University of Virginia Library

Search this document 
Dictionary of the History of Ideas

Studies of Selected Pivotal Ideas
2 occurrences of Ancients and Moderns in the Eighteenth Century
[Clear Hits]
  
  
expand section 
  
expand section 
  
  

expand sectionVI. 
expand sectionV. 
expand sectionVI. 
expand sectionI. 
expand sectionVI. 
expand sectionV. 
expand sectionIII. 
expand sectionIII. 
expand sectionVI. 
expand sectionVI. 
expand sectionV. 
expand sectionV. 
expand sectionIII. 
expand sectionVII. 
expand sectionVI. 
expand sectionVI. 
expand sectionIII. 
expand sectionIII. 
expand sectionII. 
expand sectionI. 
expand sectionI. 
expand sectionI. 
expand sectionV. 
expand sectionVII. 
expand sectionVI. 
collapse sectionV. 
  
  
  
  
expand section 
  
  
expand sectionIII. 
expand sectionIII. 
expand sectionIII. 
expand sectionII. 
expand sectionI. 
expand sectionI. 
expand sectionI. 
expand sectionVI. 
expand sectionVII. 
expand sectionIII. 
expand sectionVII. 
expand sectionVII. 
expand sectionVII. 
expand sectionV. 
expand sectionVI. 
expand sectionVI. 
expand sectionVI. 
expand sectionVI. 
expand sectionVI. 
expand sectionVII. 
expand sectionIII. 
expand sectionIV. 
expand sectionVI. 
expand sectionVI. 
expand sectionVI. 
expand sectionV. 
expand sectionV. 
expand sectionV. 
expand sectionIII. 
expand sectionIII. 
expand sectionVII. 
expand sectionIII. 
expand sectionI. 
expand sectionV. 
expand sectionV. 
expand sectionVII. 
expand sectionVI. 
expand sectionI. 
expand sectionI. 
expand sectionI. 
expand sectionI. 
expand sectionVI. 
expand sectionIII. 
expand sectionIV. 
expand sectionIII. 
expand sectionIV. 
expand sectionIV. 
expand sectionIV. 
expand sectionVI. 
expand sectionVI. 
expand sectionVI. 
expand sectionV. 
expand sectionIII. 
expand sectionVI. 

2 occurrences of Ancients and Moderns in the Eighteenth Century
[Clear Hits]

BIBLIOGRAPHY

Albert C. Barnes, The Art in Painting, 2nd ed. (New York,
1928). Monroe C. Beardsley, Aesthetics from Classical
Greece to the Present
(New York, 1966). Clive Bell, Art
(London, 1914). A. C. Bradley, Oxford Lectures on Poetry
(Oxford, 1909). Albert Cassagne, La Théorie de l'art pour
l'art en France
(Paris, 1906). Rose Egan, The Genesis of the
Theory of Art for Art's Sake
(Northampton, 1921; 1924).
Roger Fry, Vision and Design (London, 1920). Théophile
Gautier, Mademoiselle de Maupin (Paris, 1834). Edmund
Gurney, The Power of Sound (London, 1880). Eduard
Hanslick, The Beautiful in Music (London, 1891). Hilaire
Hiler, Why Abstract? (New York, 1945). José Ortega y
Gasset, The Dehumanization of Art (Princeton, 1948).
Walter Pater, The Renaissance (Oxford, 1873). Louise
Rosenblatt, L'Idée de l'art pour l'art dans la littérature
anglaise pendant la période victorienne
(Paris, 1931). Irving
Singer, “The Aesthetics of 'Art for Art's Sake,'” JAAC, 12,
3 (1954), 343-59. James A. McNeill Whistler, The Gentle
Art of Making Enemies
(London, 1890). John Wilcox, “The
Beginnings of L'art pour l'art,” JAAC, 11 (1953), 860-77.

IREDELL JENKINS

[See also Romanticism in Literature; Romanticism
in Post-Kantian Philosophy.]