University of Virginia Library

Search this document 
Dictionary of the History of Ideas

Studies of Selected Pivotal Ideas
170 occurrences of ideology
[Clear Hits]
  
  

expand sectionV. 
expand sectionIV. 
expand sectionVI. 
expand sectionVI. 
expand sectionVI. 
expand sectionV. 
expand sectionV. 
expand sectionV. 
expand sectionII. 
expand sectionIV. 
expand sectionIV. 
expand sectionI. 
expand sectionI. 
expand sectionI. 
expand sectionVI. 
expand sectionV. 
expand sectionV. 
expand sectionVI. 
expand sectionVI. 
expand sectionIII. 
expand sectionI. 
expand sectionVI. 
expand sectionI. 
expand sectionIII. 
expand sectionVI. 
expand sectionIII. 
expand sectionIV. 
expand sectionVI. 
expand sectionVI. 
expand sectionV. 
expand sectionIV. 
expand sectionVII. 
expand sectionV. 
expand sectionI. 
expand sectionIII. 
expand sectionIII. 
expand sectionIII. 
expand sectionVI. 
expand sectionVI. 
expand sectionVI. 
expand sectionVI. 
expand sectionIII. 
expand sectionVI. 
expand sectionIII. 
expand sectionI. 
expand sectionVI. 
expand sectionVI. 
expand sectionVI. 
expand sectionVI. 
expand sectionVI. 
collapse sectionV. 
  
  
  
  
expand sectionIV. 
expand sectionIV. 
expand sectionIV. 
expand sectionVI. 
expand sectionIV. 
expand sectionIII. 
expand sectionVI. 
expand sectionVI. 
109  expand sectionV. 
29  expand sectionV. 
expand sectionVI. 
expand sectionIII. 
expand sectionII. 
expand sectionI. 
expand sectionII. 
expand sectionVII. 
expand sectionI. 
expand sectionI. 
expand sectionIII. 
expand sectionVI. 
expand sectionVI. 
expand sectionV. 
expand sectionVII. 
expand sectionV. 
expand sectionV. 
expand sectionV. 

170 occurrences of ideology
[Clear Hits]

BIBLIOGRAPHY

A. Arnold, DieLiteratur des Expressionismus: Sprachliche
und thematische Quellen
(Stuttgart, 1966). H. Bahr, Expres-
sionismus
(Munich, 1916). Th. Däubler, Der neue Stand-
punkt
(Dresden, 1916). H. Denkler, Drama des Expression-
ismus
(Munich, 1967). B. Diebold, Anarchie im Drama
(Frankfurt, 1921). K. Edschmid, Über den Expressionismus
in der Literatur und die neue Dichtung
(Berlin, 1919); idem,
ed., Schöpferische Konfession (Berlin, 1920). M. Hamburger,
Reason and Energy (New York, 1957), essays on Trakl, Benn,
and “1912.” C. Hill and R. Ley, The Drama of German
Expressionism: A Bibliography
(Chapel Hill, 1960). W.
Kandinsky, Über das Geistige in der Kunst (Munich, 1912),
trans. as Concerning the Spiritual in Art... (New York,
1947). A. Klarmann, “Expressionism in German Literature:
A Retrospect of a Half Century,” Modern Language Quar-
terly,
26 (1965), 62-92. M. Krell, Über neue Prosa (Berlin,
1919). M. Niedermayer, ed., Lyrik des expressionistischen
Jahrzehnts
(Munich, 1962). W. Paulsen, Aktivismus und
Expressionismus: Eine typologische Untersuchung
(Berne
and Leipzig, 1935); idem, ed., Aspekte des Expressionismus
(Heidelberg, 1968). K. Pinthus, ed., Menschheitsdämmerung
(Berlin, 1920; new ed., Hamburg, 1959). W. Rothe, ed.,
Expressionismus als Literatur (Berne, 1969). R. Samuel and
R. H. Thomas, Expressionism in German Life, Literature and
the Theatre
(Cambridge, 1939). W. Sokel, The Writer in
Extremis
(Stanford, 1959); idem, Expressionismus in Kunst
und Literatur 1910-1923
(Munich, 1960). H. Steffen, ed.,
Der deutsche Expressionismus (Göttingen, 1965). Vincent
van Gogh, Letters of Vincent Von Gogh, ed. Mark Roskill
(New York, 1963). U. Weisstein, “Vorticism: Expressionism
English Style,” Yearbook of Comparative and General Liter-
ature,
13 (1964), 28-40; idem, “Expressionism: Style or
Weltanschauung?,Criticism, 9 (1967), 42-62. W. Worringer,
Abstraktion und Einfühlung (Munich, 1908; new ed. 1948),
trans. as Abstraction and Empathy (New York, 1953).

ULRICH WEISSTEIN

[See also Empathy; Impressionism; Naturalism in Art;
Romanticism.]