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Dramas, Discourses, and other Pieces

Hillhouse, James Abraham (1789-1841)

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VOLUME I.
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DEMETRIA, A TRAGEDY IN FIVE ACTS.
  
[prologue]
  
[castlist]
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ACT I.
 1. 
SCENE I.
 2. 
SCENE II.
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ACT II.
 1. 
SCENE I.
 2. 
SCENE II.
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ACT III.
 1. 
SCENE I.
 2. 
SCENE II.
 3. 
SCENE III.
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ACT IV.
 1. 
SCENE I.
 2. 
SCENE II.
 3. 
SCENE III.
 4. 
SCENE IV.
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ACT V.
 1. 
SCENE I.
 2. 
SCENE II.
 3. 
SCENE III.
 4. 
SCENE IV.
 5. 
SCENE V.
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HADAD, A DRAMATIC POEM.
  
INTRODUCTION.
  
[castlist]
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ACT I.
 1. 
SCENE I.
 2. 
SCENE II.
 3. 
SCENE III.
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ACT II.
 1. 
SCENE I.
 2. 
SCENE II.
 3. 
SCENE III.
 4. 
SCENE IV.
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ACT III.
 1. 
SCENE I.
 2. 
SCENE II.
 3. 
SCENE III.
 4. 
SCENE IV.
 5. 
SCENE V.
 6. 
SCENE VI.
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ACT IV.
 1. 
SCENE I.
 2. 
SCENE II.
 3. 
SCENE III.
 4. 
SCENE IV.
 5. 
SCENE V.
 6. 
SCENE VI.
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ACT V.
 1. 
SCENE I.
 2. 
SCENE II.
 3. 
SCENE III.
 4. 
SCENE IV.
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PERCY'S MASQUE, A DRAMA, IN FIVE ACTS.
  
INTRODUCTION.
  
[castlist]
collapse section1. 
ACT I.
 1. 
SCENE I.
 2. 
SCENE II.
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ACT II.
 1. 
SCENE I.
 2. 
SCENE II.
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ACT III.
 1. 
SCENE I.
 2. 
SCENE II.
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ACT IV.
 1. 
SCENE I.
 2. 
SCENE II.
 3. 
SCENE III.
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ACT V.
 1. 
SCENE I.
 2. 
SCENE II.
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VOL. II.
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THE JUDGMENT, A VISION.
  
[prologue]
 1. 
I.
 2. 
II.
 3. 
III.
 4. 
IV.
 5. 
V.
 6. 
VI.
 7. 
VII.
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VIII.
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IX.
 10. 
X.
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XI.
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XII.
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XIII.
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XIV.
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XV.
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XVI.
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XVII.
 18. 
XVIII.
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XIX.
 20. 
XX.
 21. 
XXI.
 22. 
XXII.
 23. 
XXIII.
  
SACHEM'S-WOOD; A SHORT POEM, WITH NOTES.
  
THE HERMIT OF WARKWORTH, A NORTHUMBERLAND BALLAD.
  
[note]

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SCENE II.

A bedchamber. A lamp burning. Armour lying on the table and floor. Percy walking up and down the room.
Per.
O! for those vanished hours so much misprized!—
Strange! when the music of her tongue I heard,
Gazed on her face, basked in her smiles, my soul
Could pine for other good!—From some dim world,
I may look back with anguish to the days
When here, with her, in my paternal shades
I dwelt, and wish my heart had known her rest.—
I may have ta'en my last adieu.—Who knows?—
To leave her thus!—believing me a churl
Incapable of any touch— (Pauses, listening.)
—What strain?—
(Approaches the lattice.)
270

A light yet burning in her tower!—Ye Saints!—
Her voice and harp!—past midnight—Ha! could I not—
That same was once my mother's oratory—
I know the secret entrance.—Power of love!—

(After a moment's irresolution, snatches the lamp, and exit.)
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