The poetical works of John Townsend Trowbridge | ||
BOOK I
Seize traits of the living and human,—no copy of copy and cast!
Seize traits of the living and human,—no copy of copy and cast!Nor swaddle the theme of the Present in fable and lore of the Past;
Find love in hearts that are nighest, contentment in common things,
And give to the creeping moment the lightness and glimmer of wings.
THE VAGABONDS AND OTHER POEMS
THE VAGABONDS
Roger 's my dog.—Come here, you scamp!
Jump for the gentlemen,—mind your eye!
Over the table,—look out for the lamp!—
The rogue is growing a little old;
Five years we 've tramped through wind and weather,
And slept out-doors when nights were cold,
And eaten and drank—and starved—together.
A bed on the floor, a bit of rosin,
A fire to thaw our thumbs (poor fellow!
The paw he holds up there 's been frozen),
Plenty of catgut for my fiddle
(This out-door business is bad for strings),
Then a few nice buckwheats hot from the griddle,
And Roger and I set up for kings!
Roger and I are exceedingly moral,—
Are n't we, Roger?—See him wink!—
Well, something hot, then,—we won't quarrel.
He 's thirsty, too,—see him nod his head?
What a pity, Sir, that dogs can't talk!
He understands every word that 's said,—
And he knows good milk from water-and-chalk.
I 've been so sadly given to grog,
I wonder I 've not lost the respect
(Here 's to you, Sir!) even of my dog.
And this old coat, with its empty pockets,
And rags that smell of tobacco and gin,
He'll follow while he has eyes in his sockets.
Would do it, and prove, through every disaster,
So fond, so faithful, and so forgiving,
To such a miserable, thankless master!
No, Sir!—see him wag his tail and grin!
By George! it makes my old eyes water!
That is, there 's something in this gin
That chokes a fellow. But no matter!
And Roger here (what a plague a cough is, Sir!)
Shall march a little—Start, you villain!
Paws up! Eyes front! Salute your officer!
'Bout face! Attention! Take your rifle!
(Some dogs have arms, you see!) Now hold your
Cap while the gentlemen give a trifle,
To aid a poor old patriot soldier!
When he stands up to hear his sentence.
Now tell us how many drams it takes
To honor a jolly new acquaintance.
Five yelps,—that 's five; he 's mighty knowing!
The night 's before us, fill the glasses!—
Quick, Sir! I'm ill,—my brain is going!—
Some brandy,—thank you,—there!—it passes!
But I 've gone through such wretched treatment,
Sometimes forgetting the taste of bread,
And scarce remembering what meat meant,
That my poor stomach 's past reform;
And there are times when, mad with thinking,
I 'd sell out heaven for something warm
To prop a horrible inward sinking.
At your age, Sir, home, fortune, friends,
A dear girl's love,—but I took to drink;—
The same old story; you know how it ends.
If you could have seen these classic features,—
You need n't laugh, Sir; they were not then
Such a burning libel on God's creatures:
I was one of your handsome men!
Whose head was happy on this breast!
If you could have heard the songs I sung
When the wine went round, you would n't have guessed
That ever I, Sir, should be straying
From door to door, with fiddle and dog,
Ragged and penniless, and playing
To you to-night for a glass of grog!
'T was better for her that we should part,—
Better the soberest, prosiest life
Than a blasted home and a broken heart.
I have seen her? Once: I was weak and spent
On the dusty road: a carriage stopped:
But little she dreamed, as on she went,
Who kissed the coin that her fingers dropped!
It makes me wild to think of the change!
What do you care for a beggar's story?
Is it amusing? you find it strange?
I had a mother so proud of me!
'T was well she died before—Do you know
If the happy spirits in heaven can see
The ruin and wretchedness here below?
This pain; then Roger and I will start.
I wonder, has he such a lumpish, leaden,
Aching thing in place of a heart?
No doubt, remembering things that were,—
A virtuous kennel, with plenty of food,
And himself a sober, respectable cur.
You rascal! limber your lazy feet!
We must be fiddling and performing
For supper and bed, or starve in the street.—
Not a very gay life to lead, you think?
But soon we shall go where lodgings are free,
And the sleepers need neither victuals nor drink;—
The sooner, the better for Roger and me!
THE FROZEN HARBOR
And dips his white beard in the rills,
And lays his broad shield over highway and field,
And pitches his tents on the hills,—
In the wan light I wake, and see on the lake,
Like a glove by the night-winds blown,
With fingers that crook up creek and brook,
His shining gauntlet thrown.
In the quiet and deadly cold
Of a single night, when only the bright,
Cold constellations behold,
Without trestle or beam, without mortise or seam,
Is swiftly and silently spread
A bridge as of steel, which a Titan's heel
In the early light might tread.
Her net of splendor spun,
Till the web, all a-twinkle with ripple and wrinkle,
Hung shimmering in the sun,—
Whispered and laughed and kissed,
And the long, dark streamer of smoke from the steamer
Trailed off in the rose-tinted mist,—
As up from the hoary coast,
Over snow-fields and islands her white arms in silence
Outspreading like a ghost,
Her feet in shroud, her forehead in cloud,
Pale walks the sheeted Dawn:
The sea's blue rim lies shorn and dim,
In the purple East withdrawn.
With proud breasts cleaving the tide,—
Like emmet or bug with its burden, the tug
Hither and thither plied,—
Where the quick paddles flashed, where the dropped anchor plashed,
And rattled the running chain,
Where the merchantman swung in the current, where sung
The sailors their wild refrain;—
I watched the climbing tar,
With his shadow beside on the sail white and wide,
Climbing a shadow spar;
While, weaving the union of cities,
With hoar wakes belting the blue,
From slip to slip, past schooner and ship,
The ferry's shuttles flew;—
From rudder to sloping chain:
Rock-like they rise: the low sloop lies
An oasis in the plain;
Loosed from its stall, on the yielding wall
The ferry-boat paws and rears;
Citizens pass on a pavement of glass,
And climb the frosted piers.
Come up from the burdened bay:
As a camel that kneels for his burden, reels,
And cannot bear it away,
The mighty load is slowly
Upheaved with struggle and pain
From centre to side, then the groaning tide
Sinks heavily down again.
Like wild swans hurrying south;
The coaster, belated, is frozen, full-freighted,
Within the harbor's mouth;
The brigantine, homeward bringing
Sweet spices from afar,
All night must wait with its fragrant freight
Below the lighthouse star.
To the ribs of the skeleton bark
That stranded lay in the bend of the bay,
Motionless, low, and dark,
Came ever three shags, like three lone hags,
And sat o'er the desolate water,
Each nursing apart her shrivelled heart,
With her mantle wrapped about her,—
Is built a magic deck;
Children run out with laughter and shout
And dance around the wreck;
The fisherman near his long eel-spear
Thrusts in through the ice, or stands
With fingers on lips, and now and then whips
His sides with mittened hands.
By the ships in their frozen chains,
To the buoy below in its cap of snow,
While the wintry daylight wanes;
Like fleets in their leaguer of ice,
Of lives that wait for Love's sweet freight
And the spices of Paradise!—
The town-roofs, towering high,
Uprear in the dimness their tall, dark chimneys,
Indenting the sunset sky,
And the pendent spear on the icicled pier
Signals my homeward way,
As it gleams through the dusk like a walrus's tusk
On the floes of a polar bay.
OUR LADY
Amid shady avenues, terraced lawns,
And fountains that leap like snow-white deer,
With flashing antlers, and silver fawns;
And the twinkling wheels of the rich and great
Hum in and out of the high-arched gate;
And willing worshippers throng and wait,
Where she wearily sits and yawns.
Now she has servants, jewels, and land:
She gave her heart to a poet-wooer,—
To a wealthy suitor she bartered her hand.
A very desirable mate to choose,—
Believing in viands, in good port-juice,
In solid comfort and solid use,—
Things simple to understand.
He dines, and races, and smokes, and shoots;
She walks in an ideal realm apart,—
He treads firm ground, in his prosperous boots:
Their paths do not lie so unsuitably near
As that ever either should interfere
With the other's chosen pursuits.
When music's purple and crimson tones
Float, in invisibly fine festoons,
Over the hum of these human drones,
You are ready to swear that no happier pair
Have lived than your latter-day Adam there,
And our sweet, pale Eve, of the dark-furrowed hair,
Thick sown with glittering stones.
A shape steal forth from the glowing room,
And pass, by a lonely cypress walk,
Far down through the ghostly midnight gloom,
Sighing and sorrowful, wringing its hands,
And bruising its feet on the pointed sands,
Till, white, despairing, and dumb it stands,
In the shadowy damp of a tomb.
And smirks, and smacks, and tells his jest,
And strokes his chin with a satisfied air,
And hooks his thumbs in his filagreed vest;
And the laugh rings round, and still she seems
To sit smiling there, and nobody deems
That her soul has gone down to that region of dreams,
A weary, disconsolate guest.
Phantoms of buried hopes untold,
And ashen memories strew the spot
Where her young heart's love lies coffined and cold.
With her burden of sin she kneels within,
And kisses, and presses, with fingers thin,
Brow, mouth, and bosom, and beautiful chin
Of the dead that grows not old.
Unchanged through years of anguish and tears;
His hands are pressed on his passionate breast,
His eyes still plead with foreboding and fears.
O, she dwells not at all in that stately hall!
But, day and night, by the cypresses tall,
She opens the coffin, uplifts the pall,
And the living dead appears!
THE MILL-POND
With cooling shades, the banks I press
In the midsummer sultriness;
And under the thickest shade of all
Singeth a musical waterfall.
In the sunlight lieth beyond,—
Clear, and calm, and still as death,
Save where the south-wind's blurring breath,
Like an angel's pinion, fluttereth.
Nor ever disturbeth the delicate poise
Of the little fishing floats the boys
Sit idly watching on log and ledge:
It toucheth but softly the languid sedge,
Drooping all day by the water's edge.
The white sheep tear their tender wool;
Shaking and clashing the heavy boughs,
The limber colts and the sober cows
Down from the woody hillside come,
To stand in the shallows, and hark to the hum
Of the waterfall beating its airy drum.
I lie, and list to the drowsy tune,
And I think how like to the poet's mind
Are the skyey depths of the silver pond,
That in the sunlight lieth beyond
These lindens tall, and the slimy wall
Over which poureth the waterfall.
And rains descend, and freshets flow
In torrent and rill from mountain and hill,
And the ponderous wheels of the sunken mill
Go round and round, with a sullen sound,
Rumbling, mumbling, half under ground,—
Hoarsely the waterfall singeth all day,
And the waters are streaked with marl and clay.
In the midsummer sultriness,
Standeth all still the mumbling mill;
The quiet pond doth seem to thrill
With joys which all its windings fill;
And in its depths the eye may view
A world of soft and dreamy hue,—
Banks, and trees, and a sky of blue.
And children fishing from log and ledge;
Flags and cresses and wild swamp grasses,
And every butterfly that passes,
The lakelet's placid bosom glasses.
THE RESTORED PICTURE
In a most loathsome place,
The cheap adornment of a house of shame,
It hung, till, gnawed away
By teeth of slow decay,
It fell, and parted from its mouldering frame.
From worldly puff and frill,
Its ghastly smile of coquetry and pride,
Crumpling its faded charms
And yellow jewelled arms,
Mere rubbish now, was rudely cast aside.
He, skilled to re-create
In old and ruined paintings their lost soul
And beauty,—one who knew
The Master's touch by true,
Swift instinct, as the needle knows the pole,—
Saw, through its coarse disguise
Of vulgar paint and grime and varnish stain,
The Art that slept beneath,—
A chrysalis in its sheath,
That waited to be waked to life again.
Each wondrous trait and hue,—
This is the miracle, his chosen task!
He bears it to his house,
And there from lips and brows
With loving touch removes their alien mask.
An early mellowing shade;
Then hands unskilled, each seeking to impart
Fresh tints to form and face,
With some more modern grace,
Had buried quite the mighty Master's Art.
Brow, cheek, and lid, went all
That outer shape of worldliness; when, lo!
Beneath the varnished crust
Of long imbedded dust
A fairer face appears, emerging slow,—
Pure eyes, and golden tress,
And, lastly, crook in hand. But deeper still
The Master's work lies hid;
And still through lip and lid
Works the Restorer with unsparing skill.
The soul so long concealed!
All heavenly faint at first, then softly bright,
As smiles the young-eyed Dawn
When darkness is withdrawn,
A shining angel breaks upon the sight!
Imperishable design,
Lo now! that once despised and outcast thing
Holds its true place among
The fairest pictures hung
In the high palace of our Lord the King!
THE PEWEE
The boughs were thick, and thin and few
The golden ribbons fluttering through;
Their sun-embroidered, leafy hoods
The lindens lifted to the blue:
Only a little forest-brook
The farthest hem of silence shook:
When in the hollow shades I heard,—
Was it a spirit, or a bird?
Or, strayed from Eden, desolate,
Some Peri calling to her mate,
Whom nevermore her mate would cheer?
“Pe-ri! pe-ri! peer!”
With plashy pour, that scarce was sound,
A stillness fresh and audible:
A yellow leaflet to the ground
Whirled noiselessly: with wing of gloss
A hovering sunbeam brushed the moss,
And, wavering brightly over it,
Sat like a butterfly alit:
The owlet in his open door
Stared roundly: while the breezes bore
The plaint to far-off places drear,—
“Pe-ree! pe-ree! peer!”
I sought among the boughs in vain;
And followed still the wandering strain,
So melancholy and so sweet
The dim-eyed violets yearned with pain.
'T was now a sorrow in the air,
Some nymph's immortalized despair
Haunting the woods and waterfalls;
And now, at long, sad intervals,
Sitting unseen in dusky shade,
His plaintive pipe some fairy played,
With long-drawn cadence thin and clear,—
“Pe-wee! pe-wee! peer!”
As if the hand of Music through
The sombre robe of Silence drew
A thread of golden gossamer:
So pure a flute the fairy blew.
Like beggared princes of the wood,
In silver rags the birches stood;
The hemlocks, lordly counsellors,
Were dumb; the sturdy servitors,
In beechen jackets patched and gray,
Seemed waiting spellbound all the day
That low, entrancing note to hear,—
“Pe-wee! pe-wee! peer!”
Beside the brook, irresolute,
And watched a little bird in suit
Of sober olive, soft and brown,
Perched in the maple-branches, mute:
With greenish gold its vest was fringed,
Its tiny cap was ebon-tinged,
With ivory pale its wings were barred,
And its dark eyes were tender-starred.
“Dear bird,” I said, “what is thy name?”
And thrice the mournful answer came,
So faint and far, and yet so near,—
“Pe-wee! pe-wee! peer!”
The pewee of the loneliest woods,
Sole singer in these solitudes,
Which never robin's whistle stirred,
Where never bluebird's plume intrudes.
Quick darting through the dewy morn,
The redstart trilled his twittering horn,
And vanished in thick boughs: at even,
Like liquid pearls fresh showered from heaven,
The high notes of the lone wood-thrush
Fall on the forest's holy hush:
But thou all day complainest here,—
“Pe-wee! pe-wee! peer!”
Strange longings for a happier lot,—
For love, for life, thou know'st not what,—
A yearning, and a vague unrest,
For something still which thou hast not?—
Thou soul of some benighted child
That perished, crying in the wild!
Or lost, forlorn, and wandering maid,
By love allured, by love betrayed,
Whose spirit with her latest sigh
Arose, a little wingéd cry,
Above her chill and mossy bier!
“Dear me! dear me! dear!”
The pewee's life of cheerful ease!
He sings, or leaves his song to seize
An insect sporting in the bars
Of mild bright light that gild the trees.
A very poet he! For him
All pleasant places still and dim:
His heart, a spark of heavenly fire,
Burns with undying, sweet desire:
And so he sings; and so his song,
Though heard not by the hurrying throng,
Is solace to the pensive ear:
“Pewee! pewee! peer!”
MIDSUMMER
The purple hills of Paradise.
Her rosy face the Summer lays!
The argosies of cloudland lie,
Whose shores, with many a shining rift,
Far off their pearl-white peaks uplift.
The meadow-sides are sweet with hay.
I seek the coolest sheltered seat,
Just where the field and forest meet,—
Where grow the pine-trees tall and bland,
The ancient oaks austere and grand,
And fringy roots and pebbles fret
The ripples of the rivulet.
Through the tall grass, a white-sleeved row.
With even stroke their scythes they swing,
In tune their merry whetstones ring.
And toss the thick swaths in the sun.
The cattle graze, while, warm and still,
Slopes the broad pasture, basks the hill,
And bright, where summer breezes break,
The green wheat crinkles like a lake.
Come to the pleasant woods with me;
Quickly before me runs the quail,
Her chickens skulk behind the rail;
High up the lonely wood dove sits,
And the woodpecker pecks and flits.
Sweet woodland music sinks and swells,
The brooklet rings its tinkling bells,
The swarming insects drone and hum,
The partridge beats his throbbing drum.
The squirrel leaps among the boughs,
And chatters in his leafy house.
The oriole flashes by; and, look!
Into the mirror of the brook,
Where the vain bluebird trims his coat,
Two tiny feathers fall and float.
The down of peace descends on me.
O, this is peace! I have no need
Of friend to talk, of book to read:
A dear Companion here abides;
Close to my thrilling heart He hides;
The holy silence is His Voice:
I lie and listen, and rejoice.
MY COMRADE AND I
Flower within flower from seed within seed,
The sagest astrologer cannot say whether
His being or mine was first called and decreed.
We were linked each to each; I am bound up in him;
He sickens, I languish; without me he dies;
I am life of his life, he is limb of my limb.
Chased the bright butterflies, singing, a boy with him;
Still as a man I am borne in and out with him,
Sup with him, sleep with him, suffer, enjoy with him.
Faithful companion, me long he has carried
Unseen in his bosom, a lamp to his feet;
More near than a bridegroom, to him I am married,
As light in the sunbeam is wedded to heat.
I am sight to his vision, I hear with his ears;
His the marvellous brain, I the masterful mind;
I laugh with his laughter and weep with his tears
So well that the ignorant deem us but one:
They see but one shape and they name us one name.
O pliant accomplice! what deeds we have done,
Thus banded together for glory or shame!
And we are too feeble to strive or to fly,
When hunger compels or when pleasure entices,
Which most is the sinner, my comrade or I?
And when over perils and pains and temptations
I triumph, where still I should falter and faint,
But for him, iron-nerved for heroical patience,
Whose then is the virtue, and which is the saint?
For actions which only we two can perform?
Am I the true creature, and thou but the raiment?
Thou magical mantle, all vital and warm,
Wrapped about me, a screen from the rough winds of Time,
Of texture so flexile to feature and gesture!
Can ever I part from thee? Is there a clime
Where Life needs no more this terrestrial vesture?
Subtle tie that unites us, and tremulous, fearful,
I feel thy loosed fetters depart from my feet;
When friends gathered round us, pale-visaged and tearful,
Beweep and bewail thee, thou fair earthly prison!
And kiss thy cold doors, for thy inmate mistaken;
Their eyes seeing not the freed captive, arisen
From thy trammels unclasped and thy shackles downshaken;
The dear sensitive chains that about me have grown?
And all this bright world, can I bear to forsake
Its embosoming beauty and love, and alone
Journey on to I know not what regions untried?
Exists there, beyond the dim cloud-rack of death,
Such life as enchants us? O skies arched and wide!
O delicate senses! O exquisite breath!
I shall look down on thee empty and cloven,
Pale mould of my being!—thou visible covering
Wherefrom my invisible raiment is woven.
Though sad be the passage, nor pain shall appall me,
Nor parting, assured, wheresoever I range
The glad fields of existence, that naught can befall me
That is not still beautiful, blessed, and strange.
LA CANTATRICE
And trace in a ledger line by line;
But at five o'clock yon dial's hand
Opens the cage wherein I pine;
And as faintly the stroke from the belfry peals
Down through the thunder of hoofs and wheels,
I wonder if ever a monarch feels
Such royal joy as mine!
I know she has heard that signal-chime;
As lightly the winding stair I climb
To her fragrant room, where the winter's gloom
Is changed by the heliotrope's perfume,
And the shaded lamp's soft crimson bloom,
To love's own summer prime.
That my soul aches with a happy pain.—
And now—a touch of her true lips, such
As a seraph might give and take again;
A lingering pressure: “Adieu! adieu!
They wait for me while I stay for you!”
And a parting smile of her dark eyes through
The glimmering carriage-pane.
Then, years of waiting and sacrifice;
Exile for her, while her glorious art
Unfolded and flowered in sunnier skies:
The slow, laborious, lonely years,
The nights of longing, of doubts and fears,—
Her heart's sweet debt, and the long arrears
Of love in those dear dark eyes!
To floor and aisle and balcony swarm
The expectant throngs;—I am there to see;—
And now she is bending her radiant form
To the clapping crowd;—I am thrilled and proud;
My dim eyes look through a misty cloud,
And my joy mounts up on the plaudits loud,
As a sea-bird on a storm!
Of applause sinks down: then silverly
Her voice glides forth on the quivering hush,
As the white-robed moon on a tremulous sea!
And wherever her shining influence calls,
I swing on the billow that swells and falls,—
Seem joining the jubilee!
His glove and glass, or the gay array
Of fans and perfumes, of jewels and plumes,
Where wealth and pleasure have met to pay
Their nightly homage to her sweet song;
But over the bravas clear and strong,
Over all the flaunting and fluttering throng,
She smiles my soul away.
Can it be true she is all my own?—
I make my way through the ignorant crowd;
I know, I know where my love has flown.
Again we meet; I am here at her feet,
And with kindling kisses and promises sweet,
Her glowing, victorious lips repeat
That they sing for me alone!
BEAUTY
My soul, eluded everywhere,
Is lapsed into a sweet despair.
Baffled, enamored, finding never;
Each morn the cheerful chase renewing,
Misled, bewildered, still pursuing;
Not all my lavished years have bought
One steadfast smile from her I sought,
But sidelong glances, glimpsing light,
A something far too fine for sight,
Veiled voices, far-off thridding strains,
And precious agonies and pains:
Not love, but only love's dear wound
And exquisite unrest I found.
The lone lake's blurred and quivering glass;
Her trailing veil of amber mist
The unbending beaded clover kissed;
And straight I hasted to waylay
Her coming by the willowy way;—
But, swift companion of the Dawn,
She left her footprints on the lawn,
And, in arriving, she was gone.
Her luminous presence flashed before;
The wild-rose and the daisies wet
From her light touch were trembling yet;
Faint smiled the conscious violet.
Each bush and brier and rock betrayed
Some tender sign her parting made;
And when far on her flight I tracked
To where the thunderous cataract
O'er walls of foamy ledges broke,
She vanished in the vapory smoke.
The sparkling waves curl up the shore,
The August moon is flushed and full;
The soft, low winds, the liquid lull,
The whited, silent, misty realm,
The wan-blue heaven, each ghostly elm,
All these, her ministers, conspire
To fill my bosom with the fire
And sweet delirium of desire.
Enchantress! leave thy sheeny height,
Descend, be all mine own this night,
Transfuse, enfold, entrance me quite!
Or break thy spell, my heart restore,
And disenchant me evermore!
SERVICE
A maid unwilling,
And saw what lavish deeds men do,
Hope's flagon filling,—
What vines are tilled, what wines are spilled,
And madly wasted,
To fill the flask that 's never filled,
And rarely tasted:
And inly starving;
Dulling the spirit's mystic edge,
The banquet carving;
Feasting with Pride, that Barmecide
Of unreal dishes;
And wandering ever in a wide,
Wide world of wishes:
Endlessly ranging,
Safety and years and health and ease
Freely exchanging:—
When, ever as I moved, I saw
Pride and privation,
Then turned, O Love! to thy sweet law
And compensation,—
O service slighted!
O Bride of Paradise, to whom
I long was plighted!
Do I with burning lips profess
To serve thee wholly,
Yet labor less for blessedness
Than fools for folly?
Whilst I was sleeping;
Keen vigils keeping:
I loosed the latches of my soul
To pleading Pleasure,
Who stayed one little hour, and stole
My heavenly treasure.
Sharp provocations;
And knaves are cunning to secure,
By cringing patience,
And smiles upon a smarting cheek,
Some dear advantage,—
Swathing their grievances in meek
Submission's bandage.
One drop of trial,
But raise rebellious hands to break
The bitter vial.
At hardship's surly-visaged churl
My spirit sallies;
And melts, O Peace! thy priceless pearl
In passion's chalice.
Was I forsaken:
Down trickles still some starry rill
My heart to waken.
O Love Divine! could I resign
This changeful spirit
To walk thy ways, what wealth of grace
Might I inherit!
Be truly given,
All night thou snowest down to me
Lilies of heaven!
One task of human love fulfilled,
Thy glimpses tender
With gleams of splendor!
O'er all my being,
Breaks blissful light, that gives to sight
A subtler seeing;
Straightway mine ear is tuned to hear
Ethereal numbers,
Whose secret symphonies insphere
The dull earth's slumbers.
Misfortune's volleys;
For every sorrow I have sweet,
O, sweetest solace!
For me the diamond dawns are set
In rings of beauty,
And all my paths are dewy wet
With pleasant duty.
AT SEA
For silence, and for sleep;
And when I was a child, I laid
My hands upon my breast and prayed,
And sank to slumbers deep:
Childlike as then, I lie to-night,
And watch my lonely cabin light.
Shows how the vessel reels:
As o'er her deck the billows tramp,
And all her timbers strain and cramp,
With every shock she feels,
It starts and shudders, while it burns,
And in its hingéd socket turns.
It almost level lies;
And yet I know, while to and fro
I watch the seeming pendule go
With restless fall and rise,
The steady shaft is still upright,
Poising its little globe of light.
O promise of my soul!—
Though weak, and tossed, and ill at ease,
Amid the roar of smiting seas,
The ship's convulsive roll,
I own, with love and tender awe,
Yon perfect type of faith and law!
My soul is filled with light:
The ocean sings his solemn psalms,
The wild winds chant: I cross my palms,
Happy as if, to-night,
Under the cottage-roof, again
I heard the soothing summer-rain.
REAL ESTATE
A sturdy porter waits beside the gate;
The graceful avenues, serenely shaded,
And curving paths, are interlaced and braided
In many a maze around my fair estate.
And amaranth and myrtle wreathe the ground;
The pensive lily leans her pale cheek over;
And hither comes the bee, light-hearted rover,
Wooing the sweet-breathed flowers with soothing sound.
Lands of my neighbors, wind these peaceful ways.
Followed in solemn state by long processions,
Make quiet journeys these still summer days.
Maples and pines, and stately firs of Norway,
Build round me their green pyramids and arches;
Sweetly the robin sings, while slowly marches
The stately pageant past my verdant doorway.
But the pale tenant very silent rides.
A low green roof bends over him;—so narrow
His hollowed tenement, a schoolboy's arrow
Might span the space betwixt its grassy sides.
A great bell tolls the pageant's slow advance.
The poor alike, and lords of parks and palaces,
From all their busy schemes, their fears and fallacies,
Find here their rest and sure inheritance.
Of all our wide dominions, soon or late,
Only a fathom's space can aught avail us;
This is the heritage that shall not fail us:
Here man at last comes to his Real Estate.
BY THE RIVER
I
And down through the meadows wide and bright,
Deep in the silence, and smooth in the gleam,
For ever and ever flows the stream.
The airy scarf of the woodland weaves,
By dim, enchanted paths I pass,
Crushing the twigs and the last year's leaves.
A kingfisher sits on a low, dead limb:
He is always sitting there, I think,—
And another, within the crystal brink,
Is always pendent under him.
From bank to bank, an ancient tree,
Quaintly cushioned with curious moss,
A bridge for the cool wood-nymphs and me:
Half seen they flit, while here I sit
By the magical water, watching it.
Of a subterraneous azure chasm,
So soft and clear, you would say the stream
Was dreaming of heaven a visible dream.
The nettles and clover and scented mint,
And the crinkled airs, that curl and quiver,
Drop their wreaths in the mirroring river,
Along its sinuous shining bed
In sheets of splendor it lies outspread.
Of green caves roofed by the brooding wood,
Where the woodbine swings, and beneath the trailing
Sprays of the queenly elm-tree sailing,—
By ribbed and wave-worn ledges shimmering,
Gilding the rocks with a rippled glimmering,
All pictured over in shade and sun,
The wavering silken waters run.
Over the river, watching it.
A shadowed face peers up at me;
And another tree in the chasm I see,
Clinging above the abyss it spans;
The broad boughs curve their spreading fans,
And phantom birds in the phantom branches
Mimic the birds above; and there,
Oh! far below, solemn and slow,
The white clouds roll the crumbling snow
Of ever-pendulous avalanches,
Till the brain grows giddy, gazing through
Their wild, wide rifts of bottomless blue.
II
Of the sundered earth I gaze,
While Thought on dreamy pinion drifts,
Over cerulean bays,
Into the deep ethereal sea
Of her own serene eternity.
Wood and meadow, and stream and sky,
Like vistas of a vision lie:
The World is the River that flickers by.
And its forms are the transient images
Flung on the flowing film of Time
By the steadfast shores of a fadeless clime.
And I am the image it sees below.
THE NAME IN THE BARK
And the self I struggle to know,
I sometimes think we are two,—or are we shadows of one?
To-day the shadow I am
Returns in the sweet summer calm
To trace where the earlier shadow flitted awhile in the sun.
I came through the whispering corn;
Cool to my fevered cheek soft breezy kisses were blown;
The ribboned and tasselled grass
Leaned over the flattering glass,
And the sunny waters trilled the same low musical tone.
Where I whittled my schoolboy name:
The nimble squirrel once more ran skippingly over the rail,
The blackbirds down among
The alders noisily sung,
And under the blackberry-brier whistled the serious quail.
How my little shadow fell,
As I painfully reached and wrote to leave to the future a sign:
There, stooping a little, I found
A half-healed, curious wound,
An ancient scar in the bark, but no initial of mine!
Took counsel together, and said,—
And the buzz of their leafy lips like a murmur of prophecy passed,—
“He is busily carving a name
In the tough old wrinkles of fame;
But, cut he as deep as he may, the lines will close over at last!”
Then I lifted my soul with a smile,
And I said, “Not cheerful men, but anxious children are we,
Still hurting ourselves with the knife,
As we toil at the letters of life,
Just marring a little the rind, never piercing the heart of the tree.”
I leisurely saunter, and think
How idle this strife will appear when circling ages have run,
If then the real I am
Descend from the heavenly calm,
To trace where the shadow I seem once flitted awhile in the sun.
THE SWORD OF BOLIVAR
And the molten stars below,
We sailed through the Southern midnight,
By the coast of Mexico.
Rolling and flashing sea,
A grim old Venezuelan
Kept the deck with me,
And the long Spanish war,
And told how a young Republic
Forged the sword of Bolivar.
Of law and light in the land,
Dropped down as a star from heaven,
To flame in a hero's hand,
Of eternal might and right,
For the chaste, bright steel was chosen
A sky-born aerolite.
And Venezuela, they pour
White meteoric ore.
And welded into one,
For an emblem of Colombia,
Proud daughter of the sun!
It is heated and hammered and rolled,
It is tempered and edged and burnished,
And set in a hilt of gold;
Of war a nation is built,
And ever the sword of its power
Is swayed by a golden hilt.
The mustachioed señores brought
To the house of the Liberator
The weapon they had wrought;
“O mighty in peace and war!
No mortal blade we bring you,
But a flaming meteor.
And to you in its stead is given,
To lead and redeem a nation,
This ray of light from heaven.”
From their hands the symbol took,
And waved it aloft in the sunlight,
With a high, heroic look;
“May these lips turn into dust,
It prove recreant to its trust!
Shall cloud this gleaming steel,
But only the foe and the traitor
Its vengeful edge shall feel.
Its purity shall stain,
Till into your hands, who gave it,
I render it again.”
To cover a cause with shame,
And if ever there breathed a caitiff,
Bolivar was his name.
To the highest seat he went,
By the winding paths of party
And the stair of accident.
Striving to rear a throne,
Filling his fame with counsels
And conquests not his own;—
The sceptre of command,
Only that he might grasp it
With yet a firmer hand;—
In league with his country's foes,
Stabbing the cause that nursed him,
And openly serving those;—
Plotting rebellion still,—
To his own ambitious will.
In his feeble, reckless hand,
The sword of Eternal Justice
Became but a brawler's brand.
Rent by factions, till at last
Her place among the nations
Is a memory of the past.
Puffed fiercely his red cigar
A brief moment, then in the ocean
It vanished like a star:
And only the ceaseless rush
Of the reeling and sparkling waters
Filled the solemn midnight hush,
Of the good ship, sailing slow,
With the steadfast heavens above her,
And the molten heavens below.
Of my own distracted land,
And the sword let down from heaven
To flame in her ruler's hand,—
As a beam of the morning star,
Received, reviled, and dishonored
By another than Bolivar!
The Republic of Colombia, comprising New Granada and Venezuela, was proclaimed by Bolivar in 1819 and dismembered, soon after his death, in 1831. The story of the sword forged from meteoric ore has a foundation in fact; and the character of the so-called Liberator—who has been likened to our Washington, and who is honored with a monument in his native city of Caracas—is, I believe, not unfairly sketched in the lines, allowance being made for some political bias on the part of the “grim old Venezuelan.” Still larger allowance must be craved for the too pointed application of the fable to Lincoln's unfortunate successor in the Presidency, disappointment and indignation at whose weak, undignified, reactionary conduct in office formed the shaping motive of the poem,—feelings long since softened by time and a juster perspective. The poem, first printed in the Atlantic Monthly for November, 1866, was written in the August or September of that year, now almost thirty-seven years ago.
Arlington, August, 1903.LYRICS OF THE WAR
THE LAST RALLY
[November, 1864.]
Arouse the slumbering land!
Rally! rally! from mountain and valley,
From city and ocean-strand!
Ye sons of the West, America's best!
New Hampshire's men of might!
From prairie and crag unfurl the flag,
And rally to the fight!
Disguised in craftsman and clerk!
Ye men of the coast, invincible host!
Come, every one, to the work,—
From the fisherman gray as the salt-sea spray
That on Long Island breaks,
To the youth who tills the uttermost hills
By the blue northwestern lakes!
Weapon the last and best,—
And the bayonet, with blood red-wet,
Shall write the will of the rest;
And the boys shall fill men's places,
And the little maid shall rock
Her doll as she sits with her grandam and knits
An unknown hero's sock.
And the deeds of noble wives,
With their power to bless shall aid no less
Than the brave who give their lives.
The rich their gold shall bring, and the old
Shall help us with their prayers;
While hovering hosts of pallid ghosts
Attend us unawares.
Muster the phantom bands,
From Virginia's swamps, and Death's white camps
On Carolina sands;
From Fredericksburg, and Gettysburg,
I see them gathering fast;
And up from Manassas, what is it that passes
Like thin clouds in the blast?
The nameless skeleton;
From Vicksburg's slaughter and red-streaked water,
And the trenches of Donelson;
From the cruel, cruel prisons,
Where their bodies pined away,
From groaning decks, from sunken wrecks,
They gather with us to-day.
The work is almost done!
Ye harvesters, sally from mountain and valley,
And reap the fields we won!
We sowed for endless years of peace,
We harrowed and watered well;
Our dying deeds were the scattered seeds:
Shall they perish where they fell?”
In the deadly roar and clash
Of cannon and sword, by fort and ford,
And the carbine's quivering flash,—
Before the Rebel citadel
Just trembling to its fall,
From Georgia's glens, from Florida's fens,
For us they call, they call!
And behold the dawn of peace!
One more endeavor, and war forever
Throughout the land shall cease!
Of slavery shall be slain,
And freedom's stained and trampled flower
Shall blossom white again!
THE COLOR-BEARER
Boldly right in view they formed,
All as quiet as a regiment parading:
Then in front a line of flame!
Then at left and right the same!
Two platoons received a furious enfilading.
To their places still they filed,
And they smiled at the wild
Cannonading.
'T will not be much of a shower!
Never mind, my boys,” said he, “a little drizzling!”
Then to cross that fatal plain,
Through the whirring, hurtling rain
Of the grape-shot and the minie-bullets' whistling!
But he nothing heeds nor shuns,
As he runs with the guns
Brightly bristling!
In their track, yet forward flying
Like a breaker where the gale of conflict rolled them,
With a foam of flashing light
Borne before them on their bright
Burnished barrels,—O, 't was fearful to behold them!
While from ramparts roaring loud
Swept a cloud like a shroud
To enfold them!
Through the burying cloud he burst,
Through the belching, blinding breath
Of the flaming jaws of Death,
With the banner on the bastion to be planted!
By the screaming shot that fell,
And the yell of the shell,
Nothing daunted.
Over tangled branches crashing,
'Mid the plunging volleys thundering ever louder,
There he clambers, there he stands,
With the ensign in his hands,—
O, was ever hero handsomer or prouder?
Streaked with battle-sweat and slime
And sublime in the grime
Of the powder!
Ere the closing combat ceased,—
Near as we the mighty moments then could measure,—
And we held our souls with awe,
Till his haughty flag we saw
On the lifting vapors drifting o'er the embrasure,
Saw it glimmer in our tears,
While our ears heard the cheers
Rend the azure!
THE JAGUAR HUNT
[May, 1865]
His strength and his fierceness what foe could withstand?
The breath of his anger was hot on the air,
And the white lamb of Peace he had dragged to his lair.
“Now saddle your horses, now look to your guns!”
To the back of his black pawing steed with a bound.
They followed, all belted and booted and spurred.
“Buckle tight, boys!” said he, “for who gallops with me,
Such a hunt as was never before he shall see!
We flattered him, patted him, fed his fierce hunger:
But now far too long we have borne with the wrong,
For each morsel we tossed makes him savage and strong.”
“For this last crime of his he must die! he must die!”
But the slow eldest-born sauntered sad and forlorn,
For his heart was at home on that fair hunting-morn.
Has carried me many a time on his back!”
And he called to his brothers, “Fight gently! be kind!”
And he kept the dread hound, Retribution, behind.
Crouched, silent and wily, and lithe as a snake:
They spied not their game, but, as onward they came,
Through the dense leafage gleamed two red eyeballs of flame.
White-bellied, and yellow, he lay on the limb,
All so still that you saw but just one tawny paw
Lightly reach through the leaves and as softly withdraw.
And he shot from the bough like a bolt from the sky:
In the foremost he fastened his fangs as he fell,
While all the black jungle reëchoed his yell.
The green sod was crimsoned, the rivers ran blood,
The beautiful valley lay blasted and black.
And the dust of the tumult rolls up like a cloud:
Then afar down the slope of the Southland recedes
The wild rapid clatter of galloping steeds.
The black stallion bore his bold rider before,
As onward they thundered through forest and glen,
A-hunting the dark jaguar to his den.
It was April again, when the hunting was done:
The snows of four winters and four summers green
Lay red-streaked and trodden and blighted between.
His life-blood was wasting from many a wound;
Ferocious and gory and dying he lay,
Amid heaps of the whitening bones of his prey.
The slain lamb is raised, a white angel of Peace!
Now Freedom may walk where the black jungle grew,
And all the glad valley shall blossom anew.
LIGHTER PIECES
DARIUS GREEN AND HIS FLYING-MACHINE
If ever there lived a Yankee lad,Wise or otherwise, good or bad,
Who, seeing the birds fly, did n't jump
With flapping arms from stake or stump,
Or, spreading the tail
Of his coat for a sail,
And wonder why
He could n't fly,
And flap and flutter and wish and try,—
If ever you knew a country dunce
Who did n't try that as often as once,
All I can say is, that 's a sign
He never would do for a hero of mine.
An aspiring genius was D. Green:
The son of a farmer,—age fourteen;
His body was long and lank and lean,—
Just right for flying, as will be seen;
He had two eyes, each bright as a bean,
And a freckled nose that grew between,
A little awry,—for I must mention
That he had riveted his attention
Upon his wonderful invention,
Twisting his tongue as he twisted the strings,
Working his face as he worked the wings,
And with every turn of gimlet and screw
Turning and screwing his mouth round too.
Till his nose seemed bent
To catch the scent,
Around some corner, of new-baked pies,
And his wrinkled cheeks and his squinting eyes
Grew puckered into a queer grimace,
That made him look very droll in the face,
And also very wise.
And wise he must have been, to do more
Than ever a genius did before,
Excepting Dædalus of yore
And his son Icarus, who wore
Upon their backs
Those wings of wax
He had read of in the old almanacs.
Darius was clearly of the opinion,
That the air is also man's dominion,
And that, with paddle or fin or pinion,
Shall navigate
The azure as now we sail the sea.
The thing looks simple enough to me;
And if you doubt it,
Hear how Darius reasoned about it.
“Birds can fly,
An' why can't I?
Must we give in,”
Says he with a grin,
“'T the bluebird an' phœbe
Are smarter 'n we be?
Jest fold our hands an' see the swaller
An' blackbird an' catbird beat us holler?
Doos the leetle chatterin', sassy wren,
No bigger 'n my thumb, know more than men?
Jest show me that!
Er prove 't the bat
Hez got more brains than 's in my hat,
An' I'll back down, an' not till then!”
He argued further: “Ner I can't see
What 's th' use o' wings to a bumble-bee,
Fer to git a livin' with, more 'n to me;—
Ain't my business
Important 's his'n is?
“That Icarus
Was a silly cuss,—
Him an' his daddy Dædalus.
They might 'a' knowed wings made o' wax
Would n't stan' sun-heat an' hard whacks.
I'll make mine o' luther,
Er suthin' er other.”
And he said to himself, as he tinkered and planned:
“But I ain't goin' to show my hand
To nummies that never can understand
The fust idee that 's big an' grand.
O' Creation itself afore 't was done!”
So he kept his secret from all the rest,
Safely buttoned within his vest;
And in the loft above the shed
Himself he locks, with thimble and thread
And wax and hammer and buckles and screws,
And all such things as geniuses use;—
Two bats for patterns, curious fellows!
A charcoal-pot and a pair of bellows;
An old hoop-skirt or two, as well as
Some wire, and several old umbrellas;
A carriage-cover, for tail and wings;
A piece of harness; and straps and strings;
And a big strong box,
In which he locks
These and a hundred other things.
His grinning brothers, Reuben and Burke
And Nathan and Jotham and Solomon, lurk
Around the corner to see him work,—
Sitting cross-leggéd, like a Turk,
Drawing the waxed end through with a jerk,
And boring the holes with a comical quirk
Of his wise old head, and a knowing smirk.
But vainly they mounted each other's backs,
And poked through knot-holes and pried through cracks;
With wood from the pile and straw from the stacks
He plugged the knot-holes and calked the cracks;
And a bucket of water, which one would think
He had brought up into the loft to drink
When he chanced to be dry,
Stood always nigh,
For Darius was sly!
And whenever at work he happened to spy
At chink or crevice a blinking eye,
He let a dipper of water fly.
“Take that! an' ef ever ye git a peep,
Guess ye'll ketch a weasel asleep!”
And he sings as he locks
His big strong box:—
SONG
An' he is leetle an' long an' slim,
An' quick of motion an' nimble of limb,
An' ef yeou'll be
Advised by me,
Keep wide awake when ye 're ketchin' him!”
He stitched and tinkered and hammered away,
Till at last 't was done,—
The greatest invention under the sun!
“An' now,” says Darius, “hooray fer some fun!”
And the weather was dry,
And not a cloud was on all the sky,
Save a few light fleeces, which here and there,
Half mist, half air,
Like foam on the ocean went floating by:
Just as lovely a morning as ever was seen
For a nice little trip in a flying-machine.
Along 'ith the fellers to see the show.
I'll say I 've got sich a terrible cough!
An' then, when the folks 'ave all gone off,
I'll hev full swing
Fer to try the thing,
An' practyse a leetle on the wing.”
Says Brother Nate. “No; botheration!
I 've got sich a cold—a toothache—I—
My gracious!—feel's though I should fly!”
Guess ye better go.”
But Darius said, “No!
Should n't wonder 'f yeou might see me, though,
O' this jumpin', thumpin' pain 'n my head.”
For all the while to himself he said:—
I'll fly a few times around the lot,
To see how 't seems, then soon 's I 've got
The hang o' the thing, ez likely 's not,
I'll astonish the nation,
An' all creation,
By flyin' over the celebration!
Over their heads I'll sail like an eagle;
I'll balance myself on my wings like a sea-gull;
I'll dance on the chimbleys; I'll stan' on the steeple;
I'll flop up to winders an' scare the people!
I'll light on the libbe'ty-pole, an' crow;
An' I'll say to the gawpin' fools below,
‘What world 's this 'ere
That I 've come near?’
Fer I'll make 'em b'lieve I'm a chap f'm the moon!
An' I'll try a race 'ith their ol' bulloon.”
And, seeing the others were gone, he said,
“I'm a gittin' over the cold 'n my head.”
And away he sped,
To open the wonderful box in the shed.
When Jotham to Nathan chanced to say,
“What on airth is he up to, hey?”
“Don'o',—the' 's suthin' er other to pay,
Er he would n't ‘a’ stayed to hum to-day.”
Says Burke, “His toothache 's all 'n his eye!
He never 'd miss a Fo'th-o'-July,
Ef he hed n't got some machine to try.”
Then Sol, the little one, spoke: “By darn!
Le 's hurry back an' hide 'n the barn,
An' pay him fer tellin' us that yarn!”
“Agreed!” Through the orchard they creep back,
And one by one, through a hole in the wall,
In under the dusty barn they crawl,
Dressed in their Sunday garments all;
And a very astonishing sight was that,
When each in his cobwebbed coat and hat
Came up through the floor like an ancient rat.
And there they hid;
And Reuben slid
The fastenings back, and the door undid.
“Keep dark!” said he,
“While I squint an' see what the' is to see.”
From head to foot
An iron suit,
Iron jacket and iron boot,
Iron breeches, and on the head
No hat, but an iron pot instead,
And under the chin the bail,—
I believe they called the thing a helm;
And the lid they carried they called a shield;
And, thus accoutred, they took the field,
Sallying forth to overwhelm
The dragons and pagans that plagued the realm:—
So this modern knight
Prepared for flight,
Put on his wings and strapped them tight;
Jointed and jaunty, strong and light;
Buckled them fast to shoulder and hip,—
Ten feet they measured from tip to tip!
And a helm had he, but that he wore,
Not on his head like those of yore,
But more like the helm of a ship.
“He 's up in the shed!
He 's opened the winder,—I see his head!
He stretches it out,
An' pokes it about,
An' nobody near;—
Guess he don'o' who 's hid in here!
He 's riggin' a spring-board over the sill!
Stop laffin', Solomon! Burke, keep still!
He 's a climbin' out now—Of all the things!
What 's he got on? I van, it 's wings!
An' that 't other thing? I vum, it 's a tail!
An' there he sets like a hawk on a rail!
Steppin' careful, he travels the length
Of his spring-board, and teeters to try its strength.
Now he stretches his wings, like a monstrous bat;
Peeks over his shoulder, this way an' that,
Fer to see 'f the' 's any one passin' by;
But the' 's on'y a ca'f an' a goslin' nigh.
They turn up at him a wonderin' eye,
To see—The dragon! he 's goin' to fly!
Away he goes! Jimminy! what a jump!
Flop—flop—an' plump
To the ground with a thump!
Flutt'rin' an' flound'rin', all 'n a lump!”
Heels over head, to his proper sphere,—
Heels over head, and head over heels,
Dizzily down the abyss he wheels,—
So fell Darius. Upon his crown,
In the midst of the barnyard, he came down,
In a wonderful whirl of tangled strings,
Broken braces and broken springs,
Broken tail and broken wings,
Shooting-stars, and various things!
Away with a bellow fled the calf,
And what was that? Did the gosling laugh?
'T is a merry roar
From the old barn-door,
And he hears the voice of Jotham crying,
“Say, D'rius! how de yeou like flyin'?”
Darius just turned and looked that way,
“Wal, I like flyin' well enough,”
He said; “but the' ain't sich a thunderin' sight
O' fun in 't when ye come to light.”
MORAL
I just have room for the moral here:And this is the moral,—Stick to your sphere.
Or if you insist, as you have the right,
On spreading your wings for a loftier flight,
The moral is,—Take care how you light.
WATCHING THE CROWS
Seems to me I 've heard that observation before,
And I wish you would some time begin to talk sense.
Come, I 've sat here about long enough on the fence,
And I 'd like you to tell me in confidence what
Are your present intentions regarding this lot?
Why don't you do something? or else go away?
“Caw, caw!”—Does that mean that they'll go or they'll stay?
While I'm watching to learn what they 're up to, I see
That for similar reasons they 're just watching me!
Just light within twenty-nine yards of my gun!
I 've hunted and hunted you all round the lot,
Now you must come here, if you want to be shot!
“Caw, caw!”—There they go again! Is n't it strange
How they always contrive to keep just out of range?
The scamps have been shot at so often, they know
To a rod just how far the old shot-gun will throw.
The game old Jack Haskell played with 'em one day.
His snares would n't catch 'em, his traps would n't spring,
And, in spite of the very best guns he could bring
And the terriblest scarecrows his wits could invent—
Loud-clattering windmills and fluttering flags,
Straw-stuffed old codgers rigged out in his rags,
And looking quite lifelike in tail-coat and cap,
Twine stretched round the cornfield, suggesting a trap,—
Spite of all,—and he did all that ever a man did,—
They pulled his corn almost before it was planted!
Where a man could lie down at his ease, quite concealed;
But though he kept watch in it, day after day,
And the thieves would light on it when he was away,
And tear up the corn all around it, not once
Did a crow, young or old, show himself such a dunce
As to come within hail while the old man was there;
For they are the cunningest fools, I declare!
And, seeing him enter, they reasoned, no doubt,
That he must be in there until he came out!
I 've got an idee that 'll do for 'em yet!
Go with me down into the corn-lot to-day;
Then, when I'm well placed in the ambush, I'll stay,
While you shoulder your gun and march back to the barn;
For there 's this leetle notion crows never could larn:
They can't count, as I'll show ye!” And show him he did!
Young Haskell went home while old Haskell lay hid.
They were so poor in figures,—they never suspected,
If two had come down, and one only went back,
Then one must remain! So, no sooner was Jack
Out of sight, than again to the field they came flocking
As thick as three rats in a little boy's stocking.
They darkened the air, and they blackened the ground;
They came in a cloud to the windmill, and drowned
Its loudest clack-clack with a louder caw-caw!
They lit on the tail-coat, and laughed at the straw.
“By time!” says old Jack, “now I 've got ye!” Bang! bang!
Blazed his short double-shooter right into the gang!
Was pleased to perceive that he 'd killed about thirty!
I'll set up an ambush, like old Mr. Haskell's—
“Caw, caw!”—You 're as knowing a bird as I know;
But there are things a little too deep for a crow!
Just add one to one now, and what 's the amount?
You 're mighty 'cute creeturs, but, then, you can't count!
You'll see if I don't get a shot! Yes, I'll borrow
Another boy somewhere and try ye to-morrow!
EVENING AT THE FARM
His shadow lengthens along the land,
A giant staff in a giant hand;
In the poplar-tree, above the spring,
The katydid begins to sing;
The early dews are falling;—
Into the stone-heap darts the mink;
The swallows skim the river's brink;
And home to the woodland fly the crows,
When over the hill the farm-boy goes,
Cheerily calling,
“Co', boss! co', boss! co'! co'! co'!”
Farther, farther, over the hill,
Faintly calling, calling still,
“Co', boss! co', boss! co'! co'!”
With grateful heart, at the close of day:
Harness and chain are hung away;
In the wagon-shed stand yoke and plough,
The straw 's in the stack, the hay in the mow,
The cooling dews are falling;—
The friendly sheep his welcome bleat,
The pigs come grunting to his feet,
When into the yard the farmer goes,
His cattle calling,—
“Co', boss! co', boss! co'! co'! co'!”
While still the cow-boy, far away,
Goes seeking those that have gone astray,—
“Co', boss! co', boss! co'! co'!”
The cattle come crowding through the gate,
Looing, pushing, little and great;
About the trough, by the farmyard pump,
The frolicsome yearlings frisk and jump,
While the pleasant dews are falling;—
The new milch heifer is quick and shy,
But the old cow waits with tranquil eye,
And the white stream into the bright pail flows,
When to her task the milkmaid goes,
Soothingly calling,
“So, boss! so, boss! so! so! so!”
The cheerful milkmaid takes her stool,
And sits and milks in the twilight cool,
Saying “So! so, boss! so! so!”
The apples are pared, the paper read,
The stories are told, then all to bed.
Without, the crickets' ceaseless song
Makes shrill the silence all night long;
The heavy dews are falling.
The housewife's hand has turned the lock;
Drowsily ticks the kitchen clock;
The household sinks to deep repose,
But still in sleep the farm-boy goes
Singing, calling,—
“Co', boss! co', boss! co'! co'! co'!”
And oft the milkmaid, in her dreams,
Drums in the pail with the flashing streams,
Murmuring “So, boss! so!”
THE WILD GOOSE
Peeps the infantine clover,
And little lambs shrink on the bleak hills of March,
And April comes smiling beneath the blue arch,
Then the forester sees from his door the wild geese
Flying over.
Upon dark Memphremagog,
Swift flying, loud crying, these soon shall alight,
And station their sentries to guard them by night,
Or marshal their ranks to the thick-wooded banks
Of Umbagog.
Like the head of an arrow
Shot free from its shaft; then a dark-wingéd chain;
Or at eventide wearily over the plain,
Flying low, flying slow, sagging, lagging they go,
Like a harrow.
Sad prisoner only.
No more shall he breast the blue ether, or rest
In the reeds with his mate, keeping guard by her nest,—
Never glide by her side down the green-fringéd tide
Fair and lonely.
They have caged the sky-ranger,
'Mid the bustle and clucking and cackle of flocks,
The gossip of geese, and the crowing of cocks;
But apart from the rest, with his proud-curving breast,
Walks the stranger.
From the hands of the givers,
Like a prince in captivity pacing his path;
In that green, standing pool does he think of his cool
Northern rivers?
His lost comrades are thronging;
In fancy he follows; he hears their glad halloos
Round beautiful beaches, in bright plashy shallows:
And now his dark eye he turns up at the sky
With wild longing.
Over mountains and torrents,
To Canadian hills and their clear watercourses,
To the Ottawa's springs, to the Saguenay's sources;
And now they are going far down the broad-flowing
Saint Lawrence.
Speeds in dreams the wild gander!
He listens, he hastens, he screams on their track;
They hear him, they cheer him, they welcome him back,
They shout his proud name, and with loud clamors claim
Their Commander!
By the pleasant morasses;
He shows them the tender young crab, and the bug,
The small tented snail, and the slow mantled slug,
And laughs as they eat the soft seeds and the sweet
Water-grasses.
The turkey-cock charges!
The bright fancy breaks, in the farmyard he wakes;
Nevermore he alights on the blue linkéd lakes
Of the North, or upsprings upon winnowing wings
From their marges!
In chains ignominious,
But his heart is still great though dishonored his state,
And his eyes still are dreaming of glad waters gleaming
And sinuous.
Of his comrades returning;
They sail on the gale high above the Ohio's
Broad ribbon, descending on prairies and bayous;
And again his dark eye is turned up at the sky
With wild yearning.
Coils the pale Susquehanna!
He sees them, far off in the twilight, encamp as
A vast wingéd host upon dim, ruddy pampas;
Or at sunrise arrayed upon green everglade
And savanna.
His lost state he remembers;
Wondering and wistful he watches their flight,
Or starts at their cries in the desolate night,
Dropped down to his hearkening ear through the darkening
Novembers.
GREEN APPLES
Now give it a shake, and—there goes one!
Now put your thumb up to the other, and see
If it is n't as mellow as mellow can be!
I know by the stripe
It must be ripe!
That 's one apiece for you and me.
Sit down on the grass, and we'll have a chat;
And I'll tell you what old Parson Bute
“Life,” says he,
“Is a bountiful tree,
Heavily laden with beautiful fruit.
And great joys hanging just over his head;
Happiness, honor, and great estate,
For those who patiently work and wait;—
Blessings,” said he,
“Of every degree,
Ripening early, and ripening late.
And the fruit is wholesome, the fruit is sweet;
But, O my friends!”—Here he gave a rap
On his desk, like a regular thunder-clap,
And made such a bang,
Old Deacon Lang
Woke up out of his Sunday nap.
But half life's sorrow and bitterness,
Half the evil and ache and crime,
Came from tasting before their time
The fruits Heaven sent.
Then on he went
To his Fourthly and Fifthly:—was n't it prime?
So much for a mouthful of apple or pear;
But what we like is the fun of the thing,
When the fresh winds blow, and the hang-birds bring
Home grubs, and sing
To their young ones, a-swing
In their basket-nest, tied up by its string.
They 're first-rate roasted before the blaze
Of a winter fire; and, O my eyes!
I scarce ever saw
One, cooked or raw,
That was n't good for a boy of my size!
And the tune of the brook, and the hum of the bee,
And the chipmonks chippering every minute,
And the clear sweet note of the gay little linnet,
And the grass and the flowers,
And the long summer hours,
And the flavor of sun and breeze, are in it.
Leave them another week on the tree?
Is yours as bitter? Give us a bite!
The pulp is tough, and the seeds are white,
And the taste of it puckers
My mouth like a sucker's!
I vow, I believe the old parson was right!
CORN HARVEST
The golden spears
Of the ripening ears
Peep from the crested and pennoned maize.
All down the rustling rows are rolled
The portly pumpkins, green and gold.
Altogether
'T is very fine weather,
Just as the almanac foretold.
Made ruthless raids
On the sprouting blades;
The weeds fought long with the farmer's hoe;
And the raccoons and squirrels have had their share
Of all but the good man's toil and care;—
Has filled her house,
And the blackbirds are flocking from no one knows where.
To the field, boys! to-day
Our work will be play.
Let the blackbirds scream, and the mad crows caw,
And the squirrels scold on the wild-cherry limb,—
We'll take from the robbers that took from him!
Come along, one and all, boys!
Big boys and small boys,
Long-armed Amos, and Joel, and Jim!
Before they have lost
In sun and frost
The nourishing juices the cattle like,
Sucker and stalk must be cut from the hill;
Surround them, and bend them, then hit with a will!
Left standing too long,
They grow woody and strong;
The corn in the stook will ripen still.
Set the stalks upright,
And pack them tight
In pyramids shapely and stately and round.
Give the old lady's skirts a genteel spread;
Slope well the shoulders, so as to shed
The autumn rain
From the unhusked grain,
Then twist a wisp for the queer little head.
Reach round her who can?
'T will take a man
And a boy, at least, to clasp her waist!
Was ever a hug like that? Now draw
Tightly the girdle of good oat-straw!
That ever was laced,
Goes the narrowest nightcap ever you saw.
Or rest in the shade
Of the shocks we have made,
To eat our luncheon, and drink from the jug.
The children come bringing the bands, or play
Hide-and-go-seek in the corn all day,
And now and then race
With a chipmonk, or chase
A scared little field-mouse scampering away.
Where a field of corn in
The misty morning
Waved, in the level September light,—
All over the shadowy stubble-land,
The stooks, like Indian wigwams, stand.
Compact and secure,
There leave them to cure,
Till the merry husking-time is at hand.
And the ears to husk.
But now the dusk
Falls soft as the shadows of cool pine-boughs;
Our good day's work is done; the night
Brings wholesome fatigue and appetite;
Up comes the balloon
Of the huge red moon,
And home we go, singing gay songs by its light.
THE LITTLE THEATRE
Scarce bigger than a nut.
Finer than pearl its portals are,
They open and they shut.
So wonderful it is,
No words can tell you of its worth,—
No architect in all the earth
Could build a house like this.
A ray into the hall;
To shade the scene from too much light,
A tiny curtain hangs in sight,
Within the crystal wall.
The curious furniture,
The stage, with all its small machinery,
Pulley and cord and shifting scenery,
In marvellous miniature!
It mimics space and time,
The marriage-feast, the funeral,
Old men and little children, all
In perfect pantomime.
There speeds the train of cars;
Day comes with all its pageantry
Of cloud and mountain, sky and sea,
The night, with all its stars.
And smallest things that fly,
The humming-bird, the sunlit mote
Upon its golden wings afloat,
Are mirrored in that sky.
The scenery forms or fades;
Within the arched and windowed shell
Are momentary shades.
As his own life and limb;
Who lacks it, not the rarest gem
That ever flashed in diadem
Can purchase it for him.
How doubly blessed art thou!
Since thine the happy fortune is
To have two little worlds like this
In thy possession now,—
A curtain, and a stage!
And now a laughing sprite transfers
Into those little theatres
The letters of this page.
THE CHARCOALMAN
And sifting snows fall white and fast,
Mark Haley drives along the street,
Perched high upon his wagon seat;
His sombre face the storm defies,
And thus from morn till eve he cries,
“Charco'! charco'!”
While echo faint and far replies,
“Hark, O! hark, O!”
“Charco'!”—“Hark, O!”—Such cheery sounds
Attend him on his daily rounds.
His coat is darker far than that;
'T is odd to see his sooty form
All speckled with the feathery storm;
Nor spot nor speck, though still he cries,
“Charco'! charco'!”
While many a roguish lad replies,
“Ark, ho! ark, ho!”
“Charco'!”—“Ark, ho!”—Such various sounds
Announce Mark Haley's morning rounds.
He labors much for little pay;
Yet feels no less of happiness
Than many a richer man, I guess,
When through the shades of eve he spies
The light of his own home, and cries,
“Charco'! charco'!”
And Martha from the door replies,
“Mark, ho! Mark, ho!”
“Charco'!”—“Mark, ho!”—Such joy abounds
When he has closed his daily rounds!
And while his hand, washed clean and white,
Holds Martha's tender hand once more,
His glowing face bends fondly o'er
The crib wherein his darling lies,
And in a coaxing tone he cries,
“Charco'! charco'!”
And baby with a laugh replies,
“Ah, go! ah, go!”
“Charco'!”—“Ah, go!”—while at the sounds
The mother's heart with gladness bounds.
The poetical works of John Townsend Trowbridge | ||