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The Text of Shakespeare's Romeo and Juliet by G. I. Duthie
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Some Bibliographical Notes on Samuel Daniel's Civil Wars by James G. McManaway
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Bibliography and the Editorial Problem in the Eighteenth Century by William B. Todd
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Watermarks Are Twins by Allan H. Stevenson
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Some Bibliographical Irregularities in the Shakespeare Fourth Folio by Giles E. Dawson
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Chaucer's Lak of Stedfastnesse by George B. Pace
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Milton and Machiavelli's Discorsi by Maurice Kelley
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A Possible New Source for Servius Danielis on Aeneid III-V by Arthur Frederick Stocker
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Early American Power Printing Presses by Ralph Green
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THE LAYING OF A GHOST? Observations on the 1483 Ratdolt Edition of the Fasciculus Temporum Curt F. Bühler
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Shakespearian Dated Watermarks Allan H. Stevenson
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A Supplement to the Bibliography of 'Shakespeare Idolatry' Margaret Lee Wiley
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The Second Quarto of A King and No King, 1625 Berta Sturman
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A Prompt Copy of Dryden's Tyrannic Love Henry Hitch Adams
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The Variant Sheets in John Banks's Cyrus the Great, 1696 Fredson Bowers
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Swift's Verses on the Death of Doctor Swift H. Teerink
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Adam Clarke's Bibliographical Dictionary (1802-1806) Francesco Cordasco
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The Murray Reprints of George Grabbe: A Publisher's Record Franklin P. Batdorf
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The Printer of Harvard's Humble Proposal (1659) Bertram C. Cooper and Richard E. Hasker
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Belcher & Armstrong Set Up Shop: 1805 Rollo G. Silver
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Twenty-Eight Additions to the Canon of Lowell's Criticism F. DeWolfe Miller
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A Note on Lowell Bibliography: The Review of Howells' Venetian Life James L. Woodress, Jr.
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The First Printing of Sherwood Anderson's Winesburg, Ohio William L. Phillips
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The Text of T. S. Eliot's "Gerontion" William H. Marshall
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A SELECTIVE CHECK LIST OF BIBLIOGRAPHICAL SCHOLARSHIP FOR 1950
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PART I: INCUNABULA AND EARLY RENAISSANCE, by Rudolf Hirsch
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PART II: THE LATER RENAISSANCE TO THE PRESENT, by Howell J. Heaney
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I. Bibliographies, Check Lists, Enumeration
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2. Printing, Publishing, Bibliographical, and Textual Scholarship
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Notes

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COLOPHON

Volume Four of the Society's Papers, Studies in Bibliography, was produced at the University of Virginia Press under the supervisionof Robert L. Morris.

All machine and hand composition was done by Mark Rinker, foreman of the composing room. Presswork by William Travis. The halftones are the work of the Pontiac Engraving and Electrotype Company of Chicago and of the Lynchburg Engraving Co, L. H. Jenkins, Inc. of Richmond did the binding.

One thousand copies were manufactured.

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