Of human life, my case had found a place;
So, bidding pride aback, I questioned her.
“You are so wise in other things,” I said,
“And read so well God's dealings with his own,
Perhaps you can explain this mystery
That clouds my life.”
Her words conveyed (unwittingly I knew),
I wished to learn where, in her theory
Of human life, my case had found a place;
So, bidding pride aback, I questioned her.
“You are so wise in other things,” I said,
“And read so well God's dealings with his own,
Perhaps you can explain this mystery
That clouds my life.”
“I know that God is good,”
She answered, “and, although my reason fail
To explicate the mystery that wraps
His providence, it does not shake my faith.
But this sad case of yours has seemed so plain,
That Reason well may spare the staff of Faith
To climb to its conclusions. You are loved,
My husband: can you tell your wife for what?”
“Oh! modesty! my dear; hem! modesty!
Spare me these blushes! I have not at hand
The printed catalogue of qualities
Which give you inspiration, and decline
The personal rehearsal.”
She answered, “and, although my reason fail
To explicate the mystery that wraps
His providence, it does not shake my faith.
But this sad case of yours has seemed so plain,
That Reason well may spare the staff of Faith
To climb to its conclusions. You are loved,
My husband: can you tell your wife for what?”
256
Spare me these blushes! I have not at hand
The printed catalogue of qualities
Which give you inspiration, and decline
The personal rehearsal.”
“You mistake,”
She answered, smiling. “Not for modesty;
And as for blushes, they're not patent yet.
But frankly, soberly, I ask you this:
Have you a quality of heart or brain
Which makes you lovable, and in my eyes
A man to be admired, that was not born
Quick in your blood? Pray, have you anything
Which you did not inherit? Who to me
Furnished my husband? By what happy law
Was all that was the finest, noblest, best
In those who gave you life, bestowed on you?
You have your father's form, your father's brain:
You have your mother's eyes, your mother's heart.
Those twain produced a man for me to love,
Out of themselves. I am obliged to them
For the most precious good the round earth holds,
Transmitted by a law that slew them both.
It was not sin, or shame, for them to die
Just as they died. They passed with whiter hands
Up to The Throne than he who wantonly
Murders a sparrow. When your mother prayed
She prayed for the suspension of the law
By which from Eve, the mother of the race,
She had received the grace and loveliness
Which made her precious to your heart—the law
By which alone she could convey these gifts
To others of her blood. Your daughter's face
Is beautiful, her soul is pure and sweet,
By largess of this law. Could God subvert,
To meet her wish, though shaped in agony,
The law which, since the life of man began
In life of God, has kept the channel clear
For His own blood, that it might bless the last
Of all the generations as the first?
What could He more than give her liberty—
When reason lay in torture or in wreck,
And life was death—to part with stainless hand
The tie that held her from his loving breast?”
She answered, smiling. “Not for modesty;
And as for blushes, they're not patent yet.
But frankly, soberly, I ask you this:
Have you a quality of heart or brain
Which makes you lovable, and in my eyes
A man to be admired, that was not born
Quick in your blood? Pray, have you anything
Which you did not inherit? Who to me
Furnished my husband? By what happy law
Was all that was the finest, noblest, best
In those who gave you life, bestowed on you?
You have your father's form, your father's brain:
You have your mother's eyes, your mother's heart.
Those twain produced a man for me to love,
Out of themselves. I am obliged to them
For the most precious good the round earth holds,
Transmitted by a law that slew them both.
It was not sin, or shame, for them to die
Just as they died. They passed with whiter hands
Up to The Throne than he who wantonly
Murders a sparrow. When your mother prayed
She prayed for the suspension of the law
By which from Eve, the mother of the race,
She had received the grace and loveliness
Which made her precious to your heart—the law
By which alone she could convey these gifts
To others of her blood. Your daughter's face
Is beautiful, her soul is pure and sweet,
257
To meet her wish, though shaped in agony,
The law which, since the life of man began
In life of God, has kept the channel clear
For His own blood, that it might bless the last
Of all the generations as the first?
What could He more than give her liberty—
When reason lay in torture or in wreck,
And life was death—to part with stainless hand
The tie that held her from his loving breast?”
If God himself had dropped her words from heaven,
They had not reached with surer plummet-plunge
The depths of my conviction. I was dumb;
I opened not my mouth; but left her side,
And sought the crowded street. I felt that all
Delusions, subterfuges, self-deceits,
By which my soul had shut itself from God,
Were stripped away, and that no barrier
Was interposed between us which was not
My own hand's building. Never, nevermore,
Could I hold God in blame, or deem myself
A guiltless, injured creature. I could see
That I was hard, implacable, unjust;
And that by force of willful choice I held
Myself from God; for no impulsion came
To seek his face and favor. Nay, I feared
And fought such incidence, as enemy
Of all my plans.
They had not reached with surer plummet-plunge
The depths of my conviction. I was dumb;
I opened not my mouth; but left her side,
And sought the crowded street. I felt that all
Delusions, subterfuges, self-deceits,
By which my soul had shut itself from God,
Were stripped away, and that no barrier
Was interposed between us which was not
My own hand's building. Never, nevermore,
Could I hold God in blame, or deem myself
A guiltless, injured creature. I could see
That I was hard, implacable, unjust;
And that by force of willful choice I held
Myself from God; for no impulsion came
To seek his face and favor. Nay, I feared
And fought such incidence, as enemy
Of all my plans.
So it became thenceforth
A problem with me how to separate
My new conviction from my life—to hold
A revolutionizing truth within,
And hold it yet so loosely, it should be
Like a dumb alien in a mural town—
No guest, but an intruder, who might bide,
By law or grace, but win no domicile,
And hold no power.
A problem with me how to separate
My new conviction from my life—to hold
A revolutionizing truth within,
And hold it yet so loosely, it should be
258
No guest, but an intruder, who might bide,
By law or grace, but win no domicile,
And hold no power.
When I returned, that night,
My course was chosen, with such sense of guilt
I blushed before the calm, inquiring eyes
That met me at my threshold; but the theme
Was dropped just there. My gentle mentor read
The secret of the struggle and the sin,
And left me to myself.
My course was chosen, with such sense of guilt
I blushed before the calm, inquiring eyes
That met me at my threshold; but the theme
Was dropped just there. My gentle mentor read
The secret of the struggle and the sin,
And left me to myself.
At the set time,
I entered on my task. The discipline
Of early years told feebly on my work,
For dissipation and disuse of power
Had brought me back to infancy again.
My will was weak, my patience was at fault,
And in my fretful helplessness, I stormed
And sighed by turns; yet still I held in force
Determination, as reserve of will;
And when I flinched or faltered, always fell
Back upon that, and saved my powers from rout.
Casting, recasting, till I found the germ
Of my conception putting forth its whorls
In orderly succession round the stem
Of my design, that straight and strong shot up
Toward inflorescence, my long work went on,
Till I was filled with satisfying joy.
This lasted for a little time, and then
There came reaction. I grew tired of it.
My verses were as meaningless and stale
As doggrel of the stalls. I marveled much
That they could ever have beguiled my pride
Into self-gratulation, or done aught
But overwhelm me with contempt for them,
And the dull pen that wrote them.
I entered on my task. The discipline
Of early years told feebly on my work,
For dissipation and disuse of power
Had brought me back to infancy again.
My will was weak, my patience was at fault,
And in my fretful helplessness, I stormed
And sighed by turns; yet still I held in force
Determination, as reserve of will;
And when I flinched or faltered, always fell
Back upon that, and saved my powers from rout.
Casting, recasting, till I found the germ
Of my conception putting forth its whorls
In orderly succession round the stem
Of my design, that straight and strong shot up
Toward inflorescence, my long work went on,
Till I was filled with satisfying joy.
This lasted for a little time, and then
There came reaction. I grew tired of it.
My verses were as meaningless and stale
As doggrel of the stalls. I marveled much
That they could ever have beguiled my pride
259
But overwhelm me with contempt for them,
And the dull pen that wrote them.
I had hoped
To form and finish my projected work
Within, and by, myself,—to tease no ear
With fragmentary snatches of my song,
And call for no support from friendly praise
To reinforce my courage; but the stress
Of my disgust and my despair—the need,
Imperative and absolute, to brace myself
By some opinion borrowed for the nonce,
And bathe my spirit in the sympathy
Of some strong nature—mastered my intent,
And sent me for resource to her whose heart
Was ever open to my call.
To form and finish my projected work
Within, and by, myself,—to tease no ear
With fragmentary snatches of my song,
And call for no support from friendly praise
To reinforce my courage; but the stress
Of my disgust and my despair—the need,
Imperative and absolute, to brace myself
By some opinion borrowed for the nonce,
And bathe my spirit in the sympathy
Of some strong nature—mastered my intent,
And sent me for resource to her whose heart
Was ever open to my call.
She sat
Through the long hour in which I read to her,
Absorbed, entranced, as one who sits alone
Within a dim cathedral, and resigns
His spirit to the organ-theme, that mounts,
Or sinks in tremulous pauses, or sweeps out
On mighty pinions and with trumpet voice
Through labyrinthine harmonies, at last
Emerging, and through silver clouds of sound
Receding and receding, till it melts
In the abysses of the upper sky.
It was not needful she should say a word;
For in her glowing eyes and kindling face,
I caught the full assurance that my heart
Had yearned for; but she spoke her hearty praise;
And when I asked her for her criticism,
Bestowed it with such modest deference
To my opinion, as to spare my pride;
Yet, with such subtle sense of harmony,
And insight of proportion, that I saw
That I should find no critic in the world
More competent or more severe. I said,
Gulping my pride: “Better this ordeal
In friendly hands, before the time of types,
Than afterward, in hands of enemies!”
Through the long hour in which I read to her,
Absorbed, entranced, as one who sits alone
Within a dim cathedral, and resigns
His spirit to the organ-theme, that mounts,
Or sinks in tremulous pauses, or sweeps out
On mighty pinions and with trumpet voice
Through labyrinthine harmonies, at last
Emerging, and through silver clouds of sound
Receding and receding, till it melts
In the abysses of the upper sky.
It was not needful she should say a word;
For in her glowing eyes and kindling face,
I caught the full assurance that my heart
Had yearned for; but she spoke her hearty praise;
And when I asked her for her criticism,
Bestowed it with such modest deference
260
Yet, with such subtle sense of harmony,
And insight of proportion, that I saw
That I should find no critic in the world
More competent or more severe. I said,
Gulping my pride: “Better this ordeal
In friendly hands, before the time of types,
Than afterward, in hands of enemies!”
So, from that reading, it was understood
Between us that, whenever I essayed
Revising and retouching, I should know
Her intimate impressions, and receive
Her frank suggestions. In this oversight
And constant interest of one whose mind
Was excellent and pure, and raised above
All motive to beguile me, I secured
New inspiration.
Between us that, whenever I essayed
Revising and retouching, I should know
Her intimate impressions, and receive
Her frank suggestions. In this oversight
And constant interest of one whose mind
Was excellent and pure, and raised above
All motive to beguile me, I secured
New inspiration.
Weeks and months passed by
With gradient hopefulness, and strength renewed
At each renewal of the confidence
I had reposed in her; till I perceived
That I was living on her praise—that she
Held God's place in me and the multitude's.
And now, as I look back upon those days
Of difficult endeavor, I confess
That had she not been with me, I had failed—
Ay, foundered in mid-sea—my hope, my life,
The spoil of deep oblivion.
With gradient hopefulness, and strength renewed
At each renewal of the confidence
I had reposed in her; till I perceived
That I was living on her praise—that she
Held God's place in me and the multitude's.
And now, as I look back upon those days
Of difficult endeavor, I confess
That had she not been with me, I had failed—
Ay, foundered in mid-sea—my hope, my life,
The spoil of deep oblivion.
At last
The work was done—the labored volume closed.
“I cannot make it better,” I exclaimed.
“I can write better, but, before I write,
I must have recognition in the voice
Of public praise. A good paymaster pays
When work is finished. Let him pay for this,
And I will work again; but, till he pay,
My leisure is my own, and I will wait.”
The work was done—the labored volume closed.
“I cannot make it better,” I exclaimed.
“I can write better, but, before I write,
261
Of public praise. A good paymaster pays
When work is finished. Let him pay for this,
And I will work again; but, till he pay,
My leisure is my own, and I will wait.”
“And if he grudge your wage?” suggested she
To whom I spoke.
To whom I spoke.
“I shall be finished too.”
Came then the proofs and latest polishing
Of words and phrases—work I shared with her
To whom I owed so much; and then the fear,
The deathly heart-fall, and the haunting dread
That go before exposure to the world
Of inmost life, and utmost reach of power
Toward revelation;—then the shrinking spell,
When morbid love of self awaits in pain
The verdict it has courted.
Of words and phrases—work I shared with her
To whom I owed so much; and then the fear,
The deathly heart-fall, and the haunting dread
That go before exposure to the world
Of inmost life, and utmost reach of power
Toward revelation;—then the shrinking spell,
When morbid love of self awaits in pain
The verdict it has courted.
But at last
The book was out. My daughter's hand in mine—
Her careless feet, that thrilled with springing life,
Skipping the pavement—I walked down Broadway,
To ease the restlessness and cool the heat
That vexed my idle waiting. As we passed
A showy window, filled with costly books,
My little girl exclaimed: “Oh, father! See!
There is your name!”
The book was out. My daughter's hand in mine—
Her careless feet, that thrilled with springing life,
Skipping the pavement—I walked down Broadway,
To ease the restlessness and cool the heat
That vexed my idle waiting. As we passed
A showy window, filled with costly books,
My little girl exclaimed: “Oh, father! See!
There is your name!”
Straight all the bravery
Within my veins, at one wild heart-thump, dropped,
And I was limp as water; but I paused,
And read the placard. It announced my book
In characters of flame, with adjectives
My daring publisher had filched, I think,
From an old circus broadside.
Within my veins, at one wild heart-thump, dropped,
And I was limp as water; but I paused,
And read the placard. It announced my book
262
My daring publisher had filched, I think,
From an old circus broadside.
“Well!” thought I
Biting my lip—“I'm in the market now!
How much—O! rattling, roaring multitude!
O! selfish, cheating, lying multitude!
O! hawking, trading, delving multitude!—
How much for one man's hope, for one man's life?
What for his toil and pain?—his heart's red blood?
What for his brains and breeding? Oh, how much
For one who craves your praises with your pence,
And dies with your denial?”
Biting my lip—“I'm in the market now!
How much—O! rattling, roaring multitude!
O! selfish, cheating, lying multitude!
O! hawking, trading, delving multitude!—
How much for one man's hope, for one man's life?
What for his toil and pain?—his heart's red blood?
What for his brains and breeding? Oh, how much
For one who craves your praises with your pence,
And dies with your denial?”
I went in,
And bought my book—not doubting I was first
To give response to my apostrophe.
The smug old clerk, who found his length of ear
Convenient as a pencil-rack, and thus
Made nature's wrath proclaim the praise of trade,
Wrapped my dear bantling well; and, as he dropped
My dollar in his till, smiled languidly
Upon my little girl, and said to me—
To cheer me in my purchase—that the book
Was thought to be a deuced clever thing.
He never read such books: he had no time;
Indeed, he had no interest in them.
Still, other people had, and it was well,
For it helped trade along.
And bought my book—not doubting I was first
To give response to my apostrophe.
The smug old clerk, who found his length of ear
Convenient as a pencil-rack, and thus
Made nature's wrath proclaim the praise of trade,
Wrapped my dear bantling well; and, as he dropped
My dollar in his till, smiled languidly
Upon my little girl, and said to me—
To cheer me in my purchase—that the book
Was thought to be a deuced clever thing.
He never read such books: he had no time;
Indeed, he had no interest in them.
Still, other people had, and it was well,
For it helped trade along.
It was for him—
A vulgar fraction of the integral
We speak of as “the people,” and “the world”—
I had been writing! Had he read my book,
And given it his praise, I should have been
Delighted, though I knew that his applause
Was worthless as his brooch. I was a fool
Undoubtedly; yet I could understand,
Better than e'er before, how separate
The artist is from such a soul as his—
What need of teachers and interpreters
To crumble in his pewter porringer
The rounded loaf, whose crust was adamant
To his weak fingers.
A vulgar fraction of the integral
We speak of as “the people,” and “the world”—
I had been writing! Had he read my book,
263
Delighted, though I knew that his applause
Was worthless as his brooch. I was a fool
Undoubtedly; yet I could understand,
Better than e'er before, how separate
The artist is from such a soul as his—
What need of teachers and interpreters
To crumble in his pewter porringer
The rounded loaf, whose crust was adamant
To his weak fingers.
The next morning's press
Was purchased early, though I read in vain
To find my reputation. But at night,
My door-bell rang; and I received a note
From one who edited an evening print,
(I had dined with him at my publisher's),
Inclosing a review, and venturing
The hope that I should like it.
Was purchased early, though I read in vain
To find my reputation. But at night,
My door-bell rang; and I received a note
From one who edited an evening print,
(I had dined with him at my publisher's),
Inclosing a review, and venturing
The hope that I should like it.
Cunning man!
He knew the tricks of trade, and was adroit.
My poem was “a revelation.” I had “burst
Like thunder from a calm and cloudless sky.”
Well, not to quote his language, this the drift:
A man of fortune, living at his ease,
But fond of manly effort, had sat down,
And turned his culture to supreme account;
And he—the editor—took on himself
To thank him on the world's behalf. Withal,
The poet had betrayed the continence
Of genius. He had held, undoubtedly,
The consciousness of power from early youth;
But, yielding never to the itch for print,
Had nursed and chastened and developed it,
Until his hand was strong, and swept his lyre
With magic of a master.
He knew the tricks of trade, and was adroit.
My poem was “a revelation.” I had “burst
Like thunder from a calm and cloudless sky.”
Well, not to quote his language, this the drift:
A man of fortune, living at his ease,
But fond of manly effort, had sat down,
And turned his culture to supreme account;
And he—the editor—took on himself
To thank him on the world's behalf. Withal,
The poet had betrayed the continence
Of genius. He had held, undoubtedly,
The consciousness of power from early youth;
But, yielding never to the itch for print,
Had nursed and chastened and developed it,
264
With magic of a master.
Followed here
Sage comments on the rathe and puny brood
Of poet-sucklings, who had rushed to type
Before their time—pale stems that spun their flowers
In the first sunshine, but, when Autumn came,
Were fruitless. It was pleasant, too, to see,
In such an age of sentimental cant,
One man who dared to hold up to the world
A creature of his brain, and say: “Look you!
This is my thought; and it shall stand alone.
It has no moral, bears no ministry
Of pious teaching, and makes no appeal
To sufferance or suffrage of the muffs
Who, in the pulpit or the press, prepare
The nation's pap. The fiery-footed barb
That pounds the pampas, and the lily-bells
That hang above the brooks, present the world
With no apology for being there,
And no attempt to justify themselves
In uselessness. It is enough for God
That they are beautiful, and hold his thought
In fine embodiment; and it shall be
Enough for me that, in this book of mine,
I have created somewhat that is strong
And beautiful, which, if it profit,—well:
If not, 'tis no less strong and beautiful,
And holds its being by no feebler right.”
Sage comments on the rathe and puny brood
Of poet-sucklings, who had rushed to type
Before their time—pale stems that spun their flowers
In the first sunshine, but, when Autumn came,
Were fruitless. It was pleasant, too, to see,
In such an age of sentimental cant,
One man who dared to hold up to the world
A creature of his brain, and say: “Look you!
This is my thought; and it shall stand alone.
It has no moral, bears no ministry
Of pious teaching, and makes no appeal
To sufferance or suffrage of the muffs
Who, in the pulpit or the press, prepare
The nation's pap. The fiery-footed barb
That pounds the pampas, and the lily-bells
That hang above the brooks, present the world
With no apology for being there,
And no attempt to justify themselves
In uselessness. It is enough for God
That they are beautiful, and hold his thought
In fine embodiment; and it shall be
Enough for me that, in this book of mine,
I have created somewhat that is strong
And beautiful, which, if it profit,—well:
If not, 'tis no less strong and beautiful,
And holds its being by no feebler right.”
Ay, it was glorious to find one man
Who piled no packs upon his Pegasus,
Nor chained him to a rag-cart, loaded down
With moral frippery, and strings of bells
To call the people to their windows.
Who piled no packs upon his Pegasus,
Nor chained him to a rag-cart, loaded down
265
To call the people to their windows.
Then
There followed extracts, with a change of type
To mark the places where the editor
Had caught a fancy hiding, which he feared
Might slip detection under slower eyes
Than those he carried; or to emphasize
Felicities of diction that were stiff
In Roman verticals, but grew divine
At the Italic angle; then apology,
Profoundly humble, to his patrons all
For quoting at such length, and one to me
For quoting anything, and deep regrets,
In quite a general way, that lack of space
Forbade a reproduction of the book
From title-page to tail-piece, winding up
With counsel to all lovers of pure art,
Patrons of genius, all Americans,
All friends of cis-Atlantic literature,
To buy the book, and read it for themselves.
There followed extracts, with a change of type
To mark the places where the editor
Had caught a fancy hiding, which he feared
Might slip detection under slower eyes
Than those he carried; or to emphasize
Felicities of diction that were stiff
In Roman verticals, but grew divine
At the Italic angle; then apology,
Profoundly humble, to his patrons all
For quoting at such length, and one to me
For quoting anything, and deep regrets,
In quite a general way, that lack of space
Forbade a reproduction of the book
From title-page to tail-piece, winding up
With counsel to all lovers of pure art,
Patrons of genius, all Americans,
All friends of cis-Atlantic literature,
To buy the book, and read it for themselves.
I drank the whole, at one long, luscious draught,
Tipping the tankard high, that I might see
My features at the bottom, and regale
My pride, after my palate. Then I tossed
The paper to my wife, and bade her read.
I watched her while she read, but failed to find
The sympathy of pleasure in her face
I had expected. Finishing at last,
She raised her eyes, and, fixing them on me,
Said thoughtfully: “You like this, I suspect.”
Tipping the tankard high, that I might see
My features at the bottom, and regale
My pride, after my palate. Then I tossed
The paper to my wife, and bade her read.
I watched her while she read, but failed to find
The sympathy of pleasure in her face
I had expected. Finishing at last,
She raised her eyes, and, fixing them on me,
Said thoughtfully: “You like this, I suspect.”
“Well, truly!” I responded, “since it seems
To be the first installment of the wage
Which you suggested might come grudgingly.
Ay, it is sweet to me. I know it fails
In nice discrimination,—that it slurs
Defects which I perceive as well as you;
But it is kind, and places in best light
Such excellences as we both may find—
May claim, indeed.”
266
Which you suggested might come grudgingly.
Ay, it is sweet to me. I know it fails
In nice discrimination,—that it slurs
Defects which I perceive as well as you;
But it is kind, and places in best light
Such excellences as we both may find—
May claim, indeed.”
“And yet, it is a lie,
Or what the editor would call ‘a puff,’
From first to last. the ‘continence,’ my dear,
‘Of genius!’ What of that? And what about
The ‘manly effort,’ for whose exercise
He thanked you on the world's behalf? And so
Your nursing, chastening and developing
Of power!—Pray what of these?”
Or what the editor would call ‘a puff,’
From first to last. the ‘continence,’ my dear,
‘Of genius!’ What of that? And what about
The ‘manly effort,’ for whose exercise
He thanked you on the world's behalf? And so
Your nursing, chastening and developing
Of power!—Pray what of these?”
“Oh! wife!” I said,
“Don't spoil it all! Be pitiful, my love!
I am a baby—granted: so I need
The touch of tender hands, and something sweet
To keep me happy.”
“Don't spoil it all! Be pitiful, my love!
I am a baby—granted: so I need
The touch of tender hands, and something sweet
To keep me happy.”
“Babies take a bath,
Sometimes, from which the hand of warmest love
Filches the chill, and you must have one dash.”
She answered me, “to close your complement.
The weakest spot in all your book, he found
With a quick instinct; and on that he spent
His sharpest force and finest rhetoric,
Shoring and bracing it on every side
With bold assumptions and affirmatives,
To blind the eyes of novices, and scare
With fierce forestallment all the critic-quills
Now bristling for their chance. He saw at once
Your poem had no mission, save, perhaps,
The tickle of the taste, and that it bore
Upon its glowing gold small food for life.
He saw just there the point to be attacked;
And there threw up his earth-works, and spread out
His thorned abattis. He was very kind
Undoubtedly, and very cunning, too;
For well he knew that there are earnest souls
In the broad world, who claim that highest art
Is highest ministry to human need;
And that the artist has no Christian right
To prostitute his art to selfish ends,
Or make it vehicle alone of plums
For the world's pudding.”
Sometimes, from which the hand of warmest love
Filches the chill, and you must have one dash.”
She answered me, “to close your complement.
The weakest spot in all your book, he found
With a quick instinct; and on that he spent
His sharpest force and finest rhetoric,
Shoring and bracing it on every side
With bold assumptions and affirmatives,
To blind the eyes of novices, and scare
With fierce forestallment all the critic-quills
267
Your poem had no mission, save, perhaps,
The tickle of the taste, and that it bore
Upon its glowing gold small food for life.
He saw just there the point to be attacked;
And there threw up his earth-works, and spread out
His thorned abattis. He was very kind
Undoubtedly, and very cunning, too;
For well he knew that there are earnest souls
In the broad world, who claim that highest art
Is highest ministry to human need;
And that the artist has no Christian right
To prostitute his art to selfish ends,
Or make it vehicle alone of plums
For the world's pudding.”
“These will speak in time,”
Responded I; “but they have not the ear
Of the broad world, I think. The Christian right
Of which you speak is hardly recognized
Among the multitude, or by the guild
In which I claim a place. The sectaries
Who furnish folios, quartos, magazines,
To the religious few, are limited
In influence; and these, my wife, are all
I have to fear;—nay, could I but arouse
Their bitter enmity, I might receive
Such superflux of praise and patronage
As would o'erwhelm my sweetly Christian wife
With shame and misery. But we shall see;
And, in the meantime, let us be content
That, if one man shall praise me overmuch,
Ten, at the least, will fail to render me
Befitting justice.”
Responded I; “but they have not the ear
Of the broad world, I think. The Christian right
Of which you speak is hardly recognized
Among the multitude, or by the guild
In which I claim a place. The sectaries
Who furnish folios, quartos, magazines,
To the religious few, are limited
In influence; and these, my wife, are all
I have to fear;—nay, could I but arouse
Their bitter enmity, I might receive
Such superflux of praise and patronage
As would o'erwhelm my sweetly Christian wife
With shame and misery. But we shall see;
And, in the meantime, let us be content
That, if one man shall praise me overmuch,
Ten, at the least, will fail to render me
Befitting justice.”
268
As the days went on,
Reviews and notices came pouring in.
I was notorious, at least; and fame,
I whispered comfortably to myself,
Is only notoriety turned gray,
With less of fire, if more of steadiness.
The adverse verdicts were not numerous;
And these were rendered, as I fancied then,
By sanctimonious fools who deemed profane
All verse outside their thumb-worn hymnodies.
My book received the rattling fusilade
Of all the dailies: then the artillery
Of the hebdomadals, whose noisy shells,
Though timed by fuse to burst on Saturday,
Exploded at the middle of the week;
And last, a hundred-pounder quarterly
Gave it a single missive from its mask
Of far and dark impersonality.
The smoke cleared up, and still my colors flew,
And still my book stood proudly in the sun,
Nor breached nor battered.
Reviews and notices came pouring in.
I was notorious, at least; and fame,
I whispered comfortably to myself,
Is only notoriety turned gray,
With less of fire, if more of steadiness.
The adverse verdicts were not numerous;
And these were rendered, as I fancied then,
By sanctimonious fools who deemed profane
All verse outside their thumb-worn hymnodies.
My book received the rattling fusilade
Of all the dailies: then the artillery
Of the hebdomadals, whose noisy shells,
Though timed by fuse to burst on Saturday,
Exploded at the middle of the week;
And last, a hundred-pounder quarterly
Gave it a single missive from its mask
Of far and dark impersonality.
The smoke cleared up, and still my colors flew,
And still my book stood proudly in the sun,
Nor breached nor battered.
I had won a place:
That I was sure of. All had said of me
That I was “brilliant:” was not that enough?
The petty pesterers, with card and stamp,
Who hunt for autographs, were after me,
In packages by post; and idle men
Held me at corners by the button-hole,
And introduced me to their friends. I dined
With meek-eyed men, whose literary wives
Were dying all to know me, as they said;
And the lyceums, quick at scent and sight—
Watching the jungles for a lion—all
Courted the delectation of my roar
Upon their platforms, pledging to my hand
(With city reference to stanchest names),
Such honoraria as would have been
The lion's share of profits. These were straws;
But they had surer fingers for the wind
Than withes or weathercocks.
That I was sure of. All had said of me
That I was “brilliant:” was not that enough?
The petty pesterers, with card and stamp,
Who hunt for autographs, were after me,
In packages by post; and idle men
Held me at corners by the button-hole,
And introduced me to their friends. I dined
With meek-eyed men, whose literary wives
Were dying all to know me, as they said;
And the lyceums, quick at scent and sight—
Watching the jungles for a lion—all
Courted the delectation of my roar
269
(With city reference to stanchest names),
Such honoraria as would have been
The lion's share of profits. These were straws;
But they had surer fingers for the wind
Than withes or weathercocks.
The book sold well.
My publisher (who published at my risk,
And first put on the airs of one who stooped
To grant a favor), brimmed and overflowed
With courtesy; and ere a year was gone,
Became importunate for something more.
This was his plea: I owed it to myself
To write again. The time to make one's hay
Is when the sun shines: time to write one's books
Is when the public humor turns to them.
The public would forget me in a year,
And seek another idol; or, meanwhile,
Another writer might usurp my throne,
And I be hooted from my own domain
As a pretender. Then the market's maw
Was greedy for my poems. Just how long
The appetite would last, he could not tell,
For appetite is subject of caprice,
And never lasts too long.
My publisher (who published at my risk,
And first put on the airs of one who stooped
To grant a favor), brimmed and overflowed
With courtesy; and ere a year was gone,
Became importunate for something more.
This was his plea: I owed it to myself
To write again. The time to make one's hay
Is when the sun shines: time to write one's books
Is when the public humor turns to them.
The public would forget me in a year,
And seek another idol; or, meanwhile,
Another writer might usurp my throne,
And I be hooted from my own domain
As a pretender. Then the market's maw
Was greedy for my poems. Just how long
The appetite would last, he could not tell,
For appetite is subject of caprice,
And never lasts too long.
The man was wise,
I plainly saw, and gave me the results
Of observation and experience.
I took his hint, accepting with a pang
The truths that came with it: for instance, these:—
That he who speaks for praise of those who live,
Must keep himself before his audience,
Nor look for “bravas,” cheers, and cries of “hear!”
And clap of hands and stamp of feet, except
With fresh occasion; that applause of crowds,
Though fierce, runs never to the chronic stage;
That good paymasters, having paid for work
The doer's price, expect receipt in full
At even date; and that if I would keep
My place, as grand purveyor to the greed
For novelties of literary art,
My viands must be sapid, and abound
With change, to wake or whet the appetite
I sought to feed.
I plainly saw, and gave me the results
Of observation and experience.
I took his hint, accepting with a pang
The truths that came with it: for instance, these:—
That he who speaks for praise of those who live,
Must keep himself before his audience,
Nor look for “bravas,” cheers, and cries of “hear!”
270
With fresh occasion; that applause of crowds,
Though fierce, runs never to the chronic stage;
That good paymasters, having paid for work
The doer's price, expect receipt in full
At even date; and that if I would keep
My place, as grand purveyor to the greed
For novelties of literary art,
My viands must be sapid, and abound
With change, to wake or whet the appetite
I sought to feed.
I say I took his hint.
Bestowed in selfishness, without a doubt,
Though in my interest. For ten long years
It was the basis of my policy.
I poured my poems with redundancy
Upon the world, and won redundant meed.
If I gave much, the world was generous,
Repaying more than justice: but, at last,
Tired and disgusted, I laid down my pen.
I knew my work would not outlast my life,
That the enchantments which had wreathed themselves
Around my name were withering away,
With every breath of fragrance they exhaled;
And that, too soon, the active brain and hand
Whose skill had conjured them, would faint and fail
Under the press of weariness and years.
My reputation piqued me. None believed
That it was in me to write otherwise
Than I had written. All the world had laughed,
Or shaken its wise head, had I essayed
A work beyond the round of brilliancies
In which my pen had reveled, and for which
It gave such princely guerdon. If I looked,
Or came to look, with measureless contempt
On those who gave with such munificence
The boon I sought, I had provoking cause.
I fooled them all with patent worthlessness,
And they insisted I should fool them still.
The wisdom of a whole decade had failed
To teach them that the thing my hand had done
Was not worth doing.
Bestowed in selfishness, without a doubt,
Though in my interest. For ten long years
It was the basis of my policy.
I poured my poems with redundancy
Upon the world, and won redundant meed.
If I gave much, the world was generous,
Repaying more than justice: but, at last,
Tired and disgusted, I laid down my pen.
I knew my work would not outlast my life,
That the enchantments which had wreathed themselves
Around my name were withering away,
With every breath of fragrance they exhaled;
And that, too soon, the active brain and hand
Whose skill had conjured them, would faint and fail
Under the press of weariness and years.
My reputation piqued me. None believed
That it was in me to write otherwise
Than I had written. All the world had laughed,
Or shaken its wise head, had I essayed
A work beyond the round of brilliancies
In which my pen had reveled, and for which
It gave such princely guerdon. If I looked,
271
On those who gave with such munificence
The boon I sought, I had provoking cause.
I fooled them all with patent worthlessness,
And they insisted I should fool them still.
The wisdom of a whole decade had failed
To teach them that the thing my hand had done
Was not worth doing.
More and worse than this:
I found my character and self-respect
Eroded by the canker of conceit,
Poisoned by jealousy, and made the prey
Of meanest passions. Harlequins in mask,
Who live upon the laughter of the throng
That crowds their reeking amphitheaters;
Light-footed dancing-girls, who sell their grace
To gaping lechers of the pit, to win
That which shall feed their shameless vanity;
The mimics of the buskin—baser still,
The mimics of the negro—minstrel-bands,
With capital of corks and castanets
And threadbare jests—Ah! who and what was I
But brother of all these—in higher walk,
But brother in the motive of my life,
In jealousy, in recompense for toil,
And, last, in destiny?
I found my character and self-respect
Eroded by the canker of conceit,
Poisoned by jealousy, and made the prey
Of meanest passions. Harlequins in mask,
Who live upon the laughter of the throng
That crowds their reeking amphitheaters;
Light-footed dancing-girls, who sell their grace
To gaping lechers of the pit, to win
That which shall feed their shameless vanity;
The mimics of the buskin—baser still,
The mimics of the negro—minstrel-bands,
With capital of corks and castanets
And threadbare jests—Ah! who and what was I
But brother of all these—in higher walk,
But brother in the motive of my life,
In jealousy, in recompense for toil,
And, last, in destiny?
My wife had caught
Stray silver in her hair in these long years;
And the sweet maiden springing from our lives
Had grown to womanhood. In my pursuits,
Which drank my time and my vitality,
I had neglected them. I worked at home,
But lived in other scenes, for other lives,
Or, rather, for my own; and though my pride
Shrank from the deed, I had the tardy grace
To call them to me, and confess my shame,
And beg for their forgiveness.
Stray silver in her hair in these long years;
And the sweet maiden springing from our lives
Had grown to womanhood. In my pursuits,
Which drank my time and my vitality,
I had neglected them. I worked at home,
But lived in other scenes, for other lives,
272
Shrank from the deed, I had the tardy grace
To call them to me, and confess my shame,
And beg for their forgiveness.
Once again—
All explanations passed—I sat beside
My faithful wife, and canvassed as of old
New plans of life. I found her still the same
In purpose and in magnanimity;
For she dealt no upbraidings and no blame;
Cast in my teeth no old-time prophecies
Of failure; felt no triumph which rejoiced
To mock me with the words, “I told you so.”
Calmly she sat, and tried, with gentlest speech,
To heal the bruises of my fall; to wake
A better feeling in me toward the world,
And soothe my morbid self-contempt.
All explanations passed—I sat beside
My faithful wife, and canvassed as of old
New plans of life. I found her still the same
In purpose and in magnanimity;
For she dealt no upbraidings and no blame;
Cast in my teeth no old-time prophecies
Of failure; felt no triumph which rejoiced
To mock me with the words, “I told you so.”
Calmly she sat, and tried, with gentlest speech,
To heal the bruises of my fall; to wake
A better feeling in me toward the world,
And soothe my morbid self-contempt.
The world,
She said, is apt to take a public man
At his own estimate, and yield him place
According to his choice. I had essayed
To please the world, and gather in its praise;
And, certainly, the world was pleased with me,
And had not stinted me in its return
Of plauditory payment. As the world
Had taken me according to my rate,
And filled my wish, it had a valid claim
On my good nature.
She said, is apt to take a public man
At his own estimate, and yield him place
According to his choice. I had essayed
To please the world, and gather in its praise;
And, certainly, the world was pleased with me,
And had not stinted me in its return
Of plauditory payment. As the world
Had taken me according to my rate,
And filled my wish, it had a valid claim
On my good nature.
Then, beyond all this,
The world was not a fool. Those books of mine,
That I had come to look upon as trash,
Were not all trash. My motive had been poor,
And that had vitiated them for me;
But there was much in them that yielded strength
To struggling souls, and, to the wounded, balm.
Indeed, she had been helped by them, herself.
They were all pure; they made no foul appeal
To baseness and brutality; they had
An element of gentle chivalry,
Such as must have a place in any man
Shrinking with sensitiveness, like myself,
From a fine reputation, scorning it
For motive which had won it.
The world was not a fool. Those books of mine,
That I had come to look upon as trash,
Were not all trash. My motive had been poor,
273
But there was much in them that yielded strength
To struggling souls, and, to the wounded, balm.
Indeed, she had been helped by them, herself.
They were all pure; they made no foul appeal
To baseness and brutality; they had
An element of gentle chivalry,
Such as must have a place in any man
Shrinking with sensitiveness, like myself,
From a fine reputation, scorning it
For motive which had won it.
Words like these,
From lips like hers, were needed medicine.
They clarified my weak and jaundiced sight,
And helped to juster vision of the world,
And of myself. But there was no return
Of the old greed; and fame, which I had learned
To be an entity quite different
From my conceit of it in other days,
Was something much too far and nebulous
To be my star of life.
From lips like hers, were needed medicine.
They clarified my weak and jaundiced sight,
And helped to juster vision of the world,
And of myself. But there was no return
Of the old greed; and fame, which I had learned
To be an entity quite different
From my conceit of it in other days,
Was something much too far and nebulous
To be my star of life.
“You have some plan?”—
Statement and query in same words, which fell
From lips that sought to rehabilitate
My will and self-respect.
Statement and query in same words, which fell
From lips that sought to rehabilitate
My will and self-respect.
“I have,” I said.
“Else you were dead,” responded she. “To live,
Men must have plans. When these die out of men
They crumble into chaos, or relapse
Into inanity. Will you reveal
These plans of yours to me?”
Men must have plans. When these die out of men
They crumble into chaos, or relapse
Into inanity. Will you reveal
These plans of yours to me?”
274
“Ay, if I can,”
I answered her; “but first I must reveal
The base on which I build them. I have tried
To find the occasion of my discontent,
And find it, as I think, just here; in quest
Of popularity, I have become
Untrue both to myself and to my art.
I have not dared to speak the royal truth
For fear of censure; I have been a slave
To men's opinions. What is best in me
Has been debauched by the pursuit of praise
As life's best prize. Conviction, sentiment,
All love and hate, all sense of right and wrong,
I have held in abeyance, or compelled
To work in menial subservience
To my grand purpose. If my sentiment
Or my conviction were but popular,
It flowed in hearty numbers: otherwise,
It slept in silence.
I answered her; “but first I must reveal
The base on which I build them. I have tried
To find the occasion of my discontent,
And find it, as I think, just here; in quest
Of popularity, I have become
Untrue both to myself and to my art.
I have not dared to speak the royal truth
For fear of censure; I have been a slave
To men's opinions. What is best in me
Has been debauched by the pursuit of praise
As life's best prize. Conviction, sentiment,
All love and hate, all sense of right and wrong,
I have held in abeyance, or compelled
To work in menial subservience
To my grand purpose. If my sentiment
Or my conviction were but popular,
It flowed in hearty numbers: otherwise,
It slept in silence.
“Now as to my art:
I find that it has suffered like myself,
And suffered from same cause. My verse has been
Shaped evermore to meet the people's thought.
That which was highest, grandest in my art
I have not reached, and have not tried to reach.
I have but touched the surfaces of things
That meet the common vision; and my art
Has only aimed to clothe them gracefully
With fancy's gaudy fabrics, or portray
Their patent beauties and deformities.
Above the people in my gift and art,
Both gift and art have had a downward trend
And both are prostitute.
I find that it has suffered like myself,
And suffered from same cause. My verse has been
Shaped evermore to meet the people's thought.
That which was highest, grandest in my art
I have not reached, and have not tried to reach.
I have but touched the surfaces of things
That meet the common vision; and my art
Has only aimed to clothe them gracefully
With fancy's gaudy fabrics, or portray
Their patent beauties and deformities.
Above the people in my gift and art,
Both gift and art have had a downward trend
And both are prostitute.
275
“Discarding praise
As motive of my labor, I confess
My sins against my art, and so, henceforth,
As to my goddess, give myself to her.
The chivalry which you are pleased to note
In me and works of mine, turns loyally
To her and to her service. Nevermore
Shall pen of mine demean itself by work
That serves not first, and with supreme intent,
The art whose slave it is.”
As motive of my labor, I confess
My sins against my art, and so, henceforth,
As to my goddess, give myself to her.
The chivalry which you are pleased to note
In me and works of mine, turns loyally
To her and to her service. Nevermore
Shall pen of mine demean itself by work
That serves not first, and with supreme intent,
The art whose slave it is.”
“I understand,
I think, the basis of your plan,” she said;
“And e'en the plan itself. You now propose
To write without remotest reference
To the world's wishes, prejudices, needs,
Or e'en the world's opinions,—quite content
If the world find aught in you to applaud;
Quite as content if it condemn. With full
Expression of yourself in finest terms
And noblest forms of art, so far as God
Has made you masterful, you give yourself
Up to yourself and to your art. Is this
Fair statement of your purpose?”
I think, the basis of your plan,” she said;
“And e'en the plan itself. You now propose
To write without remotest reference
To the world's wishes, prejudices, needs,
Or e'en the world's opinions,—quite content
If the world find aught in you to applaud;
Quite as content if it condemn. With full
Expression of yourself in finest terms
And noblest forms of art, so far as God
Has made you masterful, you give yourself
Up to yourself and to your art. Is this
Fair statement of your purpose?”
“Not unfair,”
I answered. “Tell me what you think of it.”
I answered. “Tell me what you think of it.”
“Suppose,” she said, “that all the artist-souls
That God has made since time and art began
Had acted on your theory: suppose
In architecture, picture, poetry,
Naught had found utterance but works that sprang
To satisfy the worker, and reveal
That bundle of ideas which, to him,
Is constituted art; but which, in truth,
Is figment of his fancy, or his thought,—
His creature, made his God—say where were all
The temples, palaces and homes of men;
The galleries that blaze with history,
Or bloom with landscape, or look down
With smile of changeless love or loveliness
Into the hearts of men? And where were all
The poems that give measure to their praise,
Voice to their aspirations, forms of light
To homely facts and features of their life,
Enveloping this plain, prosaic world
In an ideal atmosphere, in which
Fair angels come and go? All gifts of men
Were made for use, and made for highest use.
If highest use be service of one's self,
And highest standard, one's embodiment
Of dogmas, theories and thoughts of art,
As art's identity, then are you right;
But if a higher use of gift and art
Be service of mankind, and higher rule
God's regal truth, revealed in words or worlds,
And verified by life, then are you wrong.”
That God has made since time and art began
Had acted on your theory: suppose
In architecture, picture, poetry,
Naught had found utterance but works that sprang
To satisfy the worker, and reveal
That bundle of ideas which, to him,
276
Is figment of his fancy, or his thought,—
His creature, made his God—say where were all
The temples, palaces and homes of men;
The galleries that blaze with history,
Or bloom with landscape, or look down
With smile of changeless love or loveliness
Into the hearts of men? And where were all
The poems that give measure to their praise,
Voice to their aspirations, forms of light
To homely facts and features of their life,
Enveloping this plain, prosaic world
In an ideal atmosphere, in which
Fair angels come and go? All gifts of men
Were made for use, and made for highest use.
If highest use be service of one's self,
And highest standard, one's embodiment
Of dogmas, theories and thoughts of art,
As art's identity, then are you right;
But if a higher use of gift and art
Be service of mankind, and higher rule
God's regal truth, revealed in words or worlds,
And verified by life, then are you wrong.”
“But art?”—responded I—“you do not mean
That art is nothing but a thing of thought,
Or, less than that, of fancy? Nay, I claim
That it is somewhat—a grand entity—
An organism of lofty principles,
Informed with subtlest life, and clothed upon
With usage and tradition of the men
Who, working in those sunny provinces
Where it holds eminent domain, have brought
To build its temple and adorn its walls
The usufruct of countless lives. So far
Is art from being creature of man's thought
That it is subject of his knowledge—stands
In mighty mystery, and challenges
The study of the world; rules noblest minds
Like law or like religion; is a power
To which the proudest artist-spirits bow
With humblest homage. Is astronomy
The creature of man's thought? Is chemistry?
Yet these hold not, in this our universe,
A form more definite, nor yet a place
In human knowledge more beyond dispute,
Than art itself. To this embodiment
Of theory—of dogmas, if you will—
This body aggregate of truth revealed
In growing light of ages to the eyes
Touched to perception, I devote my life.”
That art is nothing but a thing of thought,
Or, less than that, of fancy? Nay, I claim
That it is somewhat—a grand entity—
An organism of lofty principles,
Informed with subtlest life, and clothed upon
With usage and tradition of the men
Who, working in those sunny provinces
Where it holds eminent domain, have brought
To build its temple and adorn its walls
The usufruct of countless lives. So far
277
That it is subject of his knowledge—stands
In mighty mystery, and challenges
The study of the world; rules noblest minds
Like law or like religion; is a power
To which the proudest artist-spirits bow
With humblest homage. Is astronomy
The creature of man's thought? Is chemistry?
Yet these hold not, in this our universe,
A form more definite, nor yet a place
In human knowledge more beyond dispute,
Than art itself. To this embodiment
Of theory—of dogmas, if you will—
This body aggregate of truth revealed
In growing light of ages to the eyes
Touched to perception, I devote my life.”
“Nay, you're too fast,” she said: “let alchemy
And old astrology present your thought.
These were somewhat; these were grand entities;
But they went out like candles in thin air
When knowledge came. The sciences are things
Of law, of force, relations, measurements,
Affinities and combinations, all
The definite, demonstrable effects
Of first and second causes. Between these
And men's opinions, braced by usages,
The space is wide. The thing which you call art,
Is anything but definite in form,
Or fixed in law. It has as many shapes
As worshipers. The world has many books,
Written by earnest men, about this art;
But having read them, we are no more wise
Than he whose observation of the sun
Is taken by kaleidoscope. The more
He sees in it, the more he is confused.
The sun works, doubtless, many fine effects
With what he sees, but he sees not the sun.”
And old astrology present your thought.
These were somewhat; these were grand entities;
But they went out like candles in thin air
When knowledge came. The sciences are things
Of law, of force, relations, measurements,
Affinities and combinations, all
The definite, demonstrable effects
Of first and second causes. Between these
And men's opinions, braced by usages,
The space is wide. The thing which you call art,
Is anything but definite in form,
Or fixed in law. It has as many shapes
As worshipers. The world has many books,
Written by earnest men, about this art;
But having read them, we are no more wise
Than he whose observation of the sun
Is taken by kaleidoscope. The more
278
The sun works, doubtless, many fine effects
With what he sees, but he sees not the sun.”
“But art is art,” I said, “You'd cheat my sense,
And mock my reason too. Ay, art is art.
Things must have being that have history.”
And mock my reason too. Ay, art is art.
Things must have being that have history.”
Then she: “Yes, politics has history,
And therefore has a being,—has, in truth,
Just such a being as I grant to art—
A being of opinions. Every state
Has origin and ends of government
Peculiarly its own, and so, from these,
Constructs its theory of politics,
And holds this theory against the world;
And holds it well. There is no fixedness
Or form of politics for all mankind;
And there is none of art. Each artist-soul
Is its own law; and he who dares to bring
From work of other man, to lay on yours,
His square and compass—thus declaring him
The pattern man—and tells, by him, you lack
Just so much here, or wander so much there,
Thereby confesses just how much he lacks
Of wisdom and plain sense. For every man
Has special gift of power and end of life.
No man is great who lives by other law
Than that which wrapped his genius at his birth.
The Lind is great because she is the Lind,
And not the Malibran. Recorded art
Is yours to study—e'en to imitate,
In education—imitate or shun,
As the case warrants; but it has destroyed,
Or toned to commonplace, more gifts of God
Than it has ever fanned to life or fed.
Who never walks save where he sees men's tracks
Makes no discoveries. Show me the man
Who, leaving God and nature and himself,
Sits at the feet of masters, stuffs his brain
With maxims, notions, usages and rules,
And yields his fancy up to leading-strings,
And I shall see a man who never did
A deed worth doing. So, in the name of art—
Nay, in the name of God—do no such thing
As smutch your knees by bowing at a shrine,
Whose doubtful deity, in midst of dust,
Sits in the cast-off robes of devotees,
And lives on broken victuals!”
And therefore has a being,—has, in truth,
Just such a being as I grant to art—
A being of opinions. Every state
Has origin and ends of government
Peculiarly its own, and so, from these,
Constructs its theory of politics,
And holds this theory against the world;
And holds it well. There is no fixedness
Or form of politics for all mankind;
And there is none of art. Each artist-soul
Is its own law; and he who dares to bring
From work of other man, to lay on yours,
His square and compass—thus declaring him
The pattern man—and tells, by him, you lack
Just so much here, or wander so much there,
Thereby confesses just how much he lacks
Of wisdom and plain sense. For every man
Has special gift of power and end of life.
No man is great who lives by other law
Than that which wrapped his genius at his birth.
The Lind is great because she is the Lind,
And not the Malibran. Recorded art
Is yours to study—e'en to imitate,
In education—imitate or shun,
As the case warrants; but it has destroyed,
Or toned to commonplace, more gifts of God
279
Who never walks save where he sees men's tracks
Makes no discoveries. Show me the man
Who, leaving God and nature and himself,
Sits at the feet of masters, stuffs his brain
With maxims, notions, usages and rules,
And yields his fancy up to leading-strings,
And I shall see a man who never did
A deed worth doing. So, in the name of art—
Nay, in the name of God—do no such thing
As smutch your knees by bowing at a shrine,
Whose doubtful deity, in midst of dust,
Sits in the cast-off robes of devotees,
And lives on broken victuals!”
“Drive, my dear!
Drive on, and over me! You're on the old
High-stepping horse to-night; so give him rein,
For exercise is good,” I said, in mirth.
“You sit your courser finely. I confess
I'm very proud of you, and too much pleased
With your accomplishments to check your speed.
Drive on, my love! drive on!”
Drive on, and over me! You're on the old
High-stepping horse to-night; so give him rein,
For exercise is good,” I said, in mirth.
“You sit your courser finely. I confess
I'm very proud of you, and too much pleased
With your accomplishments to check your speed.
Drive on, my love! drive on!”
“I thank you, sir!
No one so gracious as your grudging man
Under compulsion! With your kind consent
I'll ride a little further,” she replied,—
“For I enjoy it quite as much as you—
The more because you've given me little chance
In these last years. .... Now, soberly, this art—
Of which we talk so much, without the power
To tell exactly what we understand
By the hack term—suppose we take the word,
And try to find its meaning. You recall
Old John who dressed the borders in our court:
You called him, hired him, told him what to do.
He and his rake stood interposed between
You and your work. You chose his skillful hands,
Endowing them with pay, or pledge of pay,
And set him at his labor. Now suppose
Old John had had a philosophic turn
After you left him, and had thought like this:
‘I am called here to do a certain work—
My rake tells what; and he who called me here
Has given me the motive for the job.
The work is plain. These borders are to be
Leveled and cleaned of weeds: my hand and rake
Are fitted for the service;—this my art;
And it is first of all the arts. There's none
More ancient, useful, worshipful, indeed,
Than agriculture. Adam practiced it;
Poets have sung its praises; and the great
Of every age have loved and honored it.
This art is greater than the man I serve,
And greater than his borders. Therefore I
Will serve my art, and let the borders lie,
And my employer whistle. True to that,
And to myself, it matters not to me
What weeds may grow, or what the master think
Of my proceeding!’
No one so gracious as your grudging man
Under compulsion! With your kind consent
I'll ride a little further,” she replied,—
“For I enjoy it quite as much as you—
The more because you've given me little chance
In these last years. .... Now, soberly, this art—
Of which we talk so much, without the power
To tell exactly what we understand
By the hack term—suppose we take the word,
And try to find its meaning. You recall
280
You called him, hired him, told him what to do.
He and his rake stood interposed between
You and your work. You chose his skillful hands,
Endowing them with pay, or pledge of pay,
And set him at his labor. Now suppose
Old John had had a philosophic turn
After you left him, and had thought like this:
‘I am called here to do a certain work—
My rake tells what; and he who called me here
Has given me the motive for the job.
The work is plain. These borders are to be
Leveled and cleaned of weeds: my hand and rake
Are fitted for the service;—this my art;
And it is first of all the arts. There's none
More ancient, useful, worshipful, indeed,
Than agriculture. Adam practiced it;
Poets have sung its praises; and the great
Of every age have loved and honored it.
This art is greater than the man I serve,
And greater than his borders. Therefore I
Will serve my art, and let the borders lie,
And my employer whistle. True to that,
And to myself, it matters not to me
What weeds may grow, or what the master think
Of my proceeding!’
“So, intent on this,
He hangs his rake upon your garden wall,
And steals your clematis, with which to wind
The handle upward; then o'erfills his hands
With roses and geraniums, and weaves
Their beauty into laurel, for a crown
For his slim god, completing his devoir
By buttering the teeth, and kneeling down
In abject homage. Pray, what would you say,
At close of day, when you should go to see
Your untouched borders, and your gardener
At genuflexion, with your mignonnette
In every button-hole? Remember, now,
He has been true to art and to himself,
According to his notion; nor forget
To take along a dollar for his hire,
Which he expects, of course! What would you say?”
He hangs his rake upon your garden wall,
And steals your clematis, with which to wind
The handle upward; then o'erfills his hands
With roses and geraniums, and weaves
Their beauty into laurel, for a crown
For his slim god, completing his devoir
By buttering the teeth, and kneeling down
281
At close of day, when you should go to see
Your untouched borders, and your gardener
At genuflexion, with your mignonnette
In every button-hole? Remember, now,
He has been true to art and to himself,
According to his notion; nor forget
To take along a dollar for his hire,
Which he expects, of course! What would you say?”
“Oh, don't mind that: you've reached your ‘filthy’ now,
And here the ‘application’ comes,” I said.
And here the ‘application’ comes,” I said.
“I think,” responded she, with an arch smile,
“The application's needless: but you men
Are so obtuse, when will is in the way,
That I will do your bidding. Every gift
That God bestows on men holds in itself
The secret of its office, like the rake
The gardener wields. The rake was made to till—
Was fashioned, head and handle, for just that;
And if, by grace of God, you hold a gift
So fashioned and adapted, that it stands
In like relation of supremest use
To life of men, the office of your gift
Has perfect definition. Gift like this
Is yours, my husband. In your facile hands
God placed it for the service of himself,
In service of your kind. Taking this gift,
And using it for God and for the world,
In your own way, and in your own best way;
Seeking for light and knowledge everywhere
To guide your careful hand; and opening wide
To spiritual influx all your soul,
That so your master may breathe into you,
And breathe his great life through you, in such forms
Of pure presentment as he gives you skill
To build withal—that's all of art—for you.
Art is an instrument, and not an end—
A servant, not a master, nor a God
To be bowed down to. Shall we worship rakes?
Honor of art, by him whose work is art,
Is a fine passion; but he honors most
Whose use and end are best.”
“The application's needless: but you men
Are so obtuse, when will is in the way,
That I will do your bidding. Every gift
That God bestows on men holds in itself
The secret of its office, like the rake
The gardener wields. The rake was made to till—
Was fashioned, head and handle, for just that;
And if, by grace of God, you hold a gift
So fashioned and adapted, that it stands
In like relation of supremest use
To life of men, the office of your gift
Has perfect definition. Gift like this
Is yours, my husband. In your facile hands
God placed it for the service of himself,
In service of your kind. Taking this gift,
And using it for God and for the world,
In your own way, and in your own best way;
Seeking for light and knowledge everywhere
To guide your careful hand; and opening wide
To spiritual influx all your soul,
That so your master may breathe into you,
282
Of pure presentment as he gives you skill
To build withal—that's all of art—for you.
Art is an instrument, and not an end—
A servant, not a master, nor a God
To be bowed down to. Shall we worship rakes?
Honor of art, by him whose work is art,
Is a fine passion; but he honors most
Whose use and end are best.”
“Use! Use! Use!”
I cried impatiently;—“nothing but use!
As if God never made a violet,
Or hung a harebell, or in kindling gold
Garnished a sunset, or upreared the arch
Of a bright rainbow, or endowed a world—
A universe, indeed—stars, firmament,
The vastitudes of forest and of sea,
Swift brooks and sweeping rivers, virid meads
And fluff of breezy hills—with tints that range
The scale of spectral beauty, till they leave
No glint or glory of the changeful light
Without a revelation! Is this use—
I beg your pardon, love: you say ‘this art’—
The sum and end of art? If it be so,
Then God's no artist. Are the crystal brooks
Sweeter for singing to the thirsty brutes
That dip their beaded muzzles in the foam?
Burns the tree better that its leaves are green?
Sleeps the sun sounder under canopy
Of gold or rose?”
I cried impatiently;—“nothing but use!
As if God never made a violet,
Or hung a harebell, or in kindling gold
Garnished a sunset, or upreared the arch
Of a bright rainbow, or endowed a world—
A universe, indeed—stars, firmament,
The vastitudes of forest and of sea,
Swift brooks and sweeping rivers, virid meads
And fluff of breezy hills—with tints that range
The scale of spectral beauty, till they leave
No glint or glory of the changeful light
Without a revelation! Is this use—
I beg your pardon, love: you say ‘this art’—
The sum and end of art? If it be so,
Then God's no artist. Are the crystal brooks
Sweeter for singing to the thirsty brutes
That dip their beaded muzzles in the foam?
Burns the tree better that its leaves are green?
Sleeps the sun sounder under canopy
Of gold or rose?”
“Yet beauty has its use,”
Responded she. “Whatever elevates,
Inspires, refreshes, any human soul,
Is useful to that soul. Beauty has use
For you and me. The dainty violet
Blooms in our thought, and sheds its fragrance there;
And we are gainers through its ministry.
All God's great values wear the drapery
That most becomes them. Beauty may, in truth,
Be incident of art and not be end—
Its form, condition, features, dress, and still
The humblest value of the things of art.
This truth obtains in all God's artistry.
Does God make beauty for himself, alone?
He is, and holds, all beauty. Has he need
To kindle rushes that he may behold
The glory of his thoughts? or need to use
His thoughts as plasms for the amorphous clay
That he may study models? For an end
Outside himself, he ever speaks himself;
And end, with him, is use.”
Responded she. “Whatever elevates,
Inspires, refreshes, any human soul,
283
For you and me. The dainty violet
Blooms in our thought, and sheds its fragrance there;
And we are gainers through its ministry.
All God's great values wear the drapery
That most becomes them. Beauty may, in truth,
Be incident of art and not be end—
Its form, condition, features, dress, and still
The humblest value of the things of art.
This truth obtains in all God's artistry.
Does God make beauty for himself, alone?
He is, and holds, all beauty. Has he need
To kindle rushes that he may behold
The glory of his thoughts? or need to use
His thoughts as plasms for the amorphous clay
That he may study models? For an end
Outside himself, he ever speaks himself;
And end, with him, is use.”
“Well, I confess
There's truth in what you utter,” I replied;—
“A modicum of truth, at least; and still
There's something more which this our subtle talk
Has failed to give us. I will not affirm
That art, recorded in its thousand forms,
And clothed with usages, traditions, rules,—
The thing of history—the mighty pile
Of drift that sweep of ages has brought down
To heap the puzzled present—is the sum
And substance of all art. I will not claim—
Nay, mark me now—I will not even claim
That beauty is art's end, or has its end
Within itself. Our tedious colloquy
Has cleared away the rubbish from my thought,
And given me cleaner vision. I can see
Before, around me, underneath, above,
The great unrealized; and while I bow
To the traditions and the things of art,
And hold my theories, I find myself
Inspired supremely by the Possible
That calls for revelation—by the forms
That sleep imprisoned in the snowy arms
Of still unquarried truth, or stretch their hands
At sound of sledge and drill and booming fire,
Imploring for release. I turn from men,
And stretch my hands toward these. I feel—I know—
That there are mighty myriads waiting there,
And listening for my steps. Suppose my age
Should fail to give them welcome: ay, suppose
They may not help a man to coin a dime
Or cook a dinner: they will fare as well
As much of God's truth fares, though clothed in forms
Divinely chosen. Does God ever stint
His utterance because no creature hears?
Is it a grand and goodly thing, to spend
Brave life and precious treasure in a search
For palpitating water at the pole,
That so the sum of knowledge may be swelled,
Though pearls are not increased; and something less
To probe the Possible in art, or sit
Through months of dreary dark to catch a glimpse
Of the live truth that quivers with the jar
Of movement at its axle? Is it good
To garner gain beyond the present need,
Won by excursive commerce in all seas;
And something less to pile redundantly
The spoil of thought?”
There's truth in what you utter,” I replied;—
“A modicum of truth, at least; and still
There's something more which this our subtle talk
Has failed to give us. I will not affirm
That art, recorded in its thousand forms,
And clothed with usages, traditions, rules,—
The thing of history—the mighty pile
Of drift that sweep of ages has brought down
To heap the puzzled present—is the sum
And substance of all art. I will not claim—
Nay, mark me now—I will not even claim
That beauty is art's end, or has its end
Within itself. Our tedious colloquy
Has cleared away the rubbish from my thought,
And given me cleaner vision. I can see
284
The great unrealized; and while I bow
To the traditions and the things of art,
And hold my theories, I find myself
Inspired supremely by the Possible
That calls for revelation—by the forms
That sleep imprisoned in the snowy arms
Of still unquarried truth, or stretch their hands
At sound of sledge and drill and booming fire,
Imploring for release. I turn from men,
And stretch my hands toward these. I feel—I know—
That there are mighty myriads waiting there,
And listening for my steps. Suppose my age
Should fail to give them welcome: ay, suppose
They may not help a man to coin a dime
Or cook a dinner: they will fare as well
As much of God's truth fares, though clothed in forms
Divinely chosen. Does God ever stint
His utterance because no creature hears?
Is it a grand and goodly thing, to spend
Brave life and precious treasure in a search
For palpitating water at the pole,
That so the sum of knowledge may be swelled,
Though pearls are not increased; and something less
To probe the Possible in art, or sit
Through months of dreary dark to catch a glimpse
Of the live truth that quivers with the jar
Of movement at its axle? Is it good
To garner gain beyond the present need,
Won by excursive commerce in all seas;
And something less to pile redundantly
The spoil of thought?”
“These latest words of yours,”
She answered musingly, “impress me much;
And yet, I think I see where they will lead,
Or, rather, fail to lead. Your fantasy
Is beautiful but vague. The Possible
Is a vast ocean, from which one poor soul,
With its slight oars, can float but flimsy freight;
Yet I would help your courage, for I see
Where your sole motive lies. Go on, and prove
Whether your scheme or mine holds more of good;
And take my blessing with you.”
She answered musingly, “impress me much;
285
Or, rather, fail to lead. Your fantasy
Is beautiful but vague. The Possible
Is a vast ocean, from which one poor soul,
With its slight oars, can float but flimsy freight;
Yet I would help your courage, for I see
Where your sole motive lies. Go on, and prove
Whether your scheme or mine holds more of good;
And take my blessing with you.”
Then she rose,
And kissed my forehead. Looking in her face,
By the sharp light that touched her, I was thrilled
By her flushed cheeks and strangely lustrous eyes.
She spoke not; but I heard the sigh she breathed—
The long-drawn, weary sigh—as she retired;
And then the Possible, which had inspired
So wondrously my hope, drooped low around,
And filled me with foreboding.
And kissed my forehead. Looking in her face,
By the sharp light that touched her, I was thrilled
By her flushed cheeks and strangely lustrous eyes.
She spoke not; but I heard the sigh she breathed—
The long-drawn, weary sigh—as she retired;
And then the Possible, which had inspired
So wondrously my hope, drooped low around,
And filled me with foreboding.
Had her life
Been chilled by my neglect? Was it on wane?
Could she be lost to me? Oh! then I felt,
As I had never felt before, how mean
Beside one true affection is the best
Of all earth's prizes, and how little worth
The world would be without her love—herself!
Been chilled by my neglect? Was it on wane?
Could she be lost to me? Oh! then I felt,
As I had never felt before, how mean
Beside one true affection is the best
Of all earth's prizes, and how little worth
The world would be without her love—herself!
But sleep refreshed her, and next morn she sat
At our bright board, in her accustomed place;
And sunlight was not sweeter than her smile,
Or cheerfuller. My quick fears died away;
And though I saw that she had lost the fire
Of her young life, I comforted myself
With thinking that it was the same with me—
The sure result of years.
At our bright board, in her accustomed place;
And sunlight was not sweeter than her smile,
Or cheerfuller. My quick fears died away;
And though I saw that she had lost the fire
Of her young life, I comforted myself
286
The sure result of years.
My time I gave
To my new passion, rioting at large
In the fresh realm of fancy and of thought
To which the passion bore me, and from which
I strove to gather for embodiment
Material of art.
To my new passion, rioting at large
In the fresh realm of fancy and of thought
To which the passion bore me, and from which
I strove to gather for embodiment
Material of art.
The more I dreamed,
The broader grew my dream. The further on
My footsteps pushed, the brighter grew the light;
Till, half in terror, half in reverence,
I learned that I had broached the Infinite!
I had not thought my Possible could bear
Such name as this, or wear such attribute;
And shrank befitting distance from the front
Of awful secrets, hid in awful flame,
That scorched and scared me.
The broader grew my dream. The further on
My footsteps pushed, the brighter grew the light;
Till, half in terror, half in reverence,
I learned that I had broached the Infinite!
I had not thought my Possible could bear
Such name as this, or wear such attribute;
And shrank befitting distance from the front
Of awful secrets, hid in awful flame,
That scorched and scared me.
So, more humble grown,
And less adventurous, I chose, at last,
My theme and vehicle of song, and wrote.
My faculties, grown strong and keen by use,
Bent to their task with earnest faithfulness,
And glowed with high endeavor. All of power
I had within me flowed into my hand;
And learning, language—all my life's resource—
Lay close around my enterprise, and poured
Their hoarded wealth of imagery and words
Faster than I could use it. For long weeks,
My ardent labor crowded all my days,
Invaded sleep, and haunted e'en my dreams:
And then the work was done.
And less adventurous, I chose, at last,
My theme and vehicle of song, and wrote.
My faculties, grown strong and keen by use,
Bent to their task with earnest faithfulness,
And glowed with high endeavor. All of power
I had within me flowed into my hand;
And learning, language—all my life's resource—
Lay close around my enterprise, and poured
Their hoarded wealth of imagery and words
Faster than I could use it. For long weeks,
My ardent labor crowded all my days,
Invaded sleep, and haunted e'en my dreams:
And then the work was done.
287
I left it there,
And sought for recreative rest in scenes
That once had charmed me—in society
Where I was welcome: but the common talk
Of daily news—of politics and trade—
Was senseless as the chatter of the jays
In autumn forests. No refreshing balm
Came to me in the sympathy of men.
In my retirement, I had left the world
To go its way; and it had gone its way,
And left me hopelessly.
And sought for recreative rest in scenes
That once had charmed me—in society
Where I was welcome: but the common talk
Of daily news—of politics and trade—
Was senseless as the chatter of the jays
In autumn forests. No refreshing balm
Came to me in the sympathy of men.
In my retirement, I had left the world
To go its way; and it had gone its way,
And left me hopelessly.
I told my wife
Of my dissatisfaction and disgust,
But found small comfort in her words. She said:
“The world is wide, and woman's vision short;
But I have never seen a man who turned
His efforts from his kind, and failed to spoil
All men for him—himself, indeed, for them;
And he who gives nor sympathy nor aid
To the poor race from which he seeks such boon
Must be rejoiced if it be generous;
Content, if it be just. Society
Is a grand scheme of service and return.
We give and take; and he who gives the most,
In ways directest, wins the best reward.”
Of my dissatisfaction and disgust,
But found small comfort in her words. She said:
“The world is wide, and woman's vision short;
But I have never seen a man who turned
His efforts from his kind, and failed to spoil
All men for him—himself, indeed, for them;
And he who gives nor sympathy nor aid
To the poor race from which he seeks such boon
Must be rejoiced if it be generous;
Content, if it be just. Society
Is a grand scheme of service and return.
We give and take; and he who gives the most,
In ways directest, wins the best reward.”
By purpose, I closed eyes upon my work
For many weeks, resisting every day
The impulse to review the glowing dream
My fancy had engendered: for I wished
To go with faculty and fancy cooled
To its perusal. I had strong desire,
So far as in me lay, to see the work
With the world's eyes, for reasons—ah! I shrink
From writing them! All men are sometimes weak,
And some are inconsistent with their wills.
If I were one of these, think not I failed
To justify my weakness to myself,
In ways that saved my pride.
For many weeks, resisting every day
The impulse to review the glowing dream
My fancy had engendered: for I wished
To go with faculty and fancy cooled
To its perusal. I had strong desire,
So far as in me lay, to see the work
With the world's eyes, for reasons—ah! I shrink
288
And some are inconsistent with their wills.
If I were one of these, think not I failed
To justify my weakness to myself,
In ways that saved my pride.
Yet this was true:
I had an honest wish to learn how far
My work of heat had power to re-inspire
The soul that wrought it, and how well my verse
Had clothed and kept the creature of my thought;
For memory still retained the loveliness
That filled the fresh conceit.
I had an honest wish to learn how far
My work of heat had power to re-inspire
The soul that wrought it, and how well my verse
Had clothed and kept the creature of my thought;
For memory still retained the loveliness
That filled the fresh conceit.
When, in good time,
Rest and diversion had performed their work,
And the long fever of my brain was gone,
I broached my feast, first making fast my door,
That so no eye should mark my greedy joy
Or my grimaces,—doubtful of the fate
That waited expectation.
Rest and diversion had performed their work,
And the long fever of my brain was gone,
I broached my feast, first making fast my door,
That so no eye should mark my greedy joy
Or my grimaces,—doubtful of the fate
That waited expectation.
It were vain
To try, in these tame words, to paint the pang,
The faintness and the chill, which overwhelmed
My disappointed heart. My welded thoughts
Which, in their whitest heat, had bent and bound
My language to themselves, imparting grace
To stiffest words, and meanings fresh and fine
To simplest phrases, interfusing all
With their own ardency, and shining through
With smoothly rounded beauty, lay in heaps
Of cold, unmeaning ugliness. My words
Had shrunk to old proportions, and stood out
In hard, stiff angles, challenging a guess
Of what they covered.
To try, in these tame words, to paint the pang,
The faintness and the chill, which overwhelmed
My disappointed heart. My welded thoughts
Which, in their whitest heat, had bent and bound
My language to themselves, imparting grace
To stiffest words, and meanings fresh and fine
To simplest phrases, interfusing all
With their own ardency, and shining through
With smoothly rounded beauty, lay in heaps
289
Had shrunk to old proportions, and stood out
In hard, stiff angles, challenging a guess
Of what they covered.
Meaningless to me,
Who knew the meaning that had once informed
Its faithless numbers, what way could I hope
That, to my own, or any future age,
My work should speak its full significance?
My latest child, begot in manly joy,
Conceived in purity, and born in toil,
Lay dead before me,—dead, and in the shroud
My hopeful hands had woven and bedecked
To be its chrisom.
Who knew the meaning that had once informed
Its faithless numbers, what way could I hope
That, to my own, or any future age,
My work should speak its full significance?
My latest child, begot in manly joy,
Conceived in purity, and born in toil,
Lay dead before me,—dead, and in the shroud
My hopeful hands had woven and bedecked
To be its chrisom.
Then the first I learned
Where language finds its bound—learned that beyond
The range of human commerce, save by force,
It never moves, nor lingers in the realm
It thus invades, a moment, if the voice
Of human commerce speak not the demand;—
That language is a thing of use;—that thought
Which seeks a revelation, first must seek
Adjustment in the scale of human need,
Or find no fitting vehicle.
Where language finds its bound—learned that beyond
The range of human commerce, save by force,
It never moves, nor lingers in the realm
It thus invades, a moment, if the voice
Of human commerce speak not the demand;—
That language is a thing of use;—that thought
Which seeks a revelation, first must seek
Adjustment in the scale of human need,
Or find no fitting vehicle.
And more:
That the great Possible which lies outside
The range of commerce is identical
With the stupendous Infinite of God,
Which only comes in glimpses, or in hints
Of vague significance, so dim, so vast,
That subtlest, most prehensile language, shrinks
From plucking of its robes, the while they sweep
The perfumed air!
That the great Possible which lies outside
The range of commerce is identical
With the stupendous Infinite of God,
Which only comes in glimpses, or in hints
290
That subtlest, most prehensile language, shrinks
From plucking of its robes, the while they sweep
The perfumed air!
I closed my manuscript,
And locked it in my desk. Then stealing forth,
I sought the bustle of the street, to drown
In the great roar of careless toil, the pain
That brings despair. My last resource was gone;
And as I brooded o'er the awful blank
Of hopeless life that waited for my steps,
A fear which I had feared to entertain
Found entrance to my heart, and held it still,
Almost to bursting.
And locked it in my desk. Then stealing forth,
I sought the bustle of the street, to drown
In the great roar of careless toil, the pain
That brings despair. My last resource was gone;
And as I brooded o'er the awful blank
Of hopeless life that waited for my steps,
A fear which I had feared to entertain
Found entrance to my heart, and held it still,
Almost to bursting.
Not alone my life
Was sliding from me; for my better life,
My pearl of price, the jewel in my crown,
My wife Kathrina, growing lovelier
With every passing day, arose each morn
From wasting dreams to paler loveliness,
And sank in growing weariness each night,
And hotter hectic, to her welcome bed.
Her bed! The sweet, the precious nuptial bed!
Bed sanctified by love! Bed blest of God
With fruit immortal! Bed too soon to be
Crowned with the glory of a Christian death!
Ah God! How it brought back the agony,
And the rebellious hate of other years—
The hopeless struggle of my will with Him
Whose will is law!
Was sliding from me; for my better life,
My pearl of price, the jewel in my crown,
My wife Kathrina, growing lovelier
With every passing day, arose each morn
From wasting dreams to paler loveliness,
And sank in growing weariness each night,
And hotter hectic, to her welcome bed.
Her bed! The sweet, the precious nuptial bed!
Bed sanctified by love! Bed blest of God
With fruit immortal! Bed too soon to be
Crowned with the glory of a Christian death!
Ah God! How it brought back the agony,
And the rebellious hate of other years—
The hopeless struggle of my will with Him
Whose will is law!
Thus torn with mingled thoughts
Of fear, despair and spite, I wore away
Miles of wild wandering about the streets,
Till weariness at last compelled my feet
To drag me to my home.
Of fear, despair and spite, I wore away
291
Till weariness at last compelled my feet
To drag me to my home.
Before my door
Stood the familiar chair of one whose call
Was ominous of ill. My heart grew sick
With flutter of foreboding and foredoom;
But in swift silence I flew up the steps,
And, blind with stifled frenzy, reached the side
Of my poor wife. She smiled at seeing me,
But I could only kneel, and bathe her hands
With tears and kisses. In her gentle breast—
True home of love, and love and home to me—
The blood had burst its walls, and flowed in flame
From lips it left in ashes.
Stood the familiar chair of one whose call
Was ominous of ill. My heart grew sick
With flutter of foreboding and foredoom;
But in swift silence I flew up the steps,
And, blind with stifled frenzy, reached the side
Of my poor wife. She smiled at seeing me,
But I could only kneel, and bathe her hands
With tears and kisses. In her gentle breast—
True home of love, and love and home to me—
The blood had burst its walls, and flowed in flame
From lips it left in ashes.
In her smile
Of perfect trustfulness, I caught first glimpse
Of that aureola of fadeless light
Which spans my lonely couch, and kindles hope
That when my time shall come to follow her,
My spirit may go out, enwreathed and wrapped
By the familiar glory, which to-night
Shall brood o'er all my vigils and my dreams!
Of perfect trustfulness, I caught first glimpse
Of that aureola of fadeless light
Which spans my lonely couch, and kindles hope
That when my time shall come to follow her,
My spirit may go out, enwreathed and wrapped
By the familiar glory, which to-night
Shall brood o'er all my vigils and my dreams!
| The complete poetical writings of J. G. Holland | |