University of Virginia Library

Search this document 
Dictionary of the History of Ideas

Studies of Selected Pivotal Ideas
  
  

expand sectionV. 
expand sectionIV. 
expand sectionVI. 
expand sectionVI. 
expand sectionVI. 
expand sectionV. 
expand sectionV. 
expand sectionV. 
expand sectionII. 
expand sectionIV. 
expand sectionIV. 
expand sectionI. 
expand sectionI. 
expand sectionI. 
expand sectionVI. 
expand sectionV. 
expand sectionV. 
expand sectionVI. 
expand sectionVI. 
expand sectionIII. 
expand sectionI. 
expand sectionVI. 
expand sectionI. 
expand sectionIII. 
expand sectionVI. 
expand sectionIII. 
expand sectionIV. 
expand sectionVI. 
expand sectionVI. 
expand sectionV. 
expand sectionIV. 
expand sectionVII. 
expand sectionV. 
expand sectionI. 
expand sectionIII. 
expand sectionIII. 
expand sectionIII. 
expand sectionVI. 
expand sectionVI. 
expand sectionVI. 
expand sectionVI. 
expand sectionIII. 
expand sectionVI. 
expand sectionIII. 
expand sectionI. 
expand sectionVI. 
expand sectionVI. 
expand sectionVI. 
expand sectionVI. 
expand sectionVI. 
expand sectionV. 
expand sectionIV. 
expand sectionIV. 
expand sectionIV. 
collapse sectionVI. 
  
  
  
  
  
  
expand sectionIV. 
expand sectionIII. 
expand sectionVI. 
expand sectionVI. 
expand sectionV. 
expand sectionV. 
expand sectionVI. 
expand sectionIII. 
expand sectionII. 
expand sectionI. 
expand sectionII. 
expand sectionVII. 
expand sectionI. 
expand sectionI. 
expand sectionIII. 
expand sectionVI. 
expand sectionVI. 
expand sectionV. 
expand sectionVII. 
expand sectionV. 
expand sectionV. 
expand sectionV. 

BIBLIOGRAPHY

G. G. Sedgewick, Of Irony Especially in Drama (Toronto,
1948), contains an historically oriented review of the mean-
ings of the word irony, including the Greek and the Latin.
N. Knox, The Word “Irony” and Its Context, 1500-1755
(Durham, N.C., 1961), deals with developments in England.
R. Wellek, A History of Modern Criticism, 5 vols. (New
Haven, 1955—), gives consistent attention to irony as a topic
in European literary criticism, with full references. D. C.
Muecke, The Compass of Irony (London, 1969), contains
an excellent bibliography. Also: W. C. Booth, The Rhetoric
of Fiction
(Chicago, 1961); C. I. Glicksberg, The Ironic
Vision in Modern Literature
(The Hague, 1969), to be used
with caution; R. Immerwahr, “The Subjectivity or Objec-
tivity of Friedrich Schlegel's Poetic Irony,” Germanic Re-
view,
26 (1951), 173-91; V. Jankélévitch, L'Ironie (Paris,
1936; rev. ed., 1950), a suggestive study; S. Kierkegaard,
The Concept of Irony, trans. L. M. Capel (New York, 1965);
G. E. Mueller, “Solger's Aesthetics—A Key to Hegel (Irony
and Dialectic),” in Corona, ed. A. Schirokauer and W.
Paulsen (Durham, N.C., 1941), pp. 212-27; I. Strohschneider-
Kohrs, DieRomantische Ironie in Theorie und Gestaltung
(Tübingen, 1960); A. R. Thompson, The Dry Mock: A Study
of Irony in Drama
(Berkeley, 1948); David Worcester, The
Art of Satire
(Cambridge, Mass., 1940).

NORMAN D. KNOX

[See also Allegory; Art and Play; Comic Sense; Rhetoric
after Plato; Satire; Style; Tragic Sense.]