University of Virginia Library

Search this document 
Poems descriptive, dramatic, legendary and contemplative

Simms, William Gilmore (1806-1870)

collapse section1. 
VOL. I.
collapse section 
NORMAN MAURICE;
collapse section1. 
ACT I.
 1. 
SCENE I.
 2. 
SCENE II.
 3. 
SCENE III.
 4. 
SCENE IV.
collapse section2. 
ACT II.
 1. 
SCENE I.
 2. 
SCENE II.
 3. 
SCENE III.
 4. 
SCENE IV.
 5. 
SCENE V.
 6. 
SCENE VI.
collapse section3. 
ACT III.
 1. 
SCENE I.
 2. 
SCENE II.
 3. 
SCENE III.
collapse section4. 
ACT IV.
 1. 
SCENE I.
 2. 
SCENE II.
 3. 
SCENE III.
 4. 
SCENE IV.
collapse section5. 
ACT V.
 1. 
SCENE I.
 2. 
SCENE II.
 3. 
SCENE III.
 4. 
SCENE IV.
 5. 
SCENE V.
 6. 
SCENE VI.
 7. 
SCENE VII.
collapse section 
ATALANTIS; A STORY OF THE SEA.
  
[prologue]
  
[castlist]
collapse section1. 
ACT I.
 1. 
SCENE I.
 2. 
SCENE II.
collapse section2. 
ACT II.
 1. 
SCENE I.
 2. 
SCENE II.
 3. 
SCENE III.
 4. 
SCENE IV.
 5. 
SCENE V.
 6. 
SCENE VI.
collapse section3. 
ACT III.
 1. 
SCENE I.
 2. 
SCENE II.
 3. 
SCENE III.
 4. 
SCENE IV.
  
THE CASSIQUE OF ACCABEE;
  
ALBERT AND ROSALIE
  
A STORY OF GOD'S JUDGMENT.
  
THE LAST FIELDS OF THE BILOXI;
  
THE HUNTER OF CALAWASSEE;
  
THE SHIP OF THE PALATINES.
  
THE TRYST OF ACAYMA.
collapse section 
VASCO NUNEZ;
 1. 
I.
 2. 
II.
  
THE SIOUX BOY;
  
THE SYREN OF TSELICA;
  
THE CITY OF THE SILENT.
collapse section2. 
VOL. II.
collapse section 
SOUTHERN PASSAGES AND PICTURES.
  
FLIGHT TO NATURE.
  
THE BROOKLET.
collapse section 
SABBATH IN THE FOREST.
 1. 
1. FREEDOM OF THE SABBATH.
 2. 
[2.] FLOWERS AND TREES.
 3. 
3. THE SAME SUBJECT.
 4. 
4. RELIGIOUS MUSINGS.
 5. 
5. SOLACE OF THE WOODS.
 6. 
6. POETRY OF THE FOREST.
  
THE LOST PLEIAD.
  
FIRST DAY OF SPRING.
  
BALLAD.
  
SONNET.—BY THE SWANANNOA.
  
TO TIME.
  
THE TRAVELLER'S REST.
  
THE MOCK-BIRD.
  
AUTUMN TWILIGHT.
  
BALLAD.
  
HAST THOU A SONG FOR A FLOWER.
  
ENIGMA.
  
SONNET.
  
TO THE BREEZE.
  
LYRICAL BALLAD.
  
THE NEW MOON.
  
FOREST REVERIE BY STARLIGHT.
  
INSCRIPTION FOR THERMOPYLÆ.
  
BY THE EDISTO.
  
THE APPROACH OF SUMMER.
  
NIGHT STORM.
  
“WELL,” SANG A BLUE-EYED DAMSEL.
  
NATURE'S FAVORITE.
collapse section 
SONNETS.—DAWNINGS OF FANCY.
 1. 
[I. Voices are on the winds!—I hear them now]
 2. 
[II. Nor only of delight! The music swells]
 3. 
[III. Whoso denies this wholesome, natural want]
collapse section 
SONNETS.—POPULAR MISDIRECTION.
 1. 
[I. How went the cry in Greece, an ominous sound]
 2. 
[II. We are no more a people of the free]
 3. 
[III. Sudden, the mighty nation goes not down]
 4. 
[IV. Would we recall our virtues and our peace]
  
THE FIRST DREAM OF LOVE.
  
HAUNTED WOODS.—A FRAGMENT.
  
THE STATESMAN.
  
SLEEPING CHILD.
  
THE GRAPE-VINE SWING.
  
SONNET.—THE OLD MASTERS.
  
SEASIDE SOLITUDE.
  
MENTAL SOLITUDE.
  
“SUCH, O BEAUTY!”
collapse section 
SONNETS.—THE CAPRICE OF THE SENSIBILITIES.
 1. 
[I. True,—love hath its perils and denials—takes]
 2. 
[II. It is, indeed, the nature that acquires]
 3. 
[III. Not such are love's true sorrows;—in her fate]
 4. 
[IV. That stroke which shatters the devoted heart]
 5. 
[V. Thus is it that the heart which other woe]
 6. 
[VI. No fruits, no life!—what matter if the tree]
  
MOTHER AND CHILD.
  
COME, WHEN THE EVENING INTO SILENCE CLOSES.
collapse section 
SONNETS.
 1. 
I. TROPHIES.—HOW PLANTED.
 2. 
II. WHERE PLANTED.
 3. 
III. TRIUMPH.
 4. 
IV. GLORY AND ENDURING FAME.
  
THE SWALLOWS.
  
SONNET.—DEATH IN YOUTH.
  
SUNSET PIECE.
collapse section 
SONNETS.—TO MY FRIEND.
 1. 
[I. Ambition owns no friend yet be thou mine]
 2. 
[II. Thou wilt remark my fate when I am dead]
  
FLOWERS IN AUTUMN.
  
THE LAND OF THE PINE.
  
THE INUTILE PURSUIT.
collapse section 
SONNETS.—THE SOUL IN IMAGINATIVE ART.
 1. 
[I. Methinks each noble purpose of man's heart]
 2. 
[II. Thy thought but whisper'd rises up a spirit]
 3. 
[III. At every whisper we endow with life]
  
THE SHADED WATER.
  
AT A CHILD'S GRAVE.
  
REMINISCENCE.
  
EVENING BY THE SEA-SHORE.
  
CONGAREE BOAT-HORN BY MOONLIGHT.
collapse section 
SONNETS.—INVOLUNTARY STRUGGLE.
 1. 
[I. Not in the rashness of warm confidence]
 2. 
[II. Even as the boy whom the stern prophet sire]
  
TO THE MOCK-BIRD,
collapse section 
SONNETS.—DESPONDENCY AND SELF-REPROACH.
 1. 
[I. Oh friend, but thou art come to see me die]
 2. 
[II. Hadst thou come sooner! But 'tis not too late]
 3. 
[III. Ah! thou didst use to steer her chartfully]
  
STANZAS IN APRIL.
  
A LAST PRAYER.
  
ZEPHYRS, THAT WAIT ON MY LADY.
  
SUMMER-NIGHT WIND.
collapse section 
SONNETS.—PROGRESS IN DENIAL.
 1. 
[I. “Yet, onward still!” the spirit cries within]
 2. 
[II. Thousands must perish in this hopeless strife]
  
BALLAD.
  
IMMORTALITY.
  
EVENING AT SEA.
  
WHERE BY DARRO'S EVENING WATERS.
  
SOUL-FLIGHT.
  
THE CHILD-ANGEL.
  
CAPE HATTERAS.
  
SONNET.—THE AGE OF GOLD.
  
BILLOWS.
  
FALL OF THE LEAF.
  
THE EUTAW MAID.
  
ALF-SONG.
  
STANZAS.
collapse section 
HEADS OF THE POETS.
 1. 
I.—CHAUCER.
 2. 
II.—SHAKSPEARE.
 3. 
III.—THE SAME.
 4. 
IV.—SPENSER.
 5. 
V.—MILTON.
 6. 
VI.—BURNS.
 7. 
VII.—SCOTT.
 8. 
VIII.—BYRON.
 9. 
IX.—A GROUP.
  
SONNET TO THE PAST.
  
STANZAS.
  
THE WESTERN EMIGRANTS.
  
FIRST PURPOSELESS STRIVINGS OF THE IMAGINATION.
  
STANZAS.
  
THE DECAY OF A PEOPLE.
  
THE TEXAN HUNTER.
collapse section 
SONNETS.
 1. 
I. THE APPROACH OF WINTER.
 2. 
[II. Yet bitter were the lessons of that past]
 3. 
III. CHILDHOOD.
 4. 
IV. YOUTH.
 5. 
V. STRUGGLE.
 6. 
VI. MANHOOD.
  
THE SHADE-TREES.
  
THE SACRIFICE UPON OUR ALTARS.
  
OH! WELCOME YE THE STRANGER.
  
CHILDRENS' EVENING GAMBOLS.
  
THE MINIATURE.
  
BEAUTY'S SPRING-TIME.
  
THE UNQUIET SPIRIT.
  
SONNET.—REPROACH AND CONSOLATION.
  
BALLAD.
  
SUMMER WEST WIND.
  
THE KINGS IN SHEOL.
  
MONNA.
  
UR-LIGHT.
  
THE LONELY ISLET.
  
SYBILLA.
  
THE BURDEN OF THE DESERT.
  
THE EDGE OF THE SWAMP.
  
THE STRUGGLE OF ENDOWMENT WITH FORTUNE.
  
MORAL CHANGE.
  
SONNET.—FRIENDSHIP.
  
THE LAY OF THE CARIB DAMSEL.
  
THE MAGIC VOICE.
  
ELODIE.
  
NIGHT-WATCHING.
collapse section 
SONNETS.—RECOMPENSE.
 1. 
[I. Not profitless the game, even when we lose]
 2. 
[II. And this, methinks, were no unseemly boast]
 3. 
[III. And other lessons of humanity]
  
SUMMER IN THE SOUTH.
  
HEART ESSENTIAL TO GENIUS.
  
THE CAPTIVE.
  
TWINS IN DEATH.
  
GLORY.
  
BALLAD.—WHERE ART THOU?
  
FANCY.
collapse section 
SONNETS.—SPIRIT-FLIGHTS.
 1. 
[I. Ah me! that sleeping like Endymion]
 2. 
[II. Upon the poet's soul they flash forever]
  
YES, LONE WERE MY BOSOM.
  
SONNET.—AIMS.
  
CHANGES OF HOME.
  
THE FOREST GRAVE.
  
THOU HAST EYES LIKE STARS.
  
“LA BOLSA DE LAS SIERRAS.”
  
SONG IN MARCH.
collapse section 
SONNETS.
 1. 
I. FAERY GLIMPSES.
 2. 
II. CHILD FANCIES.
  
MORNING IN THE FOREST.
  
REPININGS.
  
WONDERS OF THE SEA.
  
IMAGINATION.
  
'TIS A LOWLY GRAVE.
  
SILENCE.
  
VIA SACRA.
  
THE BARD.
  
BLESSINGS ON CHILDREN.
  
THE HURRICANE.
  
SONG.—THE BREEZE THAT SIGHS.
  
ON THE DEATH OF AN OBSCURE CITIZEN.
  
ABANDONMENT.
  
THE IMMORTALITY OF THE BELOVED.
  
IN ABSENCE.
  
AT PARTING.
  
MORAL EXILE.
  
THE STREAMLET.
  
SPRING TIME.
collapse section 
HISTORICAL LEGENDS.
collapse section 
CAIUS MARIUS.
 1. 
I.
 2. 
II.
 3. 
III.
 4. 
IV.
 5. 
V.
 6. 
VI.
 7. 
VII.
collapse section 
BERTRAM:
 1. 
I.
 2. 
II.
 3. 
III.
 4. 
IV.
 5. 
V.
  
THE DEATH OF CLEOPATRA.
  
SAUL AT ENDOR.
  
SAUL'S LAST BATTLE.
  
THE REBELLION OF ABSALOM.
  
FRANCESCA DA RIMINI.

collapse section Collapse All | Expand All expand section
previous section Poems descriptive, dramatic, legendary and contemplative
next section

[II. Thou wilt remark my fate when I am dead]

Thou wilt remark my fate when I am dead;
Let not fools scoff above me and proclaim
That I had vainly struggled after fame,
'Till the good oil of my young life was shed,
And I became a mockery, and fell
Into the yellow leaf before my time;
A sacrifice, even in my earliest prime,
To that which thinn'd the heavens and peopled hell!
100

How few will understand us at the best,
How few so yield their sympathies, to know
What cares have robb'd us of our nightly rest,
How stern our trial, how complete our woe,—
And how much more our doom it was than pride,
To toil in devious ways with none who loved beside!
previous section Poems descriptive, dramatic, legendary and contemplative
next section