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[title page]
The Melbourne Manuscript and John Webster: A Reproduction and Transcript by Antony Hammond and Doreen Delvecchio
Bibliographical History As a Field of Study by G. Thomas Tanselle
Does "Text" Exist? by Louis Hay
Script, Work and Published Form: Franz Kafka's Incomplete Text by Gerhard Neumann
Conceptualisations for Procedures of Authorship by Klaus Hurlebusch
1.
[section 1]
2.
The critical edition—two contrasting concepts
3.
I. The reception-oriented editorial concept
4.
II. The production-oriented editorial concept
5.
III. The author's working procedures as a reflection of his sense of self-being
Notes
Some Notes on Letter Editions: With Special Reference to German Writers by Siegfried Scheibe
Editing the Correspondence of Charles Darwin by Frederick Burkhardt
Practice, not Theory: Editing J. S. Mill's Newspaper Writings by John M. Robson
The Unity and Authenticity of Anelida and Arcite: The Evidence of the Manuscripts by A. S. G. Edwards
Editorial Method and Medieval Translations: The Example of Chaucer's Boece by Tim William Machan
The Origins and Production of Westminster School MS. 3 by Ralph Hanna III
An Epitaph for Richard, Duke of York by Richard Firth Green
More on the 1532 Edition of Ariosto's Orlando Furioso by Conor Fahy
"Foul Papers" and "Prompt-Books": Printer's Copy For Shakespeare's Comedy of Errors by Paul Werstine
New Evidence for Dr. Arbuthnot's Authorship of "The Rabbit-Man-Midwife" by Dennis Todd
"Hesiod" Cooke and the Subscription Game by Arthur Sherbo
From the Westminster Magazine: Swift, Goldsmith, Garrick, et al. by Arthur Sherbo
Richard Edwards, Publisher of Church-and-King Pamphlets and of William Blake by G. E. Bentley, Jr.
William Faulkner's 1962 Gold Medal Speech by Louis Daniel Brodsky
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Notes
[*]
Read at a symposium on editing and text held in Charlottesville, Va., 20-23 April 1985.
