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II. The Two States of the Engraved Portrait by William Marshall
William Marshall's engraving, used as a frontispiece in the first (1646), second (1648), and some copies of the third (1658) editions of Fragmenta Aurea, and also in some detached copies of The Last Remains of Sir John Suckling, 1659, shows Suckling turned to the right instead of to the left but in the same attitude and in general much as he appears in the great Van Dyck portrait now in the Frick Collection.[2] We have found two states of
The almost equal distribution of states between copies of the first edition — seventeen of the earlier, eighteen of the later — makes virtually certain that the plate was re-incised in the course of its printing, which in turn suggests a very large printing of the portrait and possibly, though not necessarily, an equally large printing of the edition for which the portrait was originally intended. A reproduction of the earlier state may be found in Greg's Bibliography, Vol. III, plate CXXXVII; The Ashley Library, Vol. VI, facing page 20; and Gosse and Garnett's Illustrated History of English Literature (1903), III, 25. The later state is reproduced in The Book Buyer, XIX (1900), 575.
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