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Editorial Problems -- A Preliminary Survey by R. C. BALD
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The Rationale of Copy-Text by W. W. GREG
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Some Relations of Bibliography to Editorial Problems by FREDSON BOWERS
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Some Postulates for Distributional Study of Texts by ARCHIBALD A. HILL
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Observations on Two Caxton Variants by CURT F. BÜHLER
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Bookbindings in the Libraries of Prague by ERNST KYRISS
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Shakespeare's Troilus and Cressida: The Relationship of Quarto and Folio by PHILIP WILLIAMS
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Mark III: New Light on the Proof-Reading for the First Folio of Shakespeare by CHARLTON HINMAN
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Thomas Newcomb: A Restoration Printer's Ornament Stock by C. WILLIAM MILLER
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Observations on the Incidence and Interpretation of Press Figures by WILLIAM B. TODD
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Printers' Lobby: Model 1802 by ROLLO G. SILVER
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Some Unrecorded Poems of James Kirke Paulding: An Annotated Check-List by J. ALBERT ROBBINS
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Bibliographica
 1. 
THOMAS DRUE'S DUCHESS OF SUFFOLK: A PROTESTANT DRAMA by Leslie Mahin Oliver
 notes1. 
Notes
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THE COMPOSITION AND PRINTING OF MIDDLETON'S A MAD WORLD, MY MASTERS by Gerald J. Eberle
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Notes
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NOTES ON RESTORATION PLAYS by Robert N. E. Megaw, Homer Goldberg, Frederick O. Waller
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THE EARLY EDITIONS OF ADDISON'S CAMPAIGN by Robert D. Horn
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[subsection 1]
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Notes
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THE FIRST ANTHOLOGIES OF ENGLISH LITERARY CRITICISM, WARTON TO HASLEWOOD by Rodney M. Baine
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PRINTER'S COPY FOR TYRWHITT'S CHAUCER by Atcheson L. Hench
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AN UNRECORDED EARLY ANTHOLOGY OF CRABBE by Franklin P. Batdorf
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BENEFACTORS OF THE CAMBRIDGE PRESS: A RECONSIDERATION by Lawrence G. Starkey
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SCOTCH TYPE IN EIGHTEENTH-CENTURY AMERICA by John Alden
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THE CONTINENTAL CONGRESS CONSIDERS THE PUBLICATION OF A BIBLE, 1777 by William H. Gaines, Jr.
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THE SEVERAL STATES OF THE FARRER MAP OF VIRGINIA by Coolie Verner
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POE'S ALONE: ITS BACKGROUND, SOURCE, AND MANUSCRIPT by I. B. Cauthen, Jr.
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A SELECTIVE CHECK LIST OF BIBLIOGRAPHICAL SCHOLARSHIP FOR 1949 Part I: Incunabula and Early Renaissance, by Rudolph Hirsch Part II: Later Renaissance to the Present, by Lucy Clark and Fredson Bowers

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Notes

 
[1]

In the Check List entry for 1325, confirm CSmH and TxU, and add CLUC and ICU. In the entry for 1326 capitalize "wife" and add IU, MB, MH, MiU, and OCU.

[2]

As a further identifying point, no. 881 reads "Russel-Street" in the imprint, but 822 "Russel-Street." Under 881 confirm PU and add CtY, ViU; under 882 add IEN, IU, and MH.

[3]

That these few agreements of 880 and 882 do not result from the setting of 882 by two compositors, one holding a copy of 880 and the other 881, is demonstrated by the fact that elsewhere on the pages containing these variants, the pattern of the other accidentals derives from 881 and not 880.

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