BIBLIOGRAPHY
1. Sources: Père André, Oeuvres
philosophiques du Père
André, ed.
Victor Cousin (Paris, 1843). Aristotle, Metaphys-
ics, III, 13; Problemata, XVII, 1. 915b; Poetics, Chs. 6-8.
Saint Augustine, City of
God, X, 14; Confessions, IV, 13,
15; X,
27; XI, 18; De musica; De Trinitate, VI, 10;
VIII,
6; X, 1; Epistolae, I, 3. René
Bray, La formation de la
doctrine classique en
France (Paris, 1927), p. 127; translated
by Herbert
Dieckmann. Edmund Burke, A Philosophical
Enquiry into
the Origin of our Ideas of the Sublime and
Beautiful, ed. J.
T. Boulton (London, 1958), p. 119. Denis
Diderot, Oeuvres esthétiques, ed. Paul Vernière
(Paris, 1965).
Étienne Gilson, Introduction à l'étude de Saint
Augustin
(Paris, 1929), pp. 272-73; translated by Herbert
Dieckmann.
Georg Wilhelm Friedrich Hegel, Aesthetics (1835). Henry
Home (Lord Kames), The
Elements of Criticism, 2 vols.
(Edinburgh, 1788), I, 208.
David Hume, Essays moral, polit-
ical and literary, ed. T. H. Green and T.
H. Grose, 2 vols.
(London, 1882), I, 268-69; idem, A
Treatise of Human Nature,
The Philosophical Works, ed. Green
and Grose (London,
1886), II, 96. Francis H. Hutcheson, An Enquiry into the
Original of our Ideas of Beauty
and Virtue (1725). All
quotations are from Treatise I:
“Of Beauty, Order, Harmony,
Design.” Immanuel
Kant, Kant's Critique of Aesthetic Judg-
ment, trans. J. C. Meredith (Oxford, 1911).
Plato, Hippias
Major, 289-98; Phaedrus, 249-55; Symposium, 199-212;
Philebus, 25-26, 51-66; Nomoi,
II, 665a. Plotinus, Enneads,
I, 6; II, 4; III,
6; V, 8. Friedrich Schiller, On the Aesthetic
Education of Man..., ed. and trans. E . M. Wilkinson and
L. A.
Willoughby (Oxford, 1967), XV, §7; a bilingual edition.
Earl
of Shaftesbury (Anthony Ashley Cooper), Charac-
teristics of Men, Manners,
Opinions, Times,..., ed. John
M. Robertson, 2 vols. (London,
1900). Hèrbert Spencer, The
Principles of
Psychology, 2 vols. (New York, 1887), II, 630.
2. Further Readings. Bernard Bosanquet, A History of
Aesthetic (London and New York, 1892). E . F. Carritt, The
Theory of Beauty, 6th ed. (London and New
York, 1962);
idem, What is Beauty? (Oxford,
1932). Katharine E . Gilbert
and Helmut Kuhn, A
History of Esthetics (New York, 1953).
Water J. Hipple, Jr.,
The Beautiful, the Sublime, & the
Picturesque in Eighteenth-Century Aesthetic Theory (Car-
bondale, 1957). H. R. Jauss, ed.,
Die Nicht Mehr Schönen
Künste. Grenzphänomene des Aesthetischen
(Munich,
1968). William A. Knight, The Philosophy of
the Beautiful,
2 vols. (New York, 1898). Charles Lalo,
Introduction à
l'esthétique (Paris, 1912); idem, Notions d'esthétique (Paris,
1960). Charles
Lévêque, La Science du beau,
2 vols. (Paris,
1872). George Santayana, The Sense of
Beauty (New York,
1896). K. H. von Stein, Die Entstehung der neueren Ästhetik
(Stuttgart,
1886). Robert Zimmermann, Geschichte der
Aesthetik
als Philosophischer Wissenschaft, 2 vols. (Vienna,
1858).
The translation of Fénelon is by the author of this
article.
HERBERT DIECKMANN
[See also Art and Play;
Beauty; Creativity; Neo-Platonism;
Platonism; Romanticism; Sublime; Taste.]