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The Text of Shakespeare's Romeo and Juliet by G. I. Duthie
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Some Bibliographical Notes on Samuel Daniel's Civil Wars by James G. McManaway
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Bibliography and the Editorial Problem in the Eighteenth Century by William B. Todd
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Watermarks Are Twins by Allan H. Stevenson
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Some Bibliographical Irregularities in the Shakespeare Fourth Folio by Giles E. Dawson
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Chaucer's Lak of Stedfastnesse by George B. Pace
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Milton and Machiavelli's Discorsi by Maurice Kelley
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A Possible New Source for Servius Danielis on Aeneid III-V by Arthur Frederick Stocker
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Early American Power Printing Presses by Ralph Green
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THE LAYING OF A GHOST? Observations on the 1483 Ratdolt Edition of the Fasciculus Temporum Curt F. Bühler
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Shakespearian Dated Watermarks Allan H. Stevenson
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A Supplement to the Bibliography of 'Shakespeare Idolatry' Margaret Lee Wiley
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The Second Quarto of A King and No King, 1625 Berta Sturman
 1. 
[section 1]
 notes. 
Notes
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A Prompt Copy of Dryden's Tyrannic Love Henry Hitch Adams
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The Variant Sheets in John Banks's Cyrus the Great, 1696 Fredson Bowers
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Swift's Verses on the Death of Doctor Swift H. Teerink
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Adam Clarke's Bibliographical Dictionary (1802-1806) Francesco Cordasco
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The Murray Reprints of George Grabbe: A Publisher's Record Franklin P. Batdorf
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The Printer of Harvard's Humble Proposal (1659) Bertram C. Cooper and Richard E. Hasker
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Belcher & Armstrong Set Up Shop: 1805 Rollo G. Silver
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Twenty-Eight Additions to the Canon of Lowell's Criticism F. DeWolfe Miller
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A Note on Lowell Bibliography: The Review of Howells' Venetian Life James L. Woodress, Jr.
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The First Printing of Sherwood Anderson's Winesburg, Ohio William L. Phillips
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The Text of T. S. Eliot's "Gerontion" William H. Marshall
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A SELECTIVE CHECK LIST OF BIBLIOGRAPHICAL SCHOLARSHIP FOR 1950

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[bibliography]
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Notes

 
[1]

"To | THE RIGHT | WORSHIP-FULL, | AND VVORTHIE | Knight, Sir Henrie | NEVILL. | Worthy Sir, | I present, or rather returne vnto your view, | that which formerly hath beene receiued from | you, hereby effecting that you did desire: . . ." See also the note on this dedication in the Variorum Beaumont and Fletcher in which this play is edited by R. Warwick Bond, I, 248.

[2]

Prose passages at the beginning of Act I, scene i; at line 60, I. i; at line 81, I. i; at line 408, I. i; at line 63, II. i; at line 132, II. i; at line 1, III. iii; at line 97, III. iii; at line 26, IV. iii; and at line 31, V. ii all show a line for line correspondence.

[3]

Sir Walter Greg remarks in connection with this note that "It is difficult to see how the note got in, unless the quarto had been used in the theatre." (Dramatic Documents, I, 212n). W. J. Lawrence mentions this note at page 403n of his Pre-Restoration Stage Studies.

[4]

T. W. Baldwin (Organization and Personnel of the Shakespearean Company, p. 142) quotes this stage direction from the folio and assumes it originated in a manuscript, which, he warns, may not have been the author's.

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