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A Sample Bibliographical Description With Commentary by G. Thomas Tanselle
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The Three Texts of 2 Henry IV by John Jowett and Gary Taylor
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The Growth of Robert Thornton's Books by Ralph Hanna III
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The Production of Cambridge University Library MS. Ff.i.6 by Ralph Hanna III
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On the Eighteenth-Century Ownership of a MS of Chaucer's Legend of Good Women, British Library Additional 9832 by Constance S. Wright
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Some Observations on the 1532 Edition of Ludovico Ariosto's Orlando Furioso by Conor Fahy
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The Significance of the "Tho" Signs in Wyatt's Egerton Manuscript by Joost Daalder
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Sir John Harington's Manuscripts in Italic by R. H. Miller
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The Final Quires of the Jonson 1616 Workes: Headline Evidence by Kevin J. Donovan
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The 1640 and 1653 Poems: By Francis Beaumont, Gent. and the Canon of Beaumont's Nondramatic Verse by William A. Ringler, Jr.
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The Gentleman's Magazine, Concealed Printign, and the Texts of Samuel Johnson's Lives of Admiral Robert Blake and Sir Francis Drake by O M Brack, Jr.
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Provincial Bookselling in Eighteenth-Century England: The Case of John Clay Reconsidered by Jan Fergus and Ruth Portner
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More from the Gentleman's Magazine: Graves, Mainwaring, Wren, Sterne, Pope, Bubb Dodington, Goldsmith, Hill, Herrick, Cowper, Chatterton by Arthur Sherbo
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Cromek, Cunningham, and Remains of Nithsdale and Galloway Song: A Case of Literary Duplicity by Dennis M. Read
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Dates for Some Serially Published Shakespeares by Richard Knowles
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Charlotte Brontë Manuscripts: Two Sketches and Her Holograph Preface to The Professor by Janet Butler
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The Bibliographer, Book-Lore, and The Bookworm by Arthur Sherbo
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The Unrecognized Second Edition of Conrad's Under Western Eyes by David Leon Higdon
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William Faulkner's "Impressions" of "Danzas Venezuela": The Original Manuscript by Louis Daniel Brodsky

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[section]
 01. 
Notes on Contributors
 02. 
BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA
 03. 
[section]
 04. 
PUBLICATIONS IN PRINT
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D8. Jonathan Cape "New Library" Edition (London, 1937)

. . . [condensed description]

For an earlier association of the Cape imprint with Redburn, see D5b.

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