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[title page]

The Suppressed and Altered Passages in Blake's Jerusalem by David V. Erdman

A Computer Concordance to Middle English Texts by Alan Markman

Milton and the Harvard Pindar by Maurice Kelley and Samuel D. Atkins

Light on Joyce's Exiles? A New MS, a Curious Analogue, and Some Speculations by Robert M. Adams

Further Observations on the Text of Dubliners by Robert Scholes

Mathew Carey's Proofreaders by Rollo G. Silver

"Bound in Boston by Henry B. Legg" by Hannah D. French

James Kirke Paulding's Contributions to American Magazines by Ralph M. Aderman

Unsigned and Initialed Contributions to The Freeman by G. Thomas Tanselle

Material for a Centenary Edition of Tenderis the Night by Matthew J. Bruccoli

The Terence of Turin, 1483 by Curt F. Bühler

The Printer of the 1594 Octavo of Marlowe's Edward II by Robert Ford Welsh

The Early Editions of Sir Walter Ralegh's The History of the World by John Racin, Jr.

Some Reprintings of the Gentlemen's Magazine by Jacob Leed

Predecessors to Burke's and Dodsley's Annual Register by John C. Weston, Jr.

Yeats's Vision and "The Two Trees" by Robert Mortenson

Some Principles for Scholarly Editions of Nineteenth-Century American Authors by Fredson Bowers

A SELECTIVE CHECK LIST OF BIBLIOGRAPHICAL SCHOLARSHIP FOR 1962

1.0.

Part I: INCUNABULA and EARLY RENAISSANCE by Rudolf Hirsch

2.0.

Part II: THE LATER RENAISSANCE TO THE PRESENT by Howell J. Heaney

Notes

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Plate 93

Enitharmon heard. She raisd her head like the mild Moon [1]
<[ ]>

In the blank space following line 1 are slight traces of a deletion, irrecoverable and probably made in the varnish. Can it have consisted of an extension of the epic, but brief, simile "like the mild Moon"? That would be an early manner.