 | The poetical works of John Greenleaf Whittier |  |
MABEL MARTIN.
A HARVEST IDYL.
[_]
Susanna Martin, an aged woman of Amesbury, Mass., was tried and executed for the alleged crime of witchcraft. Her home was in what is now known as Pleasant Valley on the Merrimac, a little above the old Ferry way, where, tradition says, an attempt was made to assassinate Sir Edmund Andros on his way to Falmouth (afterward Portland) and Pemaquid, which was frustrated by a warning timely given. Goody Martin was the only woman hanged on the north side of the Merrimac during the dreadful delusion. The aged wife of Judge Bradbury who lived on the other side of the Powow River was imprisoned and would have been put to death but for the collapse of the hideous persecution.
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The substance of the poem which follows was published under the name of The Witch's Daughter, in The National Era in 1857. In 1875 my publishers desired to issue it with illustrations, and I then enlarged it and otherwise altered it to its present form. The principal addition was in the verses which constitute Part I.
PROEM.
I call the old time back: I bring my lay
In tender memory of the summer day
When, where our native river lapsed away,
In tender memory of the summer day
When, where our native river lapsed away,
We dreamed it over, while the thrushes made
Songs of their own, and the great pine-trees laid
On warm noonlights the masses of their shade.
Songs of their own, and the great pine-trees laid
On warm noonlights the masses of their shade.
And she was with us, living o'er again
Her life in ours, despite of years and pain,—
The Autumn's brightness after latter rain.
Her life in ours, despite of years and pain,—
The Autumn's brightness after latter rain.
Beautiful in her holy peace as one
Who stands, at evening, when the work is done,
Glorified in the setting of the sun!
Who stands, at evening, when the work is done,
Glorified in the setting of the sun!
Her memory makes our common landscape seem
Fairer than any of which painters dream;
Lights the brown hills and sings in every stream;
Fairer than any of which painters dream;
Lights the brown hills and sings in every stream;
For she whose speech was always truth's pure gold
Heard, not unpleased, its simple legends told,
And loved with us the beautiful and old.
Heard, not unpleased, its simple legends told,
And loved with us the beautiful and old.
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I. THE RIVER VALLEY.
Across the level tableland,
A grassy, rarely trodden way,
With thinnest skirt of birchen spray
A grassy, rarely trodden way,
With thinnest skirt of birchen spray
And stunted growth of cedar, leads
To where you see the dull plain fall
Sheer off, steep-slanted, ploughed by all
To where you see the dull plain fall
Sheer off, steep-slanted, ploughed by all
The seasons' rainfalls. On its brink
The over-leaning harebells swing,
With roots half bare the pine-trees cling;
The over-leaning harebells swing,
With roots half bare the pine-trees cling;
And, through the shadow looking west,
You see the wavering river flow
Along a vale, that far below
You see the wavering river flow
Along a vale, that far below
Holds to the sun, the sheltering hills
And glimmering water-line between,
Broad fields of corn and meadows green,
And glimmering water-line between,
Broad fields of corn and meadows green,
And fruit-bent orchards grouped around
The low brown roofs and painted eaves,
And chimney-tops half hid in leaves.
The low brown roofs and painted eaves,
And chimney-tops half hid in leaves.
No warmer valley hides behind
Yon wind-scourged sand-dunes, cold and bleak;
No fairer river comes to seek
Yon wind-scourged sand-dunes, cold and bleak;
No fairer river comes to seek
The wave-sung welcome of the sea,
Or mark the northmost border line
Of sun-loved growths of nut and vine.
Or mark the northmost border line
Of sun-loved growths of nut and vine.
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Here, ground-fast in their native fields,
Untempted by the city's gain,
The quiet farmer folk remain
Untempted by the city's gain,
The quiet farmer folk remain
Who bear the pleasant name of Friends,
And keep their fathers' gentle ways
And simple speech of Bible days;
And keep their fathers' gentle ways
And simple speech of Bible days;
In whose neat homesteads woman holds
With modest ease her equal place,
And wears upon her tranquil face
With modest ease her equal place,
And wears upon her tranquil face
The look of one who, merging not
Her self-hood in another's will,
Is love's and duty's handmaid still.
Her self-hood in another's will,
Is love's and duty's handmaid still.
Pass with me down the path that winds
Through birches to the open land,
Where, close upon the river strand
Through birches to the open land,
Where, close upon the river strand
You mark a cellar, vine o'errun,
Above whose wall of loosened stones
The sumach lifts its reddening cones,
Above whose wall of loosened stones
The sumach lifts its reddening cones,
And the black nightshade's berries shine,
And broad, unsightly burdocks fold
The household ruin, century-old.
And broad, unsightly burdocks fold
The household ruin, century-old.
Here, in the dim colonial time
Of sterner lives and gloomier faith,
A woman lived, tradition saith,
Of sterner lives and gloomier faith,
A woman lived, tradition saith,
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Who wrought her neighbors foul annoy,
And witched and plagued the country-side,
Till at the hangman's hand she died.
And witched and plagued the country-side,
Till at the hangman's hand she died.
Sit with me while the westering day
Falls slantwise down the quiet vale,
And, haply ere yon loitering sail,
Falls slantwise down the quiet vale,
And, haply ere yon loitering sail,
That rounds the upper headland, falls
Below Deer Island's pines, or sees
Behind it Hawkswood's belt of trees
Below Deer Island's pines, or sees
Behind it Hawkswood's belt of trees
Rise black against the sinking sun,
My idyl of its days of old,
The valley's legend, shall be told.
My idyl of its days of old,
The valley's legend, shall be told.
II. THE HUSKING.
It was the pleasant harvest-time,
When cellar-bins are closely stowed,
And garrets bend beneath their load,
When cellar-bins are closely stowed,
And garrets bend beneath their load,
And the old swallow-haunted barns,—
Brown-gabled, long, and full of seams
Through which the moted sunlight streams,
Brown-gabled, long, and full of seams
Through which the moted sunlight streams,
And winds blow freshly in, to shake
The red plumes of the roosted cocks,
And the loose hay-mow's scented locks,—
The red plumes of the roosted cocks,
And the loose hay-mow's scented locks,—
Are filled with summer's ripened stores,
Its odorous grass and barley sheaves,
From their low scaffolds to their eaves.
Its odorous grass and barley sheaves,
From their low scaffolds to their eaves.
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On Esek Harden's oaken floor,
With many an autumn threshing worn,
Lay the heaped ears of unhusked corn.
With many an autumn threshing worn,
Lay the heaped ears of unhusked corn.
And thither came young men and maids,
Beneath a moon that, large and low,
Lit that sweet eve of long ago.
Beneath a moon that, large and low,
Lit that sweet eve of long ago.
They took their places; some by chance,
And others by a merry voice
Or sweet smile guided to their choice.
And others by a merry voice
Or sweet smile guided to their choice.
How pleasantly the rising moon,
Between the shadow of the mows,
Looked on them through the great elm-boughs!
Between the shadow of the mows,
Looked on them through the great elm-boughs!
On sturdy boyhood, sun-embrowned,
On girlhood with its solid curves
Of healthful strength and painless nerves!
On girlhood with its solid curves
Of healthful strength and painless nerves!
And jests went round, and laughs that made
The house-dog answer with his howl,
And kept astir the barn-yard fowl;
The house-dog answer with his howl,
And kept astir the barn-yard fowl;
And quaint old songs their fathers sung
In Derby dales and Yorkshire moors,
Ere Norman William trod their shores;
In Derby dales and Yorkshire moors,
Ere Norman William trod their shores;
And tales, whose merry license shook
The fat sides of the Saxon thane,
Forgetful of the hovering Dane,—
The fat sides of the Saxon thane,
Forgetful of the hovering Dane,—
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Rude plays to Celt and Cimbri known,
The charms and riddles that beguiled
On Oxus' banks the young world's child,—
The charms and riddles that beguiled
On Oxus' banks the young world's child,—
That primal picture-speech wherein
Have youth and maid the story told,
So new in each, so dateless old,
Have youth and maid the story told,
So new in each, so dateless old,
Recalling pastoral Ruth in her
Who waited, blushing and demure,
The red-ear's kiss of forfeiture.
Who waited, blushing and demure,
The red-ear's kiss of forfeiture.
III. THE WITCH'S DAUGHTER.
But still the sweetest voice was mute
That river-valley ever heard
From lips of maid or throat of bird;
That river-valley ever heard
From lips of maid or throat of bird;
For Mabel Martin sat apart,
And let the hay-mow's shadow fall
Upon the loveliest face of all.
And let the hay-mow's shadow fall
Upon the loveliest face of all.
She sat apart, as one forbid,
Who knew that none would condescend
To own the Witch-wife's child a friend.
Who knew that none would condescend
To own the Witch-wife's child a friend.
The seasons scarce had gone their round,
Since curious thousands thronged to see
Her mother at the gallows-tree;
Since curious thousands thronged to see
Her mother at the gallows-tree;
And mocked the prison-palsied limbs
That faltered on the fatal stairs,
And wan lip trembling with its prayers!
That faltered on the fatal stairs,
And wan lip trembling with its prayers!
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Few questioned of the sorrowing child,
Or, when they saw the mother die,
Dreamed of the daughter's agony.
Or, when they saw the mother die,
Dreamed of the daughter's agony.
They went up to their homes that day,
As men and Christians justified:
God willed it, and the wretch had died!
As men and Christians justified:
God willed it, and the wretch had died!
Dear God and Father of us all,
Forgive our faith in cruel lies,—
Forgive the blindness that denies!
Forgive our faith in cruel lies,—
Forgive the blindness that denies!
Forgive thy creature when he takes,
For the all-perfect love Thou art,
Some grim creation of his heart.
For the all-perfect love Thou art,
Some grim creation of his heart.
Cast down our idols, overturn
Our bloody altars; let us see
Thyself in Thy humanity!
Our bloody altars; let us see
Thyself in Thy humanity!
Young Mabel from her mother's grave
Crept to her desolate hearth-stone,
And wrestled with her fate alone;
Crept to her desolate hearth-stone,
And wrestled with her fate alone;
With love, and anger, and despair,
The phantoms of disordered sense,
The awful doubts of Providence!
The phantoms of disordered sense,
The awful doubts of Providence!
Oh, dreary broke the winter days,
And dreary fell the winter nights
When, one by one, the neighboring lights
And dreary fell the winter nights
When, one by one, the neighboring lights
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Went out, and human sounds grew still,
And all the phantom-peopled dark
Closed round her hearth-fire's dying spark.
And all the phantom-peopled dark
Closed round her hearth-fire's dying spark.
And summer days were sad and long,
And sad the uncompanioned eves,
And sadder sunset-tinted leaves,
And sad the uncompanioned eves,
And sadder sunset-tinted leaves,
And Indian Summer's airs of balm;
She scarcely felt the soft caress,
The beauty died of loneliness!
She scarcely felt the soft caress,
The beauty died of loneliness!
The school-boys jeered her as they passed,
And, when she sought the house of prayer,
Her mother's curse pursued her there.
And, when she sought the house of prayer,
Her mother's curse pursued her there.
And still o'er many a neighboring door
She saw the horseshoe's curvëd charm,
To guard against her mother's harm:
She saw the horseshoe's curvëd charm,
To guard against her mother's harm:
That mother, poor and sick and lame,
Who daily, by the old arm-chair,
Folded her withered hands in prayer;—
Who daily, by the old arm-chair,
Folded her withered hands in prayer;—
Who turned, in Salem's dreary jail,
Her worn old Bible o'er and o'er,
When her dim eyes could read no more!
Her worn old Bible o'er and o'er,
When her dim eyes could read no more!
Sore tried and pained, the poor girl kept
Her faith, and trusted that her way,
So dark, would somewhere meet the day.
Her faith, and trusted that her way,
So dark, would somewhere meet the day.
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And still her weary wheel went round
Day after day, with no relief:
Small leisure have the poor for grief.
Day after day, with no relief:
Small leisure have the poor for grief.
IV. THE CHAMPION.
So in the shadow Mabel sits;
Untouched by mirth she sees and hears,
Her smile is sadder than her tears.
Untouched by mirth she sees and hears,
Her smile is sadder than her tears.
But cruel eyes have found her out,
And cruel lips repeat her name,
And taunt her with her mother's shame.
And cruel lips repeat her name,
And taunt her with her mother's shame.
She answered not with railing words,
But drew her apron o'er her face,
And, sobbing, glided from the place.
But drew her apron o'er her face,
And, sobbing, glided from the place.
And only pausing at the door,
Her sad eyes met the troubled gaze
Of one who, in her better days,
Her sad eyes met the troubled gaze
Of one who, in her better days,
Had been her warm and steady friend,
Ere yet her mother's doom had made
Even Esek Harden half afraid.
Ere yet her mother's doom had made
Even Esek Harden half afraid.
He felt that mute appeal of tears,
And, starting, with an angry frown,
Hushed all the wicked murmurs down.
And, starting, with an angry frown,
Hushed all the wicked murmurs down.
“Good neighbors mine,” he sternly said,
“This passes harmless mirth or jest;
I brook no insult to my guest.
“This passes harmless mirth or jest;
I brook no insult to my guest.
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“She is indeed her mother's child;
But God's sweet pity ministers
Unto no whiter soul than hers.
But God's sweet pity ministers
Unto no whiter soul than hers.
“Let Goody Martin rest in peace;
I never knew her harm a fly,
And witch or not, God knows—not I.
I never knew her harm a fly,
And witch or not, God knows—not I.
“I know who swore her life away;
And as God lives, I 'd not condemn
An Indian dog on word of them.”
And as God lives, I 'd not condemn
An Indian dog on word of them.”
The broadest lands in all the town,
The skill to guide, the power to awe,
Were Harden's; and his word was law.
The skill to guide, the power to awe,
Were Harden's; and his word was law.
None dared withstand him to his face,
But one sly maiden spake aside:
“The little witch is evil-eyed!
But one sly maiden spake aside:
“The little witch is evil-eyed!
“Her mother only killed a cow,
Or witched a churn or dairy-pan;
But she, forsooth, must charm a man!”
Or witched a churn or dairy-pan;
But she, forsooth, must charm a man!”
V. IN THE SHADOW.
Poor Mabel, homeward turning, passed
The nameless terrors of the wood,
And saw, as if a ghost pursued,
The nameless terrors of the wood,
And saw, as if a ghost pursued,
Her shadow gliding in the moon;
The soft breath of the west-wind gave
A chill as from her mother's grave.
The soft breath of the west-wind gave
A chill as from her mother's grave.
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How dreary seemed the silent house!
Wide in the moonbeams' ghastly glare
Its windows had a dead man's stare!
Wide in the moonbeams' ghastly glare
Its windows had a dead man's stare!
And, like a gaunt and spectral hand,
The tremulous shadow of a birch
Reached out and touched the door's low porch,
The tremulous shadow of a birch
Reached out and touched the door's low porch,
As if to lift its latch; hard by,
A sudden warning call she heard,
The night-cry of a boding bird.
A sudden warning call she heard,
The night-cry of a boding bird.
She leaned against the door; her face,
So fair, so young, so full of pain,
White in the moonlight's silver rain.
So fair, so young, so full of pain,
White in the moonlight's silver rain.
The river, on its pebbled rim,
Made music such as childhood knew;
The door-yard tree was whispered through
Made music such as childhood knew;
The door-yard tree was whispered through
By voices such as childhood's ear
Had heard in moonlights long ago;
And through the willow-boughs below
Had heard in moonlights long ago;
And through the willow-boughs below
She saw the rippled waters shine;
Beyond, in waves of shade and light,
The hills rolled off into the night.
Beyond, in waves of shade and light,
The hills rolled off into the night.
She saw and heard, but over all
A sense of some transforming spell,
The shadow of her sick heart fell.
A sense of some transforming spell,
The shadow of her sick heart fell.
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And still across the wooded space
The harvest lights of Harden shone,
And song and jest and laugh went on.
The harvest lights of Harden shone,
And song and jest and laugh went on.
And he, so gentle, true, and strong,
Of men the bravest and the best,
Had he, too, scorned her with the rest?
Of men the bravest and the best,
Had he, too, scorned her with the rest?
She strove to drown her sense of wrong,
And, in her old and simple way,
To teach her bitter heart to pray.
And, in her old and simple way,
To teach her bitter heart to pray.
Poor child! the prayer, begun in faith,
Grew to a low, despairing cry
Of utter misery: “Let me die!
Grew to a low, despairing cry
Of utter misery: “Let me die!
“Oh! take me from the scornful eyes,
And hide me where the cruel speech
And mocking finger may not reach!
And hide me where the cruel speech
And mocking finger may not reach!
“I dare not breathe my mother's name:
A daughter's right I dare not crave
To weep above her unblest grave!
A daughter's right I dare not crave
To weep above her unblest grave!
“Let me not live until my heart,
With few to pity, and with none
To love me, hardens into stone.
With few to pity, and with none
To love me, hardens into stone.
“O God! have mercy on Thy child,
Whose faith in Thee grows weak an small,
And take me ere I lose it all!”
Whose faith in Thee grows weak an small,
And take me ere I lose it all!”
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A shadow on the moonlight fell,
And murmuring wind and wave became
A voice whose burden was her name.
And murmuring wind and wave became
A voice whose burden was her name.
VI. THE BETROTHAL.
Had then God heard her? Had He sent
His angel down? In flesh and blood,
Before her Esek Harden stood!
His angel down? In flesh and blood,
Before her Esek Harden stood!
He laid his hand upon her arm:
“Dear Mabel, this no more shall be;
Who scoffs at you must scoff at me.
“Dear Mabel, this no more shall be;
Who scoffs at you must scoff at me.
“You know rough Esek Harden well;
And if he seems no suitor gay,
And if his hair is touched with gray,
And if he seems no suitor gay,
And if his hair is touched with gray,
“The maiden grown shall never find
His heart less warm than when she smiled,
Upon his knees, a little child!”
His heart less warm than when she smiled,
Upon his knees, a little child!”
Her tears of grief were tears of joy,
As, folded in his strong embrace,
She looked in Esek Harden's face.
As, folded in his strong embrace,
She looked in Esek Harden's face.
“O truest friend of all!” she said,
“God bless you for your kindly thought,
And make me worthy of my lot!”
“God bless you for your kindly thought,
And make me worthy of my lot!”
He led her forth, and, blent in one,
Beside their happy pathway ran
The shadows of the maid and man.
Beside their happy pathway ran
The shadows of the maid and man.
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He led her through his dewy fields,
To where the swinging lanterns glowed,
And through the doors the huskers showed.
To where the swinging lanterns glowed,
And through the doors the huskers showed.
“Good friends and neighbors!” Esek said,
“I'm weary of this lonely life;
In Mabel see my chosen wife!
“I'm weary of this lonely life;
In Mabel see my chosen wife!
“She greets you kindly, one and all;
The past is past, and all offence
Falls harmless from her innocence.
The past is past, and all offence
Falls harmless from her innocence.
“Henceforth she stands no more alone;
You know what Esek Harden is;—
He brooks no wrong to him or his.
You know what Esek Harden is;—
He brooks no wrong to him or his.
“Now let the merriest tales be told,
And let the sweetest songs be sung
That ever made the old heart young!
And let the sweetest songs be sung
That ever made the old heart young!
“For now the lost has found a home;
And a lone hearth shall brighter burn,
As all the household joys return!”
And a lone hearth shall brighter burn,
As all the household joys return!”
Oh, pleasantly the harvest-moon,
Between the shadow of the mows,
Looked on them through the great elm-boughs!
Between the shadow of the mows,
Looked on them through the great elm-boughs!
On Mabel's curls of golden hair,
On Esek's shaggy strength it fell;
And the wind whispered, “It is well!”
On Esek's shaggy strength it fell;
And the wind whispered, “It is well!”
| The poetical works of John Greenleaf Whittier | |