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Publishers and Sinners: The Augustan View by Ian Watt
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"My Squeamish Public": Some Problems of Victorian Magazine Publishers and Editors by Oscar Maurer
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Melville and the Common Reader by William Charvat
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Bibliography and the Novelistic Fallacy by Bruce Harkness
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Compositor B's Role in The Merchant of Venice Q2 (1619) by D. F. McKenzie
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The Shares of Fletcher and his Collaborators in the Beaumont and Fletcher Canon (IV) by Cyrus Hoy
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Some Folger Academic Drama Manuscripts by R. H. Bowers
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Scottish Printers and Booksellers 1668-1775: A Supplement by Robert Hay Carnie and Ronald Paterson Doig
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Blake's Engravings and his Friendship with Flaxman by G. E. Bentley, Jr.
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Recurrent Printing by William B. Todd
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THE COMPOSITION OF The Insatiate Countess, Q2 by Robert K. Turner, Jr.
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'Oh! Sophonisba! Sophonisba! Oh!' by D. F. Foxon
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Supplementary Notes on Samuel Richardson as a Printer by Alan D. McKillop
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Msgazine and Other Contributions by Mary Russell Mitford and Thomas Noon Talfourd by William A. Coles
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The Publication of Leigh Hunt's Imagination and Fancy by David Bonnell Green
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Howells Bibliography: A "Find" and a Clarification by Edwin H. Cady
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A SELECTIVE CHECK LIST OF BIBLIOGRAPHICAL SCHOLARSHIP FOR 1957 SERIES B
 1.0. 
Part I: INCUNABULA AND EARLY RENAISSANCE, by Rudolf Hirsch
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Part II: The Later Renaissance to the Present by Howell J. Heaney
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1. Bibliographies, Check Lists, Enumerations
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2. Printing, Publishing, Bibliographical and Textual Scholarship
  
Notes

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[addenda]
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Notes

 
[1]

For light on these see E. H. Cady, "William Dean Howells in Italy: Some Bibliographical Notes," Symposium, VII (1953), 147-153.

[2]

W. M. Gibson and G. Arms, A Bibliography of William Dean Howells (1948), p. 7.

[3]

This information, as well as the sheet-music itself, came through Mr. Chet Lampson, editor of The Jefferson Gazette (successor to the Howells family newspaper, The Ashtabula Sentinel) and expert Western Reserve historian, collector, and book-hunter.

[4]

Gibson and Arms, p. 45.

[5]

One cannot be sure, reconstructing it from its sheet-music divisions, that Howells' verses or even lines were precisely those given here.

[6]

These lines were repeated in the sheet-music, for purpose of the song-writer, not the poet, I think.

[7]

See International Who's Who in Music and Musical Gazetteer, ed. César Saerchinger (1918), p. 44.

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