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Dictionary of the History of Ideas

Studies of Selected Pivotal Ideas
2 occurrences of Ancients and Moderns in the Eighteenth Century
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2 occurrences of Ancients and Moderns in the Eighteenth Century
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BIBLIOGRAPHY

G. Boas, The Cult of Childhood (London, 1966).
R. Caillois, Man, Play and Games (New York, 1961). R. G.
Collingwood, The Principles of Art (Oxford, 1938). B. Croce,
Aesthetic (London, 1922). M. Dessoir, Aesthetik und all-
gemeine Kunstwissenschaft in den Grundzügen
(Stuttgart,
1906). J. Dewey, Art as Experience (New York, 1934). C. J.
Ducasse, The Philosophy of Art (New York, 1929).
S. Freud, “Creative Writers and Day-Dreaming,” in Standard
Works,
Vol. IX., trans. James Strachey (London, 1959). K.
Groos, The Play of Man, trans. E. L. Baldwin (New York,
1901). J. M. Guyau, The Problems of Contemporary Aes-
thetics
(Los Angeles, 1947). J. Huizinga, Homo Ludens, A
Study of the Play-Element in Culture
(Boston, 1950). Im-
manuel Kant, Critique of Judgment, trans. J. H. Bernard
(London, 1892; New York, 1951). Arthur Koestler, The Act
of Creation
(London and New York, 1964). A. L. Kroeber,
Anthropology (New York, 1948). K. Lange, Das Wesen der
Kunst
(Berlin, 1901). H. Noack, “Das Spiel: über die Ver-
suche seiner Erklärung und die Aufgaben seiner Sinn-
deutung,” Zeitschrift für Aesthetik, 27 (1933), 97-131.
Pauly-Wissowa, Reallexikon des klassischen Altertums, arti-
cle “Spiel”. C. S. Peirce, Selected Writings, ed. P. P. Wiener
(New York, 1958). Hugo Rahner, Man at Play (New York,
1967). Friedrich Schiller, Naive and Sentimental Poetry and
On the Sublime, trans. J. A. Elias (New York, 1966). Winfried
Sdun, “Zum Begriff des Spiels bei Kant und Schiller,”
Kant-Studien, 57 (1966), 500-18. Herbert Spencer, Principles
of Psychology
(London, 1870-72).

JULIUS A. ELIAS

[See also Comic; Creativity in Art; Culture; Education;
Empathy; Happiness and Pleasure; Primitivism; Utopia;
Wisdom of the Fool.]

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