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University of Virginia Library

Dictionary of the History of Ideas

Studies of Selected Pivotal Ideas

240 occurrences of e
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2

Preface to the Electronic Edition

3

9

LIST OF CONTRIBUTORS

NOTE TO THE READER

2

VI.

ABSTRACTION IN THE FORMATION OF CONCEPTS

V.

ACADEMIC FREEDOM

VI.

3

I.

VI.

ALIENATION IN CHRISTIAN THEOLOGY

2

V.

ALIENATION IN HEGELAND MARX

2

III.

ALLEGORY INLITERARY HISTORY

3

III.

AMBIGUITY ASAESTHETIC PRINCIPLE

2

VI.

ANALOGY INEARLY GREEK THOUGHT

1

VI.

ANALOGY IN PATRISTICAND MEDIEVAL THOUGHT

6

V.

ANALOGY OF THEBODY POLITIC

3

V.

1

III.

ANCIENTS AND MODERNS INTHE EIGHTEENTH CENTURY

2

VII.

ANTHROPOMORPHISMIN SCIENCE

VI.

ANTINOMY OF PURE REASON

1

VI.

APPEARANCE AND REALITY

1

III.

III.

ART FOR ART'S SAKE

8

II.

ASSOCIATION OF IDEAS

3

I.

2

I.

ATOMISM: ANTIQUITY TO THESEVENTEENTH CENTURY

1

I.

ATOMISM IN THESEVENTEENTH CENTURY

2

V.

1

VII.

2

VI.

4

V.

BALANCE OF POWER

9

III.

BAROQUE IN LITERATURE

4

III.

THEORIES OF BEAUTY TOTHE MID-NINETEENTH CENTURY

5

III.

THEORIES OF BEAUTY SINCETHE MID-NINETEENTH CENTURY

16

II.

2

I.

BIOLOGICAL CONCEPTIONSIN ANTIQUITY

9

I.

BIOLOGICAL HOMOLOGIESAND ANALOGIES

1

I.

BIOLOGICAL MODELS

1

VI.

VII.

2

III.

1

VII.

3

VII.

CAUSATION IN HISTORY

2

VII.

CAUSATION INISLAMIC THOUGHT

2

V.

CAUSATION IN LAW

VI.

CAUSATION IN THESEVENTEENTH CENTURY

1

VI.

CAUSATION IN THESEVENTEENTH CENTURY, FINAL CAUSES

1

VI.

CERTAINTY IN SEVENTEENTH-CENTURY THOUGHT

2

VI.

CERTAINTY SINCE THESEVENTEENTH CENTURY

2

VI.

1

VII.

III.

IV.

CHINA IN WESTERN THOUGHTAND CULTURE

10

VI.

CHRISTIANITY IN HISTORY

VI.

CHURCH AS ANINSTITUTION

1

VI.

MODERNISM IN THECHRISTIAN CHURCH

1

V.

3

V.

CIVIL DISOBEDIENCE

4

V.

10

III.

CLASSICISM IN LITERATURE

6

III.

CLASSIFICATION OF THE ARTS

2

VII.

CLASSIFICATION OFTHE SCIENCES

4

III.

SENSE OF THE COMIC

I.

CONSERVATION OFNATURAL RESOURCES

7

V.

2

V.

CONSTITUTIONALISM

2

VII.

CONTINUITY ANDDISCONTINUITY IN NATURE AND KNOWLEDGE

1

VI.

5

I.

4

I.

7

I.

COSMOLOGY FROMANTIQUITY TO 1850

8

I.

COSMOLOGY SINCE 1850

1

VI.

CREATION IN RELIGION

12

III.

CREATIVITY IN ART

4

IV.

CRISIS IN HISTORY

4

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III.

LITERARY CRITICISM

2

IV.

CULTURAL DEVELOPMENTIN ANTIQUITY

1

IV.

CULTURE AND CIVILIZATIONIN MODERN TIMES

1

IV.

VI.

1

VI.

DEATH AND IMMORTALITY

3

VI.

1

V.

2

III.

1

VI.

DESIGN ARGUMENT

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BIBLIOGRAPHY

Raymond Bayer, Traité d'esthétique (Paris, 1956). M. C.
Beardsley, Aesthetics from Classical Greece to the Present
(New York, 1966), Chs. 11, 12; idem, Aesthetics: Problems
in the Philosophy of Criticism (New York, 1958). E . F.
Carritt, The Theory of Beauty (London, 1919; 5th ed., 1949).
Katherine Gilbert and Helmut Kuhn, A History of Esthetics,
2nd ed. (Bloomington, 1959), Chs. 16-19. Horace Kallen,
Art and Freedom, 2 vols. (New York, 1943), Vol. II. Guido
Morpurgo-Tagliabue, L'esthétique contemporaine (Milan,
1960). Thomas Munro, “The Concept of Beauty in the
Philosophy of Naturalism,” Toward Science in Aesthetics
(New York, 1956).

MONROE C. BEARDSLEY

[See also Beauty to Mid-Nineteenth Century; Empathy;
Form; Idea; Naturalism in Art; Relativism in Ethics.]