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The poetical works of Bayard Taylor

Household Edition : with illustrations

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VIII
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VIII

“‘Music!’ they shouted, echoing my demand,
And answered with a beckon of his hand
The gracious host, whereat a maiden, fair
As the last star that leaves the morning air,
Came down the leafy paths. Her veil revealed
The beauty of her face, which, half concealed
Behind its thin blue folds, showed like the moon
Behind a cloud that will forsake it soon.
Her hair was braided darkness, but the glance
Of lightning eyes shot from her countenance,
And showed her neck, that like an ivory tower
Rose o'er the twin domes of her marble breast.
Were all the beauty of this age compressed
Into one form, she would transcend its power.
Her step was lighter than the young gazelle's,

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And as she walked, her anklet's golden bells
Tinkled with pleasure, but were quickly mute
With jealousy, as from a case she drew
With snowy hands the pieces of her lute,
And took her seat before me. As it grew
To perfect shape, her lovely arms she bent
Around the neck of the sweet instrument,
Till from her soft caresses it awoke
To consciousness, and thus its rapture spoke:
‘I was a tree within an Indian vale,
When first I heard the love-sick nightingale
Declare his passion: every leaf was stirred
With the melodious sorrow of the bird,
And when he ceased, the song remained with me.
Men came anon, and felled the harmless tree,
But from the memory of the songs I heard,
The spoiler saved me from the destiny
Whereby my brethren perished. O'er the sea
I came, and from its loud, tumultuous moan
I caught a soft and solemn undertone;
And when I grew beneath the maker's hand
To what thou seest, he sang (the while he planned)
The mirthful measures of a careless heart,
And of my soul his songs became a part.
Now they have laid my head upon a breast
Whiter than marble, I am wholly blest.
The fair hands smite me, and my strings complain
With such melodious cries, they smite again,
Until, with passion and with sorrow swayed,
My torment moves the bosom of the maid,
Who hears it speak her own. I am the voice
Whereby the lovers languish or rejoice;
And they caress me, knowing that my strain
Alone can speak the language of their pain.’