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Dictionary of the History of Ideas

Studies of Selected Pivotal Ideas
170 occurrences of ideology
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170 occurrences of ideology
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BIBLIOGRAPHY

A. Arnold, DieLiteratur des Expressionismus: Sprachliche
und thematische Quellen
(Stuttgart, 1966). H. Bahr, Expres-
sionismus
(Munich, 1916). Th. Däubler, Der neue Stand-
punkt
(Dresden, 1916). H. Denkler, Drama des Expression-
ismus
(Munich, 1967). B. Diebold, Anarchie im Drama
(Frankfurt, 1921). K. Edschmid, Über den Expressionismus
in der Literatur und die neue Dichtung
(Berlin, 1919); idem,
ed., Schöpferische Konfession (Berlin, 1920). M. Hamburger,
Reason and Energy (New York, 1957), essays on Trakl, Benn,
and “1912.” C. Hill and R. Ley, The Drama of German
Expressionism: A Bibliography
(Chapel Hill, 1960). W.
Kandinsky, Über das Geistige in der Kunst (Munich, 1912),
trans. as Concerning the Spiritual in Art... (New York,
1947). A. Klarmann, “Expressionism in German Literature:
A Retrospect of a Half Century,” Modern Language Quar-
terly,
26 (1965), 62-92. M. Krell, Über neue Prosa (Berlin,
1919). M. Niedermayer, ed., Lyrik des expressionistischen
Jahrzehnts
(Munich, 1962). W. Paulsen, Aktivismus und
Expressionismus: Eine typologische Untersuchung
(Berne
and Leipzig, 1935); idem, ed., Aspekte des Expressionismus
(Heidelberg, 1968). K. Pinthus, ed., Menschheitsdämmerung
(Berlin, 1920; new ed., Hamburg, 1959). W. Rothe, ed.,
Expressionismus als Literatur (Berne, 1969). R. Samuel and
R. H. Thomas, Expressionism in German Life, Literature and
the Theatre
(Cambridge, 1939). W. Sokel, The Writer in
Extremis
(Stanford, 1959); idem, Expressionismus in Kunst
und Literatur 1910-1923
(Munich, 1960). H. Steffen, ed.,
Der deutsche Expressionismus (Göttingen, 1965). Vincent
van Gogh, Letters of Vincent Von Gogh, ed. Mark Roskill
(New York, 1963). U. Weisstein, “Vorticism: Expressionism
English Style,” Yearbook of Comparative and General Liter-
ature,
13 (1964), 28-40; idem, “Expressionism: Style or
Weltanschauung?,Criticism, 9 (1967), 42-62. W. Worringer,
Abstraktion und Einfühlung (Munich, 1908; new ed. 1948),
trans. as Abstraction and Empathy (New York, 1953).

ULRICH WEISSTEIN

[See also Empathy; Impressionism; Naturalism in Art;
Romanticism.]