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Dictionary of the History of Ideas

Studies of Selected Pivotal Ideas
  
  

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BIBLIOGRAPHY

L. B. Alberti, On Painting, ed. J. Spencer (New Haven,
1956; revised ed. 1966). E. Auerbach, “Figura” (1944); trans.
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(New York, 1959), pp. 11-76. K. Bauch, “Imago”
(1960), Studien zur Kunstgeschichte (Berlin, 1967), pp. 1-20.
G. P. Bellori, Descrizione delle imagini dipinte da Raffaello
... (Rome, 1695; ed. used is 1751). R. Berliner, “The Free-
dom of Medieval Art,” Gazette des Beaux-Arts, 6/28 (1945),
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emblematyczna epitafiów ślaskich XVI wieku” (“Emblem-
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541

Chydenius, The Theory of Medieval Symbolism (Helsingfors,
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31 (1968), 307-35. W. Mrazek,
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Pattern,” Journal of the Warburg Institute, 1 (1937), 322ff.

JAN BIAŁOSTOCKI

[See also Allegory; Baroque; Classicism; Criticism; Enlight-
enment; Motif; Myth; Naturalism in Art; Neo-Platonism;
Renaissance Humanism;
Romanticism; Symbolism; Tem-
perance; Ut pictura poesis.]

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