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[title page]

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The Melbourne Manuscript and John Webster: A Reproduction and Transcript by Antony Hammond and Doreen Delvecchio
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Bibliographical History As a Field of Study by G. Thomas Tanselle
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Does "Text" Exist? by Louis Hay
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Script, Work and Published Form: Franz Kafka's Incomplete Text by Gerhard Neumann
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Conceptualisations for Procedures of Authorship by Klaus Hurlebusch
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[section 1]
 2. 
The critical edition—two contrasting concepts
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I. The reception-oriented editorial concept
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II. The production-oriented editorial concept
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Equivalence or precedence of the apparatus over the text
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The model of the author in the 3rd person: the author concealing himself as a producer of texts
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Over-estimation of authorial composition due to modal misinterpretation
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III. The author's working procedures as a reflection of his sense of self-being
  
Notes
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Some Notes on Letter Editions: With Special Reference to German Writers by Siegfried Scheibe
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Editing the Correspondence of Charles Darwin by Frederick Burkhardt
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Practice, not Theory: Editing J. S. Mill's Newspaper Writings by John M. Robson
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The Unity and Authenticity of Anelida and Arcite: The Evidence of the Manuscripts by A. S. G. Edwards
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Editorial Method and Medieval Translations: The Example of Chaucer's Boece by Tim William Machan
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The Origins and Production of Westminster School MS. 3 by Ralph Hanna III
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An Epitaph for Richard, Duke of York by Richard Firth Green
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More on the 1532 Edition of Ariosto's Orlando Furioso by Conor Fahy
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"Foul Papers" and "Prompt-Books": Printer's Copy For Shakespeare's Comedy of Errors by Paul Werstine
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New Evidence for Dr. Arbuthnot's Authorship of "The Rabbit-Man-Midwife" by Dennis Todd
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"Hesiod" Cooke and the Subscription Game by Arthur Sherbo
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From the Westminster Magazine: Swift, Goldsmith, Garrick, et al. by Arthur Sherbo
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Richard Edwards, Publisher of Church-and-King Pamphlets and of William Blake by G. E. Bentley, Jr.
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William Faulkner's 1962 Gold Medal Speech by Louis Daniel Brodsky

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Errata

p. 323 Antony Hammond ] Anthony Hammond

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