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Editing without a Copy-Text by G. Thomas Tanselle

Allan H. Stevenson and the Bibliographical Uses of Paper by Paul Needham

Editing Paintings/Conserving Literature: The Nature of the 'Work' by Paul Eggert

Decorated Initials in the Lincoln Thornton Manuscript by Joel Fredell

The Transcription of the "Clerk's Tale" in MS HM140: Interpreting Textual Effects by William McClellan

Images of the Word: Separately Published English Bible Illustration 1539-1830 by G. E. Bentley, Jr

Shakespeare's Art and the Texts of King Lear by Ann R. Meyer

The Concluding Pages of the Jonson Folio of 1616 by James A. Riddell

Samuel Johnson and the Preface to Abbe' Prevost's Memoirs of a Man of Quality by O M Brack, Jr.

Attributions of Authorship in the Gentleman's Magazine,1809-26: A Supplement to Kuist by Emily Lorraine de Montluzin

Thomas Love Peacock's Manuscript "Poems" of 1804 by Nicholas A. Joukovsky

Last Gleanings From The Critic: Clemens, Whitman, Hardy, Thackeray, and Others by Arthur Sherbo

Shaw's Forgotten Lecture (And Other Matters Shavian) by Arthur Sherbo

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Notes

Dreiser's "Genius" in the Making: Composition and Revision by Louis J. Oldani

Watermarks and the Dating of Old Russian Manuscripts: The Case of Poslanie Mnogoslovnoe by Nancy Yanoshak

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Notes

[1]

See Stanley Weintraub, "Bernard Shaw Besieged: Political Progresses to Oxbridge, 1888-1892," Shaw, 11 (1991), 37-40, and Shaw: Interviews and Recollections, ed. A. M. Gibbs (1990), pp. 56-57.

[2]

Shavians may wish to pursue this further in Stanley Weintraub, Journey to Heartbreak. The Crucible Years of Bernard Shaw 1914-1918 (1971).

[3]

Bernard Shaw. Collected Letters, 1926-1950, ed. Dan H. Laurence (1988), 4: 167-168.

[4]

There is no mention of this in Michael Holroyd's biography of Shaw. Shaw's letters are quoted with permission of The Society of Authors on behalf of the Bernard Shaw Estate.