Picked Poems :: :: University of Virginia Library

I STEP ACROSS THE MYSTIC BORDER-LAND

I step across the mystic border-land,
And look upon the wonder-world of Art.
How beautiful, how beautiful its hills!
And all its valleys, how surpassing fair!

The winding paths that lead up to the heights
Are polished by the footsteps of the great.
The mountain-peaks stand very near to God:
The chosen few whose feet have trod thereon
Have talked with Him. and with the angels walked.

Here are no sounds of discord—no profane
Or senseless gossip of unworthy things—
Only the songs of chisels and of pens,
Of busy brushes, and ecstatic strains
Of souls surcharged with music most divine.
Here is no idle sorrow, no poor grief
For any day or object left behind—
For time is counted precious, and herein
Is such complete abandonment of Self
That tears turn into rainbows, and enhance
The beauty of the land where all is fair,
Awed and afraid, I cross the border-land.
Oh, who am I, that I dare enter here
Where the great artists of the world have trod—
The genius-crowned aristocrats of Earth?
Only the singer of a little song;
Yet loving Art with such a mighty love
I hold it greater to have won a place
Just on the fair land's edge, to make my grave,
Than in the outer world of greed and gain
To sit upon a royal throne and reign.

BROTHERHOOD

God, what a world, if men in street and mart,
Felt that same kinship of the human heart,
Which makes them, in the face of fire and flood,
Rise to the meaning of True Brotherhood.

IF—

If I were a raindrop, and you were a leaf,
I would burst from the cloud above you
And lie on your breast in a rapture of rest,
And love you, love you, love you.

If I were a brown bee, and you were a rose,
I would fly to you, love, nor miss you;
I would sip and sip from your nectared lip,
And kiss you, kiss you, kiss you.

If I were a doe, dear, and you were a brook,
Ah, what would I do then, think you?
I would kneel by the bank, in the grasses dank,
And drink you, drink you, drink you.

LIFE'S LESSON BOOK

Life is a ponderous lesson-book, and Fate
The teacher. When I came to love's fair leaf
My teacher turned the page and bade me wait.
“Learn first,” she said, “love's grief”;
And o'er and o'er through many a long tomorrow
She kept me conning that sad page of sorrow.

Cruel the task; and yet it was not vain.
Now the great book of life I know by heart.
In that one lesson of love's loss and pain
Fate doth the whole impart.
For, by the depths of woe, the mind can measure
The beauteous unscaled summits of love's pleasure.

Now, with the book of life upon her knee,
Fate sits! the unread page of love's delight
By her firm hand is half concealed from me,
And half revealed to sight.
Ah Fate! be kind! so well I learned love's sorrow,
Give me its full delight to learn tomorrow.

FREEDOM

I care not who were vicious back of me,
No shadow of their sins on me is shed.
My will is greater than heredity.
I am no worm to feed upon the dead.

My face, my form, my gestures and my voice,
May be reflections from a race that was.
But this I know, and knowing it, rejoice,
I am Myself, a part of the Great Cause.

I am a spirit! Spirit would suffice,
If rightly used, to set a chained world free.
Am I not stronger than a mortal vice
That crawls the length of some ancestral tree?

AN EPISODE

Along a narrow Moorish street
A blue-eyed soldier strode.
(Ah, well-a-day)
Veiled from her lashes to her feet
She stepped from her abode,
(Ah, lack-a-day).

Now love may guard a favoured wife
Who leaves the harem door;
(Ah, well-a-day)
But hungry hearted is her life
When she is one of four.
(Ah, lack-a-day).

If black eyes glow with sudden fire
And meet warm eyes of blue—
(Ah, well-a-day).
The old, old story of desire
Repeats itself anew.
(Ah, lack-a-day.)

When bugles blow the soldier flies—
Though bitter tears may fall
(Ah, lack-a-day).
A Moorish child with blue, blue eyes
Plays in the harem hall.
(Ah, well-a-day.)

112

THE EMPTY BOWL

I held the golden vessel of my soul
And prayed that God would fill it from on high.
Day after day the importuning cry
Grew stronger—grew, a heaven-accusing dole
Because no sacred waters laved my bowl.
“So full the fountain, Lord, wouldst Thou deny
The little needed for a soul's supply?
I ask but this small portion of Thy whole.”
Then from the vast invisible Somewhere,
A voice, as one love-authorized by Him,
Spake, and the tumult of my heart was stilled.
“Who wants the waters must the bowl prepare;
Pour out the self, that chokes it to the brim,
But emptied vessels, from the Source are filled.”

114

TIME'S DEFEAT

Time has made conquest of so many things
That once were mine. Swift-footed, eager youth
That ran to meet the years; bold brigand health,
That broke all laws of reason unafraid,
And laughed at talk of punishment. Close ties

Of blood and friendship, and that joy of life,
Which reads its music in the major key
And will not listen to a minor strain—
These things and many more are spoils of time.

Yet as a conqueror who only storms
The outposts of a town, and finds the fort
Too strong to be assailed, so time retreats
And knows his impotence. He cannot take
My three great jewels from the crown of life;
Love, sympathy, and faith; and year on year
He sees them grow in lustre and in worth,
And glowers by me, plucking at his beard,
And dragging as he goes, a useless scythe.

115

Once in the dark he plotted with his friend
Grim death, to steal my treasures. Death replied:
“They are immortal, and beyond thy reach:
I could but set them in another sphere,
To shine with greater lustre.”

Time and Death
Passed on together, knowing their defeat;
And I am singing by the road of life.

129

IN ENGLAND

In England, there are wrongs no doubt,
Which should be righted; so men say,
Who seek to weed earth's garden out,
And give the roses right of way;
Yes, right of way, to fruit and rose,
Where now but poison ivy grows.

In England, there is wide unrest,
They tell me who should know; and yet
I saw but hedges, gayly dressed,
And eyes where love and kindness met;
Yes, love and kindness, met and made
Soft sunshine even in the shade.

In England, there are haunting things
Which follow one to other lands;
Like some pervading scent that clings
To laces touched by vanished hands;
Yes, touched by vanished hands, which made
A fragrance that defies the grave.

130

In England, centuries of art
Give common things a mellow tone;
And wake old memories in the heart
Of other lives the soul has known;
Yes, other lives in some past age
Start forth from canvas, and from page.

In England, there are simple joys,
The modern world has left all sweet;
In London's heart, are nooks where noise
Has entered but with slippered feet;
Yes, entered softly. Friend, believe,
To part from England is to grieve.

133

IN INDIA'S DREAMY LAND

In India's land one listens aghast
To the people who scream and bawl;
For each caste yells at a lower caste,
And the Britisher yells at them all.

RANGOON

Just a changing sea of colour
Surging up and flowing down;
And pagodas shining golden, night and noon;
And a sun-burst-tinted throng
Of young priests that move along
Under sun-burst-hued umbrellas through the town.
That's Rangoon.

139

SONGS OF A COUNTRY HOME.

I

Who has not felt his heart leap up, and glow
What time the tulips first begin to blow,
Has one sweet joy, still left for him to know.

It is like early loves' imagining;
That fragile pleasure, which the Tulips bring,
When suddenly we see them, in the Spring.

Not all the gardens later royal train,
Not great triumphant Roses, when they reign,
Can bring that delicate delight again.

II

One of the sweetest hours is this;
(Of all I think we like it best;)
A little restful oasis,
Between the breakfast, and the post.
Just south of coffee, and of toast,
Just north of daily task and duty;
Just west of dreams, this Island gleams,
A fertile spot of peace and beauty.

140

We wander out across the lawn;
We idle by a bush in bloom;
The Household pets come following on;
Or if the day is one of gloom,
We loiter in a pleasant room
Or from a casement, lean and chatter.
Then comes the mail, like sudden hail,
And off we scatter.

III

When roses die, in languid August days,
We leave the Garden, to its fallen ways;
And seek the shelter of wide porticos,
Where Honeysuckle, in defiance blows
Undaunted by the Sun's too ardent rays.

The matron Summer, turns a wistful gaze
Across green valleys, back to tender Mays;
And something of her large contentment goes,
When roses die.

Yet all her subtle fascination stays
To lure us into idle sweet delays.
The lowered awning, by the hammock shows
Inviting nooks for dreaming and repose;
Oh, restful are the pleasures of those days
When roses die.

141

IV

The summer folk, fled back to town;
The green woods changed to red and brown;
A sound upon the frosty air
Of windows closing everywhere.

And then the log, lapped by a blaze.
Oh, what is better than these days;
With books and friends and love a-near;
Go on, gay world, but leave me here.

145

CLARA MORRIS

(Written for a Benefit Given Mrs. Morris)

The Radiant Ruler of Mystic Regions
Where souls of artists are fitted for birth,
Gathered together their lovely legions
And fashioned a woman to shine on earth.
They bathed her in splendor
They made her tender:
They gave her a nature both sweet and wild.
They gave her emotions
Like storm stirred oceans,
And they gave her the heart of a little child.

These Radiant Rulers (who are not human
Nor yet divine like the gods above)
Poured all their gifts in the soul of a woman
That fragile vessel meant only for love.
Still more they taught her,
Still more they brought her—
Till they gave her the world for a harp one day,
And they bade her string it—
They bade her ring it,
While the stars all wondered to hear her play.

146

She touched the strings in a master fashion,
She uttered the cry of a world's despair.
Its long-hid secret, its pent-up passion,
She gave to the winds in a vibrant air.
For ah! the heart of her,
That was the art of her,
Great with the feeling that makes men kin.
Art unapproachable,
Art all uncoachable,
Fragrance and flame from the spirit within.

The earth turns ever an ear unheeding
To the sorrows of art, as it cries for more:
And she played on the harp till her hands were bleeding
And her brow was bruised by the laurels she wore.
She knew the trend of it,
She knew the end of it.
Men heard the music and men felt the thrill.
Bound to the altar
Of art, could she falter?
Then came a silence—the music was still.

And yet in the echoes we seem to hear it
In waves unbroken it circles the earth:
And we catch in the light of her dauntless spirit

147

A gleam from the center that gave her birth.
Still is the fame of her
Felt in the name of her.
But low lies the harp that once thrilled to her strain.
No hand has taken it,
No hand can waken it—
For the soul of her art was her secret of pain.

150

THE ENGLISHMAN

Born in the flesh, and bred in the bone,
Some of us harbour still
A New World pride: and we flaunt or hide
The Spirit of Bunker Hill.
We claim our place, as a separate race,
Or a self-created clan:
Till there comes a day when we like to say,
“We are kin of the Englishman.”

For under the front that seems so cold,
And the voice that is wont to storm,
We are certain to find a big, broad mind
And a heart that is soft and warm.
And he carries his woes in a lordly way,
As only the great souls can:
And it makes us glad when in truth we say,
“We are kin of the Englishman.”

151

He slams his door in the face of the world,
If he thinks the world too bold.
He will even curse; but he opens his purse
To the poor, and the sick, and the old.
He is slow in giving to woman the vote,
And slow to pick up her fan;
But he gives her room in an hour of doom,
And dies—like an Englishman.

155

ON SEEING THE DIABUTSU—AT KAMAKURA, JAPAN

Long have I searched, Cathedral shrine, and hall,
To find a symbol, from the hand of art,
That gave the full expression (not a part)
Of that ecstatic peace which follows all
Life's pain and passion. Strange it should befall
This outer emblem of the inner heart
Was waiting far beyond the great world's mart—
Immortal answer, to the mortal call.

Unknown the artist, vaguely known his creed:
But the bronze wonder of his work sufficed
To lift me to the heights his faith had trod.
For one rich moment, opulent indeed,
I walked with Krishna, Buddha, and the Christ,
And felt the full serenity of God.

157

SONG OF THE RAIL

Oh, an ugly thing is an iron rail,
Black, with its face to the dust.
But it carries a message where winged things fail;
It crosses the mountains, and catches the trail,
While the winds and the sea make sport of a sail;
Oh, a rail is a friend to trust.

The iron rail, with its face to the sod,
Is only a bar of ore;
Yet it speeds where never a foot has trod;
And the narrow path where it leads, grows broad;
And it speaks to the world in the voice of God;
That echoes from shore to shore.

Though the iron rail, on the earth down flung,
Seems kin to the loam and the soil,
Wherever its high shrill note is sung,
Out of the jungle fair homes have sprung,
And the voices of babel find one tongue,
In the common language of toil.

158

Of priest, and warrior, and conquering king,
Of Knights of the Holy Grail,
Of wonders of winter, and glories of spring,
Always and ever the poets sing;
But the great God-Force, in a lowly thing,
I sing, in my song of the rail.

175

MEMORY'S MANSION

In Memory's Mansion are wonderful rooms,
And I wander about them at will;
And I pause at the casements, where boxes of blooms
Are sending sweet scents o'er the sill.
I lean from a window that looks on a lawn;
From a turret that looks on the wave.
But I draw down the shade when I see on some glade
A stone standing guard by a grave.

To Memory's attic I clambered one day
When the roof was resounding with rain,
And there, among relics long hidden away,
I rummaged with heart ache and pain.
A hope long surrendered and covered with dust,
A pastime, out-grown and forgot,
And a fragment of love all corroded with rust,
Were lying heaped up in one spot.

And there on the floor of that garret was tossed
A friendship too fragile to last,

176

With pieces of dearly bought pleasures that cost
Vast fortunes of pain in the past,
A fabric of passion, once vivid and bright,
As the breast of a robin in Spring,
Was spread out before me—a terrible sight—
A moth-eaten rag of a thing.

Then down the deep stairway I hurriedly went,
And into fair chambers below;
But the mansion seemed filled with the old attic scent
Wherever my footsteps would go.
Though in Memory's House I still wander full oft,
No more to the garret I climb;
And I leave all the rubbish heaped there in the loft
To the hands of the Housekeeper, Time.