University of Virginia Library

Search this document 
Jefferson's fine arts library

his selections for the University of Virginia, together with his own architectural books
  
  
  
  
  
  
  
  
  
collapse section 
 I. 
 II. 
 III. 

collapse section 
 1. 
 2. 
 3. 
 4. 
 5. 
 6. 
 7. 
 8. 
 9. 
 10. 
 11. 
 12. 
 13. 
 14. 
 15. 
 16. 
 17. 
 18a. 
 18b. 
 19. 
 20. 
 21. 
 22. 
 23. 
 24. 
 25. 
 26. 
 27. 
 28. 
 29. 
 30. 
 31. 
 32. 
 33. 
 34. 
 35. 
 36. 
 37. 
 38. 
 39. 
 40. 
 41. 
 42. 
 43a. 
 43b. 
 44. 
 45. 
 46. 
 47. 
 48. 
 49a. 
 49b. 
 50. 
 51a. 
 51b. 
 51c. 
 52. 
 53a. 
 53b. 
 54. 
 55. 
 56. 
 57. 
 58. 
 59a. 
59a. Jones, Inigo.
 59b. 
 60. 
 61a. 
 61b. 
 62. 
 63. 
 64. 
 65. 
 66. 
 67. 
 68. 
 69. 
 70. 
 71. 
 72. 
 73. 
 74. 
 75. 
 76. 
 77. 
  
 79. 
 80. 
 81. 
 82. 
 83. 
 84. 
 85. 
 86. 
 87. 
 88. 
 89. 
 90. 
 91. 
 92a. 
 92b. 
 92c. 
 92d. 
 93. 
 94. 
 95. 
 96a. 
 96b. 
 97. 
 98a. 
 98b. 
 99. 
 100. 
 101. 
 102. 
 103. 
 104. 
 105. 
 106. 
 107. 
 108. 
 109. 
 110. 
 111a. 
 111b. 
 111c. 
 112. 
 113. 
 114a. 
 114b. 
 115. 
 116. 
 117. 
 118a. 
 118b. 
 119. 
 120. 
 121. 
 122. 
 123a. 
 123b. 
 124. 
 125a. 
 125b. 
 125c. 
 125d. 
 126a. 
 126b. 
 127a. 
 127b. 
 128a. 
 128b. 
 129. 
 130. 

collapse section 
  
  

156

Page 156

59a. Jones, Inigo.

Vol. I. THE / DESIGNS / OF / INIGO JONES, / Consisting of /
PLANS and ELEVATIONS / FOR / Publick and Private Buildings. /
Publish'd by William Kent, / With some Additional Designs. / The
FIRST VOLUME. / M. DCC. XXVII.

Folio. Engraved allegorical portrait of Jones (1 leaf); title page (1
leaf); dedication (1 leaf); note (1 leaf); list of plates (3 leaves); list
of subscribers (1 leaf); 49 engravings, of which 7 are double and 5 are
folding (listed as 73 plates, through multiple numbering on some
plates).

bound with

Vol. II. THE / DESIGNS / OF / INIGO JONES / . . . / THE
SECOND VOLUME / . . .

Folio. Title page (1 leaf); list of plates (3 leaves); 46 engraved plates,
of which 17 are double (listed as 63 plates through multiple numbering
on some plates).

The delineators of Vol. I were the architects William Kent and Henry
Flitcroft. Flitcroft (1697-1769) was the son of Jefferey Flitcroft, the
gardener to William III at Hampton Court. Apprenticed to a joiner for
seven years, the younger Flitcroft worked as a carpenter for the earl of
Burlington, but, having broken a leg, was used as a draftsman on this
book issued at the earl's expense. Success as an architect came quickly
to Flitcroft after that, and by 1758 he was comptroller of the works. The
engravers were I. Cole (fl. ca.1720), who engraved many buildings;
Pierre or Paul Foudrinier (No. 21); Antoine Herisset (1685-1769),
who often worked with plans and who was the father and grandfather of
engravers; and Hendrich Hulsberg (d.1729), Dutch, who worked in
London. Of the designs included the earl of Burlington "inv." (devised)
four and William Kent six.

Flitcroft was the delineator of Vol. II, while Hulsburg and Cole
were the engravers. Burlington was credited with five of the designs and
Palladio with four.

The list of subscribers shows one bricklayer, one cabinetmaker, six
carpenters, one carver, one doctor, three ecclesiastics, five joiners, six
masons, two painters, three plasterers, one schoolmaster, one statuary,
and one timber merchant. The architects included Colin Campbell,


157

Page 157
James Gibbs, Nicholas Hawksmoor, Christopher Wren the younger, and
Isaac Ware. The engraver Fourdrinier was a subscriber, as was also the
improbably named Christopher Horsenail.

Inigo Jones (1573-1654) was born in London and educated in Italy
as a painter. He was in Italy a second time about 1613. On his return he
served as both architect and set designer and generally brought many
Italianate architectural and theatrical ideas to England. By 1615 he was
surveyor general of the works and continued to be an influential figure
until his death. For portraits of him, see Plates LIV and LV.

William Kent (1684-1748), born in Yorkshire, was apprenticed to a
coach painter. He made his way to London and later went to Rome to
study as a painter. There he met Richard Boyle (1695-1753), third earl
of Burlington, who became his patron and who furthered his interest
in architecture and landscape architecture.

This book is the result of Burlington's interest in Jones and his
possession of many of Jones's drawings. The note in the 1727 edition
tells us:

The Character of Inigo Jones is so universally known, that his Name
alone will be a sufficient Recommendation of the following Designs; the Originals
of which (drawn by himself and Mr. Webb) belong to the Earl of Burlington.
. . .

If the Reputation of this Great Man doth not rise in proportion to his
Merits in his own Country, 'tis certain, in Italy, (which was his School) and
other parts of Europe, he was in great esteem; in which places, as well as in
England, his own Works are his Monument and best Panegyrick; which together
with those of Palladio, remain equal Proofs of the Superiority of those
two Great Masters to all others.

To this Collection are added Designs of Doors, Windows, Gates, Peers,
Chimneys, Insides of Rooms, and Ceilings; as also some few Designs of
Buildings by the Earl of Burlington.

Sowerby points out that Kimball (pp. 133, 134) says Jefferson must
have had or known The Designs by 1779, since he refers to it several
times in his notes for some of the decorative structures proposed in that
year at Monticello. One of the plates specifically mentioned is Plate
LXXIII of Vol. I, a plate which reproduces a garden house at Chiswick
(see Plate LVI).[12]



No Page Number
illustration

Plate LIV. From No. 59a. Frontispiece.



No Page Number
illustration

Plate LV. From No. 59a. Title page (Vol. I).



No Page Number
illustration

Plate LVI. From No. 59a. Elevation of a temple in the garden at Chiswick (Vol. 1,
Pl. 73).


161

Page 161

The 1727 edition was the first. It was the one owned by Jefferson
and sold by him to Congress. The more expansive edition of 1770 (see
No. 59b) was ordered by Jefferson for the University in the section on
"Architecture" of the want list. It was the one actually bought, having
been received before the 1828 Catalogue was compiled. The University
presently owns both editions, the 1727 one being the gift of the Thomas
Jefferson Memorial Foundation.

M

Sowerby 4217

*NA997.J7K4.1727

 
[12]

The specifications on a drawing, reproduced by Kimball as No. 62, are
quoted by him (p. 133) as saying in Jefferson's hand, "The form and proportions
of this building are taken from Jones's designs, pl. 73 only that this one is square."
The same drawing is reproduced as Fig. 5 in Nichols and is indexed there as
N-91-92, where Nichols says of the specifications on the back that they "indicate
Jefferson's composite method of designing."