Skip directly to:Main content Main navigation

University of Virginia Library

Dictionary of the History of Ideas

Studies of Selected Pivotal Ideas

170 occurrences of ideology
[Clear Hits]

Preface to the Electronic Edition

1

collapse section

V.

1

collapse section

IV.

DETERMINISM IN HISTORY

I. MEANINGS OF “DETERMINISM”IN HISTORIOGRAPHY

II. DOES SCIENTIFIC HISTORIOGRAPHY PRESUPPOSE DETERMINISM?

III. SPECIAL DETERMINIST DOCTRINES IN HISTORIOGRAPHY

collapse section

VI.

DETERMINISM IN THEOLOGY:PREDESTINATION

I. CHRISTIAN DETERMINISM

II. NON-CHRISTIAN DETERMINISM

III. SOCIAL CONSEQUENCES OF DETERMINISM

collapse section

VI.

collapse section

VI.

DUALISM IN PHILOSOPHYAND RELIGION

I. DUALISM IN THE HISTORY OF RELIGIONS

II. DUALISM IN PHILOSOPHY

III. DUALISM IN THEOLOGY

collapse section

V.

ECONOMIC HISTORY

collapse section

V.

ECONOMIC THEORY OFNATURAL LIBERTY

collapse section

V.

collapse section

II.

collapse section

IV.

collapse section

IV.

THE COUNTER-ENLIGHTENMENT

collapse section

I.

collapse section

I.

collapse section

I.

ENVIRONMENT AND CULTURE

collapse section

VI.

EPICUREANISM ANDFREE WILL

collapse section

V.

collapse section

V.

EQUITY IN LAW AND ETHICS

collapse section

VI.

collapse section

VI.

PROBLEM OF EVIL

collapse section

III.

EVOLUTION OF LITERATURE

1

collapse section

I.

I. PROTO-EVOLUTIONISM

II. ANTI-EVOLUTIONISM

III. EVOLUTIONISM REBORN

IV. EIGHTEENTH-CENTURY EVOLUTIONISM

V. PROGRESSIONISM

1

VII. METAPHYSICAL EVOLUTIONISM

VIII. LITERARY EVOLUTIONISM

IX. RECENT EVOLUTIONISM

1

collapse section

VI.

collapse section

I.

EXPERIMENTAL SCIENCE ANDMECHANICS IN THE MIDDLE AGES

collapse section

III.

EXPRESSIONISM INLITERATURE

2

collapse section

VI.

FAITH, HOPE, AND CHARITY

collapse section

III.

FORM IN THE HISTORYOF AESTHETICS

collapse section

IV.

FORTUNE, FATE, AND CHANCE

collapse section

VI.

FREE WILL AND DETERMINISM

collapse section

VI.

FREE WILL IN THEOLOGY

collapse section

V.

LEGAL CONCEPT OF FREEDOM

1

collapse section

IV.

FREEDOM OF SPEECHIN ANTIQUITY

1

1

collapse section

VII.

1

collapse section

V.

collapse section

I.

GENETIC CONTINUITY

1

collapse section

III.

GENIUSFROM THE RENAISSANCE TO 1770

II

1

1

collapse section

III.

GENIUS: INDIVIDUALISM INART AND ARTISTS

II. INDIVIDUALISM IN ART

1

III. INDIVIDUALISM OF ARTISTS

IV. ART AND GENIUS

1

collapse section

III.

I. CONCEPT OF MUSICIAN IN ANCIENT GREECE

III. THE MEDIEVAL VIEW

IV. THE RENAISSANCE

1

collapse section

VI.

I. SOURCES OF KNOWLEDGE ABOUT GNOSTICISM

II. SOME GNOSTIC SYSTEMS

III. GNOSTIC ORIGINS

IV. INFLUENCE ON EARLY CHRISTIANITY

1

collapse section

VI.

IDEA OF GOD FROMPREHISTORY TO THE MIDDLE AGES

II. THE ANCIENT NEAR EAST, GREECE, AND ROME

III. CHRISTIANITY

IV. HINDUISM, BUDDHISM, CHINESE RELIGION, AND ISLAM

1

collapse section

VI.

IDEA OF GOD, 1400-1800

collapse section

VI.

IDEA OF GOD SINCE 1800

collapse section

III.

CONCEPT OF GOTHIC

2

collapse section

VI.

HAPPINESS AND PLEASURE

I. EXPLORATIONS AND USES IN ANCIENT AND MEDIEVAL THOUGHT

1

II. FROM THE SECULARIZATION OF HAPPINESS TO THE GREATEST HAPPINESS OF THE GREATEST NUMBER

III. THE COURSE OF NINETEENTH- AND TWENTIETH-CENTURY STUDIES

1

collapse section

III.

HARMONY OR RAPTUREIN MUSIC

collapse section

I.

HEALTH AND DISEASE

collapse section

VI.

HEGELIAN POLITICAL ANDRELIGIOUS IDEAS

collapse section

VI.

HERESY IN THE MIDDLE AGES

collapse section

VI.

HERESY, RENAISSANCEAND LATER

I. THE RENAISSANCE, THE REFORMATION AND THE PROBLEM OF HERESY

II. THE MODERN WORLD

collapse section

VI.

collapse section

VI.

HIERARCHY AND ORDER

4

collapse section

V.

HISTORICAL ANDDIALECTICAL MATERIALISM

1

1

2

1

collapse section

IV.

1

1

collapse section

IV.

1

collapse section

I. THE ANCIENT WORLD

II. THE MIDDLE AGES

1

III. MODERN TIMES

collapse section

IV.

THE INFLUENCE OF IDEAS ONANCIENT GREEK HISTORIOGRAPHY

collapse section

VI.

HOLY (THE SACRED)

3

collapse section

IV.

HUMANISM IN ITALY

1

collapse section

III.

1

collapse section

VI.

collapse section

VI.

IDEAL IN PHILOSOPHYFROM THE RENAISSANCE TO 1780

109

collapse section

V.

21

38

11

13

5

20

29

collapse section

V.

IDEOLOGY OFSOVIET COMMUNISM

1

1

collapse section

VI.

IMPIETY IN THECLASSICAL WORLD

I. INTRODUCTION: SOME ORIENTAL NOTIONS

II. ASEBEIA: IMPIETY IN GREECE

1

III. LATIN IMPIETAS

2

collapse section

III.

IMPRESSIONISM IN ART

2

collapse section

II.

IMPRINTING AND LEARNINGEARLY IN LIFE

collapse section

I.

INDETERMINACY IN PHYSICS

4

collapse section

II.

TYPES OF INDIVIDUALISM

3

I. HISTORY OF THE TERM “INDIVIDUALISM”

II. COMPONENT IDEAS OF INDIVIDUALISM

1

collapse section

VII.

VI. THE INFINITELY DISTANT

VII. THE COMPLETE AND THE PERFECT

2

collapse section

I.

INHERITANCE OFACQUIRED CHARACTERISTICS (LAMARCKIAN)

collapse section

I.

INHERITANCE THROUGHPANGENESIS

collapse section

III.

collapse section

VI.

IRRATIONALISM IN THEHISTORY OF PHILOSOPHY

collapse section

VI.

ISLAMIC CONCEPTION OFINTELLECTUAL LIFE

collapse section

V.

collapse section

VII.

STUDY OF LANGUAGE

II. GENERAL PLAN

III. ANTIQUITY: GREECE AND ROME

IV. THE MIDDLE AGES

VI. THE NINETEENTH CENTURY AND AFTER

collapse section

V.

ANCIENT GREEKIDEAS OF LAW

collapse section

V.

ANCIENT ROMAN IDEASOF LAW

collapse section

V.

170 occurrences of ideology
[Clear Hits]

collapse section

Collapse All | Expand All expand section

II

In Spain, Vives (1538) defines ingenium as the
strength of the mind (Gracián, 1960); Huarte, in his
famous Examen de ingenios (1575), means by ingenio
a special talent. Huarte's book stimulated many imita-
tions in all European countries (Lipenius, 1682;
Kahlius, 1740). Herrera (1580) identifies “Plato's ge-
nius” (Spanish genio) with “Aristotle's active intellect”
as a supernatural power of invention. Rengifo (1592)
and Carvallo (1602) interpret ingenio as furor poeticus
(Menéndez, 1962). Gracián (1646; 1658) makes a dis-
tinction between genio and ingenio: the first seems to
be (as for other authors) a natural inclination to un-

294

common achievement, the second a peculiar intelli-
gence (agudeza) adapted to discover similarities and
analogies (Gracián, 1960; Cirot, 1926; Zilsel, 1926).