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Dictionary of the History of Ideas

Studies of Selected Pivotal Ideas
  
  
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III. The history of ideas in literature and the arts in aesthetic theory and literary criticism.

               
Allegory in Literary History Demonology 
Ambiguity as Aesthetic Principle Evolution of Literature 
Ancients and Moderns in the Eighteenth Century Expressionism in Literature 
Art and Play Form in the History of Aesthetics 
Art for Art's Sake Genius from the Renaissance to 1770 
Baroque in Literature Genius: Individualism in Art and Artists 
Theories of Beauty to the Mid-Nineteenth Century Musical Genius 
Theories of Beauty since the Mid-Nineteenth Century Concept of Gothic 
Catharsis Harmony or Rapture in Music 
Chance Images Iconography 
Classicism in Literature Impressionism in Art 
Classification of the Arts Irony 
Sense of the Comic Literature and Its Cognates 
Creativity in Art Literary Paradox 
Literary Criticism Millenarianism 

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Mimesis Periodization in Literary History 
Motif Rhetoric and Literary Theory in Platonism 
Motif in Literature; The Faust Theme Poetry and Poetics from Antiquity to the Mid-Eighteenth Century 
Literary Attitudes Toward Mountains Realism in Literature Music and Science 
Music as a Demonic Art Rhetoric after Plato 
Music as a Divine Art Romanticism in Literature 
Myth in Antiquity Romanticism (ca. 1780-ca. 1830) 
Myth in Biblical Times Satire  
Myth in the Middle Ages and the Renaissance Victorian Sensibility and Sentiment 
Myth in English Literature: Seventeenth and Eighteenth Centuries Style in Literature 
Sublime in External Nature 
Myth in the Eighteenth and Early Nineteenth Centuries Symbol and Symbolism in Literature 
Myth in the Nineteenth and Twentieth Centuries Taste in the History of Aesthetics from the Renaissance to 1770 
Naturalism in Art Temperance (Sōphrosynē) and the Canon of the Cardinal Virtues 
Neo-Classicism in Art Sense of the Tragic 
Newton's Opticks and Eighteenth-Century Imagination Ut pictura poesis