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Editing without a Copy-Text by G. Thomas Tanselle
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Allan H. Stevenson and the Bibliographical Uses of Paper by Paul Needham
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Editing Paintings/Conserving Literature: The Nature of the 'Work' by Paul Eggert
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Decorated Initials in the Lincoln Thornton Manuscript by Joel Fredell
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The Transcription of the "Clerk's Tale" in MS HM140: Interpreting Textual Effects by William McClellan
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Images of the Word: Separately Published English Bible Illustration 1539-1830 by G. E. Bentley, Jr
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Shakespeare's Art and the Texts of King Lear by Ann R. Meyer
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The Concluding Pages of the Jonson Folio of 1616 by James A. Riddell
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Samuel Johnson and the Preface to Abbe' Prevost's Memoirs of a Man of Quality by O M Brack, Jr.
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Attributions of Authorship in the Gentleman's Magazine,1809-26: A Supplement to Kuist by Emily Lorraine de Montluzin
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Thomas Love Peacock's Manuscript "Poems" of 1804 by Nicholas A. Joukovsky
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Last Gleanings From The Critic: Clemens, Whitman, Hardy, Thackeray, and Others by Arthur Sherbo
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Shaw's Forgotten Lecture (And Other Matters Shavian) by Arthur Sherbo
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Dreiser's "Genius" in the Making: Composition and Revision by Louis J. Oldani
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Watermarks and the Dating of Old Russian Manuscripts: The Case of Poslanie Mnogoslovnoe by Nancy Yanoshak

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[section]
  
Errata
  
Notes on Contributors
  
BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA
  
CONTRIBUTING MEMBERS FOR 1993
  
PUBLICATIONS IN PRINT
  
Erratum
  
Colophon
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Erratum

In volume 44 (1991), the labels should be transposed for the illustrations on pages 368-369 of Paul Eggert's article "Document or Process as the Site of Authority: Establishing Chronology of Revision in Competing Typescripts of Lawrence's The Boy in the Bush.

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