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WHAT DID ANNA BARBAULD DO TO SAMUEL RICHARDSON'S CORRESPONDENCE? A STUDY OF HER EDITING by William McCarthy
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WHAT DID ANNA BARBAULD DO TO SAMUEL RICHARDSON'S CORRESPONDENCE? A STUDY OF HER EDITING
by
William McCarthy

Although Anna Letitia Barbauld's biography of Samuel Richardson still enjoys the respect of Richardsonians, her editing of his correspondence has been much less fortunate. Comparing the manuscript letters now held in the Forster Collection and elsewhere with the texts published in 1804 under Barbauld's editorship as The Correspondence of Samuel Richardson, Richardsonians have seen differences that make a modern editor cringe.[1] The printed texts are usually abridged, without notice; they are often reworded in small ways; their spelling and punctuation are generally altered; a number of them are misdated; and twenty-five of them appear to have been spliced together out of perhaps fifty-six separate letters. One editor, contemplating the correspondence of Richardson and Edward Young as printed in Correspondence, accused Barbauld of forgery.[2] Faced with the differences between manuscript and 1804 texts, Richardsonians today regard Barbauld's edition as (at best!) worthless, and have resolved to prepare a new one.[3]


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There is a further reason for a new edition. As Peter Sabor pointed out years ago, Correspondence has long been regarded, erroneously, as a complete edition. In fact the 442 letters represented in it, besides being abridged, amount to only about a quarter of the Richardson correspondence known to exist today, and a still smaller proportion of what existed in 1804. Although it fills five and a half volumes, Barbauld's is a selected correspondence—as its title page declares, and as she herself stated in her preface to it. She regarded her editorial task as primarily (in her words) "the necessary office of selection."[4]

That we need a complete edition of the Richardson correspondence, edited to modern scholarly standards by modern methods, is not in doubt. A good place to begin, however, is with a fresh look at Barbauld's editing. As her biographer-in-progress I am obliged to consider her Richardson work as part of her life. Barbauld's was the first large publication of Richardson's letters, and in the course of that labor she also became his first biographer: as Richardson's work was an event in her history, so hers was an event—even a defining event—in his. And so it will remain, for there are about 280 letters of which Correspondence seems to be the only surviving text; for them, Richardsonians are stuck with her work, like it or not. It therefore behooves us to try to understand what she did, and why she did it. Barbauld's biographer can bring to that effort information not possessed by Richardsonians. Moreover, going through the letters from the point of view, as it were, of Barbauld herself is a way to raise awareness of what happened to them before they came to her.

Hitherto it has been assumed that any difference at all between manuscript and printed text must have been Barbauld's personal doing: if even a comma was changed, she changed it.[5] That assumption agrees poorly with the known practices of eighteenth-century publishing, but it could not be specifically refuted as long as no one could distinguish her marks on the manuscripts from other people's. Richardsonians could recognize Richardson's marks on them; to recognize hers, a Barbauldian is required.[6] To appreciate the importance


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of distinguishing her marks from the others, and the problem faced by any editor of the letters (including Barbauld herself), we must recall the state in which the letters came to her.[7]

At his death Richardson left seven or eight volumes of letters (according to one report; they may well have been more than that).[8] It is well known that late in life he reviewed his correspondence with an idea of publishing parts of it as commentary on his novels. Anyone who has read Tom Keymer's book on Clarissa and her readers will know how much Richardson's correspondence revolves around people's responses to his fictions;[9] Richardson was perfectly right, although rather ahead of his age, to project an edition of it. He worked through the letters with care, making copies and having copies made, marking passages for deletion, disguising names, and making stylistic changes. Most of the surviving manuscript versions of letters that Barbauld published show some sign of Richardson's prior work on them—a fact to which I shall return. The manuscripts are a mix of original letters and copies by Richardson and several copyists; thus letters by one and the same writer may appear in three different hands, with further annotations and changes in Richardson's. (Indeed, they show two distinct Richardson hands: pre- and post-Parkinson's.) A single letter may itself exhibit three or four hands. There are indications of further work on the letters by someone in Richardson's family in 1780.[10] Thus marked and re-marked, they would have posed interpretive challenges to any outsider looking at them for the first time, even in 1804.

In February 1804 the letters were bought by the bookseller Richard Phillips, and they remained his property until he sold them at auction in 1828.[11] He immediately hired Barbauld to make a selection for print, and the


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volumes of manuscripts were delivered to her around February 20.[12] Behold her then, the first person outside Richardson's family to leaf through this huge collection of sometimes puzzling documents. How does she approach it? Barbauld was a good historian (history was one of the subjects she had taught at Palgrave School twenty years earlier), and the bedrock of history, in her mind, was chronology.[13] So she set out, as she explained to Phillips, to "have the letters in chronological date order." At least within each correspondence[14]Probably while doing that, she also chose the letters that looked to her most worth printing. The next step would have been to mark the passages in them that were not to be printed. For this purpose, and to distinguish her deletions from Richardson's, she used green ink. The green-ink deletion strokes on the letters—neat single lines drawn vertically or horizontally across the passages to be deleted—can be ascribed to her because occasionally she also wrote a word or two in green, and thus testified to her hand.[15] Her typical markings on the manuscripts look, then, like those in Figure 1, which also illustrates the presence of other hands. This page came to Barbauld already bearing three hands. The hand of the letter is Aaron Hill's. The date at the top was written by one of Richardson's copyists. Richardson himself wrote the note at the head commenting on the letter and advising himself to "lower" its praise of him. Barbauld deletes that note and enters a note identifying the correspondent: "Mr Hill to R." If the image were in color, it would be seen that in this instance most of the deletion marks are not hers; they are Richardson's, except for the middle vertical stroke across lines 1-3, the short vertical stroke across lines 20-21, and the horizontal stroke following the word "temptation" in line 19. She inserts "my dear Friend" in line 4 to make up for the salutation deleted in lines 1-2.

At the ends of letters she often curtails the closings. In Figure 2, having deleted the sentence which led into it, she rewrites the close: "I am," the apostrophe "s" tacked onto the first "Your," and "&c A Hill" are hers. Observe that Richardson—or somebody—preceded her: the vertical stroke deleting lines 13-14, and the "Your" in line 15, are not hers.

Neither on these nor on other pages has Barbauld changed punctuation or other accidentals, except occasionally to capitalize a word that opens a


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illustration

Figure 1. Forster MSS 48.E.7 (Vol. XIII.2), fol. 50r, from Aaron Hill to Richardson, 29 July 1741. Reproduced from Harvester Microforms edition (1986) by permission of V & A Picture Library.

sentence following a deletion.[16] She did not change accidentals either because she expected the printer to follow those of the manuscripts or, more

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illustration

Figure 2. Forster MSS 48.E.7 (Vol. XIII.2), fol. 47r, from Aaron Hill to Richardson, 13 April 1741. Reproduced from Harvester Microforms edition (1986) by permission of V & A Picture Library.

probably, because she expected the printer to normalize them. Her entrusting accidentals to the printer is evident in one of her few extended annotations to a letter: Princeton University Library MS 14598 (Richardson to Aaron Hill, 29 October 1742). There she reinserts in her own hand a passage she had at first deleted, and the text in Correspondence adds punctuation not specified by her hand.[17] In expecting the printer to normalize she behaved like many other writers, then and later: for example Edward Young, writing to Richardson himself, who acted as Young's printer: "I shall, dear sir, look on your manner of lettering[,] stopping, &c. as half the composition."[18]

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To charge Barbauld with the accidentals of Correspondence is to blame her for something over which she did not assume—and probably was not expected to assume—jurisdiction. The responsible party was the printer; or, in this case, the printers, for Phillips distributed the six volumes among five different printing-houses.[19]

This, then, is how Barbauld typically marked up a manuscript. On some points her work shows an effort to get back to the original texts: thus she reinserts names that Richardson had deleted or disguised in the Lady Bradshaigh and Wescomb letters, and she must have instructed the press (by her use of contrasting ink) to observe her deletions rather than Richardson's, for that is what the printed texts usually do, except when hers reinforce his. She sought information about Richardson's forty-four correspondents, interviewed people, sent inquiries, consulted reference works, and waited—by her own account—"to the last moment" for some promised information on Lady Bradshaigh that never came.[20] She was engaged in a project analogous in some respects to Johnson's Lives of the Poets or her own British Novelists later; had it been allowed to run its course, her work would have taken considerable time.

But her work was not allowed to run its course. Phillips, the owner of the letters and the publisher of the edition, was a difficult man to work for.


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Domineering and argumentative, he regarded the authors who carried out "his" projects as little more than hired hands and oversaw their work with deep suspicion.[21] His letters to Barbauld do not survive, but one of hers to him does; from it we can gather that by 20 April, just two months after he delivered the manuscripts to her, Phillips was already nagging her for copy and accusing her of neglecting his financial interest. At the same time, he has unexpectedly sent her more letters to edit. "I have only waited," she pleads, "from my solicitude to have the letters in chronological order which beginning two or three Vol. without knowing how much one will take will I fear destroy, & from yr sending new matter which must alter the proportion taken of the whole" (i.e., her selection from the letters). With this letter she sends copy towards what became the first 119 pages of Volume 4, holding the rest back till "the return of the first proof sheet I have from any body." She has also just sent "matter . . . to begin the 3d Vol"—i.e. part of the RichardsonThomas Edwards correspondence—and she demands that Phillips send her "clean sheets of each . . . & always the proofs."[22] The letter intimates a tense working relationship between her and Phillips, he pressing for quick copy, she trying to fend him off long enough to do a careful job. In the end Phillips must have prevailed: the Correspondence, all six volumes of it, including her two-hundred-page life of Richardson, was published by, or even before, June first.[23] The entire time Phillips allowed her to work on the edition amounted, in the end, to three months at most.

Given this hurried production, with copy being distributed among five different printing houses, it should perhaps be no surprise that for most of the printed letters no manuscript texts survive.[24] But there is much to learn


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from the manuscripts that do survive. In the Forster Collection and elsewhere are held 80 letters marked by Barbauld as if for print, but not printed, and another 111 that correspond to letters actually printed. Appendix A below lists 104 of the 111 letters corresponding to those that were printed; Appendix B lists the 80 not printed. It looks, then, as if Barbauld wanted to print more letters than Phillips would allow.[25] Even though not printed, the 80 marked letters give further evidence of her editorial style and method. They are therefore taken into account in the conclusion to this paper.

More important, however, are the inferences that can now be drawn about the published texts themselves. Knowing Barbauld's markings on them, we can collate the manuscripts with the printed texts and see how closely those texts observe her markings. The results of my collation of 104 letters with their counterparts in Correspondence are presented in summary form in Appendix A below. They show that the printed texts observe Barbauld's markings closely—but that they also very often differ from the manuscripts in ways that cannot be traced to marks by Barbauld or anyone else. The differences are verbal (sometimes clearly misreadings by compositors but also sometimes different phrasings and added words) and deletional (usually of just a few words, but in one case the absence of almost one-third of a letter, in the manuscript of which Barbauld had marked no deletions at all).[26] To attribute all these differences to one person would be rash: the production of a six-volume book involves many people besides its nominal editor. Moreover, it would be rash even to assume that all the differences result from interventions during the book's production.

Many, however, clearly do result from intervention. Volume 3 presents


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good evidence that between Barbauld's marking of the manuscripts and the final printing of the book, the text underwent further changes. For Volume 3 also, surviving manuscripts at least hint at Barbauld's preferred working method—and its likely frustration by Phillips. At the lower right corner of
illustration

Figure 3. Forster MSS 48.E.6 (Vol. XII.1), fol. 116r, from Thomas Edwards to Richardson, 20 November 1754. Reproduced from Harvester Microforms edition (1986) by permission of V & A Picture Library.


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Figure 3 (a letter by Thomas Edwards) appears a circled notation, "Vol 3 F 97." This is one of a number of such notations appearing among the Forster manuscripts, but only on letters that were printed in Correspondence. Presumably made in the printing houses, they mark the beginnings of gatherings—either predictively, so that type-setting could begin with any sheet in a volume, or actually, as type was being set.[27] With two exceptions, the notations do correspond to the beginnings of gatherings in the printed volumes: thus, in Volume 3 gathering F starts on page 97, at the word bracketed on this manuscript leaf.

Whether made before or during composition, the marks imply that the printer worked from copy that was complete and final to that point. But collation of the Forster manuscripts that correspond to Volume 3, pages 1-96, with the printed text reveals a discrepancy equivalent to thirty-three manuscript lines of text. Between Barbauld's markup of the letters and the printer's accurate notation of this gathering, there must have occurred at least some of the additional changes described above as appearing in the printed texts and including, in this case, the deletion of thirty-three manuscript lines. Recall that Barbauld, when she sent the first Edwards letters to Phillips, asked for "clean sheets of each." I take this to mean that she wanted clean copy, transcripts of the letters that would embody her deletions. She may have wanted them to read proof against.[28] Did she also, however, mark them further and send them to the press as copy? This conjecture allows the inference that the Forster counterparts of Volume 3, pages 1-96, did not serve as copy for the printer—an inference that would explain both the thirty-three line discrepancy and the fact that none of them bears a gathering notation, although they equal four gatherings' worth of printed text.[29]

On reflection, it would make perfect sense for Barbauld to have worked in this way. By using transcripts, she would have protected the original letters from printing-house damage and reduced the risk of compositorial error in setting the texts; it was a responsible way to work. The appearance of gathering marks on the manuscripts for pages 97 and later suggests, then, either that she succumbed to Phillips's demands for speed and began sending him the original manuscripts as copy or—more likely—that Phillips himself in his impatience to publish began passing her marked originals directly to the press, ignoring her request for transcripts. His impatience may also have driven her to cut corners: two of the last letters in the Edwards correspondence show manuscript evidence of conflation.[30] I emphasize manuscript


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evidence; for all that Barbauld has been charged with freely combining different letters, very few of the manuscripts actually show her doing that. (Those that do are identified in Appendices A and B. The RichardsonYoung correspondence—at least the Young side of it—may have presented exceptional temptations to conflate; I discuss the evidence in Appendix C.)

The inference of transcripts, however, still leaves questions. If Barbauld had transcripts made, did she herself then change them in the ways I have described? Some kinds of changes, such as further deletions, are probably hers; but other small changes would have occurred by error in the course of transcription, and, being pressed for time, she would have overlooked them. (If Phillips's transcriber worked in the same way that printers worked, she would not in any case have received the originals back with the transcripts and would not have been able to check them for accuracy.[31]) The inference of transcripts also cannot explain the fact that similar small differences appear between the printed texts and the manuscripts that we know served as copy for them. Any manuscript bearing a gathering notation certainly saw the inside of a printing house, yet collation of those manuscripts with Correspondence also turns up differences. It seems necessary, then, to infer changes in the very process of printing, or in proofs, or in both.

Besides the question of editorial intervention between Barbauld and the press (whether by her or by someone else), however, there is the near certainty that some 1804 texts differ from surviving manuscripts because the surviving manuscripts were never the manuscripts on which those texts were based. I refer, here, to alternative versions of letters in the collection as it came to Barbauld. Evidence of alternative versions is not rare. For example, Edward Young's letter to Richardson dated 14 March 1754 exists in a manuscript copy and two printed texts, and both printed texts give an entire sentence that the


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manuscript copy does not contain.[32] The later print is not a reprint of the text in Correspondence, for it prints a long passage not given in that text (although the passage does appear in the manuscript). Barbauld seems to have seen the manuscript; although discolored today, it bears what appears to be her typical deletion stroke from top to bottom. We may infer that she had two manuscript versions to choose from, and that her deletion stroke was a directive to use the other manuscript, not this one. When, years later, Phillips re-published the same letter, he seems to have made the same choice.[33] Another example of multiple versions—and one which shows how they came to be—is Richardson's letter to Wescomb dated (but only in its Forster text) 15 September 1746. This exists in two autographs, the letter he actually sent (Huntington Library HM 6894) and a file copy (Forster FC XIV.3, ff 7-8). Collating them, one sees a progress of Richardson revision from original letter to Forster text. The text in Correspondence (3:250-255) varies from both manuscripts. Although the original letter bears some Barbauld marks and would therefore seem to be the one she used, the printed text departs from it in making deletions not marked by Richardson or Barbauld on the original but marked by Richardson on the Forster copy, and also by making deletions not marked by anyone on either copy. I suspect the existence of a third version, which would have carried forward Richardson's revisions on the Forster, introduced further cuts, and served as copy for the 1804 text.[34]


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Thus the question of multiple versions of letters in Richardson's collection brings us back to Richardson himself, the first person to edit his correspondence. He did to it—or at least contemplated doing to it—everything that Barbauld has ever been accused of doing. In his own words, he "altered, mutilated, disguised, or omitted" passages that might reveal the identities of the writers.[35] That he was prepared to rewrite his own letters is evidenced by his notation on one of them (FC XVI.1, f 57r, an undated copy of a letter "To Doct. C—"), "To be better written, if not wholly omitted." That he often altered letters (those of others as well as his own) stylistically is evident from insertions and changes in his hand throughout the Forster Collection. Although we cannot be sure that he conflated letters, he certainly had no qualms about the idea of conflating them: thus he brackets in red ink a paragraph in one letter and tells himself to "Transcribe [it] to next Letter but one for ye Sentiments."[36] During 1758 he and Lady Bradshaigh collaborated on a rewrite of their correspondence, the dimensions of which can be guessed from remarks they make to each other about their work. Thus Lady Bradshaigh, evidently responding to edited texts he has sent her for review:

I have taken away the 2 first letters, as useless, besides Indelicate, & Ill wrote. . . .

The Lines, words, or paragraphs that I wish to have restor'd, are either notch'd, or wrote in the margin, restor'd.

You will find many passages dismiss'd concerning a subject, about which, we never cou'd agree. . . .

I was doubtful whether I shou'd let remain what I said of my Dear & worthy mother, I have alter'd severall things on that Subject. . . .


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Wou'd it be improper to leave what is said of a certain young friend of mine in the manner you will find it?

(21 April 1758; FC XI, f 240r)

And Richardson approves this caution even though they have no intention of actually publishing the results, for some day a third party may read their correspondence: "Were ye worst to happen, . . . we are under no Obligation to any body, or to ye Public (as second or third Persons perhaps wd think themselves) to keep to ye Letter of ye Correspondence as it passed."[37]

The criteria to which Bradshaigh and Richardson appeal ("indelicate," "ill wrote," "improper") declare that Richardson's editing, like Barbauld's later, was not based on the ethic modern editors work by. He did not aim to produce historically exact texts ("ye Letter of ye Correspondence as it passed"), for such texts would include matter never meant for consumption by third parties (let alone the public at large), whether because it was private, likely to appear trivial, or likely to injure its writer's public image.[38] Richardson recognized that the value of his correspondence lay in its discussing his novels and issues raised by them. Like other eighteenth-century editors of private letters, he—and after him, Barbauld—aimed to minimize the merely local and temporary in them and thus to concentrate attention on their general interest.[39] Barbauld is working to that end when, for example, confronted with Thomas Edwards's frequent maunderings about not receiving or not sooner answering Richardson's letters, she cuts them; she sees that they lack general interest. Confronted, on the other hand, with a lengthy exchange between Richardson and his young friend Sarah Wescomb, in which Wescomb gives lame excuses for not keeping a promise to write to him and Richardson unmasks her excuses with exquisite irony, Barbauld perceives the novelistic character of the exchange and its relevance to questions


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of child-parent relations: she prints it.[40] Her aim was to illustrate the general tenor of the Richardson correspondence, an aim closer actually to Richardson's than to that of today's editors. Despite its faults her edition does pretty well what it meant to do. It does illustrate the general tenor of the correspondence, and at times it is as readable as—indeed, is reminiscent of—Richardson's novels. Richardson himself might well have approved of it.

And now to the practical question that this study should try to answer: How much reliance can today's editors place on the texts of the 280 or so letters known only from Barbauld's edition?

Because the editing of each letter is, speaking statistically, an independent event, no statistically valid prediction about Barbauld's undocumented editing of any one letter can be extrapolated from her documented editing. She can be expected to have treated different situations somewhat differently, as she evidently did with the letters of Edward Young (Appendix C). In her actual performance, however, we can certainly observe consistencies, and from them we may form impressions. The following table represents in summary the information reported in Appendices A and B (excluding the Young correspondence).

                       
Hill  Edwards  Wescomb  Bradshaigh  Other 
Number of MSS in Appendix A  43  16  11  23 
Number of MSS in Appendix B  17  16  33 
Number of MSS marked by ALB  22  53  24  44  13 
Number marked for conflation  3 or 4 
Number bearing ALB deletions  18  53  24  43 or 44  10 
Range of %s of text deleted  7.6-60  4.4-61.7  7.1-56.9  1.7-67  6.5-43 
Average % of text deleted  29.4  31.2  33.5  35.75  21.3 
Number bearing ALB verbal changes  15  22 
Average number of verbal changes  2.5  3.2  3.33  3.75 
Number of printed letters with unmarked variants  33  15  10  10 
Average number of unmarked variants  5.2  5.5  10.7 


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The table is arranged by correspondence because Barbauld did not treat every correspondence in exactly the same way. For example, she made, on average, slightly larger cuts in Bradshaigh-Richardson letters than in others (no doubt because some of those letters are inordinately long). Column 5, however, lumps together correspondences represented by a few manuscripts each. The numbers in Line 3 do not always agree with the totals of Lines 1 and 2 because not every manuscript text listed in Appendix A (Line 1) was actually marked by Barbauld; thus only one of the Echlin letters is counted in Line 3. I count a letter as "marked for conflation" (Line 4) if it bears a bracket or an asterisk in Barbauld's hand; if it does not, I do not count it even when I suspect the published text was conflated by her (in the case of two or three additional Edwards letters). Line 5 draws from column 4 of Appendix A and column 3 of Appendix B; the range of percentages of text deleted (line 6) is based on the ratio of the line numbers given in columns 4 (Appendix A) and 3 (Appendix B) to the line numbers given in columns 3 and 2 respectively. Line 7 states the average percentage of text deleted as the ratio of the total of columns 4 and 3 to the total of columns 3 and 2. Line 8 gives the total number of manuscripts bearing Barbauld's verbal alterations (apart from deletions); line 9 gives the average number of those alterations per manuscript, counted as numbers of words; in the Bradshaigh letters, these are often restorations of disguised names. Lines 10 and 11 derive only from Appendix A, for they attempt to summarize ways in which the published texts vary further from the marked manuscripts. The numbers in Line 11 exclude added footnotes and larger deletions of text (Edwards, 3:35-38, 41-48, 50-55, 56-58, 78-80; Bradshaigh, 4:213-217 and 6:90-96) and rephrasings and transpositions to tidy up Wescomb's grammar.

Although we cannot, from these numbers, predict anything about Barbauld's treatment of any single one of the 280-odd undocumented letters, I believe the numbers do allow four conclusions about that group as a whole, the Young letters always excepted.

1. Almost all of the 280 printed letters may be presumed to abridge their originals. The abridgements may range from as little as two lines to fully two-thirds of the original text; the average abridgement, over the group, would seem to be about thirty per cent.

2. Almost all the 280 printed letters may be presumed to depart from their originals in occasional details of wording, introduced by Barbauld into the copy sent to press, by later intervention, or by both. A good number of these variants will be restorations of names disguised by Richardson, and would therefore count today as appropriate editorial emendations.

3. Of the 156 letters that Barbauld marked (the total of Line 3 in the table), only eight or nine—that is, between five and six per cent—actually bear directions to conflate. Some fourteen letters besides those of Edward Young appear to be conflations, but the conflations, I have suggested, are not inevitably Barbauld's. I would propose that if the manuscript text of a letter whose printed text is known to be conflated does not actually bear


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Barbauld's marks indicating intent to conflate, we should entertain the possibility that the conflation was not hers but Richardson's, in a manuscript now lost. By extrapolation, we may infer that about six per cent of the 280 letters will be Barbauld conflations.

This conclusion carries a corollary. Just as we ought to admit the possibility that conflated texts in Correspondence may be Richardson's, we ought also to admit the possibility (even, I would argue, the likelihood) that when the published texts differ significantly from existing manuscript versions that bear no corresponding Barbauld marks, they were printed from other copies, presumably now lost, that represented Richardson's own revisions. Accordingly, the editors of the new edition should give thought to treating such Barbauld texts as authorial variants from their copytexts.

4. Finally, within the limits stated above, over ninety per cent of the 280 letters known only from Correspondence (minus the Young letters) can be trusted to represent with substantial accuracy the parts of their originals that they do print. From the standpoint of the modern editor they may not be first-class citizens of the Richardson canon (we would all prefer to have the manuscripts on which they are based), but they are not aliens to it. The problem that now confronts Richardsonians is not that of determining the relation of Barbauld's texts to their manuscript originals, but rather that of divining what relation those now-lost originals bore to the letters that Richardson and his correspondents actually exchanged.

APPENDIX A

The Manuscript Counterparts of Texts in Correspondence: Summary of Collations

Of the 442 letters represented in Correspondence, manuscript texts are known (as of 2002) to survive for 111. Of those, I have been able to study 99 originals and 5 more in photocopy.[41] The list below is arranged by volume and page (first column). The Forster MSS bear several different numerations; I use the one used by Eaves and Kimpel (second column). Manuscript lengths (third column) and amounts deleted ("dels," fourth column) are counted in lines; counts include headings, closings, and partial lines. Barbauld's marks on the manuscripts (fifth column) normally include writing a heading, as in Figure 1 above, so I seldom mention headings individually. The sixth column lists variants in the printed texts not indicated by Barbauld marks on the surviving manuscripts.


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Correspondence, Volume 1 Richardson-Hill Correspondence

                         
Pages   MS Text   MS Length   ALB Dels on MS   ALB Changes on MS   Unmarked Variants  
19-22  FC XIII.2, ff 16-17  86  16 (plus 23 by SR)  Adds 2 words to fill a gap  2 words added[42]  
66-69  ff 46-47  60  Dels 8 words, changes 2 words, adds 2 words  4 words del, 1 name expanded 
75-78  ff 50-51  64  12  Adds 3 words  2 words changed (1 corrects MS error) 
83-86  Princeton University AM 14598  46  3.5  Dels, then restores opening  8 words del, 2 added, 6 changed 
87-88  Morgan Library MA3269[43]   26  none  Adds signature  1 word changed 
97-99[44]   FC XIII.2, ff 61-62  49  none  none  4 words del (mostly in closing), 1 added 
Richardson to Samuel Lobb 
189-192  Morgan Library MA1024(9)[45]   37  none  none  6 lines lacking; a place-name & closing differ from MS 
Volume 2 Richardson-Young Correspondence (see also Appendix C) 
32-33  Morgan Library MS 1026(6)  32  Seemingly all; copy was different MS?  none  11 lines lacking; 1 sentence & 1 word differ from MS 
38-39  Berg, NYPL  25  ALB brackets 10 lines from this MS dated 27 April 1756; they are printed on 2:39 as part of the letter there dated 21 July 1757.  none 
40  Beinecke Library Osborn 17575[46]   15  none  1 word differs 


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48  Wellesley College  24  3 words  none  7 lines lacking; prtd as 1st paragraph of 30 April 1758 letter[47]  
57  Beinecke Library Tinker 2365  20  none  Inserts cross and dagger at end of paragraph 1  Prtd text inserts 2 paragraphs where ALB's cross and dagger appear (source unknown) 
Colley Cibber to Richardson 
171-172  Berg, NYPL  25  none  none  none 
172-174  Princeton Univ. MS Taylor  40  none  none  4 words differ from MS; 2 del[48]  
Richardson to John and Susanna Highmore Duncombe 
251-257  Brotherton Collection, Leeds  100  none  Adds heading  11 lines lacking; 7 words differ, 1 transposition[49]  
300-307  BL MS Add. 20084  84  none  none  2 words changed, 2 added, 2 del; 1 transposition 
308-311  Houghton Library fMS Eng. 759.4  47  Dels, then stets, 8; but printed text dels 4  Changes 3 words, adds 3; disguises a name  10 words del, 2 added, 2 changed; 2 names disguised 
"Orthodoxus Anglicanus" to Richardson 
327-333  Boston P L Ch.G 12.46-48  90  3 words  Adds a footnote  Adds heading; 3 words changed, 2 added (1 in fn) 
Volume 3 Richardson-Thomas Edwards Correspondence[50]  
1-3[51]   FC XII.1, ff 5-6  45  none  none  2 words added, 1 changed 
5-10  ff 12-13  100  15  none  Footnote added; 1 name restored; 3 words del, 4 changed 
11-18  ff 20-21  124  none  none  2 footnotes & 1 word added; 3 words del, 2 changed 


211

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19-24  ff 25-26  112  20  none  none 
24-26[52]   f 29  50  24  none  2 words added, 1 del, 1 changed 
27-29  f 36  39  none  1 word changed 
30-32  ff 37-38  51  none  none 
33-35  ff 41-42  70  27  none  3 words added, 2 del, 1 changed 
35-38  ff 43-44  69  none; an asterisk in rt margin of first paragraph is probably hers  none  22 lines lacking; 1 word differs 
38-40  f 46  47  16.5  Moves closing, dels 2 words & signature  none 
41-48  ff 47-49[53]   150  39 (but 2 were printed anyway)  none  1 line & 1 word del; 1 word added, 1 changed 
48-50[54]   f 67  46  23  none  1 word added, 1 del, 2 changed 
50-53  ff 68-69  53  10 (incl PS)  none  2 words del, 1 added; FC PS replaced by another text, source unknown 
53-55  f 74  43  12  none  Footnote added; 3 lines del; 2 words changed 
56-58  ff 76-77  85  33  none  9 lines del; 4 words changed 
59-62  f 78  52  15  none  1 name restored, 2 words del 
62-65  Beinecke Library Gen MSS 237  66  12  none  date changed, probably by error 
66-68  FC XII.1, ff 84-85  50  13  none  Footnote & 1 word added, 2 words changed 
68-70  f 86  31  none  8 words del, 1 transposition 
70-73[55]   ff 88-89  77  25  none  2 words del, 2 transposed 
73-74  f 90  52  29  none  a name restored; 2 words changed; 1 transposition 
75-77  ff 91-92  49  none  none  footnote & 1 word added; 23 words del, 2 changed 
78-80  ff 95-96  95  45.5  none  1 line del; footnote & 1 word added; 2 words changed 
81-84  ff 104-105  55  none  4 words transposed 
84-87  f 106  50  11  none  a name restored; 1 word added, 2 del 


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88-92  ff 108-109  102  17  none  Footnote & 1 word added; 3 words del, 1 changed 
93 (poem)  f 110[56]   18  none  none  author's name added 
94-96  ff 112-113  54  21  none  none 
96-98  ff 116-117[57]   47  29  none  3 words added, 1 changed 
98-101  f 118  38  none  none  footnote added 
101-103  ff 121-122  47  13  none  a name disguised; 2 words del 
104-107  ff 123-124  76  21  none  a name disguised; 1 word added, 3 changed 
107-112  ff 128-129  90  Dels "her," inserts "Miss Sutton's" to compensate for del  1 word del, 2 changed 
112-115  ff 130-131  80  27  none  1 word added, 3 changed 
115-119  ff 132-133  100  28  none  9 words del, 2 added, 2 changed, 2 transposed 
120-123  ff 137-138[58]   50  none  none 
123-125  ff 140-141  48  12  none  6 words del 
128-129  ff 142-143  54  25  Only a 9-line paragraph is printed, as part of letter dated 28 July 1755; in that paragraph ALB dels 4 words and inserts "on account of my health"; an X marking the paragraph is presumably her instruction to a copyist. 20 lines not del by ALB are not printed. 
126-130  Hyde Collection  71  13  ALB's X in margin corresponds to place where paragraph from FC XII.1, f 143 (above) is printed in this letter. Unmarked variants: 1 word added, 4 changed, 10 del (a PS). 
130-132  FC XII.1, ff 162-163  101  17 (plus 17 by SR, & 16 ambiguous)  Inserts "am" in closing  none 


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132-135  ff 160-161  51  12 (plus 5 by SR)  none  a citation del; 1 word changed 
135  f 171[59]   16  Appears to have changed date  1 word del 
135-137  ff 172-173  57  22[60]   Appears to have disguised 2 names  none 
Richardson to Hester Mulso 
234-238  National Library of Scotland MS 582:595  83  23  Restores 2 names, disguises 1; moves a phrase, shortens closing  1 word added, a name restored 
Richardson-Wescomb (later Scudamore) Correspondence[61]  
239-243  FC XIV.3, f 4[62]   76  22  Adds heading; 8 disguised or illegible names are del in black (by SR?) and not printed  4 words changed, 4 del 
250-255  Huntington HM 6894  105  17  none; only a heading, "R to Miss Westcomb no date"  17 lines & 41 words lacking; 11 words differ[63]  
256-261[64]   FC XIV.3, ff 45-46  106  42  Adds "I am sorry" to repair a cut  2 sentences rephrased; 12 words del, 4 added, 2 changed 
261-270  ff 47-49[65]   134  33.5[66]   Moves salutation, dels 8 words  1 word changed 
271-275  ff 50-52  145  63  Adds 4 words, changes 1, then dels them with their context; dels, then restores, 4 words; adds 2 words, changes 1  5 words added[67]  
275-281  ff 53-54  77  12  Adds "Yours &c"  1 transposition, 1 word changed 
281-285  ff 57-58  106  34  none  2 words added, 4 changed, 1 del 
285-293  ff 59-60[68]   92  none  none  4 words changed 
294-298  ff 61-62  82  35  Adds "&c" to close  4 words changed, 2 del, 1 added 
298-305  ff 63-64  121  47  none  1 name restored 


214

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306-310  ff 65-68[69]   147  71  Adds 2 words, changes 4  4 words added, 1 changed 
320-321  ff 126-127  53  25  Adds "we"  1 word changed 
322-323  FC XIV.2, f8  28  2 (a PS)  Adds footnote; restores names disguised by SR  6 words del, 2 added 
324-327  ff 35-36  83  16.5  Adds 4 words, changes 4; corrects a spelling, adds a semicolon  6 words changed, 1 added, 3 del 
328-329  f 7[70]   45  19  none  1 word added; 1 transposition 
330-332  ff 25-26  73  38  Adds "My dear Sir"; changes 2 words, adds 3; reduces closing to "Yours &c."  none 
Volume 4 Frances and Thomas Sheridan to Richardson 
143-144  Princeton MS Taylor  26  none  Inserts asterisk and fn  a contraction expanded 
159-164  Harvard pfMS Thr 5.7 (27)  92  Changes 1 word  2 words added, 1 del, 3 changed 
165-167  Houghton Autograph File  61  17  Changes a spelling  1 transposition; 2 words del, 1 added, 1 changed 
167-174  Harvard pfMS Thr 5.7 (23)  163  13  none  none 
Richardson-Lady Bradshaigh Correspondence 
185-194  FC XI, ff 153-156;[71] XV.2, f 27  278  111  Changes 5 words, adds 1; adds signature[72]   date & 10 words changed, 2 words added, 5 del 
213-217  FC XI, f 2[73]   69  none  5 lines & 2 words del; a disguised name restored; 1 word changed; signature added 
217-238[74]   ff 3-10, 12  611  303[75]   Adds 2 words, changes SR's "amiable girl" to "Clarissa"; adds wrong signature  10 words changed, 10 added; date del; signature corrected 


215

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238-249  ff 13-14,[76] 11, 15-16  306  130  Adds 3 words & signature  11 words changed, 5 added; 1 name restored 
250-257  ff 17-18  131  24  Inserts "dear" to create salutation, 12 words to create closing  1 word added, 2 del, 3 changed; 1 transposition; a MS error corrected 
Volume 5 Richardson to Lady Echlin 
24-28  FC XI, ff 126-127[77]   96  30  Reduces closing compliments to "&c"  1 word changed 
33-38  Beinecke Gen MSS Misc 1335, F-1  71  none  none  16 lines & 12 words lacking; 21 words differ[78]  
42-45  same  61  none  none  14 lines lacking; 1 sentence added 
48-51  same  50  none  none  7 lines & 1 word lacking; 1 word added 
58-62  Princeton MS Taylor  52  none  none  7 sentences lacking 
63-67  Beinecke Gen MSS Misc 1335, F-2  64  none  none  12 lines lacking 
80-82  Beinecke Gen MSS Misc 1335, F-1  42  none  none  14 lines lacking; 3 words differ 
86-88  Folger Library Black Box R  65  none  none  25 lines lacking; 4 words differ, 2 names restored 
Samuel Johnson to Richardson 
281-282  Morgan Library MA 1009  18  none  none  1 word changed, closing shortened 
283-284  Huntington HM 20821  51  22 (incl PS)  Inserts a fn  2 words changed 


216

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Richardson-Lady Bradshaigh Correspondence

                   
Pages   MS Text   MS Length   ALB Dels on MS   ALB Changes on MS   Unmarked Variants  
Erasmus Reich to Richardson 
297-298  FC XV.3, f 66  31  none  none  Correspondence text embodies entire rewrite of FC text 
Volume 6 Richardson-Lady Bradshaigh Correspondence 
40-48  FC XI, ff 19-20[79]   76 (of MS correspond-
ing to printed text) 
40  Dels date; changes 1 word  prints date; a name restored; 3 words changed; signature added 
90-96[80]   ff 22-23  118  50  Restores a name; adds 2 words, changes 1  1 sentence del; a name expanded; 4 words changed, 3 added (1 corrects MS error) 
265-267[81]   f 148  44  24  Restores 6 names disguised by SR  none 
270-276  ff 149-150[82]   124  33  Restores 3 names, changes 3 words  10 words added, 2 del, 2 changed 
276-279  ff 201-202  79  31  Adds 1 word to closing  1 name restored, 1 word changed 
279-288  ff 205-208  205  48  none  3 names restored; 3 words added, 7 changed 


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218

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219

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APPENDIX B

Manuscripts Marked by Barbauld but Not Printed

This list derives almost entirely from the Forster Collection; I have not examined every surviving Richardson letter for signs of Barbauld's editing. Nor have I listed every Barbauld-marked letter I have examined, for not every Barbauld mark suggests an intention to edit. The 80 letters listed here are all marked in ways similar to those that were printed.

Richardson-Hill Correspondence

                                   
MS   MS Length   ALB Dels   ALB Changes on MS  
FC XIII.2, f 8  26  6.5  Adds heading, "A Hill to R" 
f 10  38  none[83]  
f 22  40  23  none[84]  
f 31  39  none (SR has del entire letter, then marked it "stet")  Adds headings, "Miss Hills to R" and "NB This letter may come after all Aaron Hill's & immediately before Gilbert Hill's"; at end, adds signature, "Astrea Hill" and note, "in answer to a letter sending the 2st [sic] Vols of Pamela" 
f 32  12  none 
f 57  40  24  "PS*" in black ink on verso may be direction to copyist to append undeleted lines to a different letter 
FC XIII.3, f 5  36  None. Previous edits by SR include large dels. 
f 12  49  18  "R to AH" at head 
f 13  35  17  * on recto may indicate intention to conflate. 
ff 14-15  59  * on 14r and "PS*" on 15r appear to to indicate transfers of text. 
f 16  30  none 
ff 18-19  58  10 (a further 5.5 del, then stet)  "A Hill to R" at head; inserts name, "Carteret"; changes 1 word 
f 41  36  14 (also SR dels)  "A H to R" at head; adds 2 words to fill a gap caused by a tear; * on verso appears to mark a passage for transfer to head of letter (marked by * on recto) 
ff 57-58  98  a long note by SR at head, and a SR footnote, but no text  Inserts a footnote replacing the del SR footnote 
f 93  25  entire text  none 
f 124  31  11  Adds "R" to heading 
FC XV.2, ff 74-76  97  15  Changes "I" to "we" (twice) 


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Richardson-Young Correspondence

   
MS   MS Length   ALB Dels   ALB Changes on MS  
Penn Historical Soc, MS Gratz 11/4  19  none  Brackets 6 lines (as if for selection; see n. 83 for similar marking by SR) 

Susanna Highmore to Richardson

 
FC XV.2, f 12  41  13  Inserts 4 words to compensate for cuts 

Richardson-Edwards Correspondence

                               
FC XII.1, f 9  17  none 
f 11  15  none 
ff 14-15  90  11  none 
f 24  26  none 
ff 27-28  60  24  none 
ff 33-34  53  11  none 
ff 39-40  49  none 
f 58  58  23  none 
f 75  41  22.5  none 
ff 93-94  56  34.5  none 
ff 134-135  65  30  none 
f 144  36  none 
f 154  39  none 
f 166  35  12.5  Adds "R to E" at head 
ff 167, 169[85]   54  7 at least; 17 more uncertain  Adds "E to R" at head, "X" in margin on 167v  
ff 168, 182  49+  29 at least  ALB marks "X" in margin on f 168 (intending to conflate with above letter?) 

Richardson-Wescomb Correspondence

                 
FC XIV.3, f 71  34  Reduces close to "Your's &c" 
ff 72-73  82  42  Inserts 2 words at head and 1 word in text 
ff 74-75  71  22.5  Inserts 2 words, changes 2, capitalizes 1 (new sentence following a del) 
f 104  43  none 
ff 113-114  48  17  Adds 3 words, changes 4 
ff 135-136  69  17  none 
FC XIV.2, ff 9-10  65  37  none 
ff 55-56  82  18  Changes 1 word 
f 58  22  10.5  Adds heading, "Mrs Scudamore to R" 


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Richardson-Bradshaigh Correspondence

                                                                 
FC XI, f 138  43  Adds "to R" to heading 
ff 142-143  77  14  Adds "Lady Bradshaigh to R"; restores 2 disguised names 
ff 145-146  55  14  Restores 2 names; heads letter "Lady Bradshaigh to R" in error, corrects to "Mrs Woodhurst to R" 
ff 151-152  85  57  Restores 1 name 
ff 157-158  119  44  Restores a name, moves closing, adds signature 
ff 163-164  81  20  Dels disguised names, inserts closing formula 
ff 165-166  153  83  none[86]  
ff 173-174  53  31  Inserts 1 word to fill a gap 
f 175  71  16 (plus 15 more del and then stet)  Adds heading 
f 177  52  16  Adds heading 
ff 178-179  104  18 (plus 11 more del and then stet)  Adds heading 
ff 181-182  90  51  Adds heading 
f 183  42  13  none 
ff 185-186  105  62 (plus 9 more del and then apparently stet)  Changes 1 word 
f 187  46  none 
f 188  63  11  Adds heading 
ff 190-191  71  29  none 
ff 195-196  73  32  Adds heading 
f 197  39  12(?)  Restores disguised name in heading 
ff 203-204  72  37  Restores 2 names 
ff 209-212  218  51  Adds heading 
ff 213-216  237  105  Adds heading 
ff 217-218  91  45  none 
ff 223-224  78  49  Adds heading, moves signature 
ff 225-226  117  64 (plus 3 more del and then stet)  Adds heading 
f 234  58  1 (plus 6 more del and then stet)  Restores a disguised name 
f 235  34  Adds, then dels, heading 
f 236  48  32  Adds heading 
f 237  22  5 (of which she stets 3)  Adds heading, restores a name 
ff 257-258  73  42  Changes "him" to a name 
ff 259-260  86  Moves date to head 
f 261  54  19  Adds heading 
ff 272-274  133  35  Adds 3 words to repair a cut 

Richardson to Mrs Watts

   
Beinecke Library Gen MSS 237, Box 5, F 231  92  22  Dels 5 names; inserts "I," "my dear Sister," "a late" (replacing "this" in MS), & "friend" (replacing "Sister") 
Princeton U L MS Taylor  156  11  none 


222

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E. Pennington to Richardson

 
Princeton UL MS Taylor  87  19  Dels a name; brackets 21 lines in margin of last page, as if for transfer elsewhere.[87]  

APPENDIX C

The Richardson-Edward Young Correspondence

In Volume 2 of Correspondence were published 20 letters of Edward Young to Richardson and seven from Richardson to Young. Then, in 1813-19, presumably on Phillips's initiative, 149 Young-Richardson letters were published in The Monthly Magazine. When the two sets of texts are compared, it becomes apparent that 11 of the 20 Young letters in Correspondence were compiled from pieces of 28 different letters, often of widely different dates. It is not surprising that the blame for these conflations has been laid upon Barbauld, and manuscript evidence (slight though it is) shows that she had a part in them. But the evidence also suggests that Richardson, too, may have had a part.

Three of the total of six manuscript letters listed in Appendices A and B bear marks by Barbauld indicating an intent to conflate. This is a far higher percentage than I have seen among the other correspondences (fifty per cent as against about six), and it implies that she treated the Young letters quite differently from others—differently, even, from the Richardson letters to Young, for none of the seven she printed are known to be conflations.[88] Why would she treat this one group of letters in a way untypical of her other editing?

The reason might have arisen from the character of Young's letters. They are commonly brief, often businesslike, but also often marked by some striking epigrammatic passage (such as "I pity the Dying, & envy the Dead)."[89] Abridging such letters in order to bring forward these passages would result in little more than a string of epigrams across the page; they would lose their epistolary character. Printing the letters whole, however, would retain too much that Barbauld (and Richardson) would have thought trivial; and also, because of their brevity, would result in a greater-than-average loss of page space to headings, salutations, closings, and rules between letters—a consideration that might have mattered greatly to Barbauld if she had to contend


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with Phillips to give her more pages. Her conflations, then, might have been an expedient for dealing with a particular problem not presented by the letters of other writers—not even by Richardson's to Young.

And the possibility should not be ruled out that this expedient was suggested to her by Richardson's prior editing. I have discussed the likelihood that Young's letter of 14 March 1754 came to Barbauld in two versions, one of them presumptively Richardson's conflation (p. 203 above, and note 33). Another surviving letter, Beinecke Library Osborn MS File, Folder 17575 (Young to Richardson, autograph, 23 October 1757, a MS not known to Eaves and Kimpel), bears on its verso, in a hand that resembles the hand of a Richardson amanuensis, a passage copied from a different Young letter, 27 September 1757 (Beinecke Library, Osborn 16576 [cited above], in the hand of Young's housekeeper). Both letters went through Richardson's editorial mill, for both are headed with letter numbers and page numbers according to his system and in hands of his copyists. In this instance, ironically, Barbauld chose not to adopt the offered conflation; she printed the letter accurately as it stood. The copied passage (concerning the death of Major Hohorst) appears nowhere in Correspondence.

Notes

 
[1]

Forster Collection MSS 48.E.5-10 (Vols. XI-XVI), Victoria and Albert Museum (hereafter cited as FC and volume number), plus others listed in Appendices A and B below. Quotations in this essay from the Forster MSS and from Dyce Letters (n. 22 below) are reproduced with permission of the Trustees of the Victoria and Albert Museum. For a full list of the MSS known as of 1970 see T. C. Duncan Eaves and Ben D. Kimpel, Samuel Richardson: A Biography (Oxford: Clarendon Press, 1971), pp. 620-704, an inventory for which everyone who tries to make sense of the Richardson letters must be profoundly grateful. Anna Letitia Barbauld, ed., The Correspondence of Samuel Richardson . . . . Selected from the Original Manuscripts. . . . To which are prefixed, a Biographical Account of that Author, and Observations on his Writings, 6 vols. (London: Richard Phillips, 1804); hereafter cited as Correspondence.

[2]

The accusation is made by Henry Pettit, ed., The Correspondence of Edward Young, 1683-1765 (Oxford: Clarendon Press, 1971), p. xxxiv; he based it on comparison not with MSS (for the Richardson-Young correspondence, few MSS survive) but with the texts printed in The Monthly Magazine in 1813-19. Peter Sabor has asserted categorically that "no letter printed by Barbauld should be assumed to be reliably presented" ("Publishing Richardson's Correspondence: `the necessary office of selection,' " Samuel Richardson: Tercentenary Essays, ed. Margaret Anne Doody and Peter Sabor [Cambridge: Cambridge Univ. Press, 1989], p. 241). The apparent number of letters in Correspondence is 411. The figures of 25 composite letters and their 56 originals are mine, based on collation and the notes of Eaves and Kimpel. However, as I will remark below, very few surviving MSS show Barbauld in the act of conflating letters; most of the conflations are inferred.

[3]

The general editors of the edition, to be published by the Cambridge University Press, are Tom Keymer and Peter Sabor. I am grateful to them for urging me to publish the findings in this paper and for several stimulating discussions of the Forster MSS. For other assistance I am grateful to Anna Lou Ashby and John Bidwell, of the Pierpont Morgan Library.

[4]

Correspondence, 1:vi. See Sabor, "Publishing Richardson's Correspondence," pp. 240-241.

[5]

"Mrs. Barbauld . . . altered spelling and punctuation for the sake of consistency" (John Carroll, "Introduction," Selected Letters of Samuel Richardson [Oxford: Clarendon Press, 1964], p. 7); "Mrs. Barbauld modernized spelling and punctuation" (Eaves and Kimpel, p. 439). John August Wood, quoting a passage from Correspondence, censures Barbauld in a note for "neglect[ing] to supply the marks closing Lady Bradshaigh's quotation" ("The Chronology of the Richardson-Bradshaigh Correspondence of 1751," Studies in Bibliography, 33 [1980]: 185n).

[6]

"Some of the markings on the extant manuscripts must be Mrs. Barbauld's, since they indicate cuts which she made" (Eaves and Kimpel, p. 439). True, but, as we shall see, there is surer ground for identifying her marks. An assumption that any mark not Richardson's must be hers seems to underlie William Sale's claim that pages 5 and 13 of the MS of "The History of Mrs. Beaumont" (Pierpont Morgan Library MA377) bear "marks and notes by Mrs. Barbauld by way of instruction to the printer" (Samuel Richardson: A Bibliographical Record of His Literary Career with Historical Notes [New Haven: Yale Univ. Press, 1936], pp. 102-103). Manuscript pages 1 and 17-19 do indeed bear marks by Barbauld, but the marks on pp. 5 and 13 are not in her hand.

[7]

The history of the Richardson letters has been told many times. See Aleyne Lyell Reade, "Samuel Richardson and His Family Circle," Notes and Queries, 12th ser., 12 (1923): 6-7, 83-84; Carroll, "Introduction," pp. 3-11; Eaves and Kimpel, pp. 436-439; and Sabor, pp. 238-242.

[8]

"Seven or eight" was the number of volumes of Richardson-Lady Bradshaigh correspondence mentioned in the will of Richardson's son-in-law in 1787 (Reade, p. 6); apparently the will mentioned none of the other correspondences. The Catalogue of Manuscripts, Autograph Letters, Charters, &c. sold at auction by J. W. Southgate (1828) included ten large and many small lots of Richardson letters (the letters that today occupy six volumes in the Forster Collection, plus others), and by 1828 many letters had been lost.

[9]

Tom Keymer, Samuel Richardson's Clarissa and the Eighteenth-Century Reader (Cambridge: Cambridge Univ. Press, 1992).

[10]

One of the few surviving MS Edward Young letters (Pierpont Morgan Library MA 2967, 10 April 1750) actually bears the date "1780"—and is so dated in its Monthly Magazine text (38 [1814]: 431). It is not printed in Correspondence.

[11]

A. N. L. Munby, The Cult of the Autograph Letter in England (London: Athlone Press, 1962), p. 68, identifies Phillips as the owner of the letters auctioned by Southgate (n. 8 above).

[12]

Presumably Phillips could not have taken possession of the letters before 11 February, the date probate was completed on the will of Anne Richardson, their last owner (Reade, p. 84). On 25 February Barbauld's niece Lucy Aikin wrote to a friend that "an amazing hoard" of Richardson letters "have been purchased by Phillips & put into the hands of my aunt Barbauld. . . . She has only been a few days in possession of them" (MS 920 ROS 39, Liverpool Record Office, Liverpool Libraries).

[13]

She explains the importance of chronology in an instructional essay published after her death; see Barbauld, A Legacy for Young Ladies (London: Longman, 1826), pp. 148-156.

[14]

For the quotation, see n. 22 below.

[15]

Ordinarily her written annotations on the letters are in black or brown ink. Greenink annotations in her hand occur on FC XI, ff 151v ("Roger"), 173r (an inserted "was"), 185r ("dwelt"), 273r ("Lady E has"); XII.1, ff 9r ("&") and 33r ("I"); and XV.2, f 12r ("Clarissa"). To other eyes her deleting ink may appear slate-blue or even (when it has faded) grey, but it almost always contrasts clearly with the previous inks on the letters, which are brown, black, and red.

[16]

And except for two spelling changes: one in FC XIV.2, f 35v, and one on the MS of Frances Sheridan to Richardson (see Appendix A below, Vol. 4, pp. 165-167). On XIV.2, f 35v she also inserts a semi-colon—the only instance of punctuation change I have seen in any letter marked by her.

[17]

Likewise in a note she appended to the "Orthodoxus Anglicanus" letter (Appendix A below, Volume 2, pp. 327-333), where she uses the ampersand and dash typical of her letters and manuscript poems; again, the text in Correspondence normalizes her accidentals.

[18]

Young to Richardson, 7 Aug. 1751 (Correspondence, ed. Pettit, p. 368). Or this: "Most part of what I now send I dictated to [a] female hand,—the errors of which, in spelling, the composer will easily amend" (ibid., p. 488). "Compositors . . . have always acknowledged two duties: one is to set the words of their copy in type as exactly as possible . . .; the other is to ensure that the typographical `style' of the result—the spelling, capitalization, punctuation, italicization, and abbreviation . . . accords with the conventions of the time and place" (Philip Gaskell, A New Introduction to Bibliography [1974; rpt. New Castle, DE: Oak Knoll Press, 1995], p. 344).

[19]

Volume 1 was printed by Lewis & Roden, Volumes 2 and 5 by J. Adlard, Volume 3 by Richard Taylor (a friend and protegé of Barbauld), Volume 4 by T. Gillet, and Volume 6 by W. Marchant.

[20]

Barbauld to the Rev. Mark Noble, 26 Oct. 1804 (Bodleian Library MS Eng. misc. d. 158, ff 87-88). Barbauld wrote to Richardson's grand-daughter, Sarah Moodie, for family information; Moodie replied on 28 March (Reade, pp. 167, 469; Ninth Report of the Royal Commission on Historical Manuscripts. Part I [London, 1883], p. 487b). Moodie lived in Bath; Barbauld may have gone to see her in person, for there survives a note to Barbauld from "S." Hoare (said to be a daughter of David Hoare of Bath, but more likely Sarah, the daughter of the banker Samuel, of London) about procuring a house in Bath. On the verso of the note Barbauld scribbled a list of "Queries" regarding Richardson's correspondents; for example, "Who was Miss Ferrer & is her ode to Cynthia printed" and "Who was Miss Westcombe afterwards Scudamore" (The Fales MS Collection, Box 5, Folder 10; Fales Library, New York University). These queries are reminders that the public record on Richardson was a lot thinner then than now. Another list of Barbauld queries concerns Sarah Fielding and Jane Collier (Beinecke Library, Osborn Files, Folder 724). Barbauld also asked Phillips to send her books: the Biographia Britannica and John Nichols's Biographical and Literary Anecdotes of William Bowyer (Barbauld to Phillips, 20 Apr. 1804 [see n. 22]; Phillips to Nichols, 24 Apr. [1804; MS Eng. lett. c. 362, f 36, Bodleian Library]). This research is very similar to Samuel Johnson's for his Lives of the Poets; see William McCarthy, "The Composition of Johnson's Lives: A Calendar," Philological Quarterly, 60 (1981): 53-67.

[21]

He thus describes himself to the poet William Hayley: "I enter with Zeal into all my conc[erns] & like to superintend the progress [of] my Publications" (William Hayley MSS, xxx.15, Fitzwilliam Museum, Cambridge University; quoted by permission of the Syndics of the Fitzwilliam Museum to whom rights in this publication are assigned). My characterization of Phillips is gathered from a reading of all 21 of his letters to Hayley, 1804-10; they must be seen to be believed. Phillips was notorious for coarseness and stinginess: "Edmund Curll the Second," William Taylor called him (J. W. Robberds, A Memoir of the Life and Writings of the Late William Taylor of Norwich [London: Murray, 1843], 1:379).

[22]

Barbauld to Phillips, 20 Apr. 1804 (MS, Dyce Letters 26.E.3, f. 9, Victoria and Albert Museum; emphasis hers). The letter begins, "I should think myself much to blame if I were unmindful of your interest in this business, but in truth I have only waited. . . ." The copy for beginning Vol. 4 consists, she says, of "Delany Dewes & Donnellan"; in total, that would account for the first 119 pages of the volume.

[23]

Eaves and Kimpel say July (p. 438), but they seem to have misread the notice in The Monthly Magazine (17 [1 July 1804]: 600) on which they depend: there Correspondence is reported to have been published in May. May 26 is the date given in the publication notice to the frontispiece portrait in Vol. 1. On the other hand, The Monthly Magazine announced on 1 June (17:466) that Correspondence "is to be published in a few days." On 25 April— five days after her response to Phillips's reproaches—Barbauld predicted that she had at least two weeks' more work to do (Barbauld, ALS to "Madam" misdated 1806, ThompsonClarkson MSS 1:13(i), Friends House Library, London). Another letter of this period (exact date unknown) testifies to the stress she felt: "I am very busy; being, as I believe you know, deeply engaged in the job I have perhaps rashly undertaken" (E. C. Rickards, "Mrs. Barbauld and her Pupil," Murray's Magazine, 10 [1891]: 712).

[24]

That seems to be the case today for about 280 letters printed in 1804, but they did not all go missing in printing houses; the 1828 auction catalogue lists a number of MS letters known today only from Correspondence. The Young-Richardson letters, however, had been largely destroyed or lost by 1828, most likely during 1813-19, while being published in The Monthly Magazine.

[25]

Just how little editorial control Barbauld may really have had is perhaps suggested by one of the unprinted letters (FC XIII.2, f 31), which she annotated with the direction, "NB This letter may come after all Aaron Hill's & immediately before Gilbert Hill's." Neither the letter thus annotated nor letters by Gilbert Hill appear in Correspondence. Was she proposing, and Phillips disposing?

An anomaly of the edition may be explained by some such disagreement—in this case, a disagreement which Barbauld would have won. A group of Richardson-Lady Bradshaigh letters (by far the largest of Richardson's correspondences, and arguably the most important) closes Volume 4; Volume 5 then prints other correspondences, closing with a couple of poems and a fragment of fiction, "The History of Mrs. Beaumont." Although the edition was expected to fill "five or six" volumes (Monthly Magazine, 17 [1 March 1804]: 159), the actual sixth volume, consisting entirely of more Richardson-Bradshaigh letters, looks very much like an afterthought. Did Barbauld, appreciating the importance of those letters, demand that Phillips give her that sixth volume? Or were its letters the "new matter" that Phillips sprung on her sometime after February? The texts printed in Volume 6 are among the confused texts in the edition, with misdatings and some conflations; if 6 was an afterthought, Barbauld might have had to prepare copy for it in a rush.

[26]

The letter is Thomas Edwards to Richardson, 28 Feb. 1752 (FC XII.1, ff 43-44; Correspondence, 3:35-38). The only mark on the letter that is probably Barbauld's is an asterisk next to line 17 on f 43r.

[27]

They could also have been made post-hoc, by the press corrector, to check the continuity of the printed sheets; but I interpret them as either predictive or simultaneous with composition for two reasons: they are in different hands, and one of them is inaccurate (FC XIV.3, f 46v, "N 265" at the place where in its volume p. 261 begins), which it would not be if it recorded a gathering already printed off. See Percy Simpson, Proofreading in the Sixteenth, Seventeenth, and Eighteenth Centuries (London: Oxford Univ. Press, 1935), p. 50, and Gaskell, New Introduction to Bibliography, pp. 40-43. See also n. 43 below.

[28]

"I want them to refer to," she says (see n. 22).

[29]

In Volume 3, pages 1-96 comprise gatherings B-E.

[30]

The conflated letters are 3:126-130, in which Barbauld has transferred to a letter dated (in Correspondence) 28 July 1755 a paragraph from a letter dated (in FC XII.1, f 143r) 18 June 1755; and 3:135-137, dated 12 July 1756 in Correspondence but of which the first paragraph is transferred from a letter dated 25 May 1756 in FC XII.1, f 171r. See Appendix A, below, for details of her markings on these letters.

[31]

"It does not appear . . . that copy was normally returned to the author with the proof until the later nineteenth century" (Gaskell, p. 352).

Quite possibly Phillips himself, or an agent, also intervened in the transcripts. Phillips owned the letters, and in later years he published others of them in magazines. With the magazine texts Barbauld had nothing to do; presumably they were the work of Phillips and the agent(s) he then employed. Thus, in 1808-09 there appeared in the European Magazine 28 letters between Richardson and Sarah Wescomb, twelve of which can be collated against Forster manuscripts. Three of those twelve—FC XIV.3, f 104 (European Magazine, 54 [1808]: 94-95); FC XIV.2, ff 55-56 (EM, 55 [1809]: 101-102); and FC XIV.2, f 8 (EM, 54 [1808]: 97, dated 2 Oct. 1754)—are letters whose manuscript originals Barbauld had marked up, and the third was actually printed in Correspondence (3:322-323, there dated 22 Oct.). The magazine texts of those letters differ from the Barbauld-marked manuscripts in the same kinds of ways (except that they ignore most of Barbauld's deletions) as the 1804 texts differ from their Barbauld-marked originals. Was Phillips—or his agent—responsible for these differences on both occasions?

[32]

The MS (a copy by one of Richardson's copyists) is Pierpont Morgan Library MS 1024(6); the printed texts are Correspondence, 2:32-33 (abridged), and Monthly Magazine, 41 (1816): 230-231. Eaves and Kimpel also discuss this letter (pp. 183-184n).

[33]

To be sure, both printed texts could be conflated, Monthly Magazine printing the whole of the Morgan manuscript which Barbauld abridged and then following Barbauld in adding to it the other sentence. This theory would of course call in question the accuracy of the Monthly Magazine texts of the Young-Richardson letters, which hitherto have served as the standard for condemning Barbauld's; and it would not explain why Barbauld deleted the entire Morgan letter. The problem is further complicated by the fact that the intrusive sentence occurs also in Young's letter dated 12 Dec. 1749 in Monthly Magazine 38 (1816): 430, not printed by Barbauld. Even if she could be shown to have lifted the sentence from the 1749 letter and inserted it into 1754, that would still not account for Phillips's including it in both letter texts. The Morgan MS, it must be remembered, is not Young's original letter; conceivably, the MS itself is an abridged or even conflated text.

[34]

The relation of printed text to MSS is somewhat muddied in this case by the fact that printed text sometimes agrees with HM in not observing FC's deletions and verbal changes. Barbauld certainly did not use FC; had she done so, she would presumably have printed the date of the letter. Neither, however, could HM have served as copy for the final printed text, for few of the deletions and none of the verbal changes in Correspondence are marked on it.

A third argument for multiple versions is the letter of Erasmus Reich to Richardson, dated 10 May 1754 in Correspondence, 5:297-298. Its MS counterpart today, FC XV.3, f 66, is unsigned and undated, and is headed (by Richardson) only "From Mr. . . . . [sic] Bookseller at Leipsick"; Richardson's index to the correspondence (XV.3, f 1) also leaves the name blank. Finally, the 1804 text represents an entire rewrite of Reich's weak English. Since there would have been no way for Barbauld to guess from this surviving MS or Richardson's index who wrote this letter or when, she must have used a different MS; and the most reasonable inference is that she used a version rewritten, signed and dated by Richardson himself. A notation by Richardson on FC XI, f 228v, "See in M. Reich's Letters, dated 7 7bre, 1757," shows that Richardson had compiled a file of Reich's letters.

For other indications of multiple versions, see notes 44, 45, 74, 78, and 79 below.

[35]

Richardson to Mrs. Scudamore, 1 Sept. 1758 (FC XIV.2 f 6r), referring to his own letters; Richardson assures Scudamore that her letters have been "scratched . . . thro' . . . as letters never to appear." Carroll, quoting this passage ("Introduction," p. 6), asserts that Richardson's editing was not really "as thorough as he suggested in this letter." That judgment can be based only on the MSS known today, and even then it is debatable, as we are about to see. It should be noted that early observers of the MSS perceived that Richardson had worked them over: he "arranged and corrected great part for the press," states the Monthly Magazine announcement cited in n. 25.

[36]

Notation on Aaron Hill to Richardson, 21 July 1736 (FC XIII.2, f 10v). Besides signifying removal of the marked text to another letter, Richardson's "transcribe" may also have meant "rewrite"; for when he urges Lady Echlin to send him her "Remarks" on Clarissa he asks her "not to have [them] transcribed. I ever admired the first flowings of a fine Imagination" (FC XI, f 126r). But his admiration of "first flowings" did not prevent his revising both his own and those of others. For another instance of possible conflation by Richardson (this one wrongly blamed on Barbauld), see below, note 80. And for indications that transcription did imply revision for one of Richardson's correspondents, see note 50 below.

[37]

FC XI, f 227v (2 Jan. 1758). I am grateful to Peter Sabor for bringing this and the previous passage to my attention. Some of the Richardson-Bradshaigh letters now in FC XI are evidently relics of their joint editing (a particularly messy example is FC XI, ff 19-20); others are copies by Richardson's amanuenses; still others are original letters, especially from her to him. Barbauld deserves praise for managing to make as much sense as she did of them.

[38]

Good examples of Richardson's concern for his image are provided by his notes to himself to omit or tone down passages that praise him too highly. (See Figure I for an instance.) Were he to let them stand, he would be perceived as grossly egotistical. An additional reason in support of the argument that the Young letter of 14 March 1754 once existed in another copy besides the one we now have is that the passage not printed in its Correspondence text contains fulsome praise, just the sort of thing Richardson would have told himself to omit (see p. 9 above). Barbauld, for her part. took care to avoid the "impropriety" of publishing letters "of any living character" (Correspondence, 1:v), and she disguised the names of living people.

[39]

I argued this position—that eighteenth-century editors of private letters worked to a standard of "general interest," not historical particularity—some years ago in Hester Thrale Piozzi: Portrait of a Literary Woman (Chapel Hill: University of North Carolina Press, 1985), pp. 135-138. Of course, "general interest" could be satisfied by epistolary representations of friendly behavior, and thus much local detail could be preserved—as it is by both Richardson and Barbauld in their editings of the correspondence.

[40]

For Barbauld's cuts of Edwards on not receiving or sooner answering Richardson's letters, see FC XII.1, ff 12, 37, 74, 88, 108, 121, 141, and 163. The Richardson-Wescomb exchange is Correspondence, 3:281-305.

[41]

For photocopies of the five letters whose originals I have not seen and of additional MSS of three others, and for descriptions of ink colors on some of them, I am grateful to the Bodleian Library (and Dr. Colin Harris); the Brotherton Library, University of Leeds; the Folger Shakespeare Library (and Heather Wolfe, MSS Curator); the Haverford College Library (and Diana Peterson, Archivist); the Hyde Collection (and Marcia Levinson, Curator); the Huntington Library (and Gayle M. Barkley, MSS Assistant); and the National Library of Scotland (and Dr. Iain G. Brown, Principal Curator, MSS).

[42]

Throughout the Hill letters, Hill's MS " `em" is changed to "them" in the printed texts. The change seems to follow Richardson's own precedent: on FC XIII.3, f 18r, he changes an " `em" to "them."

[43]

The MS (Hill's autograph) bears a gathering notation, "Vol. I. C 25," but the printed letter occupies pp. 87-88. In Volume I, gathering C does begin on p. 25. This letter might have been initially destined for pp. 25-26 and removed to its present, chronologically more accurate, position during production. Were Hill letters part of the "new matter" sent by Phillips that required Barbauld to alter her selection, thus changing the placement of this one?

[44]

Gathering F in Vol. I begins on p. 97, but the MS bears no gathering notation. The MS is blotted, and it bears Richardson's deletion stroke throughout; did Correspondence print from a different Richardson copy?

[45]

The original letter that went through the post. The entire absence of Barbauld marks on the MS and the change of the place-name from "Hungerford-Parley" in MS to "the Devizes" in Correspondence make it nearly certain that Correspondence prints from a different Richardson copy.

[46]

The verso of this letter bears a transcription of a passage from another letter (Young to Richardson, 27 Sept. 1757, Beinecke Library Osborn MSS Box Y, Folder 16576), as if copied for insertion into this one. The passage does not appear in Correspondence, nor have I found it in the Monthly Magazine texts. The hand of the transcription resembles that of a leading Richardson amanuensis (the hand, e.g., of FC XI, ff 259-260), but I am not sure of the identification; perhaps the transcript was made in 1780.

[47]

The MS (dated 9 April 1751) has been trimmed for mounting; perhaps the margin bore Barbauld's direction to conflate.

[48]

Dated 27 May 1750 in Correspondence; MS date (partly torn off) is "May 2[ ] 175[ ]; dated by Eaves and Kimpel [29?] May 1753. No marks by Barbauld.

[49]

MS bears no Barbauld mark except heading. The Highmore letters came to Barbauld (or Phillips) from Highmore herself (Correspondence, 1:v), hence presumably would not have undergone editing by Richardson. Barbauld probably had this and the next letter copied and did her editing on the copies. Did she treat the third letter differently because Phillips was nagging her?

[50]

Edwards's side of this correspondence is also represented by Bodleian Library MSS 1011-12, his letterbook copies. They often differ substantively from the FC texts, the letters he actually sent to Richardson. Apparently Edwards revised his letters when he transcribed them.

[51]

Gathering B in Vol. 3 begins on p. 1, but the MS bears no gathering notation. Nor any marks by Barbauld.

[52]

Gathering C begins on p. 25, but the MS bears no gathering notation.

[53]

FC is incomplete; missing text supplied by Bodleian MS 1012, pp. 1 ff (the Edwards copybook text, which Barbauld did not see). MS length refers to FC.

[54]

Gathering D begins on p. 49, but the MS bears no gathering notation.

[55]

Gathering E begins on p. 73, but the MS bears no gathering notation.

[56]

The letter containing the poem (SR to Edwards, 28 July 1754) is marked only once by Barbauld and omitted from Correspondence.

[57]

Fol. 116r bears gathering notation, "Vol. 3 F 97" (see Figure 3 and discussion).

[58]

Fol. 137r bears gathering notation, "Vol 3 G 121."

[59]

Fol. 171 is SR to Edwards, 25 May 1756 (copy), reduced by cutting to 16 lines. (Fol. 170 is another fragment of the same letter.) In Correspondence, f 171r is printed as the opening of SR to Edwards, 12 July 1756.

[60]

Including the first 8 lines, which are replaced in Correspondence (letter of 12 July 1756) by the text of f 171r. No Barbauld asterisk indicating these changes appears on either 171 or 172.

[61]

In this correspondence, Barbauld follows Richardson's lead in tidying up Wescomb's poor grammar. But tonal effects created by Richardson's underlinings of words in MS are lost in Correspondence, which does not print his underlinings. Barbauld and Correspondence also consistently misspell Wescomb's name.

[62]

Fol. 4r bears gathering notation, "Vol. 3.M 241."

[63]

Two MSS exist, HM (SR's original letter, actually posted) and FC XIV.3, ff 7-8 (his file copy). HM is lightly and FC heavily edited by him; the direction of editing is from HM to FC. Although Barbauld marked HM and not FC, the Correspondence text differs enough from both to prompt speculation that it was printed from a third SR copy.

[64]

Fol. 46v bears gathering notation, "N 265," at the place where p. 261 in Correspondence begins. The copy was thus four pages shorter at this point than anticipated.

[65]

Fol. 48r bears gathering notation, "Vol. III. n 265."

[66]

Of which Richardson had previously deleted 21; his name changes are ignored.

[67]

"I," a word often omitted by Wescomb and supplied by Richardson himself in her letters.

[68]

Fol. 59r bears gathering notation, "Vol III O 289."

[69]

There is a gap of one leaf or more between f 66 and f 67.

[70]

FC is a scribal copy. Richardson's autograph (Haverford College Library, Roberts Autographs 145) bears Barbauld's heading, "R to Mrs S.," but is not otherwise marked by her.

[71]

Fol. 156r bears gathering notation, "Vol IV K 193."

[72]

Barbauld's changes include replacing Richardson's "my divine girl" with "Clarissa."

[73]

Fol. 2v bears gathering notation, "Vol.IV. L 217," at a place which in Correspondence occurs on p. 216. A similar notation on f 2r, "214 Vol 4," does not designate or correspond to a gathering, and seems to be a post-hoc notation by a later hand.

[74]

A variant text of pp. 226-228 is given in Barbauld's "Life" of Richardson, 1:xlviii-l: evidence that this letter also existed in different versions?

[75]

Each of Barbauld's major dels (ff 6v-7r, 7v-8r, and 10-12) surrounds a gap of one leaf or more in the text as we now have it. Did she make them in response to gaps already there?

[76]

Fol. 14r bears gathering notation, "Vol IV M 241." The place of f 11 in this letter is unclear; it may belong to a different letter.

[77]

Fol. 126r bears gathering notation, "Vol V B 25" at the point where, in Correspondence, gathering C begins. FC is incomplete; Richardson's autograph file copy (Hyde Collection) agrees with Correspondence 5:21-24 (apart from the latter's deletion of 21 lines) in all but two words. Probably FC was copied from Hyde.

[78]

MS is Richardson's original letter. The total absence of editorial marks, here and on the following Echlin letters, suggests that Barbauld used different versions.

[79]

MS is heavily edited by Richardson and Lady Bradshaigh; there is a gap of 3 leaves between ff 19 and 20. Fols. 19r (lines 24-32) and 19v do not correspond to the text in Correspondence, pp. 42-47; part of that text may print from the missing leaves, but it also appears to conflate this letter with another (now lost). Although the MS is marked by Barbauld it was not necessarily copy for the conflated text, for f 19 shows no mark cuing in the other text. Did Barbauld use another version, already conflated by Richardson and Bradshaigh? A marginal note in Bradshaigh's hand reads, "This introduced a gash by restoring a former" at the point where f 19 and Correspondence part company, and on f 20 Bradshaigh's marginal text is marked by an X for insertion into the main text.

[80]

Wood, "Chronology of the Richardson-Bradshaigh Correspondence," asserts that because the Correspondence text of this letter (dated 29 March 1751) includes text from 8 April 1751 it must be "another of Mrs. Barbauld's composites" (p. 189). But FC XI, ff 2223, in Richardson's hand, clearly bears both dates; if the text is a composite it is his, not Barbauld's. Wood's confusion may have stemmed from an error by Eaves and Kimpel, who describe FC XI, ff 22-23 as the end of the letter begun 29 March 1751 when it is in fact the beginning. Perhaps Wood did not see the MS.

[81]

Gathering N begins on p. 265, but the MS bears no gathering notation. The end of the letter is missing.

[82]

Red-ink insertions by Richardson are printed in Correspondence, but his deletions are ignored.

[83]

This letter bears many marks by Richardson, including his red-ink bracket around a paragraph and a note, "Transcribe to next Letter but one for ye Sentiments."

[84]

Fol. 22 is the beginning of Aaron Hill to Richardson, dated (in another hand) 12 April 1739; it does not correspond to the letter of the same date in Correspondence, 1:2223. Eaves and Kimpel speculate that the printed text may be the latter part of the letter beginning on f 22.

[85]

Fol. 169 has been cut across the top; part of this letter is missing.

[86]

On this letter, which is in Bradshaigh's hand, SR has changed the date and inserted several short passages.

[87]

Richardson himself enclosed 35 lines in square brackets with a note, "Between [ ] transcribed to Miss P."

[88]

Eaves and Kimpel note, however, that both Correspondence and Monthly Magazine texts of Richardson to Young, 29 May 1759, include a paragraph that also occurs in Richardson to Young, 18 Dec. 1758 (known only from Monthly Magazine).

[89]

James Marshall and Marie-Louise Osborn Collection, Box Y, Folder 16576, Beinecke Rare Book and Manuscript Library, Yale University.


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