 | The Collected Poetry of Paul Laurence Dunbar : |  |
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LYRICS OF THE HEARTHSIDE
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LOVE'S APOTHEOSIS
Love me. I care not what the circling years
To me may do.
If, but in spite of time and tears,
You prove but true.
To me may do.
If, but in spite of time and tears,
You prove but true.
Love me—albeit grief shall dim mine eyes,
And tears bedew,
I shall not e'en complain, for then my skies
Shall still be blue.
And tears bedew,
I shall not e'en complain, for then my skies
Shall still be blue.
Love me, and though the winter snow shall pile,
And leave me chill,
Thy passion's warmth shall make for me, meanwhile,
A sun-kissed hill.
And leave me chill,
Thy passion's warmth shall make for me, meanwhile,
A sun-kissed hill.
And when the days have lengthened into years,
And I grow old,
Oh, spite of pains and griefs and cares and fears,
Grow thou not cold.
And I grow old,
Oh, spite of pains and griefs and cares and fears,
Grow thou not cold.
Then hand and hand we shall pass up the hill,
I say not down;
That twain go up, of love, who 've loved their fill,—
To gain love's crown.
I say not down;
That twain go up, of love, who 've loved their fill,—
To gain love's crown.
Love me, and let my life take up thine own,
As sun the dew.
Come, sit, my queen, for in my heart a throne
Awaits for you!
As sun the dew.
Come, sit, my queen, for in my heart a throne
Awaits for you!
THE PARADOX
I am the mother of sorrows,
I am the ender of grief;
I am the bud and the blossom,
I am the late-falling leaf.
I am the ender of grief;
I am the bud and the blossom,
I am the late-falling leaf.
I am thy priest and thy poet,
I am thy serf and thy king;
I cure the tears of the heartsick,
When I come near they shall sing.
I am thy serf and thy king;
I cure the tears of the heartsick,
When I come near they shall sing.
White are my hands as the snowdrop;
Swart are my fingers as clay;
Dark is my frown as the midnight,
Fair is my brow as the day.
Swart are my fingers as clay;
Dark is my frown as the midnight,
Fair is my brow as the day.
Battle and war are my minions,
Doing my will as divine;
I am the calmer of passions,
Peace is a nursling of mine.
Doing my will as divine;
I am the calmer of passions,
Peace is a nursling of mine.
Speak to me gently or curse me,
Seek me or fly from my sight;
I am thy fool in the morning,
Thou art my slave in the night.
Seek me or fly from my sight;
I am thy fool in the morning,
Thou art my slave in the night.
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Down to the grave will I take thee,
Out from the noise of the strife;
Then shalt thou see me and know me—
Death, then, no longer, but life.
Out from the noise of the strife;
Then shalt thou see me and know me—
Death, then, no longer, but life.
Then shalt thou sing at my coming,
Kiss me with passionate breath,
Clasp me and smile to have thought me
Aught save the foeman of Death.
Kiss me with passionate breath,
Clasp me and smile to have thought me
Aught save the foeman of Death.
Come to me, brother, when weary,
Come when thy lonely heart swells;
I 'll guide thy footsteps and lead thee
Down where the Dream Woman dwells.
Come when thy lonely heart swells;
I 'll guide thy footsteps and lead thee
Down where the Dream Woman dwells.
OVER THE HILLS
Over the hills and the valleys of dreaming
Slowly I take my way.
Life is the night with its dream-visions teeming,
Death is the waking at day.
Slowly I take my way.
Life is the night with its dream-visions teeming,
Death is the waking at day.
Down thro' the dales and the bowers of loving,
Singing, I roam afar.
Daytime or night-time, I constantly roving,—
Dearest one, thou art my star.
Singing, I roam afar.
Daytime or night-time, I constantly roving,—
Dearest one, thou art my star.
WITH THE LARK
Night is for sorrow and dawn is for joy,
Chasing the troubles that fret and annoy;
Darkness for sighing and daylight for song,—
Cheery and chaste the strain, heartfelt and strong.
All the night through, though I moan in the dark,
I wake in the morning to sing with the lark.
Chasing the troubles that fret and annoy;
Darkness for sighing and daylight for song,—
Cheery and chaste the strain, heartfelt and strong.
All the night through, though I moan in the dark,
I wake in the morning to sing with the lark.
Deep in the midnight the rain whips the leaves,
Softly and sadly the wood-spirit grieves.
But when the first hue of dawn tints the sky,
I shall shake out my wings like the birds and be dry;
And though, like the rain-drops, I grieved through the dark,
I shall wake in the morning to sing with the lark.
Softly and sadly the wood-spirit grieves.
But when the first hue of dawn tints the sky,
I shall shake out my wings like the birds and be dry;
And though, like the rain-drops, I grieved through the dark,
I shall wake in the morning to sing with the lark.
On the high hills of heaven, some morning to be,
Where the rain shall not grieve thro' the leaves of the tree,
There my heart will be glad for the pain I have known,
For my hand will be clasped in the hand of mine own;
And though life has been hard and death's pathway been dark,
I shall wake in the morning to sing with the lark.
Where the rain shall not grieve thro' the leaves of the tree,
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For my hand will be clasped in the hand of mine own;
And though life has been hard and death's pathway been dark,
I shall wake in the morning to sing with the lark.
IN SUMMER
Oh, summer has clothed the earth
In a cloak from the loom of the sun!
And a mantle, too, of the skies' soft blue,
And a belt where the rivers run.
In a cloak from the loom of the sun!
And a mantle, too, of the skies' soft blue,
And a belt where the rivers run.
And now for the kiss of the wind,
And the touch of the air's soft hands,
With the rest from strife and the heat of life,
With the freedom of lakes and lands.
And the touch of the air's soft hands,
With the rest from strife and the heat of life,
With the freedom of lakes and lands.
I envy the farmer's boy
Who sings as he follows the plow;
While the shining green of the young blades lean
To the breezes that cool his brow.
Who sings as he follows the plow;
While the shining green of the young blades lean
To the breezes that cool his brow.
He sings to the dewy morn,
No thought of another's ear;
But the song he sings is a chant for kings
And the whole wide world to hear.
No thought of another's ear;
But the song he sings is a chant for kings
And the whole wide world to hear.
He sings of the joys of life,
Of the pleasures of work and rest,
From an o'erfull heart, without aim or art;
'T is a song of the merriest.
Of the pleasures of work and rest,
From an o'erfull heart, without aim or art;
'T is a song of the merriest.
O ye who toil in the town,
And ye who moil in the mart,
Hear the artless song, and your faith made strong
Shall renew your joy of heart.
And ye who moil in the mart,
Hear the artless song, and your faith made strong
Shall renew your joy of heart.
Oh, poor were the worth of the world
If never a song were heard,—
If the sting of grief had no relief,
And never a heart were stirred.
If never a song were heard,—
If the sting of grief had no relief,
And never a heart were stirred.
So, long as the streams run down,
And as long as the robins trill,
Let us taunt old Care with a merry air,
And sing in the face of ill.
And as long as the robins trill,
Let us taunt old Care with a merry air,
And sing in the face of ill.
THE MYSTIC SEA
The smell of the sea in my nostrils,
The sound of the sea in mine ears;
The touch of the spray on my burning face,
Like the mist of reluctant tears.
The sound of the sea in mine ears;
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Like the mist of reluctant tears.
The blue of the sky above me,
The green of the waves beneath;
The sun flashing down on a gray-white sail
Like a scimitar from its sheath.
The green of the waves beneath;
The sun flashing down on a gray-white sail
Like a scimitar from its sheath.
And ever the breaking billows,
And ever the rocks' disdain;
And ever a thrill in mine inmost heart
That my reason cannot explain.
And ever the rocks' disdain;
And ever a thrill in mine inmost heart
That my reason cannot explain.
So I say to my heart, “Be silent,
The mystery of time is here;
Death's way will be plain when we fathom the main,
And the secret of life be clear.”
The mystery of time is here;
Death's way will be plain when we fathom the main,
And the secret of life be clear.”
A SAILOR'S SONG
Oh for the breath of the briny deep,
And the tug of the bellying sail,
With the sea-gull's cry across the sky
And a passing boatman's hail.
For, be she fierce or be she gay,
The sea is a famous friend alway.
And the tug of the bellying sail,
With the sea-gull's cry across the sky
And a passing boatman's hail.
For, be she fierce or be she gay,
The sea is a famous friend alway.
Ho! for the plains where the dolphins play,
And the bend of the mast and spars,
And a fight at night with the wild sea-sprite
When the foam has drowned the stars.
And, pray, what joy can the landsman feel
Like the rise and fall of a sliding keel?
And the bend of the mast and spars,
And a fight at night with the wild sea-sprite
When the foam has drowned the stars.
And, pray, what joy can the landsman feel
Like the rise and fall of a sliding keel?
Fair is the mead; the lawn is fair
And the birds sing sweet on the lea;
But the echo soft of a song aloft
Is the strain that pleases me;
And swish of rope and ring of chain
Are music to men who sail the main.
And the birds sing sweet on the lea;
But the echo soft of a song aloft
Is the strain that pleases me;
And swish of rope and ring of chain
Are music to men who sail the main.
Then, if you love me, let me sail
While a vessel dares the deep;
For the ship 's my wife, and the breath of life
Are the raging gales that sweep;
And when I 'm done with calm and blast,
A slide o'er the side, and rest at last.
While a vessel dares the deep;
For the ship 's my wife, and the breath of life
Are the raging gales that sweep;
And when I 'm done with calm and blast,
A slide o'er the side, and rest at last.
THE BOHEMIAN
Bring me the livery of no other man.
I am my own to robe me at my pleasure.
Accepted rules to me disclose no treasure:
I am my own to robe me at my pleasure.
Accepted rules to me disclose no treasure:
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What is the chief who shall my garments plan?
No garb conventional but I 'll attack it.
(Come, why not don my spangled jacket?)
No garb conventional but I 'll attack it.
(Come, why not don my spangled jacket?)
ABSENCE
Good-night, my love, for I have dreamed of thee
In waking dreams, until my soul is lost—
Is lost in passion's wide and shoreless sea,
Where, like a ship, unruddered, it is tost
Hither and thither at the wild waves' will.
There is no potent Master's voice to still
This newer, more tempestuous Galilee!
In waking dreams, until my soul is lost—
Is lost in passion's wide and shoreless sea,
Where, like a ship, unruddered, it is tost
Hither and thither at the wild waves' will.
There is no potent Master's voice to still
This newer, more tempestuous Galilee!
The stormy petrels of my fancy fly
In warning course across the darkening green,
And, like a frightened bird, my heart doth cry
And seek to find some rock of rest between
The threatening sky and the relentless wave.
It is not length of life that grief doth crave,
But only calm and peace in which to die.
In warning course across the darkening green,
And, like a frightened bird, my heart doth cry
And seek to find some rock of rest between
The threatening sky and the relentless wave.
It is not length of life that grief doth crave,
But only calm and peace in which to die.
Here let me rest upon this single hope,
For oh, my wings are weary of the wind,
And with its stress no more may strive or cope.
One cry has dulled mine ears, mine eyes are blind,—
Would that o'er all the intervening space,
I might fly forth and see thee face to face.
I fly; I search, but, love, in gloom I grope.
For oh, my wings are weary of the wind,
And with its stress no more may strive or cope.
One cry has dulled mine ears, mine eyes are blind,—
Would that o'er all the intervening space,
I might fly forth and see thee face to face.
I fly; I search, but, love, in gloom I grope.
Fly home, far bird, unto thy waiting nest;
Spread thy strong wings above the wind-swept sea.
Beat the grim breeze with thy unruffled breast
Until thou sittest wing to wing with me.
Then, let the past bring up its tales of wrong;
We shall chant low our sweet connubial song,
Till storm and doubt and past no more shall be!
Spread thy strong wings above the wind-swept sea.
Beat the grim breeze with thy unruffled breast
Until thou sittest wing to wing with me.
Then, let the past bring up its tales of wrong;
We shall chant low our sweet connubial song,
Till storm and doubt and past no more shall be!
HER THOUGHT AND HIS
The gray of the sea, and the gray of the sky,
A glimpse of the moon like a half-closed eye.
The gleam on the waves and the light on the land,
A thrill in my heart,—and—my sweetheart's hand.
A glimpse of the moon like a half-closed eye.
The gleam on the waves and the light on the land,
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She turned from the sea with a woman's grace,
And the light fell soft on her upturned face,
And I thought of the flood-tide of infinite bliss
That would flow to my heart from a single kiss.
And the light fell soft on her upturned face,
And I thought of the flood-tide of infinite bliss
That would flow to my heart from a single kiss.
But my sweetheart was shy, so I dared not ask
For the boon, so bravely I wore the mask.
But into her face there came a flame:—
I wonder could she have been thinking the same?
For the boon, so bravely I wore the mask.
But into her face there came a flame:—
I wonder could she have been thinking the same?
THE RIGHT TO DIE
I have no fancy for that ancient cantThat makes us masters of our destinies,
And not our lives, to hold or give them up
As will directs; I cannot, will not think
That men, the subtle worms, who plot and plan
And scheme and calculate with such shrewd wit,
Are such great blund'ring fools as not to know
When they have lived enough.
Men court not death
When there are sweets still left in life to taste.
Nor will a brave man choose to live when he,
Full deeply drunk of life, has reached the dregs,
And knows that now but bitterness remains.
He is the coward who, outfaced in this,
Fears the false goblins of another life.
I honor him who being much harassed
Drinks of sweet courage until drunk of it,—
Then seizing Death, reluctant, by the hand,
Leaps with him, fearless, to eternal peace!
BEHIND THE ARRAS
As in some dim baronial hall restrained,A prisoner sits, engirt by secret doors
And waving tapestries that argue forth
Strange passages into the outer air;
So in this dimmer room which we call life,
Thus sits the soul and marks with eye intent
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Still deeming that behind the arras lies
The lambent way that leads to lasting light.
Poor fooled and foolish soul! Know now that death
Is but a blind, false door that nowhere leads,
And gives no hope of exit final, free.
WHEN THE OLD MAN SMOKES
In the forenoon's restful quiet,
When the boys are off at school,
When the window lights are shaded
And the chimney-corner cool,
Then the old man seeks his armchair,
Lights his pipe and settles back;
Falls a-dreaming as he draws it
Till the smoke-wreaths gather black.
When the boys are off at school,
When the window lights are shaded
And the chimney-corner cool,
Then the old man seeks his armchair,
Lights his pipe and settles back;
Falls a-dreaming as he draws it
Till the smoke-wreaths gather black.
And the tear-drops come a-trickling
Down his cheeks, a silver flow—
Smoke or memories you wonder,
But you never ask him,—no;
For there 's something almost sacred
To the other family folks
In those moods of silent dreaming
When the old man smokes.
Down his cheeks, a silver flow—
Smoke or memories you wonder,
But you never ask him,—no;
For there 's something almost sacred
To the other family folks
In those moods of silent dreaming
When the old man smokes.
Ah, perhaps he sits there dreaming
Of the love of other days
And of how he used to lead her
Through the merry dance's maze;
How he called her “little princess,”
And, to please her, used to twine
Tender wreaths to crown her tresses,
From the “matrimony vine.”
Of the love of other days
And of how he used to lead her
Through the merry dance's maze;
How he called her “little princess,”
And, to please her, used to twine
Tender wreaths to crown her tresses,
From the “matrimony vine.”
Then before his mental vision
Comes, perhaps, a sadder day,
When they left his little princess
Sleeping with her fellow clay.
How his young heart throbbed, and pained him!
Why, the memory of it chokes!
Is it of these things he 's thinking
When the old man smokes?
Comes, perhaps, a sadder day,
When they left his little princess
Sleeping with her fellow clay.
How his young heart throbbed, and pained him!
Why, the memory of it chokes!
Is it of these things he 's thinking
When the old man smokes?
But some brighter thoughts possess him,
For the tears are dried the while.
And the old, worn face is wrinkled
In a reminiscent smile,
From the middle of the forehead
To the feebly trembling lip,
At some ancient prank remembered
Or some long unheard-of quip.
For the tears are dried the while.
And the old, worn face is wrinkled
In a reminiscent smile,
From the middle of the forehead
To the feebly trembling lip,
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Or some long unheard-of quip.
Then the lips relax their tension
And the pipe begins to slide,
Till in little clouds of ashes,
It falls softly at his side;
And his head bends low and lower
Till his chin lies on his breast,
And he sits in peaceful slumber
Like a little child at rest.
And the pipe begins to slide,
Till in little clouds of ashes,
It falls softly at his side;
And his head bends low and lower
Till his chin lies on his breast,
And he sits in peaceful slumber
Like a little child at rest.
Dear old man, there 's something sad'ning,
In these dreamy moods of yours,
Since the present proves so fleeting,
All the past for you endures.
Weeping at forgotten sorrows,
Smiling at forgotten jokes;
Life epitomized in minutes,
When the old man smokes.
In these dreamy moods of yours,
Since the present proves so fleeting,
All the past for you endures.
Weeping at forgotten sorrows,
Smiling at forgotten jokes;
Life epitomized in minutes,
When the old man smokes.
THE GARRET
Within a London garret high,
Above the roofs and near the sky,
My ill-rewarding pen I ply
To win me bread.
This little chamber, six by four,
Is castle, study, den, and more,—
Altho' no carpet decks the floor,
Nor down, the bed.
Above the roofs and near the sky,
My ill-rewarding pen I ply
To win me bread.
This little chamber, six by four,
Is castle, study, den, and more,—
Altho' no carpet decks the floor,
Nor down, the bed.
My room is rather bleak and bare;
I only have one broken chair,
But then, there 's plenty of fresh air,—
Some light, beside.
What tho' I cannot ask my friends
To share with me my odds and ends,
A liberty my aerie lends,
To most denied.
I only have one broken chair,
But then, there 's plenty of fresh air,—
Some light, beside.
What tho' I cannot ask my friends
To share with me my odds and ends,
A liberty my aerie lends,
To most denied.
The bore who falters at the stair
No more shall be my curse and care,
And duns shall fail to find my lair
With beastly bills.
When debts have grown and funds are short,
I find it rather pleasant sport
To live “above the common sort”
With all their ills.
No more shall be my curse and care,
And duns shall fail to find my lair
With beastly bills.
When debts have grown and funds are short,
I find it rather pleasant sport
To live “above the common sort”
With all their ills.
I write my rhymes and sing away,
And dawn may come or dusk or day:
Tho' fare be poor, my heart is gay,
And full of glee.
Though chimney-pots be all my views;
'T is nearer for the winging Muse,
So I am sure she 'll not refuse
To visit me.
And dawn may come or dusk or day:
Tho' fare be poor, my heart is gay,
And full of glee.
Though chimney-pots be all my views;
'T is nearer for the winging Muse,
So I am sure she 'll not refuse
To visit me.
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TO E. H. K.
ON THE RECEIPT OF A FAMILIAR POEM
To me, like hauntings of a vagrant breathFrom some far forest which I once have known,
The perfume of this flower of verse is blown.
Tho' seemingly soul-blossoms faint to death,
Naught that with joy she bears e'er withereth.
So, tho' the pregnant years have come and flown,
Lives come and gone and altered like mine own,
This poem comes to me a shibboleth:
Brings sound of past communings to my ear,
Turns round the tide of time and bears me back
Along an old and long untraversed way;
Makes me forget this is a later year,
Makes me tread o'er a reminiscent track,
Half sad, half glad, to one forgotten day!
A BRIDAL MEASURE
Come, essay a sprightly measure,
Tuned to some light song of pleasure.
Maidens, let your brows be crowned
As we foot this merry round.
Tuned to some light song of pleasure.
Maidens, let your brows be crowned
As we foot this merry round.
From the ground a voice is singing,
From the sod a soul is springing.
Who shall say 't is but a clod
Quick'ning upward toward its God?
From the sod a soul is springing.
Who shall say 't is but a clod
Quick'ning upward toward its God?
Who shall say it? Who may know it,
That the clod is not a poet
Waiting but a gleam to waken
In a spirit music-shaken?
That the clod is not a poet
Waiting but a gleam to waken
In a spirit music-shaken?
Phyllis, Phyllis, why be waiting?
In the woods the birds are mating.
From the tree beside the wall,
Hear the am'rous robin call.
In the woods the birds are mating.
From the tree beside the wall,
Hear the am'rous robin call.
Listen to yon thrush's trilling;
Phyllis, Phyllis, are you willing,
When love speaks from cave and tree,
Only we should silent be?
Phyllis, Phyllis, are you willing,
When love speaks from cave and tree,
Only we should silent be?
When the year, itself renewing,
All the world with flowers is strewing,
Then through Youth's Arcadian land,
Love and song go hand in hand.
All the world with flowers is strewing,
Then through Youth's Arcadian land,
Love and song go hand in hand.
Come, unfold your vocal treasure,
Sing with me a nuptial measure,—
Let this springtime gambol be
Bridal dance for you and me.
Sing with me a nuptial measure,—
Let this springtime gambol be
Bridal dance for you and me.
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VENGEANCE IS SWEET
When I was young I longed for Love,
And held his glory far above
All other earthly things. I cried:
“Come, Love, dear Love, with me abide;”
And with my subtlest art I wooed,
And eagerly the wight pursued.
But Love was gay and Love was shy,
He laughed at me and passed me by.
And held his glory far above
All other earthly things. I cried:
“Come, Love, dear Love, with me abide;”
And with my subtlest art I wooed,
And eagerly the wight pursued.
But Love was gay and Love was shy,
He laughed at me and passed me by.
Well, I grew old and I grew gray,
When Wealth came wending down my way.
I took his golden hand with glee,
And comrades from that day were we.
Then Love came back with doleful face,
And prayed that I would give him place.
But, though his eyes with tears were dim,
I turned my back and laughed at him.
When Wealth came wending down my way.
I took his golden hand with glee,
And comrades from that day were we.
Then Love came back with doleful face,
And prayed that I would give him place.
But, though his eyes with tears were dim,
I turned my back and laughed at him.
A HYMN AFTER READING “LEAD, KINDLY LIGHT.”
Lead gently, Lord, and slow,
For oh, my steps are weak,
And ever as I go,
Some soothing sentence speak;
For oh, my steps are weak,
And ever as I go,
Some soothing sentence speak;
That I may turn my face
Through doubt's obscurity
Toward thine abiding-place,
E'en tho' I cannot see.
Through doubt's obscurity
Toward thine abiding-place,
E'en tho' I cannot see.
For lo, the way is dark;
Through mist and cloud I grope,
Save for that fitful spark,
The little flame of hope.
Through mist and cloud I grope,
Save for that fitful spark,
The little flame of hope.
Lead gently, Lord, and slow,
For fear that I may fall;
I know not where to go
Unless I hear thy call.
For fear that I may fall;
I know not where to go
Unless I hear thy call.
My fainting soul doth yearn
For thy green hills afar;
So let thy mercy burn—
My greater, guiding star!
For thy green hills afar;
So let thy mercy burn—
My greater, guiding star!
JUST WHISTLE A BIT
Just whistle a bit, if the day be dark,
And the sky be overcast:
If mute be the voice of the piping lark,
Why, pipe your own small blast.
And the sky be overcast:
If mute be the voice of the piping lark,
Why, pipe your own small blast.
And it 's wonderful how o'er the gray sky-track
The truant warbler comes stealing back.
But why need he come? for your soul 's at rest,
And the song in the heart,—ah, that is best.
The truant warbler comes stealing back.
But why need he come? for your soul 's at rest,
And the song in the heart,—ah, that is best.
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Just whistle a bit, if the night be drear
And the stars refuse to shine:
And a gleam that mocks the starlight clear
Within you glows benign.
And the stars refuse to shine:
And a gleam that mocks the starlight clear
Within you glows benign.
Till the dearth of light in the glooming skies
Is lost to the sight of your soul-lit eyes.
What matters the absence of moon or star?
The light within is the best by far.
Is lost to the sight of your soul-lit eyes.
What matters the absence of moon or star?
The light within is the best by far.
Just whistle a bit, if there 's work to do,
With the mind or in the soil.
And your note will turn out a talisman true
To exorcise grim Toil.
With the mind or in the soil.
And your note will turn out a talisman true
To exorcise grim Toil.
It will lighten your burden and make you feel
That there 's nothing like work as a sauce for a meal.
And with song in your heart and the meal in—its place,
There 'll be joy in your bosom and light in your face.
That there 's nothing like work as a sauce for a meal.
And with song in your heart and the meal in—its place,
There 'll be joy in your bosom and light in your face.
Just whistle a bit, if your heart be sore;
'Tis a wonderful balm for pain.
Just pipe some old melody o'er and o'er
Till it soothes like summer rain.
'Tis a wonderful balm for pain.
Just pipe some old melody o'er and o'er
Till it soothes like summer rain.
And perhaps 't would be best in a later day,
When Death comes stalking down the way,
To knock at your bosom and see if you 're fit,
Then, as you wait calmly, just whistle a bit.
When Death comes stalking down the way,
To knock at your bosom and see if you 're fit,
Then, as you wait calmly, just whistle a bit.
THE BARRIER
The Midnight wooed the Morning-Star,
And prayed her: “Love come nearer;
Your swinging coldly there afar
To me but makes you dearer!”
And prayed her: “Love come nearer;
Your swinging coldly there afar
To me but makes you dearer!”
The Morning-Star was pale with dole
As said she, low replying:
“Oh, lover mine, soul of my soul,
For you I too am sighing.
As said she, low replying:
“Oh, lover mine, soul of my soul,
For you I too am sighing.
“But One ordained when we were born,
In spite of Love's insistence,
That Night might only view the Morn
Adoring at a distance.”
In spite of Love's insistence,
That Night might only view the Morn
Adoring at a distance.”
But as she spoke the jealous Sun
Across the heavens panted.
“Oh, whining fools,” he cried, “have done;
Your wishes shall be granted!”
Across the heavens panted.
“Oh, whining fools,” he cried, “have done;
Your wishes shall be granted!”
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He hurled his flaming lances far;
The twain stood unaffrighted—
And Midnight and the Morning-Star
Lay down in death united!
The twain stood unaffrighted—
And Midnight and the Morning-Star
Lay down in death united!
DREAMS
Dream on, for dreams are sweet:
Do not awaken!
Dream on, and at thy feet
Pomegranates shall be shaken.
Do not awaken!
Dream on, and at thy feet
Pomegranates shall be shaken.
Who likeneth the youth
Of life to morning?
'Tis like the night in truth,
Rose-coloured dreams adorning.
Of life to morning?
'Tis like the night in truth,
Rose-coloured dreams adorning.
The wind is soft above,
The shadows umber.
(There is a dream called Love.)
Take thou the fullest slumber!
The shadows umber.
(There is a dream called Love.)
Take thou the fullest slumber!
In Lethe's soothing stream,
Thy thirst thou slakest.
Sleep, sleep; 't is sweet to dream.
Oh, weep when thou awakest!
Thy thirst thou slakest.
Sleep, sleep; 't is sweet to dream.
Oh, weep when thou awakest!
THE DREAMER
Temples he built and palaces of air,
And, with the artist's parent-pride aglow,
His fancy saw his vague ideals grow
Into creations marvellously fair;
He set his foot upon Fame's nether stair.
But ah, his dream,—it had entranced him so
He could not move. He could no farther go;
But paused in joy that he was even there!
And, with the artist's parent-pride aglow,
His fancy saw his vague ideals grow
Into creations marvellously fair;
He set his foot upon Fame's nether stair.
But ah, his dream,—it had entranced him so
He could not move. He could no farther go;
But paused in joy that he was even there!
He did not wake until one day there gleamed
Thro' his dark consciousness a light that racked
His being till he rose, alert to act.
But lo! what he had dreamed, the while he dreamed,
Another, wedding action unto thought,
Into the living, pulsing world had brought.
Thro' his dark consciousness a light that racked
His being till he rose, alert to act.
But lo! what he had dreamed, the while he dreamed,
Another, wedding action unto thought,
Into the living, pulsing world had brought.
WAITING
The sun has slipped his tether
And galloped down the west.
(Oh, it 's weary, weary waiting, love.)
The little bird is sleeping
In the softness of its nest.
Night follows day, day follows dawn,
And so the time has come and gone:
And it 's weary, weary waiting, love.
And galloped down the west.
(Oh, it 's weary, weary waiting, love.)
The little bird is sleeping
In the softness of its nest.
Night follows day, day follows dawn,
And so the time has come and gone:
And it 's weary, weary waiting, love.
The cruel wind is rising
With a whistle and a wail.
(And it 's weary, weary waiting, love.)
My eyes are seaward straining
For the coming of a sail;
But void the sea, and void the beach
Far and beyond where gaze can reach!
And it 's weary, weary waiting, love.
With a whistle and a wail.
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My eyes are seaward straining
For the coming of a sail;
But void the sea, and void the beach
Far and beyond where gaze can reach!
And it 's weary, weary waiting, love.
I heard the bell-buoy ringing—
How long ago it seems!
(Oh, it 's weary, weary waiting, love.)
And ever still, its knelling
Crashes in upon my dreams.
The banns were read, my frock was sewn;
Since then two seasons' winds have blown—
And it 's weary, weary waiting, love.
How long ago it seems!
(Oh, it 's weary, weary waiting, love.)
And ever still, its knelling
Crashes in upon my dreams.
The banns were read, my frock was sewn;
Since then two seasons' winds have blown—
And it 's weary, weary waiting, love.
The stretches of the ocean
Are bare and bleak to-day.
(Oh, it 's weary, weary waiting, love.)
My eyes are growing dimmer—
Is it tears, or age, or spray?
But I will stay till you come home.
Strange ships come in across the foam!
But it 's weary, weary waiting, love.
Are bare and bleak to-day.
(Oh, it 's weary, weary waiting, love.)
My eyes are growing dimmer—
Is it tears, or age, or spray?
But I will stay till you come home.
Strange ships come in across the foam!
But it 's weary, weary waiting, love.
THE END OF THE CHAPTER
Ah, yes, the chapter ends to-day;
We even lay the book away;
But oh, how sweet the moments sped
Before the final page was read!
We even lay the book away;
But oh, how sweet the moments sped
Before the final page was read!
We tried to read between the lines
The Author's deep-concealed designs;
But scant reward such search secures;
You saw my heart and I saw yours.
The Author's deep-concealed designs;
But scant reward such search secures;
You saw my heart and I saw yours.
The Master,—He who penned the page
And bade us read it,—He is sage:
And what he orders, you and I
Can but obey, nor question why.
And bade us read it,—He is sage:
And what he orders, you and I
Can but obey, nor question why.
We read together and forgot
The world about us. Time was not.
Unheeded and unfelt, it fled.
We read and hardly knew we read.
The world about us. Time was not.
Unheeded and unfelt, it fled.
We read and hardly knew we read.
Until beneath a sadder sun,
We came to know the book was done.
Then, as our minds were but new lit,
It dawned upon us what was writ;
We came to know the book was done.
Then, as our minds were but new lit,
It dawned upon us what was writ;
And we were startled. In our eyes,
Looked forth the light of great surprise.
Then as a deep-toned tocsin tolls,
A voice spoke forth: “Behold your souls!”
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Then as a deep-toned tocsin tolls,
A voice spoke forth: “Behold your souls!”
I do, I do. I cannot look
Into your eyes: so close the book.
But brought it grief or brought it bliss,
No other page shall read like this!
Into your eyes: so close the book.
But brought it grief or brought it bliss,
No other page shall read like this!
SYMPATHY
I know what the caged bird feels, alas!
When the sun is bright on the upland slopes;
When the wind stirs soft through the springing grass,
And the river flows like a stream of glass;
When the first bird sings and the first bud opes,
And the faint perfume from its chalice steals—
I know what the caged bird feels!
When the sun is bright on the upland slopes;
When the wind stirs soft through the springing grass,
And the river flows like a stream of glass;
When the first bird sings and the first bud opes,
And the faint perfume from its chalice steals—
I know what the caged bird feels!
I know why the caged bird beats his wing
Till its blood is red on the cruel bars;
For he must fly back to his perch and cling
When he fain would be on the bough a-swing;
And a pain still throbs in the old, old scars
And they pulse again with a keener sting—
I know why he beats his wing!
Till its blood is red on the cruel bars;
For he must fly back to his perch and cling
When he fain would be on the bough a-swing;
And a pain still throbs in the old, old scars
And they pulse again with a keener sting—
I know why he beats his wing!
I know why the caged bird sings, ah me,
When his wing is bruised and his bosom sore,—
When he beats his bars and he would be free;
It is not a carol of joy or glee,
But a prayer that he sends from his heart's deep core,
But a plea, that upward to Heaven he flings—
I know why the caged bird sings!
When his wing is bruised and his bosom sore,—
When he beats his bars and he would be free;
It is not a carol of joy or glee,
But a prayer that he sends from his heart's deep core,
But a plea, that upward to Heaven he flings—
I know why the caged bird sings!
LOVE AND GRIEF
Out of my heart, one treach'rous winter's day,
I locked young Love and threw the key away.
Grief, wandering widely, found the key,
And hastened with it, straightway, back to me,
With Love beside him. He unlocked the door
And bade Love enter with him there and stay.
And so the twain abide for evermore.
I locked young Love and threw the key away.
Grief, wandering widely, found the key,
And hastened with it, straightway, back to me,
With Love beside him. He unlocked the door
And bade Love enter with him there and stay.
And so the twain abide for evermore.
LOVE'S CHASTENING
Once Love grew bold and arrogant of air,
Proud of the youth that made him fresh and fair;
So unto Grief he spake, “What right hast thou
To part or parcel of this heart?” Grief's brow
Was darkened with the storm of inward strife;
Thrice smote he Love as only he might dare,
And Love, pride purged, was chastened all his life.
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So unto Grief he spake, “What right hast thou
To part or parcel of this heart?” Grief's brow
Was darkened with the storm of inward strife;
Thrice smote he Love as only he might dare,
And Love, pride purged, was chastened all his life.
MORTALITY
Ashes to ashes, dust unto dust,What of his loving, what of his lust?
What of his passion, what of his pain?
What of his poverty, what of his pride?
Earth, the great mother, has called him again:
Deeply he sleeps, the world's verdict defied.
Shall he be tried again? Shall he go free?
Who shall the court convene? Where shall it be?
No answer on the land, none from the sea.
Only we know that as he did, we must:
You with your theories, you with your trust,—
Ashes to ashes, dust unto dust!
LOVE
A life was mine full of the close concernOf many-voiced affairs. The world sped fast;
Behind me, ever rolled a pregnant past.
A present came equipped with lore to learn.
Art, science, letters, in their turn,
Each one allured me with its treasures vast;
And I staked all for wisdom, till at last
Thou cam'st and taught my soul anew to yearn.
I had not dreamed that I could turn away
From all that men with brush and pen had wrought;
But ever since that memorable day
When to my heart the truth of love was brought,
I have been wholly yielded to its sway,
And had no room for any other thought.
SHE GAVE ME A ROSE
She gave a rose,
And I kissed it and pressed it.
I love her, she knows,
And my action confessed it.
She gave me a rose,
And I kissed it and pressed it.
And I kissed it and pressed it.
I love her, she knows,
And my action confessed it.
She gave me a rose,
And I kissed it and pressed it.
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Ah, how my heart glows,
Could I ever have guessed it?
It is fair to suppose
That I might have repressed it:
She gave me a rose,
And I kissed it and pressed it.
Could I ever have guessed it?
It is fair to suppose
That I might have repressed it:
She gave me a rose,
And I kissed it and pressed it.
'T was a rhyme in life's prose
That uplifted and blest it.
Man's nature, who knows
Until love comes to test it?
She gave me a rose,
And I kissed it and pressed it.
That uplifted and blest it.
Man's nature, who knows
Until love comes to test it?
She gave me a rose,
And I kissed it and pressed it.
DREAM SONG I
Long years ago, within a distant clime,
Ere Love had touched me with his wand sublime,
I dreamed of one to make my life's calm May
The panting passion of a summer's day.
And ever since, in almost sad suspense,
I have been waiting with a soul intense
To greet and take unto myself the beams,
Of her, my star, the lady of my dreams.
Ere Love had touched me with his wand sublime,
I dreamed of one to make my life's calm May
The panting passion of a summer's day.
And ever since, in almost sad suspense,
I have been waiting with a soul intense
To greet and take unto myself the beams,
Of her, my star, the lady of my dreams.
O Love, still longed and looked for, come to me,
Be thy far home by mountain, vale, or sea.
My yearning heart may never find its rest
Until thou liest rapt upon my breast.
The wind may bring its perfume from the south,
Is it so sweet as breath from my love's mouth?
Oh, naught that surely is, and naught that seems
May turn me from the lady of my dreams.
Be thy far home by mountain, vale, or sea.
My yearning heart may never find its rest
Until thou liest rapt upon my breast.
The wind may bring its perfume from the south,
Is it so sweet as breath from my love's mouth?
Oh, naught that surely is, and naught that seems
May turn me from the lady of my dreams.
DREAM SONG II
Pray, what can dreams avail
To make love or to mar?
The child within the cradle rail
Lies dreaming of the star.
But is the star by this beguiled
To leave its place and seek the child?
To make love or to mar?
The child within the cradle rail
Lies dreaming of the star.
But is the star by this beguiled
To leave its place and seek the child?
The poor plucked rose within its glass
Still dreameth of the bee;
But, tho' the lagging moments pass,
Her Love she may not see.
If dream of child and flower fail,
Why should a maiden's dreams prevail?
Still dreameth of the bee;
But, tho' the lagging moments pass,
Her Love she may not see.
If dream of child and flower fail,
Why should a maiden's dreams prevail?
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CHRISTMAS IN THE HEART
The snow lies deep upon the ground,
And winter's brightness all around
Decks bravely out the forest sere,
With jewels of the brave old year.
The coasting crowd upon the hill
With some new spirit seems to thrill;
And all the temple bells achime.
Ring out the glee of Christmas time.
And winter's brightness all around
Decks bravely out the forest sere,
With jewels of the brave old year.
The coasting crowd upon the hill
With some new spirit seems to thrill;
And all the temple bells achime.
Ring out the glee of Christmas time.
In happy homes the brown oak-bough
Vies with the red-gemmed holly now;
And here and there, like pearls, there show
The berries of the mistletoe.
A sprig upon the chandelier
Says to the maidens, “Come not here!”
Even the pauper of the earth
Some kindly gift has cheered to mirth!
Vies with the red-gemmed holly now;
And here and there, like pearls, there show
The berries of the mistletoe.
A sprig upon the chandelier
Says to the maidens, “Come not here!”
Even the pauper of the earth
Some kindly gift has cheered to mirth!
Within his chamber, dim and cold,
There sits a grasping miser old.
He has no thought save one of gain,—
To grind and gather and grasp and drain.
A peal of bells, a merry shout
Assail his ear: he gazes out
Upon a world to him all gray,
And snarls, “Why, this is Christmas Day!”
There sits a grasping miser old.
He has no thought save one of gain,—
To grind and gather and grasp and drain.
A peal of bells, a merry shout
Assail his ear: he gazes out
Upon a world to him all gray,
And snarls, “Why, this is Christmas Day!”
No, man of ice,—for shame, for shame!
For “Christmas Day” is no mere name.
No, not for you this ringing cheer,
This festal season of the year.
And not for you the chime of bells
From holy temple rolls and swells.
In day and deed he has no part—
Who holds not Christmas in his heart!
For “Christmas Day” is no mere name.
No, not for you this ringing cheer,
This festal season of the year.
And not for you the chime of bells
From holy temple rolls and swells.
In day and deed he has no part—
Who holds not Christmas in his heart!
THE KING IS DEAD
Aye, lay him in his grave, the old dead year!
His life is lived—fulfilled his destiny.
Have you for him no sad, regretful tear
To drop beside the cold, unfollowed bier?
Can you not pay the tribute of a sigh?
His life is lived—fulfilled his destiny.
Have you for him no sad, regretful tear
To drop beside the cold, unfollowed bier?
Can you not pay the tribute of a sigh?
Was he not kind to you, this dead old year?
Did he not give enough of earthly store?
Enough of love, and laughter, and good cheer?
Have not the skies you scanned sometimes been clear?
How, then, of him who dies, could you ask more?
Did he not give enough of earthly store?
Enough of love, and laughter, and good cheer?
Have not the skies you scanned sometimes been clear?
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It is not well to hate him for the pain
He brought you, and the sorrows manifold.
To pardon him these hurts still I am fain;
For in the panting period of his reign,
He brought me new wounds, but he healed the old.
He brought you, and the sorrows manifold.
To pardon him these hurts still I am fain;
For in the panting period of his reign,
He brought me new wounds, but he healed the old.
One little sigh for thee, my poor, dead friend—
One little sigh while my companions sing.
Thou art so soon forgotten in the end;
We cry e'en as thy footsteps downward tend:
“The king is dead! long live the king!”
One little sigh while my companions sing.
Thou art so soon forgotten in the end;
We cry e'en as thy footsteps downward tend:
“The king is dead! long live the king!”
THEOLOGY
There is a heaven, for ever, day by day,The upward longing of my soul doth tell me so.
There is a hell, I 'm quite as sure; for pray,
If there were not, where would my neighbours go?
RESIGNATION
Long had I grieved at what I deemed abuse;But now I am as grain within the mill.
If so be thou must crush me for thy use,
Grind on, O potent God, and do thy will!
LOVE'S HUMILITY
As some rapt gazer on the lowly earth,Looks up to radiant planets, ranging far,
So I, whose soul doth know thy wondrous worth
Look longing up to thee as to a star.
PRECEDENT
The poor man went to the rich man's doors,“I come as Lazarus came,” he said.
The rich man turned with humble head,—
“I will send my dogs to lick your sores!”
SHE TOLD HER BEADS
She told her beads with downcast eyes,Within the ancient chapel dim;
And ever as her fingers slim
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My rapt soul followed, spaniel-wise.
Ah, many were the beads she wore;
But as she told them o'er and o'er,
They did not number all my sighs.
My heart was filled with unvoiced cries
And prayers and pleadings unexpressed;
But while I burned with Love's unrest,
She told her beads with downcast eyes.
LITTLE LUCY LANDMAN
Oh, the day has set me dreaming
In a strange, half solemn way
Of the feelings I experienced
On another long past day,—
Of the way my heart made music
When the buds began to blow,
And o' little Lucy Landman
Whom I loved long years ago.
In a strange, half solemn way
Of the feelings I experienced
On another long past day,—
Of the way my heart made music
When the buds began to blow,
And o' little Lucy Landman
Whom I loved long years ago.
It 's in spring, the poet tells us,
That we turn to thoughts of love,
And our hearts go out a-wooing
With the lapwing and the dove.
But whene'er the soul goes seeking
Its twin-soul, upon the wing,
I 've a notion, backed by mem'ry,
That it 's love that makes the spring.
That we turn to thoughts of love,
And our hearts go out a-wooing
With the lapwing and the dove.
But whene'er the soul goes seeking
Its twin-soul, upon the wing,
I 've a notion, backed by mem'ry,
That it 's love that makes the spring.
I have heard a robin singing
When the boughs were brown and bare,
And the chilling hand of winter
Scattered jewels through the air.
And in spite of dates and seasons,
It was always spring, I know,
When I loved Lucy Landman
In the days of long ago.
When the boughs were brown and bare,
And the chilling hand of winter
Scattered jewels through the air.
And in spite of dates and seasons,
It was always spring, I know,
When I loved Lucy Landman
In the days of long ago.
Ah, my little Lucy Landman,
I remember you as well
As if 't were only yesterday
I strove your thoughts to tell,—
When I tilted back your bonnet,
Looked into your eyes so true,
Just to see if you were loving
Me as I was loving you.
I remember you as well
As if 't were only yesterday
I strove your thoughts to tell,—
When I tilted back your bonnet,
Looked into your eyes so true,
Just to see if you were loving
Me as I was loving you.
Ah, my little Lucy Landman
It is true it was denied
You should see a fuller summer
And an autumn by my side.
But the glance of love's sweet sunlight
Which your eyes that morning gave
Has kept spring within my bosom,
Though you lie within the grave.
It is true it was denied
You should see a fuller summer
And an autumn by my side.
But the glance of love's sweet sunlight
Which your eyes that morning gave
Has kept spring within my bosom,
Though you lie within the grave.
THE GOURD
In the heavy earth the miner
Toiled and laboured day by day,
Wrenching from the miser mountain
Brilliant treasure where it lay.
And the artist worn and weary
Wrought with labour manifold
That the king might drink his nectar
From a goblet made of gold.
Toiled and laboured day by day,
Wrenching from the miser mountain
Brilliant treasure where it lay.
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Wrought with labour manifold
That the king might drink his nectar
From a goblet made of gold.
On the prince's groaning table
Mid the silver gleaming bright
Mirroring the happy faces
Giving back the flaming light,
Shine the cups of priceless crystal
Chased with many a lovely line,
Glowing now with warmer colour,
Crimsoned by the ruby wine.
Mid the silver gleaming bright
Mirroring the happy faces
Giving back the flaming light,
Shine the cups of priceless crystal
Chased with many a lovely line,
Glowing now with warmer colour,
Crimsoned by the ruby wine.
In a valley sweet with sunlight,
Fertile with the dew and rain,
Without miner's daily labour,
Without artist's nightly pain,
There there grows the cup I drink from,
Summer's sweetness in it stored,
And my lips pronounce a blessing
As they touch an old brown gourd.
Fertile with the dew and rain,
Without miner's daily labour,
Without artist's nightly pain,
There there grows the cup I drink from,
Summer's sweetness in it stored,
And my lips pronounce a blessing
As they touch an old brown gourd.
Why, the miracle at Cana
In the land of Galilee,
Tho' it puzzles all the scholars,
Is no longer strange to me.
For the poorest and the humblest
Could a priceless wine afford,
If they 'd only dip up water
With a sunlight-seasoned gourd.
In the land of Galilee,
Tho' it puzzles all the scholars,
Is no longer strange to me.
For the poorest and the humblest
Could a priceless wine afford,
If they 'd only dip up water
With a sunlight-seasoned gourd.
So a health to my old comrade,
And a song of praise to sing
When he rests inviting kisses
In his place beside the spring.
Give the king his golden goblets,
Give the prince his crystal hoard;
But for me the sparkling water
From a brown and brimming gourd!
And a song of praise to sing
When he rests inviting kisses
In his place beside the spring.
Give the king his golden goblets,
Give the prince his crystal hoard;
But for me the sparkling water
From a brown and brimming gourd!
THE KNIGHT
Our good knight, Ted, girds his broadsword on
(And he wields it well, I ween);
He 's on his steed, and away has gone
To the fight for king and queen.
What tho' no edge the broadsword hath?
What tho' the blade be made of lath?
'T is a valiant hand
That wields the brand,
So, foeman, clear the path!
(And he wields it well, I ween);
He 's on his steed, and away has gone
To the fight for king and queen.
What tho' no edge the broadsword hath?
What tho' the blade be made of lath?
'T is a valiant hand
That wields the brand,
So, foeman, clear the path!
He prances off at a goodly pace;
'T is a noble steed he rides,
That bears as well in the speedy race
As he bears in battle-tides.
What tho' 't is but a rocking-chair
That prances with this stately air?
'T is a warrior bold
The reins doth hold,
Who bids all foes beware!
'T is a noble steed he rides,
That bears as well in the speedy race
As he bears in battle-tides.
What tho' 't is but a rocking-chair
That prances with this stately air?
'T is a warrior bold
The reins doth hold,
Who bids all foes beware!
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THOU ART MY LUTE
Thou art my lute, by thee I sing,—
My being is attuned to thee.
Thou settest all my words a-wing,
And meltest me to melody.
My being is attuned to thee.
Thou settest all my words a-wing,
And meltest me to melody.
Thou art my life, by thee I live,
From thee proceed the joys I know;
Sweetheart, thy hand has power to give
The meed of love—the cup of woe.
From thee proceed the joys I know;
Sweetheart, thy hand has power to give
The meed of love—the cup of woe.
Thou art my love, by thee I lead
My soul the paths of light along,
From vale to vale, from mead to mead,
And home it in the hills of song.
My soul the paths of light along,
From vale to vale, from mead to mead,
And home it in the hills of song.
My song, my soul, my life, my all,
Why need I pray or make my plea,
Since my petition cannot fall;
For I 'm already one with thee!
Why need I pray or make my plea,
Since my petition cannot fall;
For I 'm already one with thee!
THE PHANTOM KISS
One night in my room, still and beamless,
With will and with thought in eclipse,
I rested in sleep that was dreamless;
When softly there fell on my lips
With will and with thought in eclipse,
I rested in sleep that was dreamless;
When softly there fell on my lips
A touch, as of lips that were pressing
Mine own with the message of bliss—
A sudden, soft, fleeting caressing,
A breath like a maiden's first kiss.
Mine own with the message of bliss—
A sudden, soft, fleeting caressing,
A breath like a maiden's first kiss.
I woke—and the scoffer may doubt me—
I peered in surprise through the gloom;
But nothing and none were about me,
And I was alone in my room.
I peered in surprise through the gloom;
But nothing and none were about me,
And I was alone in my room.
Perhaps 't was the wind that caressed me
And touched me with dew-laden breath;
Or, maybe, close-sweeping, there passed me
The low-winging Angel of Death.
And touched me with dew-laden breath;
Or, maybe, close-sweeping, there passed me
The low-winging Angel of Death.
Some sceptic may choose to disdain it,
Or one feign to read it aright;
Or wisdom may seek to explain it—
This mystical kiss in the night.
Or one feign to read it aright;
Or wisdom may seek to explain it—
This mystical kiss in the night.
But rather let fancy thus clear it:
That, thinking of me here alone,
The miles were made naught, and, in spirit,
Thy lips, love, were laid on mine own.
That, thinking of me here alone,
The miles were made naught, and, in spirit,
Thy lips, love, were laid on mine own.
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COMMUNION
In the silence of my heart,
I will spend an hour with thee,
When my love shall rend apart
All the veil of mystery:
I will spend an hour with thee,
When my love shall rend apart
All the veil of mystery:
All that dim and misty veil
That shut in between our souls
When Death cried, “Ho, maiden, hail!”
And your barque sped on the shoals.
That shut in between our souls
When Death cried, “Ho, maiden, hail!”
And your barque sped on the shoals.
On the shoals? Nay, wrongly said.
On the breeze of Death that sweeps
Far from life, thy soul has sped
Out into unsounded deeps.
On the breeze of Death that sweeps
Far from life, thy soul has sped
Out into unsounded deeps.
I shall take an hour and come
Sailing, darling, to thy side.
Wind nor sea may keep me from
Soft communings with my bride.
Sailing, darling, to thy side.
Wind nor sea may keep me from
Soft communings with my bride.
I shall rest my head on thee
As I did long days of yore,
When a calm, untroubled sea
Rocked thy vessel at the shore.
As I did long days of yore,
When a calm, untroubled sea
Rocked thy vessel at the shore.
I shall take thy hand in mine,
And live o'er the olden days
When thy smile to me was wine,—
Golden wine thy word of praise,
And live o'er the olden days
When thy smile to me was wine,—
Golden wine thy word of praise,
For the carols I had wrought
In my soul's simplicity;
For the petty beads of thought
Which thine eyes alone could see.
In my soul's simplicity;
For the petty beads of thought
Which thine eyes alone could see.
Ah, those eyes, love-blind, but keen
For my welfare and my weal!
Tho' the grave-door shut between,
Still their love-lights o'er me steal.
For my welfare and my weal!
Tho' the grave-door shut between,
Still their love-lights o'er me steal.
I can see thee thro' my tears,
As thro' rain we see the sun.
What tho' cold and cooling years
Shall their bitter courses run,—
As thro' rain we see the sun.
What tho' cold and cooling years
Shall their bitter courses run,—
I shall see thee still and be
Thy true lover evermore,
And thy face shall be to me
Dear and helpful as before.
Thy true lover evermore,
And thy face shall be to me
Dear and helpful as before.
Death may vaunt and Death may boast,
But we laugh his pow'r to scorn;
He is but a slave at most,—
Night that heralds coming morn.
But we laugh his pow'r to scorn;
He is but a slave at most,—
Night that heralds coming morn.
I shall spend an hour with thee
Day by day, my little bride.
True love laughs at mystery,
Crying, “Doors of Death, fly wide.”
Day by day, my little bride.
True love laughs at mystery,
Crying, “Doors of Death, fly wide.”
MARE RUBRUM
In Life's Red Sea with faith I plant my feet,
And wait the sound of that sustaining word
Which long ago the men of Israel heard,
When Pharaoh's host behind them, fierce and fleet,
Raged on, consuming with revengeful heat.
Why are the barrier waters still unstirred?—
That struggling faith may die of hope deferred?
Is God not sitting in His ancient seat?
And wait the sound of that sustaining word
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When Pharaoh's host behind them, fierce and fleet,
Raged on, consuming with revengeful heat.
Why are the barrier waters still unstirred?—
That struggling faith may die of hope deferred?
Is God not sitting in His ancient seat?
The billows swirl above my trembling limbs,
And almost chill my anxious heart to doubt
And disbelief, long conquered and defied.
But tho' the music of my hopeful hymns
Is drowned by curses of the raging rout,
No voice yet bids th' opposing waves divide!
And almost chill my anxious heart to doubt
And disbelief, long conquered and defied.
But tho' the music of my hopeful hymns
Is drowned by curses of the raging rout,
No voice yet bids th' opposing waves divide!
IN AN ENGLISH GARDEN
In this old garden, fair, I walk to-day
Heart-charmed with all the beauty of the scene:
The rich, luxuriant grasses' cooling green,
The wall's environ, ivy-decked and gray,
The waving branches with the wind at play,
The slight and tremulous blooms that show between,
Sweet all: and yet my yearning heart doth lean
Toward Love's Egyptian fleshpots far away.
Heart-charmed with all the beauty of the scene:
The rich, luxuriant grasses' cooling green,
The wall's environ, ivy-decked and gray,
The waving branches with the wind at play,
The slight and tremulous blooms that show between,
Sweet all: and yet my yearning heart doth lean
Toward Love's Egyptian fleshpots far away.
Beside the wall, the slim Laburnum grows
And flings its golden flow'rs to every breeze.
But e'en among such soothing sights as these,
I pant and nurse my soul-devouring woes.
Of all the longings that our hearts wot of,
There is no hunger like the want of love!
And flings its golden flow'rs to every breeze.
But e'en among such soothing sights as these,
I pant and nurse my soul-devouring woes.
Of all the longings that our hearts wot of,
There is no hunger like the want of love!
THE CRISIS
A man of low degree was sore oppressed,
Fate held him under iron-handed sway,
And ever, those who saw him thus distressed
Would bid him bend his stubborn will and pray.
But he, strong in himself and obdurate,
Waged, prayerless, on his losing fight with Fate.
Fate held him under iron-handed sway,
And ever, those who saw him thus distressed
Would bid him bend his stubborn will and pray.
But he, strong in himself and obdurate,
Waged, prayerless, on his losing fight with Fate.
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Friends gave his proffered hand their coldest clasp,
Or took it not at all; and Poverty,
That bruised his body with relentless grasp,
Grinned, taunting, when he struggled to be free.
But though with helpless hands he beat the air,
His need extreme yet found no voice in prayer.
Or took it not at all; and Poverty,
That bruised his body with relentless grasp,
Grinned, taunting, when he struggled to be free.
But though with helpless hands he beat the air,
His need extreme yet found no voice in prayer.
Then he prevailed; and forthwith snobbish Fate,
Like some whipped cur, came fawning at his feet;
Those who had scorned forgave and called him great—
His friends found out that friendship still was sweet.
But he, once obdurate, now bowed his head
In prayer, and trembling with its import, said:
Like some whipped cur, came fawning at his feet;
Those who had scorned forgave and called him great—
His friends found out that friendship still was sweet.
But he, once obdurate, now bowed his head
In prayer, and trembling with its import, said:
“Mere human strength may stand ill-fortune's frown;
So I prevailed, for human strength was mine;
But from the killing pow'r of great renown,
Naught may protect me save a strength divine.
Help me, O Lord, in this my trembling cause;
I scorn men's curses, but I dread applause!”
So I prevailed, for human strength was mine;
But from the killing pow'r of great renown,
Naught may protect me save a strength divine.
Help me, O Lord, in this my trembling cause;
I scorn men's curses, but I dread applause!”
THE CONQUERORS
THE BLACK TROOPS IN CUBA
Round the wide earth, from the red field your valour has won,
Blown with the breath of the far-speaking gun,
Goes the word.
Bravely you spoke through the battle cloud heavy and dun.
Tossed though the speech toward the mist-hidden sun,
The world heard.
Blown with the breath of the far-speaking gun,
Goes the word.
Bravely you spoke through the battle cloud heavy and dun.
Tossed though the speech toward the mist-hidden sun,
The world heard.
Hell would have shrunk from you seeking it fresh from the fray,
Grim with the dust of the battle, and gray
From the fight.
Heaven would have crowned you, with crowns not of gold but of bay,
Owning you fit for the light of her day,
Men of night.
Grim with the dust of the battle, and gray
From the fight.
Heaven would have crowned you, with crowns not of gold but of bay,
Owning you fit for the light of her day,
Men of night.
Far through the cycle of years and of lives that shall come,
There shall speak voices long muffled and dumb,
Out of fear.
And through the noises of trade and the turbulent hum,
Truth shall rise over the militant drum,
Loud and clear.
There shall speak voices long muffled and dumb,
Out of fear.
And through the noises of trade and the turbulent hum,
Truth shall rise over the militant drum,
Loud and clear.
Then on the cheek of the honester nation that grows,
All for their love of you, not for your woes,
There shall lie
Tears that shall be to your souls as the dew to the rose;
Afterward thanks, that the present yet knows
Not to ply!
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There shall lie
Tears that shall be to your souls as the dew to the rose;
Afterward thanks, that the present yet knows
Not to ply!
ALEXANDER CRUMMELL—DEAD
Back to the breast of thy mother,
Child of the earth!
E'en her caress can not smother
What thou hast done.
Follow the trail of the westering sun
Over the earth.
Thy light and his were as one—
Sun, in thy worth.
Unto a nation whose sky was as night,
Camest thou, holily, bearing thy light:
And the dawn came,
In it thy fame
Flashed up in a flame.
Child of the earth!
E'en her caress can not smother
What thou hast done.
Follow the trail of the westering sun
Over the earth.
Thy light and his were as one—
Sun, in thy worth.
Unto a nation whose sky was as night,
Camest thou, holily, bearing thy light:
And the dawn came,
In it thy fame
Flashed up in a flame.
Back to the breast of thy mother—
To rest.
Long hast thou striven;
Dared where the hills by the lightning of heaven were riven;
Go now, pure shriven.
Who shall come after thee, out of the clay—
Learned one and leader to show us the way?
Who shall rise up when the world gives the test?
Think thou no more of this—
Rest!
To rest.
Long hast thou striven;
Dared where the hills by the lightning of heaven were riven;
Go now, pure shriven.
Who shall come after thee, out of the clay—
Learned one and leader to show us the way?
Who shall rise up when the world gives the test?
Think thou no more of this—
Rest!
WHEN ALL IS DONE
When all is done, and my last word is said,
And ye who loved me murmur, “He is dead,”
Let no one weep, for fear that I should know,
And sorrow too that ye should sorrow so.
And ye who loved me murmur, “He is dead,”
Let no one weep, for fear that I should know,
And sorrow too that ye should sorrow so.
When all is done and in the oozing clay,
Ye lay this cast-off hull of mine away,
Pray not for me, for, after long despair,
The quiet of the grave will be a prayer.
Ye lay this cast-off hull of mine away,
Pray not for me, for, after long despair,
The quiet of the grave will be a prayer.
For I have suffered loss and grievous pain,
The hurts of hatred and the world's disdain,
And wounds so deep that love, well-tried and pure,
Had not the pow'r to ease them or to cure.
The hurts of hatred and the world's disdain,
And wounds so deep that love, well-tried and pure,
Had not the pow'r to ease them or to cure.
When all is done, say not my day is o'er,
And that thro' night I seek a dimmer shore:
Say rather that my morn has just begun,—
I greet the dawn and not a setting sun,
When all is done.
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Say rather that my morn has just begun,—
I greet the dawn and not a setting sun,
When all is done.
THE POET AND THE BABY
How's a man to write a sonnet, can you tell,—
How 's he going to weave the dim, poetic spell,—
When a-toddling on the floor
Is the muse he must adore,
And this muse he loves, not wisely, but too well?
How 's he going to weave the dim, poetic spell,—
When a-toddling on the floor
Is the muse he must adore,
And this muse he loves, not wisely, but too well?
Now, to write a sonnet, every one allows,
One must always be as quiet as a mouse;
But to write one seems to me
Quite superfluous to be,
When you 've got a little sonnet in the house.
One must always be as quiet as a mouse;
But to write one seems to me
Quite superfluous to be,
When you 've got a little sonnet in the house.
Just a dainty little poem, true and fine,
That is full of love and life in every line,
Earnest, delicate, and sweet,
Altogether so complete
That I wonder what 's the use of writing mine.
That is full of love and life in every line,
Earnest, delicate, and sweet,
Altogether so complete
That I wonder what 's the use of writing mine.
DISTINCTION
“I am but clay,” the sinner plead,Who fed each vain desire.
“Not only clay,” another said,
“But worse, for thou art mire.”
THE SUM
A little dreaming by the way,
A little toiling day by day;
A little pain, a little strife,
A little joy,—and that is life.
A little toiling day by day;
A little pain, a little strife,
A little joy,—and that is life.
A little short-lived summer's morn,
When joy seems all so newly born,
When one day's sky is blue above,
And one bird sings,—and that is love.
When joy seems all so newly born,
When one day's sky is blue above,
And one bird sings,—and that is love.
A little sickening of the years,
The tribute of a few hot tears
Two folded hands, the failing breath,
And peace at last,—and that is death.
The tribute of a few hot tears
Two folded hands, the failing breath,
And peace at last,—and that is death.
Just dreaming, loving, dying so,
The actors in the drama go—
A flitting picture on a wall,
Love, Death, the themes; but is that all?
The actors in the drama go—
A flitting picture on a wall,
Love, Death, the themes; but is that all?
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SONNET ON AN OLD BOOK WITH UNCUT LEAVES
Emblem of blasted hope and lost desire,
No finger ever traced thy yellow page
Save Time's. Thou hast not wrought to noble rage
The hearts thou wouldst have stirred. Not any fire
Save sad flames set to light a funeral pyre
Dost thou suggest. Nay,—impotent in age,
Unsought, thou holdst a corner of the stage
And ceasest even dumbly to aspire.
No finger ever traced thy yellow page
Save Time's. Thou hast not wrought to noble rage
The hearts thou wouldst have stirred. Not any fire
Save sad flames set to light a funeral pyre
Dost thou suggest. Nay,—impotent in age,
Unsought, thou holdst a corner of the stage
And ceasest even dumbly to aspire.
How different was the thought of him that writ.
What promised he to love of ease and wealth,
When men should read and kindle at his wit.
But here decay eats up the book by stealth,
While it, like some old maiden, solemnly,
Hugs its incongruous virginity!
What promised he to love of ease and wealth,
When men should read and kindle at his wit.
But here decay eats up the book by stealth,
While it, like some old maiden, solemnly,
Hugs its incongruous virginity!
ON THE SEA WALL
I sit upon the old sea wall,
And watch the shimmering sea,
Where soft and white the moonbeams fall,
Till, in a fantasy,
Some pure white maiden's funeral pall
The strange light seems to me.
And watch the shimmering sea,
Where soft and white the moonbeams fall,
Till, in a fantasy,
Some pure white maiden's funeral pall
The strange light seems to me.
The waters break upon the shore
And shiver at my feet,
While I dream old dreams o'er and o'er,
And dim old scenes repeat;
Tho' all have dreamed the same before,
They still seem new and sweet.
And shiver at my feet,
While I dream old dreams o'er and o'er,
And dim old scenes repeat;
Tho' all have dreamed the same before,
They still seem new and sweet.
The waves still sing the same old song
That knew an elder time;
The breakers' beat is not more strong,
Their music more sublime;
And poets thro' the ages long
Have set these notes to rhyme.
That knew an elder time;
The breakers' beat is not more strong,
Their music more sublime;
And poets thro' the ages long
Have set these notes to rhyme.
But this shall not deter my lyre,
Nor check my simple strain;
If I have not the old-time fire,
I know the ancient pain:
The hurt of unfulfilled desire,—
The ember quenched by rain.
Nor check my simple strain;
If I have not the old-time fire,
I know the ancient pain:
The hurt of unfulfilled desire,—
The ember quenched by rain.
I know the softly shining sea
That rolls this gentle swell
Has snarled and licked its tongues at me
And bared its fangs as well;
That 'neath its smile so heavenly,
There lurks the scowl of hell!
That rolls this gentle swell
Has snarled and licked its tongues at me
And bared its fangs as well;
That 'neath its smile so heavenly,
There lurks the scowl of hell!
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But what of that? I strike my string
(For songs in youth are sweet);
I 'll wait and hear the waters bring
Their loud resounding beat;
Then, in her own bold numbers sing
The Ocean's dear deceit!
(For songs in youth are sweet);
I 'll wait and hear the waters bring
Their loud resounding beat;
Then, in her own bold numbers sing
The Ocean's dear deceit!
TO A LADY PLAYING THE HARP
Thy tones are silver melted into sound,
And as I dream
I see no walls around,
But seem to hear
A gondolier
Sing sweetly down some slow Venetian stream.
And as I dream
I see no walls around,
But seem to hear
A gondolier
Sing sweetly down some slow Venetian stream.
Italian skies—that I have never seen—
I see above.
(Ah, play again, my queen;
Thy fingers white
Fly swift and light
And weave for me the golden mesh of love.)
I see above.
(Ah, play again, my queen;
Thy fingers white
Fly swift and light
And weave for me the golden mesh of love.)
Oh, thou dusk sorceress of the dusky eyes
And soft dark hair,
'T is thou that mak'st my skies
So swift to change
To far and strange;
But far and strange, thou still dost make them fair.
And soft dark hair,
'T is thou that mak'st my skies
So swift to change
To far and strange;
But far and strange, thou still dost make them fair.
Now thou dost sing, and I am lost in thee
As one who drowns
In floods of melody.
Still in thy art
Give me this part,
Till perfect love, the love of loving crowns.
As one who drowns
In floods of melody.
Still in thy art
Give me this part,
Till perfect love, the love of loving crowns.
CONFESSIONAL
Search thou my heart;
If there be guile,
It shall depart
Before thy smile.
If there be guile,
It shall depart
Before thy smile.
Search thou my soul;
Be there deceit,
'T will vanish whole
Before thee, sweet.
Be there deceit,
'T will vanish whole
Before thee, sweet.
Upon my mind
Turn thy pure lens;
Naught shalt thou find
Thou canst not cleanse.
Turn thy pure lens;
Naught shalt thou find
Thou canst not cleanse.
If I should pray,
I scarcely know
In just what way
My prayers would go.
I scarcely know
In just what way
My prayers would go.
So strong in me
I feel love's leaven,
I 'd bow to thee
As soon as Heaven!
I feel love's leaven,
I 'd bow to thee
As soon as Heaven!
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MISAPPREHENSION
Out of my heart, one day, I wrote a song,With my heart's blood imbued,
Instinct with passion, tremulously strong,
With grief subdued;
Breathing a fortitude
Pain-bought.
And one who claimed much love for what I wrought,
Read and considered it,
And spoke:
“Ay, brother,—'t is well writ,
But where 's the joke?”
PROMETHEUS
Prometheus stole from Heaven the sacred fire
And swept to earth with it o'er land and sea.
He lit the vestal flames of poesy,
Content, for this, to brave celestial ire.
And swept to earth with it o'er land and sea.
He lit the vestal flames of poesy,
Content, for this, to brave celestial ire.
Wroth were the gods, and with eternal hate
Pursued the fearless one who ravished Heaven
That earth might hold in fee the perfect leaven
To lift men's souls above their low estate.
Pursued the fearless one who ravished Heaven
That earth might hold in fee the perfect leaven
To lift men's souls above their low estate.
But judge you now, when poets wield the pen,
Think you not well the wrong has been repaired?
'T was all in vain that ill Prometheus fared:
The fire has been returned to Heaven again!
Think you not well the wrong has been repaired?
'T was all in vain that ill Prometheus fared:
The fire has been returned to Heaven again!
We have no singers like the ones whose note
Gave challenge to the noblest warbler's song.
We have no voice so mellow, sweet, and strong
As that which broke from Shelley's golden throat.
Gave challenge to the noblest warbler's song.
We have no voice so mellow, sweet, and strong
As that which broke from Shelley's golden throat.
The measure of our songs is our desires:
We tinkle where old poets used to storm.
We lack their substance tho' we keep their form:
We strum our banjo-strings and call them lyres.
We tinkle where old poets used to storm.
We lack their substance tho' we keep their form:
We strum our banjo-strings and call them lyres.
LOVE'S PHASES
Love hath the wings of the butterfly,
Oh, clasp him but gently,
Pausing and dipping and fluttering by
Inconsequently.
Stir not his poise with the breath of a sigh;
Love hath the wings of the butterfly.
Oh, clasp him but gently,
Pausing and dipping and fluttering by
Inconsequently.
Stir not his poise with the breath of a sigh;
Love hath the wings of the butterfly.
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Love hath the wings of the eagle bold,
Cling to him strongly—
What if the look of the world be cold,
And life go wrongly?
Rest on his pinions, for broad is their fold;
Love hath the wings of the eagle bold.
Cling to him strongly—
What if the look of the world be cold,
And life go wrongly?
Rest on his pinions, for broad is their fold;
Love hath the wings of the eagle bold.
Love hath the voice of the nightingale,
Hearken his trilling—
List to his song when the moonlight is pale,—
Passionate, thrilling.
Cherish the lay, ere the lilt of it fail;
Love hath the voice of the nightingale.
Hearken his trilling—
List to his song when the moonlight is pale,—
Passionate, thrilling.
Cherish the lay, ere the lilt of it fail;
Love hath the voice of the nightingale.
Love hath the voice of the storm at night,
Wildly defiant.
Hear him and yield up your soul to his might,
Tenderly pliant.
None shall regret him who heed him aright;
Love hath the voice of the storm at night.
Wildly defiant.
Hear him and yield up your soul to his might,
Tenderly pliant.
None shall regret him who heed him aright;
Love hath the voice of the storm at night.
FOR THE MAN WHO FAILS
The world is a snob, and the man who wins
Is the chap for its money's worth:
And the lust for success causes half of the sins
That are cursing this brave old earth.
For it 's fine to go up, and the world's applause
Is sweet to the mortal ear;
But the man who fails in a noble cause
Is a hero that 's no less dear.
Is the chap for its money's worth:
And the lust for success causes half of the sins
That are cursing this brave old earth.
For it 's fine to go up, and the world's applause
Is sweet to the mortal ear;
But the man who fails in a noble cause
Is a hero that 's no less dear.
'T is true enough that the laurel crown
Twines but for the victor's brow;
For many a hero has lain him down
With naught but the cypress bough.
There are gallant men in the losing fight,
And as gallant deeds are done
As ever graced the captured height
Or the battle grandly won.
Twines but for the victor's brow;
For many a hero has lain him down
With naught but the cypress bough.
There are gallant men in the losing fight,
And as gallant deeds are done
As ever graced the captured height
Or the battle grandly won.
We sit at life's board with our nerves highstrung,
And we play for the stake of Fame,
And our odes are sung and our banners hung
For the man who wins the game.
But I have a song of another kind
Than breathes in these fame-wrought gales,—
An ode to the noble heart and mind
Of the gallant man who fails!
And we play for the stake of Fame,
And our odes are sung and our banners hung
For the man who wins the game.
But I have a song of another kind
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An ode to the noble heart and mind
Of the gallant man who fails!
The man who is strong to fight his fight,
And whose will no front can daunt,
If the truth be truth and the right be right,
Is the man that the ages want.
Tho' he fail and die in grim defeat,
Yet he has not fled the strife,
And the house of Earth will seem more sweet
For the perfume of his life.
And whose will no front can daunt,
If the truth be truth and the right be right,
Is the man that the ages want.
Tho' he fail and die in grim defeat,
Yet he has not fled the strife,
And the house of Earth will seem more sweet
For the perfume of his life.
HARRIET BEECHER STOWE
She told the story, and the whole world weptAt wrongs and cruelties it had not known
But for this fearless woman's voice alone.
She spoke to consciences that long had slept:
Her message, Freedom's clear reveille, swept
From heedless hovel to complacent throne.
Command and prophecy were in the tone
And from its sheath the sword of justice leapt.
Around two peoples swelled a fiery wave,
But both came forth transfigured from the flame.
Blest be the hand that dared be strong to save,
And blest be she who in our weakness came—
Prophet and priestess! At one stroke she gave
A race to freedom and herself to fame.
VAGRANTS
Long time ago, we two set out,
My soul and I.
I know not why,
For all our way was dim with doubt.
I know not where
We two may fare:
Though still with every changing weather,
We wander, groping on together.
My soul and I.
I know not why,
For all our way was dim with doubt.
I know not where
We two may fare:
Though still with every changing weather,
We wander, groping on together.
We do not love, we are not friends,
My soul and I.
He lives a lie;
Untruth lines every way he wends.
A scoffer he
Who jeers at me:
And so, my comrade and my brother,
We wander on and hate each other.
My soul and I.
He lives a lie;
Untruth lines every way he wends.
A scoffer he
Who jeers at me:
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We wander on and hate each other.
Ay, there be taverns and to spare,
Beside the road;
But some strange goad
Lets me not stop to taste their fare.
Knew I the goal
Toward which my soul
And I made way, hope made life fragrant:
But no. We wander, aimless, vagrant!
Beside the road;
But some strange goad
Lets me not stop to taste their fare.
Knew I the goal
Toward which my soul
And I made way, hope made life fragrant:
But no. We wander, aimless, vagrant!
A WINTER'S DAY
Across the hills and down the narrow ways,And up the valley where the free winds sweep,
The earth is folded in an ermined sleep
That mocks the melting mirth of myriad Mays.
Departed her disheartening duns and grays,
And all her crusty black is covered deep.
Dark streams are locked in Winter's donjon-keep,
And made to shine with keen, unwonted rays.
O icy mantle, and deceitful snow!
What world-old liars in your hearts ye are!
Are there not still the darkened seam and scar
Beneath the brightness that you fain would show?
Come from the cover with thy blot and blur,
O reeking Earth, thou whited sepulchre!
MY LITTLE MARCH GIRL
Come to the pane, draw the curtain apart,
There she is passing, the girl of my heart;
See where she walks like a queen in the street,
Weather-defying, calm, placid and sweet.
Tripping along with impetuous grace,
Joy of her life beaming out of her face,
Tresses all truant-like, curl upon curl,
Wind-blown and rosy, my little March girl.
There she is passing, the girl of my heart;
See where she walks like a queen in the street,
Weather-defying, calm, placid and sweet.
Tripping along with impetuous grace,
Joy of her life beaming out of her face,
Tresses all truant-like, curl upon curl,
Wind-blown and rosy, my little March girl.
Hint of the violet's delicate bloom,
Hint of the rose's pervading perfume!
How can the wind help from kissing her face,—
Wrapping her round in his stormy embrace?
But still serenely she laughs at his rout,
She is the victor who wins in the bout.
So may life's passions about her soul swirl,
Leaving it placid,—my little March girl.
Hint of the rose's pervading perfume!
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Wrapping her round in his stormy embrace?
But still serenely she laughs at his rout,
She is the victor who wins in the bout.
So may life's passions about her soul swirl,
Leaving it placid,—my little March girl.
What self-possession looks out of her eyes!
What are the wild winds, and what are the skies,
Frowning and glooming when, brimming with life,
Cometh the little maid ripe for the strife?
Ah! Wind, and bah! Wind, what might have you now?
What can you do with that innocent brow?
Blow, Wind, and grow, Wind, and eddy and swirl,
But bring her to me, Wind,—my little March girl.
What are the wild winds, and what are the skies,
Frowning and glooming when, brimming with life,
Cometh the little maid ripe for the strife?
Ah! Wind, and bah! Wind, what might have you now?
What can you do with that innocent brow?
Blow, Wind, and grow, Wind, and eddy and swirl,
But bring her to me, Wind,—my little March girl.
REMEMBERED
She sang, and I listened the whole song thro'.
(It was sweet, so sweet, the singing.)
The stars were out and the moon it grew
From a wee soft glimmer way out in the blue
To a bird thro' the heavens winging.
(It was sweet, so sweet, the singing.)
The stars were out and the moon it grew
From a wee soft glimmer way out in the blue
To a bird thro' the heavens winging.
She sang, and the song trembled down to my breast,—
(It was sweet, so sweet the singing.)
As a dove just out of its fledgling nest,
And, putting its wings to the first sweet test,
Flutters homeward so wearily winging.
(It was sweet, so sweet the singing.)
As a dove just out of its fledgling nest,
And, putting its wings to the first sweet test,
Flutters homeward so wearily winging.
She sang and I said to my heart “That song,
That was sweet, so sweet i' the singing,
Shall live with us and inspire us long,
And thou, my heart, shalt be brave and strong
For the sake of those words a-winging.
That was sweet, so sweet i' the singing,
Shall live with us and inspire us long,
And thou, my heart, shalt be brave and strong
For the sake of those words a-winging.
The woman died and the song was still.
(It was sweet, so sweet, the singing.)
But ever I hear the same low trill,
Of the song that shakes my heart with a thrill,
And goes forever winging.
(It was sweet, so sweet, the singing.)
But ever I hear the same low trill,
Of the song that shakes my heart with a thrill,
And goes forever winging.
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LOVE DESPOILED
As lone I sat one summer's day,
With mien dejected, Love came by;
His face distraught, his locks astray,
So slow his gait, so sad his eye,
I hailed him with a pitying cry:
With mien dejected, Love came by;
His face distraught, his locks astray,
So slow his gait, so sad his eye,
I hailed him with a pitying cry:
“Pray, Love, what has disturbed thee so?”
Said I, amazed. “Thou seem'st bereft;
And see thy quiver hanging low,—
What, not a single arrow left?
Pray, who is guilty of this theft?”
Said I, amazed. “Thou seem'st bereft;
And see thy quiver hanging low,—
What, not a single arrow left?
Pray, who is guilty of this theft?”
Poor Love looked in my face and cried:
“No thief were ever yet so bold
To rob my quiver at my side.
But Time, who rules, gave ear to Gold,
And all my goodly shafts are sold.”
“No thief were ever yet so bold
To rob my quiver at my side.
But Time, who rules, gave ear to Gold,
And all my goodly shafts are sold.”
THE LAPSE
This poem must be done to-day;
Then, I 'll e'en to it.
I must not dream my time away,—
I 'm sure to rue it.
The day is rather bright, I know
The Muse will pardon
My half-defection, if I go
Into the garden.
It must be better working there,—
I 'm sure it 's sweeter:
And something in the balmy air
May clear my metre.
Then, I 'll e'en to it.
I must not dream my time away,—
I 'm sure to rue it.
The day is rather bright, I know
The Muse will pardon
My half-defection, if I go
Into the garden.
It must be better working there,—
I 'm sure it 's sweeter:
And something in the balmy air
May clear my metre.
[In the Garden.]
Ah this is noble, what a sky!What breezes blowing!
The very clouds, I know not why,
Call one to rowing.
The stream will be a paradise
To-day, I 'll warrant.
I know the tide that 's on the rise
Will seem a torrent;
I know just how the leafy boughs
Are all a-quiver;
I know how many skiffs and scows
Are on the river.
I think I 'll just go out awhile
Before I write it;
When Nature shows us such a smile,
We should n't slight it.
For Nature always makes desire
By giving pleasure;
And so 't will help me put more fire
Into my measure.
[On the River.]
The river 's fine, I 'm glad I came,That poem 's teasing;
But health is better far than fame,
Though cheques are pleasing.
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This air 's a poppy.
I 'm sorry for my editor,—
He 'll get no copy!
THE WARRIOR'S PRAYER
Long since, in sore distress, I heard one pray,
“Lord, who prevailest with resistless might,
Ever from war and strife keep me away,
My battles fight!”
“Lord, who prevailest with resistless might,
Ever from war and strife keep me away,
My battles fight!”
I know not if I play the Pharisee,
And if my brother after all be right;
But mine shall be the warrior's plea to thee—
Strength for the fight.
And if my brother after all be right;
But mine shall be the warrior's plea to thee—
Strength for the fight.
I do not ask that thou shalt front the fray,
And drive the warring foeman from my sight;
I only ask, O Lord, by night, by day,
Strength for the fight!
And drive the warring foeman from my sight;
I only ask, O Lord, by night, by day,
Strength for the fight!
When foes upon me press, let me not quail
Nor think to turn me into coward flight.
I only ask, to make mine arms prevail,
Strength for the fight!
Nor think to turn me into coward flight.
I only ask, to make mine arms prevail,
Strength for the fight!
Still let mine eyes look ever on the foe,
Still let mine armor case me strong and bright;
And grant me, as I deal each righteous blow,
Strength for the fight!
Still let mine armor case me strong and bright;
And grant me, as I deal each righteous blow,
Strength for the fight!
And when, at eventide, the fray is done,
My soul to Death's bedchamber do thou light,
And give me, be the field or lost or won,
Rest from the fight!
My soul to Death's bedchamber do thou light,
And give me, be the field or lost or won,
Rest from the fight!
FAREWELL TO ARCADY
With sombre mien, the Evening gray
Comes nagging at the heels of Day,
And driven faster and still faster
Before the dusky-mantled Master,
The light fades from her fearful eyes,
She hastens, stumbles, falls, and dies.
Comes nagging at the heels of Day,
And driven faster and still faster
Before the dusky-mantled Master,
The light fades from her fearful eyes,
She hastens, stumbles, falls, and dies.
Beside me Amaryllis weeps;
The swelling tears obscure the deeps
Of her dark eyes, as, mistily,
The rushing rain conceals the sea.
Here, lay my tuneless reed away,—
I have no heart to tempt a lay.
The swelling tears obscure the deeps
Of her dark eyes, as, mistily,
The rushing rain conceals the sea.
Here, lay my tuneless reed away,—
I have no heart to tempt a lay.
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I scent the perfume of the rose
Which by my crystal fountain grows.
In this sad time, are roses blowing?
And thou, my fountain, art thou flowing,
Which by my crystal fountain grows.
In this sad time, are roses blowing?
And thou, my fountain, art thou flowing,
While I who watched thy waters spring
Am all too sad to smile or sing?
Nay, give me back my pipe again,
It yet shall breathe this single strain:
Farewell to Arcady!
Am all too sad to smile or sing?
Nay, give me back my pipe again,
It yet shall breathe this single strain:
Farewell to Arcady!
THE VOICE OF THE BANJO
In a small and lonely cabin out of noisy traffic's way,
Sat an old man, bent and feeble, dusk of face, and hair of gray,
And beside him on the table, battered, old, and worn as he,
Lay a banjo, droning forth this reminiscent melody:
Sat an old man, bent and feeble, dusk of face, and hair of gray,
And beside him on the table, battered, old, and worn as he,
Lay a banjo, droning forth this reminiscent melody:
“Night is closing in upon us, friend of mine, but don't be sad;
Let us think of all the pleasures and the joys that we have had,
Let us keep a merry visage, and be happy till the last.
Let the future still be sweetened with the honey of the past.
Let us think of all the pleasures and the joys that we have had,
Let us keep a merry visage, and be happy till the last.
Let the future still be sweetened with the honey of the past.
“For I speak to you of summer nights upon the yellow sand,
When the Southern moon was sailing high and silvering all the land;
And if love tales were not sacred, there 's a tale that I could tell
Of your many nightly wanderings with a dusk and lovely belle.
When the Southern moon was sailing high and silvering all the land;
And if love tales were not sacred, there 's a tale that I could tell
Of your many nightly wanderings with a dusk and lovely belle.
“And I speak to you of care-free songs when labour's hour was o'er,
And a woman waiting for your step outside the cabin door,
And of something roly-poly that you took upon your lap,
While you listened for the stumbling, hesitating words, ‘Pap, pap.’
And a woman waiting for your step outside the cabin door,
And of something roly-poly that you took upon your lap,
While you listened for the stumbling, hesitating words, ‘Pap, pap.’
“I could tell you of a 'possum hunt across the wooded grounds,
I could call to mind the sweetness of the baying of the hounds,
You could lift me up and smelling of the timber that 's in me,
Build again a whole green forest with the mem'ry of a tree.
I could call to mind the sweetness of the baying of the hounds,
You could lift me up and smelling of the timber that 's in me,
Build again a whole green forest with the mem'ry of a tree.
“So the future cannot hurt us while we keep the past in mind,
What care I for trembling fingers,—what care you that you are blind?
Time may leave us poor and stranded, circumstance may make us bend;
But they 'll only find us mellower, won't they, comrade?—in the end.”
What care I for trembling fingers,—what care you that you are blind?
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But they 'll only find us mellower, won't they, comrade?—in the end.”
THE STIRRUP CUP
Come, drink a stirrup cup with me,
Before we close our rouse.
You 're all aglow with wine, I know:
The master of the house,
Unmindful of our revelry,
Has drowned the carking devil care,
And slumbers in his chair.
Before we close our rouse.
You 're all aglow with wine, I know:
The master of the house,
Unmindful of our revelry,
Has drowned the carking devil care,
And slumbers in his chair.
Come, drink a cup before we start;
We 've far to ride to-night.
And Death may take the race we make,
And check our gallant flight:
But even he must play his part,
And tho' the look he wears be grim,
We 'll drink a toast to him!
We 've far to ride to-night.
And Death may take the race we make,
And check our gallant flight:
But even he must play his part,
And tho' the look he wears be grim,
We 'll drink a toast to him!
For Death,—a swift old chap is he,
And swift the steed He rides.
He needs no chart o'er main or mart,
For no direction bides.
So, come, a final cup with me,
And let the soldiers' chorus swell,—
To hell with care, to hell!
And swift the steed He rides.
He needs no chart o'er main or mart,
For no direction bides.
So, come, a final cup with me,
And let the soldiers' chorus swell,—
To hell with care, to hell!
A CHOICE
They please me not—these solemn songsThat hint of sermons covered up.
'T is true the world should heed its wrongs,
But in a poem let me sup,
Not simples brewed to cure or ease
Humanity's confessed disease,
But the spirit-wine of a singing line,
Or a dew-drop in a honey cup!
| The Collected Poetry of Paul Laurence Dunbar : | |