APPENDIXES
1. Sequence Tables: Watermarks by Gathering in the
Plays
Table 1.1 The Whole
Contention (n.d.)
|
A |
B |
C |
D |
E |
F |
G |
H |
I |
K |
L |
M |
N |
O |
P |
Q |
Copy |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
C2
|
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
L(1) |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
O |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
Y2 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
BL(2) |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
F(1) |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
F(2) |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
F(3) |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
F(4) |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
F(5) |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
F(6) |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
F(7) |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
F(13) |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
F(14) |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
F(15) |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
HD |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
HN |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
ILL |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
NY(1) |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
NY(2) |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
L18
|
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
E |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
E2
|
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
23 |
NOTES. Collates A-Q4. Distinctly and distinctively
homogenous, twenty-three copies with
every gathering of every copy on
stock 23.
Table 1.2. Pericles
(1619)
|
tp |
R |
S |
T |
V |
X |
Y |
Z |
2A |
2B |
Copy |
|
|
|
|
|
|
|
|
|
|
C2 |
2 |
2 |
23 |
2 |
2 |
23 |
6.1 |
2 |
1\14 |
2 |
L |
2 |
2 |
23 |
2 |
1\14 |
7.1 |
6.1 |
1\14 |
23 |
2 |
O |
23 |
2 |
2 |
2 |
2 |
7.1 |
6.1 |
2 |
1\14 |
23 |
Y2 |
2 |
2 |
2 |
2 |
2 |
7.1 |
6.1 |
2 |
1\14 |
2 |
F(1) |
2 |
2 |
23 |
2 |
1\14 |
23 |
6.1 |
2 |
1\14 |
2 |
F(2) |
23 |
2 |
2 |
2 |
2 |
7.1 |
23 |
2 |
6.1 |
23 |
F(3) |
2 |
2 |
23 |
2 |
2 |
7.1 |
6.1 |
2 |
1\14 |
2 |
F(8) |
2 |
2 |
23 |
2 |
2 |
7.1 |
6.1 |
2 |
1\14 |
2 |
F(9) |
23 |
23 |
2 |
2 |
2 |
7.1 |
6.1 |
2 |
1\14 |
23 |
F(10) |
23 |
2 |
2 |
2 |
2 |
7.1 |
6.1 |
2 |
1\14 |
2 |
F(11) |
-- |
2 |
23 |
2 |
2 |
7.1 |
23 |
2 |
1\14 |
23 |
F(12) |
-- |
2 |
23 |
2 |
2 |
7.1 |
23 |
2 |
1\14 |
? |
HD |
23 |
2 |
23 |
2 |
2 |
7.1 |
6.1 |
2 |
1\14 |
23 |
Y |
2 |
2 |
2 |
2 |
2 |
7.1 |
6.1 |
2 |
6.1 |
-- |
NY(1) |
2 |
2 |
2 |
2 |
2 |
7.1 |
6.1 |
2 |
2 |
2 |
NY(2) |
23 |
23 |
2 |
2 |
2 |
7.1 |
6.1 |
2 |
1\14 |
23 |
N |
2 |
2 |
2 |
2 |
2 |
7.1 |
6.1 |
2 |
1\14 |
2 |
HN |
2 |
2 |
23 |
2 |
2 |
7.1 |
6.1 |
2 |
1\14 |
2 |
L18
|
2 |
23 |
23 |
2 |
2 |
7.1 |
6.1 |
2 |
2 |
2 |
E |
2 |
23 |
2 |
2 |
2 |
7.1 |
23 |
2 |
1\14 |
2 |
E2
|
6.1 |
2 |
23 |
2 |
2 |
7.1 |
6.1 |
2 |
1\14 |
-- |
NOTES. This quarto has signatures continuous with The Whole
Contention and collates X1 [=2B2]
R-2A4 2B2(-2B2). Greg had queried his
identifications of gathering 2A in the C2 (Capell) and
O (Malone) copies, the former as mark 1, the latter as mark 14;
chainlines show that both
were actually Greg's 1. (See above for his
understandable confusion over this pair.) Greg was
unable to identify the
mark in 2B of the C2 (Capell), O (Malone), and Y2 (Huth) copies. Since
2B was printed as a
half-sheet with the title-page, approximately one-half of the copies show no
watermark in this leaf. (Greg must have realized this since he did not
identify 2B in these copies
as unwatermarked.) Chainlines allow positive
identification in all but one case, F(12). The F(10)
copy was apparently
made up, since different papers appear in the title-page and 2B.
Table 1.3. Yorkshire
Tragedy (1619)
|
tp |
A |
B |
C |
D |
Copy |
|
|
|
|
|
C2 |
2 |
1\14 |
1\14 |
2 |
2 |
L(1) |
6.1 |
2 |
2 |
2 |
6.1 |
O |
6.1 |
2 |
2 |
2 |
6.1 |
Y2 |
2 |
1\14 |
1\14 |
1\14 |
2 |
L(2) |
6.1 |
1\14 |
2 |
2 |
6.1 |
L(3) |
6.1 |
2 |
2 |
2 |
6.1 |
F(1) |
6.1 |
6.1 |
2 |
2 |
6.1 |
F(2) |
6.1 |
23 |
1\14 |
2 |
6.1 |
F(3) |
23 |
23 |
1\14 |
2 |
23 |
F(4) |
23 |
23 |
1\14 |
2 |
23 |
F(5) |
6.1 |
2 |
1\14 |
2 |
6.1 |
F(6) |
41 |
1\14 |
2 |
2 |
41 |
HD |
6.1 |
2 |
2 |
2 |
6.1 |
Y |
-- |
1\14 |
1\14 |
2 |
6.1 |
NY |
6.1 |
1\14 |
2 |
2 |
6.1 |
N |
2 |
1\14 |
1\14 |
2 |
2 |
HN |
6.1 |
1\14 |
1\14 |
2 |
6.1 |
L18 |
6.1 |
23 |
1\14 |
2 |
6.1 |
E2 |
6.1 |
1\14 |
2 |
2 |
6.1 |
NOTES. This quarto collates:π1 [=D4] A-C4 D4 (-D4). I have seen the blank D3 in only a
single
copy, F(1). Greg had been unable to identify the mark in C2 (Capell) gathering D and
had queried, though correctly
identified, the mark in L(1) (Garrick) gathering D.
Table 1.4. Merchant of
Venice (1600)
|
A |
B |
C |
D |
E |
F |
G |
H |
I |
K |
Copy |
|
|
|
|
|
|
|
|
|
|
C2 |
2 |
6.1 |
1\14 |
1\14 |
2 |
6.1 |
6.1 |
1\14 |
1\14 |
8 |
L(1) |
2 |
2 |
7.1 |
1\14 |
9 |
2 |
3 |
1\14 |
6.1 |
8 |
O |
2 |
15\16.2 |
7.1 |
1\14 |
9 |
6.1 |
3 |
1\14 |
6.1 |
8 |
Y2 |
2 |
15\16.2 |
7.1 |
1\14 |
9 |
2 |
6.1 |
1\14 |
6.1 |
8 |
L(2) |
7.1 |
6.1 |
7.1 |
6.1 |
9 |
2 |
6.1 |
1\14 |
6.1 |
8 |
F(1) |
1\14 |
6.1 |
7.1 |
6.1 |
2 |
2 |
6.1 |
1\14 |
6.1 |
6.1 |
F(2) |
2 |
6.1 |
7.1 |
6.1 |
9 |
2 |
6.1 |
1\14 |
6.1 |
8 |
F(3) |
2 |
6.1 |
6.1 |
6.1 |
2 |
2 |
6.1 |
1\14 |
1\14 |
8 |
F(4) |
2 |
6.1 |
7.1 |
6.1 |
2 |
2 |
6.1 |
1\14 |
6.1 |
8 |
HD |
2 |
6.1 |
1\14 |
1\14 |
2 |
2 |
4.1 |
1\14 |
1\14 |
8 |
NY |
7.1 |
6.1 |
7.1 |
6.1 |
9 |
2 |
6.1 |
1\14 |
6.1 |
8 |
ILL |
2 |
2 |
7.1 |
6.1 |
2 |
2 |
6.1 |
1\14 |
6.1 |
8 |
N |
2 |
2 |
7.1 |
1\14 |
9 |
2 |
6.1 |
1\14 |
1\14 |
8 |
HN |
2 |
6.1 |
7.1 |
6.1 |
2 |
2 |
6.1 |
7.2 |
6.1 |
8 |
E2 |
2 |
6.1 |
-- |
6.1 |
2 |
2 |
-- |
1\14 |
6.1 |
6.1 |
NOTES. Collates A-K4. Greg must have erred in recording
the marks for gatherings A and B
of the L(1) (Garrick) copy, both of
which he identifies as mark 1; the rest of the marks for
this copy match
perfectly my own observation. Greg had also queried his identifications for
gatherings E and K of this copy; both are correct. For gathering B of the
O (Malone) and
Y2 (Huth) copy Greg failed to
recognize that there was a second pair of ARMS: RG marks,
identifying
them instead as his mark 18, which unlike the two 15\16 pairs is centered be-
tween rather than on chainlines.
Table 1.5. Merry Wives of Windsor (1619)
|
A |
B |
C |
D |
E |
F |
G |
Copy |
|
|
|
|
|
|
|
C2 |
3 |
2 |
4.1 |
4.1 |
5 |
6.2 |
4.1 |
L(1) |
3 |
1\14 |
7.2 |
4.1 |
5 |
5 |
5 |
O |
3 |
2 |
3 |
7.2 |
5 |
5 |
2 |
Y2 |
8 |
2 |
4.1 |
4.1 |
5 |
5 |
5 |
L(2) |
6.1 |
2 |
2 |
24\27.2 |
5 |
5 |
5 |
F(1) |
3 |
2 |
35 |
36 |
5 |
5 |
2 |
F(2) |
3 |
1\14 |
7.4 |
24\27.2 |
5 |
5 |
5 |
F(3) |
3 |
1\14 |
4.1 |
24\27.2 |
5 |
23 |
5 |
F(4) |
3 |
2 |
3 |
7.2 |
5 |
5 |
2 |
F(5) |
3 |
2 |
4.2 |
24\27.2 |
5 |
5 |
0.? |
F(6) |
3 |
2 |
4.3 |
4.1 |
5 |
24\27.2 |
4.1 |
F(7) |
3 |
2 |
7.2 |
3 |
5 |
5 |
5 |
F(8) |
3 |
2 |
24\27.2 |
4.1 |
5 |
-- |
9 |
HD |
3 |
2 |
24\27.2 |
4.1 |
5 |
2 |
4.1 |
Y |
-- |
-- |
3 |
7.2 |
5 |
5 |
2 |
NY(1) |
3 |
2 |
4.1 |
4.1 |
5 |
24\27.2 |
4.1 |
NY(2) |
3 |
2 |
3 |
7.2 |
5 |
5 |
2 |
ILL |
3 |
2 |
24\27.2 |
4.1 |
5 |
1\14 |
4.1 |
N |
3 |
2 |
4.2 |
4.3 |
5 |
5 |
2 |
HN |
3 |
2 |
3 |
24\27.2 |
5 |
5 |
5 |
L18 |
3 |
2 |
7.2 |
4.1 |
5 |
5 |
5 |
E |
3 |
2 |
4.4 |
4.2 |
5 |
6.2 |
4.1 |
NOTES. Collates A-G4. Greg had queried his identification
of mark 4 in L(1) (Garrick) gather-
ing D; he was correct. Gathering C
has examples of all four pairs of Greg's single mark 4,
and gathering D
has three of the four. The unmarked paper in F(5) gathering G is another of
the fugitives, the only example I encountered.
Table 1.6. A Midsummer Night's
Dream (1600)
|
A |
B |
C |
D |
E |
F |
G |
H |
Copy |
|
|
|
|
|
|
|
|
C2 |
6.1 |
7.2 |
8 |
5 |
9 |
2 |
2 |
2 |
L(1) |
7.2 |
5 |
5 |
5 |
1\14 |
24\27.1 |
6.1 |
2 |
O |
6.1 |
0.? |
24\27.1 |
5 |
7.4 |
2 |
2 |
2 |
H |
6.1 |
5 |
4? |
5 |
9 |
2 |
6.1 |
2 |
L(2) |
6.1 |
5 |
2 |
5 |
1\14 |
4.1 |
6.1 |
2 |
F(1) |
6.1 |
5 |
2 |
5 |
9 |
2 |
2 |
2 |
F(2) |
7.2 |
5 |
24\27.1 |
5 |
9 |
29 |
6.1 |
2 |
F(3) |
3 |
5 |
5 |
5 |
2 |
2 |
2 |
2 |
F(4) |
7.2 |
5 |
5 |
5 |
1\14 |
24\27.1 |
6.1 |
2 |
F(5) |
6.1 |
23 |
24\27.1 |
5 |
28 |
2 |
6.1 |
2 |
F(6) |
6.1 |
7.3 |
5 |
5 |
7.2 |
2 |
6.1 |
2 |
F(7) |
6.1 |
5 |
5 |
5 |
2 |
2 |
6.1 |
2 |
HD |
6.1 |
5 |
2 |
5 |
1\14 |
29 |
6.1 |
2 |
NY |
6.1 |
5 |
3 |
2 |
9 |
2 |
2 |
2 |
ILL |
2 |
5 |
24\27.2 |
5 |
9 |
29 |
6.1 |
2 |
N |
6.1 |
5 |
2 |
2 |
9 |
2 |
2 |
2 |
HN |
6.1 |
7.2 |
24\27.1 |
5 |
9 |
2 |
2 |
2 |
Y2 |
2 |
5 |
24\27.1 |
5 |
9 |
29 |
6.1 |
2 |
E |
6.1 |
5 |
5 |
5 |
2 |
2 |
2 |
2 |
E2 |
3 |
7.3 |
5 |
-- |
7.2 |
2 |
2 |
2 |
NOTES. Collates A-H4. I have included the Huth copy
examined by Greg in its usual position
fourth in the list, but designated
it H instead of Y2 and reported Greg's assessment of it.
All
other Y2 (Elizabethan Club) copies appear to be
the Huth copies, but the Y2 MND does not
match
Greg's sequence, nor does any other copy I have examined. The paper at O
gathering
B is one of five fugitive unmarked papers which I have met with
only once.
Table 1.7. King Lear
(1608)
|
A |
B |
C |
D |
E |
F |
G |
H |
I |
K |
L |
Copy |
|
|
|
|
|
|
|
|
|
|
|
C2
|
1\14 |
2 |
6.1 |
10\11 |
10\11 |
12\19.1 |
0.3 |
12\19.1 |
0.1 |
13 |
0.1 |
L(1) |
2 |
2 |
25 |
10\11 |
10\11 |
12\19.1 |
0.3 |
12\19.1 |
20.1 |
13 |
0.? |
O |
2 |
1\14 |
2 |
10\11 |
26 |
12\19.2 |
0.3 |
12\19.1 |
21 |
0.1 |
21 |
Y2
|
2 |
2 |
7.2 |
10\11 |
0.2 |
12\19.2 |
0.3 |
12\19.1 |
0.1 |
13 |
21 |
L(2) |
1\14 |
1\14 |
1\14 |
6.1 |
26 |
12\19.2 |
0.3 |
12\19.1 |
20.1 |
13 |
0.1 |
L(3) |
1\14 |
2 |
6.1 |
10\11 |
25 |
12\19.2 |
33 |
12\19.2 |
0.1 |
13 |
0.1 |
F1 |
1\14 |
2 |
6.1 |
10\11 |
10\11 |
12\19.1 |
33 |
12\19.2 |
0.1 |
13 |
0.1 |
F2 |
2 |
2 |
0.2 |
2 |
0.2 |
12\19.2 |
0.? |
12\19.1 |
21 |
13 |
21 |
F3 |
1\14 |
1\14 |
13 |
2 |
25 |
12\19.2 |
33 |
12\19.1 |
20.1 |
13 |
21 |
F4 |
1\14 |
6.1 |
13 |
13 |
26 |
12\19.2 |
26 |
12\19.1 |
0.1 |
21 |
0.1 |
F5 |
2 |
1\14 |
1\14 |
10\11 |
13 |
12\19.1 |
26 |
12\19.1 |
20.1 |
13 |
20.1 |
F6 |
2 |
2 |
25 |
10\11 |
10\11 |
12\19.1 |
0.3 |
12\19.2 |
20.1 |
13 |
21 |
HD |
2 |
1\14 |
25 |
10\11 |
26 |
12\19.2 |
0.3 |
12\19.1 |
20.1 |
21 |
0.1 |
NY |
2 |
2 |
25 |
6.1 |
10\11 |
12\19.1 |
0.3 |
12\19.2 |
20.1 |
13 |
20.1 |
ILL |
2 |
1\14 |
13 |
6.1 |
13 |
12\19.2 |
0? |
12\19.2 |
20.1 |
0.? |
0.1 |
N |
1\14 |
2 |
24\27.1 |
10\11 |
25 |
12\19.1 |
33 |
12\19.2 |
20.1 |
21 |
21 |
HN |
2 |
1\14 |
1\14 |
6.1 |
13 |
12\19.2 |
0.3 |
12\19.1 |
20.1 |
13 |
20.1 |
E |
1\14 |
2 |
1\14 |
2 |
25 |
12\19.2 |
33 |
12\19.1 |
0.1 |
13 |
21 |
E2
|
1\14 |
2 |
25 |
10\11 |
10\11 |
12\19.2 |
33 |
12\19.1 |
20.1 |
13 |
-- |
NOTES. Collates A-L4. The queried unwatermarked sheets,
designated "0.?", cover two situ-
ations: for F(2) gathering G and ILL
gatherings G and K the chainlines were too faint to
measure; L(1)
gathering L is a fugitive unmarked paper, one for which I have found no other
example.
Table 1.8. Henry V
(1608)
|
A |
B |
C |
D |
E |
F |
G |
Copy |
|
|
|
|
|
|
|
C2
|
12\19.1 |
20.2 |
21 |
22 |
0.4 |
15\16.1 |
0.1 |
L(1) |
12\19.1 |
5 |
5 |
22 |
15\16.1 |
15\16.1 |
0.1 |
O |
12\19.2 |
20.2 |
5 |
21 |
0.? |
15\16.1 |
0.4 |
Y2
|
12\19.1 |
20.2 |
0.1 |
22 |
0.4 |
15\16.1 |
0.1 |
L(2) |
12\19.1 |
20.2 |
21 |
22 |
0.4 |
15\16.1 |
21 |
F(1) |
12\19.1 |
20.2 |
20.2 |
22 |
15\16.1 |
0.4 |
15\16.1 |
F(2) |
12\19.1 |
20.2 |
5 |
22 |
38 |
15\16.1 |
0.1 |
F(3) |
12\19.1 |
5 |
0.1 |
22 |
39 |
0.4 |
0.1 |
F(4) |
12\19.1 |
5 |
5 |
22 |
32 |
21 |
0.1 |
F(5) |
12\19.1 |
20.2 |
20.2 |
22 |
15\16.1 |
0.4 |
15\16.1 |
F(6) |
12\19.1 |
5 |
5 |
21 |
15\16.1 |
18 |
-- |
F(7) |
12\19.1 |
20.2 |
21 |
22 |
0.4 |
0.4 |
15\16.1 |
HD |
12\19.1 |
5 |
5 |
22 |
0.1 |
15\16.1 |
15\16.1 |
NY |
12\19.1 |
5 |
5 |
21 |
15\16.1 |
18 |
0.1 |
N |
12\19.1 |
5 |
20.2 |
22 |
21 |
15\16.1 |
15\16.1 |
HN |
12\19.2 |
20.2 |
0.1 |
0.1 |
0.4 |
43.2 |
0.1 |
L18 |
12\19.1 |
20.2 |
5 |
21 |
43.2 |
15\16.1 |
0.1 |
E |
12\19.1 |
5 |
0.1 |
22 |
39 |
21 |
0.? |
E2
|
12\19.1 |
5 |
5 |
22 |
15\16.1 |
15\16.1 |
0.1 |
NOTES. Collates A-G4. In the O (Malone) copy Greg had
questioned his identification of his
mark 20 in gathering B; he was
correct, though he didn't know that there were two sets of
mark 20. He
offered only a query for O gathering E. It is one of the fugitive unmarked pa-
pers, as is that in copy E gathering G: I have found no other examples of
either.
Table 1.9. Sir John
Oldcastle (1600)
|
A |
B |
C |
D |
E |
F |
G |
H |
I |
K |
Copy |
|
|
|
|
|
|
|
|
|
|
C2
|
15\16.1 |
15\16.1 |
17 |
18 |
15\16.1 |
15\16.1 |
5 |
15\16.1 |
15\16.1 |
5 |
L(1) |
15\16.1 |
15\16.1 |
17 |
15\16.1 |
15\16.1 |
15\16.1 |
5 |
15\16.1 |
15\16.1 |
5 |
O |
15\16.1 |
15\16.1 |
17 |
15\16.1 |
15\16.1 |
15\16.1 |
5 |
15\16.1 |
15\16.1 |
5 |
Y2
|
15\16.1 |
17 |
17 |
15\16.1 |
15\16.1 |
15\16.1 |
31 |
15\16.2 |
15\16.1 |
5 |
L(2) |
15\16.1 |
17 |
17 |
31 |
17 |
15\16.1 |
31 |
15\16.1 |
37 |
5 |
F(1) |
15\16.1 |
15\16.1 |
17 |
15\16.2 |
15\16.1 |
15\16.1 |
31 |
15\16.2 |
43.1 |
5 |
F(2) |
44 |
15\16.1 |
17 |
15\16.1 |
15\16.1 |
15\16.1 |
31 |
15\16.1 |
15\16.1 |
5 |
F(3) |
15\16.1 |
15\16.1 |
17 |
18 |
15\16.1 |
15\16.2 |
5 |
15\16.1 |
15\16.1 |
5 |
F(4) |
15\16.1 |
15\16.1 |
30 |
15\16.1 |
15\16.1 |
15\16.1 |
31 |
15\16.1 |
15\16.2 |
5 |
F(5) |
15\16.1 |
17 |
17 |
15\16.1 |
15\16.2 |
15\16.1 |
31 |
45 |
15\16.1 |
5 |
F(6) |
15\16.1 |
15\16.1 |
17 |
15\16.1 |
15\16.1 |
15\16.1 |
31 |
15\16.1 |
15\16.1 |
5 |
F(7) |
15\16.1 |
15\16.1 |
17 |
18 |
15\16.1 |
15\16.1 |
5 |
15\16.1 |
15\16.2 |
5 |
HD |
15\16.1 |
15\16.1 |
17 |
15\16.1 |
15\16.1 |
15\16.1 |
5 |
15\16.1 |
15\16.1 |
5 |
Y |
15\16.1 |
15\16.1 |
17 |
15\16.1 |
15\16.1 |
15\16.2 |
5 |
15\16.1 |
15\16.1 |
5 |
NY |
15\16.1 |
15\16.1 |
42 |
15\16.1 |
15\16.1 |
15\16.1 |
5 |
15\16.1 |
15\16.1 |
5 |
N(1) |
15\16.1 |
15\16.1 |
17 |
15\16.2 |
15\16.1 |
15\16.1 |
31 |
15\16.1 |
43.1 |
5 |
N(2) |
15\16.1 |
17 |
17 |
31 |
17 |
15\16.1 |
31 |
15\16.1 |
37? |
5 |
HN |
15\16.1 |
15\16.1 |
17 |
15\16.1 |
18 |
46 |
31 |
15\16.1 |
34 |
5 |
L18(1) |
44 |
15\16.1 |
17 |
15\16.1 |
15\16.1 |
15\16.1 |
5 |
15\16.1 |
15\16.1 |
5 |
L18(2) |
15\16.1 |
15\16.1 |
17 |
15\16.1 |
15\16.1 |
15\16.1 |
5 |
15\16.1 |
34 |
5 |
E |
15\16.1 |
15\16.1 |
17 |
15\16.1 |
15\16.1 |
15\16.1 |
40 |
15\16.1 |
15\16.1 |
5 |
NOTES. Collates A-K4. Greg identified gathering G in the
Huth copy as mark 21, which looks
to me like a cap with a TV antennae on
top; if Y2 is indeed the Huth copy, this is an error
since the mark is my 31, a POT surmounted with a pyramid of martini
olives. I have found
Greg 21 in no copy of Oldcastle. My identification of N(2) gathering I as mark 37 is
tentative
since I have only fragmentary drawings of this mark and its
possible twin in the same gather-
ing of L(2).
2. Summary Tables: Watermarks in Individual Plays
Table 2.1. The Whole
Contention;
16 edition sheets, 23 copies
Watermark |
23 |
Totals |
Copy |
|
|
C2
|
16 |
16 |
L(1) |
16 |
16 |
O |
16 |
16 |
Y2
|
16 |
16 |
BL(2) |
16 |
16 |
F(1) |
16 |
16 |
F(2) |
16 |
16 |
F(3) |
16 |
16 |
F(4) |
16 |
16 |
F(5) |
16 |
16 |
F(6) |
16 |
16 |
F(7) |
16 |
16 |
F(13) |
16 |
16 |
F(14) |
16 |
16 |
F(15) |
16 |
16 |
HD |
16 |
16 |
HN |
16 |
16 |
ILL |
16 |
16 |
NY(1) |
16 |
16 |
NYP(2) |
16 |
16 |
L18
|
16 |
16 |
E |
16 |
16 |
E2
|
16 |
16 |
Totals |
368 |
368 |
Table 2.2. Pericles; 9
edition sheets, 21 copies
Watermarks |
1\14 |
2 |
6.1 |
7.1 |
23 |
Totals |
Copy |
|
|
|
|
|
|
C2
|
1 |
5 |
1 |
|
2 |
9 |
L |
2 |
3 |
1 |
1 |
2 |
9 |
O |
1 |
5 |
1 |
1 |
1 |
9 |
Y2
|
1 |
6 |
1 |
1 |
|
9 |
F(1) |
2 |
4 |
1 |
|
2 |
9 |
F(2) |
|
5 |
1 |
1 |
2 |
9 |
F(3) |
1 |
5 |
1 |
1 |
1 |
9 |
F(8) |
1 |
5 |
1 |
1 |
1 |
9 |
F(9) |
1 |
4 |
1 |
1 |
2 |
9 |
F(10) |
1 |
6 |
1 |
1 |
1 |
10 |
F(11) |
1 |
4 |
|
1 |
3 |
9 |
F(12) |
1 |
4 |
|
1 |
2 |
8 |
HD |
1 |
4 |
1 |
1 |
2 |
9 |
Y |
|
6 |
2 |
1 |
|
9 |
NY(1) |
|
7 |
1 |
1 |
|
9 |
NY(2) |
1 |
4 |
1 |
1 |
2 |
9 |
N |
1 |
6 |
1 |
1 |
|
9 |
Table 2.2 (Continued)
Watermarks |
1\14 |
2 |
6.1 |
7.1 |
23 |
Totals |
HN |
1 |
5 |
1 |
1 |
1 |
9 |
L18
|
|
5 |
1 |
1 |
2 |
9 |
E |
1 |
5 |
|
1 |
2 |
9 |
E2
|
1 |
4 |
2 |
1 |
1 |
9 |
Totals |
19 |
102 |
20 |
19 |
29 |
189 |
NOTE. For copy F(10) the total is greater than the number of edition sheets
because this copy
was apparently made up, with the title page and 2B1,
originally printed together as a half-
sheet, appearing on different
papers.
Table 2.3. Yorkshire
Tragedy; 4 edition sheets, 19 copies
Watermarks |
1\14 |
2 |
6.1 |
23 |
41 |
Totals |
Copy |
|
|
|
|
|
|
C2
|
2 |
2 |
|
|
|
4 |
L(1) |
|
3 |
1 |
|
|
4 |
O |
|
3 |
1 |
|
|
4 |
Y2
|
3 |
1 |
|
|
|
4 |
L(2) |
1 |
2 |
1 |
|
|
4 |
L(3) |
|
3 |
1 |
|
|
4 |
F(1) |
|
2 |
2 |
|
|
4 |
F(2) |
1 |
1 |
1 |
1 |
|
4 |
F(3) |
1 |
1 |
|
2 |
|
4 |
F(4) |
1 |
1 |
|
2 |
|
4 |
F(5) |
1 |
2 |
1 |
|
|
4 |
F(6) |
1 |
2 |
|
|
1 |
4 |
HD |
|
3 |
1 |
|
|
4 |
Y |
2 |
1 |
1 |
|
|
4 |
NY |
1 |
2 |
1 |
|
|
4 |
N |
2 |
2 |
|
|
|
4 |
HN |
2 |
1 |
1 |
|
|
4 |
L18
|
1 |
1 |
1 |
1 |
|
4 |
E2
|
1 |
2 |
1 |
|
|
4 |
Totals |
20 |
35 |
14 |
6 |
1 |
76 |
Table 2.4. Merchant of
Venice; 10 edition sheets, 15 copies
Watermarks |
1\14 |
2 |
3 |
4.1 |
6.1 |
7.1 |
7.2 |
8 |
9 |
15\16.2 |
totals |
Copy |
|
|
|
|
|
|
|
|
|
|
|
C2
|
4 |
2 |
|
|
3 |
|
|
1 |
|
|
10 |
L(1) |
2 |
3 |
1 |
|
1 |
1 |
|
1 |
1 |
|
10 |
O |
2 |
1 |
1 |
|
2 |
1 |
|
1 |
1 |
1 |
10 |
Y2
|
2 |
2 |
|
|
2 |
1 |
|
1 |
1 |
1 |
10 |
L(2) |
1 |
1 |
|
|
4 |
2 |
|
1 |
1 |
|
10 |
F(1) |
2 |
2 |
|
|
5 |
1 |
|
|
|
|
10 |
F(2) |
1 |
2 |
|
|
4 |
1 |
|
1 |
1 |
|
10 |
F(3) |
2 |
3 |
|
|
4 |
|
|
1 |
|
|
10 |
F(4) |
1 |
3 |
|
|
4 |
1 |
|
1 |
|
|
10 |
HD |
4 |
3 |
|
1 |
1 |
|
|
1 |
|
|
10 |
NY |
1 |
1 |
|
|
4 |
2 |
|
1 |
1 |
|
10 |
ILL |
1 |
4 |
|
|
3 |
1 |
|
1 |
|
|
10 |
N |
3 |
3 |
|
|
1 |
1 |
|
1 |
1 |
|
10 |
HN |
|
3 |
|
|
4 |
1 |
1 |
1 |
|
|
10 |
E2
|
1 |
3 |
|
|
4 |
|
|
|
|
|
8 |
Totals |
27 |
36 |
2 |
1 |
46 |
13 |
1 |
13 |
7 |
2 |
148 |
NOTE. Copy E2 totals less than ten because gatherings C
and G are in facsimile.
Table 2.5. Merry Wives of
Windsor; 7 edition sheets, 22 copies
Watermarks |
0.? |
1\14 |
2 |
3 |
4.1 |
4.2 |
4.3 |
4.4 |
5 |
6.1 |
6.2 |
7.2 |
7.4 |
8 |
9 |
23 |
24\27.2 |
35 |
36 |
Totals |
Copy |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
C2
|
|
|
1 |
1 |
3 |
|
|
|
1 |
|
1 |
|
|
|
|
|
|
|
|
7 |
L(1) |
|
1 |
|
1 |
1 |
|
|
|
3 |
|
|
1 |
|
|
|
|
|
|
|
7 |
O |
|
|
2 |
2 |
|
|
|
|
2 |
|
|
1 |
|
|
|
|
|
|
|
7 |
Y2
|
|
|
1 |
|
2 |
|
|
|
3 |
|
|
|
|
1 |
|
|
|
|
|
7 |
L(2) |
|
|
2 |
|
|
|
|
|
3 |
1 |
|
|
|
|
|
|
1 |
|
|
7 |
F(1) |
|
|
2 |
1 |
|
|
|
|
2 |
|
|
|
|
|
|
|
|
1 |
1 |
7 |
F(2) |
|
1 |
|
1 |
|
|
|
|
3 |
|
|
|
1 |
|
|
|
1 |
|
|
7 |
F(3) |
|
1 |
|
1 |
1 |
|
|
|
2 |
|
|
|
|
|
|
1 |
1 |
|
|
7 |
F(4) |
|
|
2 |
|
|
|
|
|
2 |
|
|
1 |
|
|
|
|
|
|
|
7 |
F(5) |
1 |
|
1 |
1 |
|
1 |
|
|
2 |
|
|
|
|
|
|
|
1 |
|
|
7 |
F(6) |
|
|
1 |
1 |
2 |
|
1 |
|
1 |
|
|
|
|
|
|
|
1 |
|
|
7 |
F(7) |
|
|
1 |
|
|
|
|
|
3 |
|
|
1 |
|
|
|
|
|
|
|
7 |
F(8) |
|
|
1 |
1 |
1 |
|
|
|
1 |
|
|
|
|
|
1 |
|
1 |
|
|
6 |
HD |
|
|
2 |
1 |
2 |
|
|
|
1 |
|
|
|
|
|
|
|
1 |
|
|
7 |
Y |
|
|
1 |
1 |
|
|
|
|
2 |
|
|
1 |
|
|
|
|
|
|
|
5 |
NY(1) |
|
|
1 |
1 |
3 |
|
|
|
1 |
|
|
|
|
|
|
|
1 |
|
|
7 |
NY(2) |
|
|
2 |
|
|
|
|
|
2 |
|
|
1 |
|
|
|
|
|
|
|
7 |
ILL |
|
1 |
1 |
1 |
2 |
|
|
|
1 |
|
|
|
|
|
|
|
1 |
|
|
7 |
N |
|
|
2 |
1 |
|
1 |
1 |
|
2 |
|
|
|
|
|
|
|
|
|
|
7 |
HN |
|
|
1 |
|
|
|
|
|
3 |
|
|
|
|
|
|
|
1 |
|
|
7 |
L18
|
|
|
1 |
1 |
1 |
|
|
|
3 |
|
|
1 |
|
|
|
|
|
|
|
7 |
E |
|
|
1 |
1 |
1 |
1 |
|
1 |
1 |
|
1 |
|
|
|
|
|
|
|
|
7 |
Totals |
1 |
4 |
26 |
25 |
19 |
3 |
2 |
1 |
44 |
1 |
2 |
7 |
1 |
1 |
1 |
1 |
10 |
1 |
1 |
151 |
NOTE. The totals for F(8) and Y are less than seven because the former is
lacking F, the latter has the first two gatherings in facsimile.
Table 2.6. A Midsummer Night's
Dream; 8 edition sheets, 19 copies
Watermarks |
0.? |
1\14 |
2 |
3 |
4.1 |
5 |
6.1 |
7.2 |
7.3 |
7.4 |
8 |
9 |
23 |
24\27.1 |
24\27.2 |
28 |
29 |
Totals |
Copy |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
C2
|
|
|
3 |
|
|
1 |
1 |
1 |
|
|
1 |
1 |
|
|
|
|
|
8 |
L(1) |
|
1 |
1 |
|
|
3 |
1 |
1 |
|
|
|
|
|
1 |
|
|
|
8 |
O |
1 |
|
3 |
|
|
1 |
1 |
|
|
1 |
|
|
|
1 |
|
|
|
8 |
L(2) |
|
1 |
2 |
|
1 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
8 |
F(1) |
|
|
4 |
|
|
2 |
1 |
|
|
|
|
1 |
|
|
|
|
|
8 |
F(2) |
|
|
1 |
|
|
2 |
1 |
1 |
|
|
|
1 |
|
1 |
|
|
1 |
8 |
F(3) |
|
|
4 |
1 |
|
3 |
|
|
|
|
|
|
|
|
|
|
|
8 |
F(4) |
|
1 |
1 |
|
|
3 |
1 |
1 |
|
|
|
|
|
1 |
|
|
|
8 |
F(5) |
|
|
2 |
|
|
1 |
2 |
|
|
|
|
|
1 |
1 |
|
1 |
|
8 |
F(6) |
|
|
2 |
|
|
2 |
2 |
1 |
1 |
|
|
|
|
|
|
|
|
8 |
F(7) |
|
|
3 |
|
|
3 |
2 |
|
|
|
|
|
|
|
|
|
|
8 |
HD |
|
1 |
2 |
|
|
2 |
2 |
|
|
|
|
|
|
|
|
|
1 |
8 |
NY |
|
|
4 |
1 |
|
1 |
1 |
|
|
|
|
1 |
|
|
|
|
|
8 |
ILL |
|
|
2 |
|
|
2 |
1 |
|
|
|
|
1 |
|
|
1 |
|
1 |
8 |
N |
|
|
5 |
|
|
1 |
1 |
|
|
|
|
1 |
|
|
|
|
|
8 |
HN |
|
|
3 |
|
|
1 |
1 |
1 |
|
|
|
1 |
|
1 |
|
|
|
8 |
Y2
|
|
|
2 |
|
|
2 |
1 |
|
|
|
|
1 |
|
1 |
|
|
1 |
8 |
E |
|
|
4 |
|
|
3 |
1 |
|
|
|
|
|
|
|
|
|
|
8 |
E2
|
|
|
3 |
1 |
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
7 |
Totals |
1 |
4 |
51 |
3 |
1 |
36 |
22 |
7 |
2 |
1 |
1 |
8 |
1 |
7 |
1 |
1 |
4 |
151 |
NOTE. I have excluded the Huth copy because, as noted above, I have not seen
it. The total for copy E2 is seven because gathering D is
in
facsimile.
Table 2.7. King Lear; 11
edition sheets, 19 copies
Watermarks |
0.? |
0.1 |
0.2 |
0.3 |
1\14 |
2 |
6.1 |
7.2 |
1O\11 |
12\l9.1 |
12\19.2 |
13 |
20.1 |
21 |
24\27.1 |
25 |
26 |
33 |
Totals |
Copy |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
C2
|
|
2 |
|
1 |
1 |
1 |
1 |
|
2 |
2 |
|
1 |
|
|
|
|
|
|
11 |
L(1) |
1 |
|
|
1 |
|
2 |
|
|
2 |
2 |
|
1 |
1 |
|
|
1 |
|
|
11 |
O |
|
1 |
|
1 |
1 |
2 |
|
|
1 |
1 |
1 |
|
|
2 |
|
|
1 |
|
11 |
Y2
|
|
1 |
1 |
1 |
|
2 |
|
1 |
1 |
1 |
1 |
1 |
|
1 |
|
|
|
|
11 |
L(2) |
|
1 |
|
1 |
3 |
|
1 |
|
|
1 |
1 |
1 |
1 |
|
|
|
1 |
|
11 |
L(3) |
|
2 |
|
|
1 |
1 |
1 |
|
1 |
|
2 |
1 |
|
|
|
1 |
|
1 |
11 |
F(1) |
|
2 |
|
|
1 |
1 |
1 |
|
2 |
1 |
1 |
1 |
|
|
|
|
|
1 |
11 |
F(2) |
1 |
|
2 |
|
|
3 |
|
|
|
1 |
1 |
1 |
|
2 |
|
|
|
|
11 |
F(3) |
|
|
|
|
2 |
1 |
|
|
|
1 |
1 |
2 |
1 |
1 |
|
1 |
|
1 |
11 |
F(4) |
|
2 |
|
|
1 |
|
1 |
|
|
1 |
1 |
2 |
|
1 |
|
|
2 |
|
11 |
F(5) |
|
|
|
|
2 |
1 |
|
|
1 |
2 |
|
2 |
2 |
|
|
|
1 |
|
11 |
F(6) |
|
|
|
1 |
|
2 |
|
|
2 |
1 |
1 |
1 |
1 |
1 |
|
1 |
|
|
11 |
HD |
|
1 |
|
1 |
1 |
1 |
|
|
1 |
1 |
1 |
1 |
1 |
1 |
|
1 |
|
|
11 |
NY |
|
|
|
1 |
|
2 |
1 |
|
1 |
1 |
1 |
1 |
2 |
|
|
1 |
|
|
11 |
ILL |
2 |
1 |
|
|
1 |
1 |
1 |
|
|
|
2 |
2 |
1 |
|
|
|
|
|
11 |
N |
|
|
|
|
1 |
1 |
|
|
1 |
1 |
1 |
|
1 |
2 |
1 |
1 |
|
1 |
11 |
HN |
|
|
|
1 |
2 |
1 |
1 |
|
|
1 |
1 |
2 |
2 |
|
|
|
|
|
11 |
E |
|
1 |
|
|
2 |
2 |
|
|
|
1 |
1 |
1 |
|
1 |
|
1 |
|
1 |
11 |
E2
|
|
|
|
|
1 |
1 |
|
|
2 |
1 |
1 |
1 |
1 |
|
|
1 |
|
1 |
10 |
Totals |
4 |
14 |
3 |
9 |
20 |
25 |
8 |
1 |
17 |
20 |
18 |
21 |
14 |
12 |
1 |
9 |
6 |
6 |
208 |
NOTE. The final gathering of E2 is in facsimile.
Table 2.8. Henry V; 7
edition sheets, 19 copies
Watermarks |
0.? |
0.1 |
0.4 |
5 |
12\19.1 |
12\19.2 |
15\16.1 |
18 |
20.2 |
21 |
22 |
32 |
38 |
39 |
43.2 |
Totals |
Copy |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
C2
|
|
1 |
1 |
|
1 |
|
1 |
|
1 |
1 |
1 |
|
|
|
|
7 |
L(1) |
|
1 |
|
2 |
1 |
|
2 |
|
|
|
1 |
|
|
|
|
7 |
O |
1 |
|
1 |
1 |
|
1 |
1 |
|
1 |
1 |
|
|
|
|
|
7 |
Y2
|
|
2 |
1 |
|
1 |
|
1 |
|
1 |
|
1 |
|
|
|
|
7 |
L(2) |
|
|
1 |
|
1 |
|
1 |
|
1 |
2 |
1 |
|
|
|
|
7 |
F(1) |
|
|
1 |
|
1 |
|
2 |
|
2 |
|
1 |
|
|
|
|
7 |
F(2) |
|
1 |
|
1 |
1 |
|
1 |
|
1 |
|
1 |
|
1 |
|
|
7 |
F(3) |
|
2 |
1 |
1 |
1 |
|
|
|
|
|
1 |
|
|
1 |
|
7 |
F(4) |
|
1 |
|
2 |
1 |
|
|
|
|
1 |
1 |
1 |
|
|
|
7 |
F(5) |
|
|
1 |
|
1 |
|
2 |
|
2 |
|
1 |
|
|
|
|
7 |
F(6) |
|
|
|
2 |
1 |
|
1 |
1 |
|
1 |
|
|
|
|
|
6 |
F(7) |
|
|
2 |
1 |
|
|
1 |
|
1 |
1 |
1 |
|
|
|
|
7 |
HD |
|
1 |
|
2 |
1 |
|
2 |
|
|
|
1 |
|
|
|
|
7 |
NY |
|
1 |
|
2 |
1 |
|
1 |
1 |
|
1 |
|
|
|
|
|
7 |
N |
|
|
|
1 |
1 |
|
2 |
|
1 |
1 |
1 |
|
|
|
|
7 |
HN |
|
3 |
1 |
|
|
1 |
|
|
1 |
|
|
|
|
|
1 |
7 |
L18
|
|
1 |
|
1 |
1 |
|
1 |
|
1 |
1 |
|
|
|
|
1 |
7 |
E |
1 |
1 |
|
1 |
1 |
|
|
|
|
1 |
1 |
|
|
1 |
|
7 |
E2
|
|
1 |
|
2 |
1 |
|
2 |
|
|
|
1 |
|
|
|
|
7 |
Totals |
2 |
16 |
10 |
19 |
16 |
2 |
21 |
2 |
13 |
11 |
14 |
1 |
1 |
2 |
2 |
132 |
NOTE. The final gathering of copy F(6) is heavily restored and chainlines are
obscured.
Table 2.9. Sir John
Oldcastle; 10 edition sheets, 21 copies
Watermarks |
5 |
15\16.1 |
15\16.2 |
17 |
18 |
30 |
31 |
34 |
37 |
40 |
42 |
43.1 |
44 |
45 |
46 |
Totals |
Copy |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
C2
|
2 |
6 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
10 |
L(1) |
2 |
7 |
|
1 |
|
|
|
|
|
|
|
|
|
|
|
10 |
O |
2 |
7 |
|
1 |
|
|
|
|
|
|
|
|
|
|
|
10 |
Y2
|
1 |
5 |
1 |
2 |
|
|
1 |
|
|
|
|
|
|
|
|
10 |
L(2) |
1 |
3 |
|
3 |
|
|
2 |
|
1 |
|
|
|
|
|
|
10 |
F(1) |
1 |
4 |
2 |
1 |
|
|
1 |
|
|
|
|
1 |
|
|
|
10 |
F(2) |
1 |
6 |
|
1 |
|
|
1 |
|
|
|
|
|
1 |
|
|
10 |
F(3) |
2 |
5 |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
10 |
F(4) |
1 |
6 |
1 |
|
|
1 |
1 |
|
|
|
|
|
|
|
|
10 |
F(5) |
1 |
4 |
1 |
2 |
|
|
1 |
|
|
|
|
|
|
1 |
|
10 |
F(6) |
1 |
7 |
|
1 |
|
|
1 |
|
|
|
|
|
|
|
|
10 |
F(7) |
2 |
5 |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
10 |
HD |
2 |
7 |
|
1 |
|
|
|
|
|
|
|
|
|
|
|
10 |
Y |
2 |
6 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
10 |
NY |
2 |
7 |
|
|
|
|
|
|
|
|
1 |
|
|
|
|
10 |
N(1) |
1 |
5 |
1 |
1 |
|
|
1 |
|
|
|
|
1 |
|
|
|
10 |
N(2) |
1 |
3 |
|
3 |
|
|
2 |
|
1 |
|
|
|
|
|
|
10 |
HN |
1 |
4 |
|
1 |
1 |
|
1 |
1 |
|
|
|
|
|
|
1 |
10 |
L18(1) |
2 |
6 |
|
1 |
|
|
|
|
|
|
|
|
1 |
|
|
10 |
L18(2) |
2 |
6 |
|
1 |
|
|
|
1 |
|
|
|
|
|
|
|
10 |
E |
1 |
7 |
|
1 |
|
|
|
|
|
1 |
|
|
|
|
|
10 |
Totals |
31 |
116 |
9 |
25 |
4 |
1 |
12 |
2 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
210 |
3. Summary Table: Watermarks in All Plays
Play |
Cont.
|
Per
|
YT
|
MV
|
MWW
|
MND
|
Lear
|
H5
|
SJO
|
Totals |
Watermark |
|
|
|
|
|
|
|
|
|
|
0.? |
|
|
|
|
1 |
1 |
4 |
2 |
|
8 |
0.1 |
|
|
|
|
|
|
14 |
16 |
|
30 |
0.2 |
|
|
|
|
|
|
3 |
|
|
3 |
0.3 |
|
|
|
|
|
|
9 |
|
|
9 |
0.4 |
|
|
|
|
|
|
|
10 |
|
10 |
1\14 |
|
19 |
20 |
27 |
4 |
4 |
20 |
|
|
94 |
2 |
|
102 |
35 |
36 |
26 |
51 |
25 |
|
|
275 |
3 |
|
|
|
2 |
25 |
3 |
|
|
|
30 |
4.1 |
|
|
|
1 |
19 |
1 |
|
|
|
21 |
4.2 |
|
|
|
|
3 |
|
|
|
|
3 |
4.3 |
|
|
|
|
2 |
|
|
|
|
2 |
4.4 |
|
|
|
|
1 |
|
|
|
|
1 |
5 |
|
|
|
|
55 |
36 |
|
19 |
31 |
141 |
6.1 |
|
20 |
14 |
46 |
1 |
22 |
8 |
|
|
111 |
6.2 |
|
|
|
|
2 |
|
|
|
|
2 |
7.1 |
|
19 |
|
13 |
|
|
|
|
|
32 |
7.2 |
|
|
|
1 |
7 |
7 |
1 |
|
|
16 |
7.3 |
|
|
|
|
|
2 |
|
|
|
2 |
7.4 |
|
|
|
|
1 |
1 |
|
|
|
2 |
8 |
|
|
|
13 |
1 |
1 |
|
|
|
15 |
9 |
|
|
|
7 |
1 |
8 |
|
|
|
16 |
10\11 |
|
|
|
|
|
|
17 |
|
|
17 |
12\19.1 |
|
|
|
|
|
|
20 |
16 |
|
36 |
12\19.2 |
|
|
|
2 |
|
|
18 |
2 |
|
22 |
13 |
|
|
|
|
|
|
21 |
|
|
21 |
15\16.1 |
|
|
|
|
|
|
|
21 |
116 |
127 |
15\16.2 |
|
|
|
|
|
|
|
|
9 |
9 |
17 |
|
|
|
|
|
|
|
|
25 |
25 |
18 |
|
|
|
|
|
|
|
2 |
4 |
6 |
20.1 |
|
|
|
|
|
|
14 |
|
|
14 |
20.2 |
|
|
|
|
|
|
|
13 |
|
13 |
21 |
|
|
|
|
|
|
12 |
11 |
|
23 |
22 |
|
|
|
|
|
|
|
14 |
|
14 |
23 |
368 |
29 |
6 |
|
1 |
1 |
|
|
|
405 |
24\27.1 |
|
|
|
|
|
7 |
1 |
|
|
8 |
24\27.2 |
|
|
|
|
10 |
1 |
|
|
|
11 |
25 |
|
|
|
|
|
|
9 |
|
|
9 |
26 |
|
|
|
|
|
|
6 |
|
|
6 |
28 |
|
|
|
|
|
1 |
|
|
|
1 |
29 |
|
|
|
|
|
4 |
|
|
|
4 |
30 |
|
|
|
|
|
|
|
|
1 |
1 |
31 |
|
|
|
|
|
|
|
|
12 |
12 |
32 |
|
|
|
|
|
|
|
1 |
|
1 |
33 |
|
|
|
|
|
|
6 |
|
|
6 |
34 |
|
|
|
|
|
|
|
|
2 |
2 |
35 |
|
|
|
|
1 |
|
|
|
|
1 |
36 |
|
|
|
|
1 |
|
|
|
|
1 |
37 |
|
|
|
|
|
|
|
|
2 |
2 |
38 |
|
|
|
|
|
|
|
1 |
|
1 |
39 |
|
|
|
|
|
|
|
2 |
|
2 |
40 |
|
|
|
|
|
|
|
|
1 |
1 (continued)/> |
Table: (Continued)
Play |
Cont.
|
Per
|
YT
|
MV
|
MWW
|
MND
|
Lear
|
H5
|
SJO
|
Totals |
41 |
|
|
1 |
|
|
|
|
|
|
1 |
42 |
|
|
|
|
|
|
|
|
1 |
1 |
43.1 |
|
|
|
|
|
|
|
|
2 |
2 |
43.2 |
|
|
|
|
|
|
|
2 |
|
2 |
44 |
|
|
|
|
|
|
|
|
1 |
1 |
45 |
|
|
|
|
|
|
|
|
1 |
1 |
46 |
|
|
|
|
|
|
|
|
1 |
1 |
Totals |
368 |
189 |
76 |
148 |
162 |
151 |
208 |
132 |
209 |
1643 |
4. Copies Examined
Library symbols
I have chosen to identify the copies using STC
library symbols simply for their
brevity. To facilitate comparison
with Greg's chart the first four copies listed for
each title are
those examined by Greg, who used the following symbols: "C =
Capell
copy at Trinity Cambridge; G = Garrick copy at the British Museum
[now
British Library]; M = Malone copy at the Bodleian; H = the copy in pos-
session of Mr. Huth [now at the Elizabethan Club]."
C2
|
Trinity Cambridge |
L |
British Library |
O |
Bodleian |
Y2
|
Elizabethan Club, Yale |
F |
Folger Shakespeare Library |
HD |
Houghton Library, Harvard |
Y |
Beinecke Library, Yale |
NY |
New York Public Library |
ILL |
University of Illinois at Urbana-Champaign |
N |
Newberry Library |
HN |
Huntington Library |
L18
|
Victoria and Albert Museum |
E |
National Library of Scotland |
E2
|
Edinburgh University Library |
In cases where a library holds more than one copy of a title, I have added a
par-
enthetical number following the library code: i.e. F(1), F(2),
F(3), etc.
Copies by title
The Whole Contention (Cont)
Copy |
Shelfmark |
C2
|
Capell Q.12.4 |
L(1) |
C.34.k.38.(1) |
O |
Arch. G d.39(5) |
Y2
|
Eliz. Club 200 |
L(2) |
C.12.h.6 |
F(1) |
STC 26101, Copy 1 |
F(2) |
STC 26101, Copy 2 |
F(3) |
STC 26101, Copy 3 |
F(4) |
STC 26101, Copy 4 |
F(5) |
STC 26101, Copy 5 |
F(6) |
STC 26101, Copy 6 |
F(7) |
STC 26101, Copy 7 |
F(13) |
STC 26101, Copy 13 |
F(14) |
STC 26101, Copy 14 |
F(15) |
STC 26101, Copy 15 |
HD |
HEW 6.9.34 |
HN |
79883 |
ILL |
X 822.33 W51619 |
NY(1) |
*KC 1619, Copy 1 |
NYP(2) |
*KC 1619, Copy 2 |
L18
|
Dyce 26 Box 42/5 |
E |
Bute.232 |
E2
|
JA3737 |
Pericles (Per)
Copy |
Shelfmark |
C2
|
Capell Q.12.3 |
L |
C.34.k.38 |
O |
Arch. G d.41(6) |
Y2
|
Eliz. Club 189 |
F(1) |
STC 26101, Copy 1 |
F(2) |
STC 26101, Copy 2 |
F(3) |
STC 26101, Copy 3 |
F(8) |
STC 26101, Copy 8 |
F(9) |
STC 26101, Copy 9 |
F(10) |
STC 26101, Copy 10 |
F(11) |
STC 26101, Copy 11 |
F(12) |
STC 26101, Copy 12 |
HD |
14308.125.20* |
Y |
1977 2546 |
NY(1) |
*KC 1619, Copy 1 |
NY(2) |
*KC 1619, Copy 2 |
N |
CASE 3A 897 |
HN |
69347 |
L18 |
Dyce 26 Box 42/5 |
E |
Bute.504 |
E2 |
JA3707 |
Yorkshire Tragedy (YT)
Copy |
Shelfmark |
C2
|
Capell Q.11.1 |
L(1) |
C.34.l.6 |
O |
Arch. G d.42(7) |
Y2 |
Eliz. Club 207 |
L(2) |
C.12.g.26 |
L(3) |
C.12.g.17 |
F(1) |
STC 22341, Copy 1 |
F(2) |
STC 22341, Copy 2 |
F(3) |
STC 22341, Copy 3 |
F(4) |
STC 22341, Copy 4 |
F(5) |
STC 22341, Copy 5 |
F(6) |
STC 22341, Copy 6 |
HD |
13408.280.5* |
Y |
1977 2701 |
NY |
*KC 1619 |
N |
CASE 3A 897 |
HN |
69373 |
L18 |
Dyce 26 Box 43/5 |
E2 |
JA3712 |
Merchant of Venice (MV)
Copy |
Shelfmark |
C2
|
Capell Q.11.5 |
L(1) |
C.34.k.23 |
O |
Arch. G d.42(2) |
Y2 |
Eliz. Club 181 |
L(2) |
C.12.g.31 |
F(1) |
STC 22297, Copy 1 |
F(2) |
STC 22297, Copy 2 |
F(3) |
STC 22297, Copy 3 |
F(4) |
STC 22297, Copy 4 |
HD |
13408.116.5* |
NY |
*KC 1619 |
ILL |
X 822.33 P31619 |
N |
CASE 3A 895 |
HN |
59555 |
E2 |
JA3725 |
Merry Wives of Windsor (MWW)
Copy |
Shelfmark |
C2
|
Capell Q.11.2 |
L(1) |
C.34.k.27 |
O |
Arch. G d.42 (4) |
Y2 |
Eliz. Club 182 |
L(2) |
C.12.g.24 |
F(1) |
STC 22300, Copy 1 |
F(2) |
STC 22300, Copy 2 |
F(3) |
STC 22300, Copy 3 |
F(4) |
STC 22300, Copy 4 |
F(5) |
STC 22300, Copy 5 |
F(6) |
STC 22300, Copy 6 |
F(7) |
STC 22300, Copy 7 |
F(8) |
STC 22300, Copy 8 |
HD |
13408.118.5* |
Y |
1977 2353 |
NY(1) |
*KC 1619, Copy 1 |
NY(2) |
*KC 1619, Copy 2 |
ILL |
X 822.33 P51619 |
N |
CASE 4A 956 |
HN |
69332 |
L18 |
Dyce 26 Box 42/1 |
E |
Bute.498 |
A Midsummer Night's Dream (MW)
Copy |
Shelfmark |
C2
|
Capell Q.11.3 |
L(1) |
C.34.k.30 |
O |
Arch. G d.42(1) |
Y2 |
Eliz. Club 184 |
L(2) |
C.12.g.30 |
F(1) |
STC 22303, Copy 1 |
F(2) |
STC 22303, Copy 2 |
F(3) |
STC 22303, Copy 3 |
F(4) |
STC 22303, Copy 4 |
F(5) |
STC 22303, Copy 5 |
F(6) |
STC 22303, Copy 6 |
F(7) |
STC 22303, Copy 7 |
HD |
13408.120.5* |
NY |
*KC 1619 |
ILL |
X 822.33 P71619 |
N |
CASE 3A 894 |
HN |
69335 |
E |
Bute.500 |
E2 |
JA3710 |
King Lear (KL)
Copy |
Shelfmark |
C2
|
Capell Q.11.4 |
L(1) |
C.34.k.19 |
O |
Arch. G d.42(5) |
Y2 |
Eliz. Club 177 |
L(2) |
C.34.k.20 |
L(3) |
C.12.g.27 |
F(1) |
STC 22293, Copy 1 |
F(2) |
STC 22293, Copy 2 |
F(3) |
STC 22293, Copy 3 |
F(4) |
STC 22293, Copy 4 |
F(5) |
STC 22293, Copy 5 |
F(6) |
STC 22293, Copy 6 |
HD |
13408.110.5* |
NY |
*KC 1619 |
ILL |
X 822.33 T31619 |
N |
CASE 3A 896 |
HN |
69325 |
E |
Bute.488 |
E2 |
JA3729 |
Henry V (H5)
Copy |
Shelfmark |
C2
|
Capell Q.12.2 |
L(1) |
C.34.k.14 |
O |
Arch. G d.39(4) |
Y2 |
Eliz. Club 176 |
L(2) |
C.12.g.33 |
F(1) |
STC 22291, Copy 1 |
F(2) |
STC 22291, Copy 2 |
F(3) |
STC 22291, Copy 3 |
F(4) |
STC 22291, Copy 4 |
F(5) |
STC 22291, Copy 5 |
F(6) |
STC 22291, Copy 6 |
F(7) |
STC 22291, Copy 7 |
HD |
13408.106.10* |
NY |
*KC 1619 |
N |
CASE Y S725.607 |
HN |
69323 |
L18 |
Dyce 26 Box 41/3 |
E |
Bute.485 |
E2 |
JA3716 |
Sir John Oldcastle (SJO)
Copy |
Shelfmark |
C2
|
Capell Q.12.1 |
L(1) |
C.34.l.1 |
O |
Mal. 222(4) |
Y2 |
Eliz. Club 204 |
L(2) |
C.12.g.23 |
F(1) |
STC 18796, Copy 1 |
F(2) |
STC 18796, Copy 2 |
F(3) |
STC 18796, Copy 3 |
F(4) |
STC 18796, Copy 4 |
F(5) |
STC 18796, Copy 5 |
F(6) |
STC 18796, Copy 6 |
F(7) |
STC 18796, Copy 7 |
HD |
13408.260.10* |
Y |
1977 2622 |
NY |
*KC 1619 |
N(1) |
CASE 4A 956 |
N(2) |
CASE Y 5887.6 |
HN |
62783 |
L18(1) |
Dyce 26 Box 43/2 |
L18(2) |
Dyce 26 Box 43/3 |
E |
Bute.531 |
NOTE. Unlike the other Elizabethan Club copies, Y2 of
SJO appears not to be the copy Greg
examined
from Mr. Huth's collection.