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The Arrangement of Descriptive Bibliographies by G. Thomas Tanselle
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The Ranking of Variants in the Analysis of Moderately Contaminated Manuscript Traditions by Harold Love
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The Identification of Paper without Watermarks: The Example of Pope's Dunciad by David L. Vander Meulen
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The Mode of Existence of Literary Works of Art: The Case of the Dunciad Variorum by James McLaverty
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Stretching a Point: Or, The Case of the Spaced-out Comps by D. F. McKenzie
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The London Thornton Manuscript: A Corrected Collation by Ralph Hanna III
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Models for the Textual Transmission of Translation: The Case of John Trevisa by D. C. Greetham I
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Misconceptions About the Geneva Bible by Naseeb Shaheen
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The Roaring Girl: New Readings and Further Notes by Paul Mulholland
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The Derby MS Book of Cotton's Poems and "Contentation" Re-Considered by Alvin I. Dust
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Hidden Editions in Satires I and II of Edward Young's The Universal Passion by James E. May
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The Authority of Accidental Variants in the Tonson Second Edition of Edward Young's Love of Fame by James E. May
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John Clay of Daventry: The Business of an Eighteenth-Century Stationer by John Feather
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Isaac Reed and the European Magazine by Arthur Sherbo
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Additions to the Nichols File of the Gentleman's Magazine by Arthur Sherbo
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The Sons and Lovers Manuscript by Wayne Templeton
  
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Notes
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Stephen Crane's Sale of "An Episode of War" To The Youth's Companion by Paul Sorrentino
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The Textual Development of William Faulkner's "Wash": An Examination of Manuscripts in the Brodsky Collection by Louis Daniel Brodsky
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The Setting and Printing of the First Edition of Cervantes's Novelas Ejemplares by R. M. Flores

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Notes

 
[1]

The Letters of D.H. Lawrence, ed. James T. Boulton (1979), I, 184. Subsequent references will appear within the essay.

[2]

See Schorer's "Introduction" to Sons and Lovers: A Facsimile of the Manuscript. (1977) for a discussion of the possibility that Duckworth did secretly emend the proofs.

[3]

A comparison of this excerpt with a letter which Lawrence wrote to Jessie Chambers, 28 January, 1908, provides an excellent example of the relationship between Sons and Lovers and the author's own life: "When I look at you," he wrote to Jessie, "what I see is not the kissable and embraceable part of you, although it is so fine to look at, with the silken toss of hair curling over your ears. What I see is the deep spirit within. That I love and can go on loving all my life" (Letters, p. 42).

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