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Textual Criticism and Deconstruction by G. Thomas Tanselle

Archival Standards in Documentary Editing by Ronald J. Zboray

Two Lollard Codices and Lollard Book-Production by Ralph Hanna III

"The Final Revision of Bonduca": An Unpublished Essay by W. W. GREG by Grace Ioppolo

The Problem of Semi-Substantive Variants: An Example from the Shakespeare-Fletcher Henry VIII by Fredson Bowers

Font Analysis as a Bibliographical Method: The Elizabethan Play-Quarto Printers and Compositors by Adrian Weiss

British Plays, 1697-1737: Premieres, Datings, Attributions, and Publication Information by William J. Burling

William Robinson, Contributor to Fielding's Champion by Frederick G. Ribble

From the Monthly Magazine, and British Register: Notes on Milton, Pope, Boyce, Johnson, Sterne, Hawkesworth, and Prior by Arthur Sherbo

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The Manuscript of Wilkie Collins's No Name by William Baker

Lawrence, Garnett, and Sons and Lovers: An Exploration of Author-Editor Relationship by Mark S. Sexton

John Greenleaf Whittier in the Critic, 1881-1892 by Arthur Sherbo

Gilbert Sorrentino's Revisions of The Sky Changes by David Leon Higdon and Robert F. Sheard

Correlated Type Sizes and Names for the Fifteenth Through Twentieth Century by John Richardson Jr.

More on the Compositors of the First Edition of Don Quixote, Part II by R. M. Flores

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STUDIES IN BIBLIOGRAPHY

Edited by FREDSON BOWERS DAVID L. VANDER MEULEN Assistant Editor Volume Forty-Three Published for

Bibliographical Society of the University of Virginia
By The University Press of Virginia, Charlottesville

© 1990

THE UNIVERSITY PRESS OF VIRGINIA Copyright © 1989 by the Rector and Visitors of the University of Virginia