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[title page]

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"The Charge of the Light Brigade": The Creation of a Poem by Edgar Shannon and Christopher Ricks
 1. 
[section 1]
 2. 
I
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II
 01. 
Bibliographical Note: Descriptions of Manuscripts and Proofs in Chronological Order
 02. 
The Charge of the Light Brigade.
 03. 
HISTORICAL COLLATION
 04. 
ALTERATIONS IN THE MANUSCRIPTS
  
Notes
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Title-Page Transcription and Signature Collation Reconsidered by G. Thomas Tanselle
 1. 
[section 1]
 2. 
I
 3. 
II
  
Notes
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The Analysis of Open Traditions by Michael Weitzman
 1. 
1. Stemmatic analysis and its aims.
 2. 
2. Historical methods in open traditions
 3. 
3. History-free approaches
 4. 
4. The inductive approach to evaluation
 5. 
5. A complementary approach to evaluation and history.
 6. 
6. An experiment
  
Notes
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Normalisation of Accidentals in Middle English Texts: The Paradox of Thomas Hoccleve by D. C. Greetham
 1. 
[section 1]
 2. 
Normalisation Model
 3. 
Normalisation: Lexical Types
  
Notes
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Sprinklings of Authority: The Folio Text of Richard II by John Jowett and Gary Taylor
 1. 
[section 1]
 2. 
I. Q5 and the Abdication Episode
 3. 
II. Q5 and Act V
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III. The Pattern of Annotation
 01. 
Compounded Error
 02. 
Shared Error
 03. 
Manuscript Misreadings
 04. 
Lineation
 05. 
Profanity
 06. 
Cuts
 07. 
Corrections of Q1 Error
 08. 
Preliminary Summary
 09. 
Stage Directions
 10. 
Speech Prefixes
 11. 
Act and Scene Divisions
 12. 
Hypothesis
 5. 
IV. Authoritative F Readings
 6. 
V. Censorship and the Abdication Episode
 7. 
VI. Textual History of Richard II
  
Notes
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Shakespeare and the Geneva Bible: Hamlet, I.iii.54 by Naseeb Shaheen
  
[section]
  
Notes
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Nicholas Ling, Publisher 1580-1607 by Gerald D. Johnson
 1. 
[section 1]
 2. 
Ling's Shops
  
Notes
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William Stansby's Early Career by James K. Bracken
  
[section]
  
Notes
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John Webster and Thomas Heywood in Appius and Virginia: A Bibliographical Approach to the Problem of Authorship by MacD. P. Jackson
 1. 
Introduction
 2. 
The Quarto of 1654: Printer and Compositors
 3. 
The Manuscript Copy for Q
 4. 
Linguistic Discriminators between Webster and Heywood
 5. 
Linguistic Evidence in APPIUS AND VIRGINIA 1654
 6. 
Conclusion
  
Notes
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Frivolous Trifles and Weighty Tomes: Early Proof-Reading at London, Oxford, and Cambridge by James P. Hammersmith
  
[section]
  
Notes
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Dryden as a Cambridge Editor by Arthur Sherbo
  
[section]
  
Notes
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Dryden's Translation of Virgil's Eclogues and the Tradition by Arthur Sherbo
 1. 
[section 1]
 2. 
THE SEVENTH PASTORAL. Or, MELIBŒUS THE ARGUMENT
  
Notes
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Determining Final Authorial Intention in Revised Satires: The Case of Edward Young by James E. May
  
[section]
  
Notes
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Sons and Lovers: The Surviving Manuscripts From Three Drafts Dated by Paper Analysis by Helen Baron
 1. 
[section 1]
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The Paper Research
 01. 
Table 1
 02. 
Table 2
 3. 
Jessie Chambers and Stage II
 4. 
Stage IIIa: the start
 5. 
Stage IIIa: the completion
 6. 
The remains of Stage IIIa
 7. 
The remains of Stage IIIb
 8. 
Edward Garnett's notes on Stage IIIb
 9. 
The survival of the manuscripts
  
Notes
  
A Lost Passage from Hemingway's 'Macomber' by Leger Brosnahan
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A Textual History of William Faulkner's The Wishing-Tree and The Wishing Tree by Louis Daniel Brodsky
 1. 
I
 2. 
II
 3. 
III
 4. 
IV
  
Notes

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[section]
  
Errata
  
Notes on Contributors
  
BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA
  
CONTRIBUTING MEMBERS FOR 1984
  
PUBLICATIONS IN PRINT
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Notes

 
[1]

Helene M. Hooker, "Dryden's Georgics and English Predecessors," HLQ, 4 (1946), 273-310 and Leslie Proudfoot, Dryden's "Aeneid" and Its Seventeenth Century Predecessors (1960).

[2]

For a position contrary to my own, see J. McG. Bottkol's review of Mrs. Hooker's article, in PQ, 26 (1947), 118.

[3]

The Dryden-Lauderdale connection necessitates separate treatment.

[4]

W. L.'s rhyme scheme is a//a, hence the two slash lines.

[5]

I give line numbers only from Dryden's version; the abbreviations for the various translations are easily understandable by reference to the second paragraph.

[6]

Biddle has the Trees/Bees rhyme but Dryden had his eye on 1684.

[7]

02 has villages ascends/ . . . shade extends.

[8]

1684a is Tate's translation of the second Eclogue; 1684b, Creech's.

[9]

For this last 1684a has Nor is my face so mean.

[10]

1684 has "vie."

[11]

B has downy Quinces.

[12]

John Stafford and Knightly Chetwood translated this Eclogue, but the latter's version (1684b) was only a part alone, running to 83 lines.

[13]

Edited by G.B. Hill (1905), 3, 166 and n. 4.

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