 | Tender buttons : |  |
ROASTBEEF.
In the inside there is sleeping, in the outside there
is reddening, in the morning there is meaning, in the
evening there is feeling. In the evening there is
feeling. In feeling anything is resting, in feeling
anything is mounting, in feeling there is resignation,
in feeling there is recognition, in feeling there is recurrence
and entirely mistaken there is pinching. All
the standards have steamers and all the curtains have
bed linen and all the yellow has discrimination and
all the circle has circling. This makes sand.
Very well. Certainly the length is thinner and the
rest, the round rest has a longer summer. To shine,
why not shine, to shine, to station, to enlarge, to
hurry the measure all this means nothing if there
is singing, if there is singing then there is the resumption.
The change the dirt, not to change dirt means that
there is no beefsteak and not to have that is no obstruction,
it is so easy to exchange meaning, it is so easy to
see the difference. The difference is that a plain
resource is not entangled with thickness and it does
not mean that thickness shows such cutting, it does
mean that a meadow is useful and a cow absurd.
It does not mean that there are tears, it does not mean
that exudation is cumbersome, it means no more
than a memory, a choice and a reëstablishment, it
means more than any escape from a surrounding
extra. All the time that there is use there is use and
any time there is a surface there is a surface, and
every time there is an exception there is an exception
Any time there is a surface there is a surface and
every time there is a suggestion there is a suggestion
and every time there is silence there is silence and
every time that is languid there is that there then and
not oftener, not always, not particular, tender and
changing and external and central and surrounded
and singular and simple and the same and the surface
and the circle and the shine and the succor and the
white and the same and the better and the red and
the same and the centre and the yellow and the tender
and the better, and altogether.
Considering the circumstances there is no occasion
for a reduction, considering that there is no pealing
there is no occasion for an obligation, considering
that there is no outrage there is no necessity for any
reparation, considering that there is no particle sodden
there is no occasion for deliberation. Considering
everything and which way the turn is tending, considering
everything why is there no restraint, considering
everything what makes the place settle and
the plate distinguish some specialties. The whole
thing is not understood and this is not strange considering
that there is no education, this is not strange
because having that certainly does show the difference
in cutting, it shows that when there is turning
there is no distress.
In kind, in a control, in a period, in the alteration
of pigeons, in kind cuts and thick and thin spaces, in
kind ham and different colors, the length of leaning a
strong thing outside not to make a sound but to
whole chance to be reasonable, this does not mean
that there is overtaking, this means nothing precious,
this means clearly that the chance to exercise is a
social success. So then the sound is not obtrusive.
Suppose it is obtrusive suppose it is. What is certainly
the desertion is not a reduced description, a
description is not a birthday.
Lovely snipe and tender turn, excellent vapor and
slender butter, all the splinter and the trunk, all the
poisonous darkning drunk, all the joy in weak success,
all the joyful tenderness, all the section and the tea,
all the stouter symmetry.
Around the size that is small, inside the stern that
is the middle, besides the remains that are praying,
inside the between that is turning, all the region is
measuring and melting is exaggerating.
Rectangular ribbon does not mean that there is no
eruption it means that if there is no place to hold there
is no place to spread. Kindness is not earnest, it is
not assiduous it is not revered.
Room to comb chickens and feathers and ripe
purple, room to curve single plates and large sets
and second silver, room to send everything away, room
to save heat and distemper, room to search a light
that is simpler, all room has no shadow.
There is no use there is no use at all in smell, in
taste, in teeth, in toast, in anything, there is no use
at all and the respect is mutual.
Why should that which is uneven, that which is
resumed, that which is tolerable why should all this
narrower, why is there no obligation to stay away
and yet courage, courage is everywhere and the best
remains to stay.
If there could be that which is contained in that
which is felt there would be a chair where there are
chairs and there would be no more denial about a
clatter. A clatter is not a smell. All this is good.
The Saturday evening which is Sunday is every
week day. What choice is there when there is a difference.
A regulation is not active. Thirstiness is not
equal division.
Anyway, to be older and ageder is not a surfeit nor
a suction, it is not dated and careful, it is not dirty.
Any little thing is clean, rubbing is black. Why should
ancient lambs be goats and young colts and never
beef, why should they, they should because there is
so much difference in age.
A sound, a whole sound is not separation, a whole
sound is in an order.
Suppose there is a pigeon, suppose there is.
Looseness, why is there a shadow in a kitchen, there
is a shadow in a kitchen because every little thing is
bigger.
The time when there are four choices and there are
four choices in a difference, the time when there are
four choices there is a kind and there is a kind. There
is a kind. There is a kind. Supposing there is a bone,
there is a bone. Supposing there are bones. There
are bones. When there are bones there is no supposing
there are bones. There are bones and there is that
have a space between. This shows a likeness.
Hope in gates, hope in spoons, hope in doors, hope
in tables, no hope in daintiness and determination.
Hope in dates.
Tin is not a can and a stove is hardly. Tin is not
necessary and neither is a stretcher. Tin is never
narrow and thick.
Color is in coal. Coal is outlasting roasting and a
spoonful, a whole spoon that is full is not spilling.
Coal any coal is copper.
Claiming nothing, not claiming anything, not a
claim in everything, collecting claiming, all this makes
a harmony, it even makes a succession.
Sincerely gracious one morning, sincerely graciously
trembling, sincere in gracious eloping, all this makes
a furnace and a blanket. All this shows quantity.
Like an eye, not so much more, not any searching,
no compliments.
Please be the beef, please beef, pleasure is not
wailing. Please beef, please be carved clear, please be
a case of consideration.
Search a neglect. A sale, any greatness is a
stall and there is no memory, there is no clear collection.
A satin sight, what is a trick, no trick is mountainous
and the color, all the rush is in the blood.
Bargaining for a little, bargain for a touch, a liberty,
an estrangement, a characteristic turkey.
Please spice, please no name, place a whole weight,
sink into a standard rising, raise a circle, choose a right
any collar.
To bury a slender chicken, to raise an old feather,
to surround a garland and to bake a pole splinter, to
suggest a repose and to settle simply, to surrender
one another, to succeed saving simpler, to satisfy a
singularity and not to be blinder, to sugar nothing
darker and to read redder, to have the color better,
to sort out dinner, to remain together, to surprise no
sinner, to curve nothing sweeter, to continue thinner,
to increase in resting recreation to design string not
dimmer.
Cloudiness what is cloudiness, is it a lining, is it a
roll, is it melting.
The sooner there is jerking, the sooner freshness is
tender, the sooner the round it is not round the sooner
it is withdrawn in cutting, the sooner the measure
means service, the sooner there is chinking, the sooner
there is sadder than salad, the sooner there is none
do her, the sooner there is no choice, the sooner there
is a gloom freer, the same sooner and more sooner,
this is no error in hurry and in pressure and in opposition
to consideration.
A recital, what is a recital, it is an organ and use
does not strengthen valor, it soothes medicine.
A transfer, a large transfer, a little transfer, some
transfer, clouds and tracks do transfer, a transfer is
not neglected.
Pride, when is there perfect pretence, there is no
more than yesterday and ordinary.
A sentence of a vagueness that is violence is authority
prison. Calmness, calm is beside the plate and in way
in. There is no turn in terror. There is no volume
in sound.
There is coagulation in cold and there is none in
prudence. Something is preserved and the evening
is long and the colder spring has sudden shadows in
a sun. All the stain is tender and lilacs really lilacs
are disturbed. Why is the perfect reëstablishment
practiced and prized, why is it composed. The result
the pure result is juice and size and baking and exhibition
and nonchalance and sacrifice and volume and
a section in division and the surrounding recognition
and horticulture and no murmur. This is a result.
There is no superposition and circumstance, there is
hardness and a reason and the rest and remainder.
There is no delight and no mathematics.
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