University of Virginia Library

II

As I hope I have shown, the development of mechanical collation did not occur in isolation. Charlton Hinman rightly deserves credit for the device that bears his name, but as with most inventions its story is one of confluence and collaboration. He drew inspiration and information from many different sources during the research and development phase of his work. The history of the manufacture, promotion, and distribution of the Hinman Collator follows much the same theme. Like characters in the Renaissance plays the machine was invented to study, several different people, organizations, and influences walk on and off the stage, some playing bit parts and others assuming more substantial roles. All of them contribute something to this drama, and thus it seems appropriate as well as illuminating to recognize as many of them as we can before the curtains of history close on them altogether.

Hinman credited the Navy, the Veterans' Administration, the Bureau of Standards, the Folger bindery, and Giles Dawson's young son for contributing to the construction of his first machine (“Mechanized Collation: A Preliminary Report” 101). Though Hinman's first experimental collations at the Folger in the summer of 1946 with what he called his “gadget” were encouraging, they also highlighted the machine's shortcomings (Hinman, Letter to John Cook Wylie, 5 Jan. 1947). The main problem was that it worked only with photographic reproductions, which were expensive as well as less reliable than the original documents. A machine that could utilize originals, however, would cost more than the prototype to develop and, technically speaking, would also be considerably more difficult to build. Hinman won a grant from the Old Dominion Foundation to help ease the financial burden (Hinman, “Variant Readings” 280). He met the other challenge by soliciting help from a variety of technical experts, among them Howard Head, aviation engineer and founder of the Head Ski company, and engineers at Johns Hopkins University, where Hinman had taught on the English faculty in the years immediately following the war. Robert P. Rich of the Institute for Cooperative Research at Johns Hopkins worked out the basic design of the optical system (Rich), and Head supervised the overall construction (Hinman, Letter to P. Stewart Macaulay, 9 Jan. 1953). A returning, though less technically expert, contributor was Giles Dawson, who in addition to lending moral support as well as continued access to the Folger's unparalleled collection of First Folios carried on “development” work when Hinman was called away for the Korean war. What exactly Hinman meant by “development” is unclear, though it appears that Dawson's son's toys were spared this time around (“Variant Readings” 280).

Ironically, the person most responsible, even more than Hinman himself, for the manufacturing and distribution of Hinman Collators was neither a bibliographer nor a formally trained engineer. Interest in the invention had grown as reports of its progress trickled out from the Folger through the late 1940s. Soon after Hinman's return from his second stint of military service in

1952 it became apparent that there was a demand for his device beyond his own needs. Rather than putting his invention into production, he first considered, again with help from the Old Dominion Foundation, making mechanical drawings available to anyone who needed a machine for non-commercial purposes, the idea being that anyone with access to a “standard machine shop” could build his or her own collator (“Variant Readings” 281). Enter Arthur M. Johnson, a retired naval engineer, who was hired to produce the first set of mechanical drawings [plate 6]. He had offered advice, or, in his own words, “lip service,” at an earlier date, but this was his first hands-on involvement (Johnson, Letter to William P. Barlow, 21 Nov. 1973). Exactly how Johnson and Hinman met is not known, though it seems likely their paths first crossed in the Navy. Johnson went to work for the War Production Board in 1941. Shortly thereafter he was given a commission, serving as a senior engineering officer and technical adviser to the inspector general's office and later as the director of industrial engineering with the Bureau of Ships (“Arthur M. Johnson: Navy Officer, Inventor”). But wherever and however they met is less important than the fact that within a year of producing the first set of drawings, Johnson had begun building collators in partnership with Hinman.

A resourceful craftsman and inveterate tinkerer, Johnson was an old-school engineer who got his training on the job rather than in a classroom. His formal education ended with the eighth grade (Alexander Juniewicz, Telephone, 2 Oct. 2000). The shop floors of various tool and machine plants were his high school and his university. The collator was more or less Charlton Hinman's brainchild, but Arthur Johnson provided the manufacturing know-how behind the device. Their first customer was James Ford Bell, book collector and founder of the General Mills Company. The Houghton Library and Lessing J. Rosenwald purchased the next two machines (Johnson, Letter to Joseph Rubinstein, 23 Feb. 1957). When Hinman published an article on the Houghton machine in the Harvard Library Bulletin, more orders came in, the British Museum and the University of Virginia being the next customers to queue up (“Mechanized Collation at the Houghton Library” 132).

Hinman held the patent and took the lead in drumming up customers for the first few collators. In 1954 he mailed an “Inquiry to Prospective Subscribers for a Collation Machine” to forty-five libraries and twelve art museums. This was his first and last direct solicitation for business, and his intention was to bring the cost of manufacturing down by building several devices on subscription at the same time, with Johnson as his manufacturer. Johnson had just retired from the Navy and owned Pentagon Products, a specialty tool- and machine-making company in Washington, D.C. In fairly short order, however, Hinman completely turned over the business of making and selling collators to Johnson.[11] Hinman, after all, had more than enough

work to do just collating the First Folio, and, after having his research interrupted by two tours of military service, he undoubtedly felt pressure to get on with the work for which he built the collator in the first place. He was in his mid-forties at this point, with an impressive reputation, a project with great promise, and relatively few publications to show for all his effort. The need to fulfill the potential coupled with the passage of time were probably also incentives to clear the decks of all but his main work. There was also a problem with the very first customer that may have discouraged him. James Ford Bell was not pleased with his machine's ability to superimpose images. Apparently no more than three or four lines could be brought into accurate registration at once. Johnson would later argue that none of the early machines was built with the expectation of being able to register an “entire page or area of the capacity of the machine.” Instead, the operator was supposed to “scan an area and move to another area and make minor adjustments” along the way. Harvard and Rosenwald were satisfied with their products, the latter even kicking in a bonus on top of the $1500 sale price. But Bell caused “considerable trouble and delayed payment for some time” (Johnson, Letter to Joseph Rubinstein, 23 Feb. 1957). On his side of the argument, however, he may have had higher expectations than Harvard or Rosenwald because in addition to bookish pursuits he also intended to use the machine in his business, perhaps for the comparison of blueprints at General Mills (Parker). In addition to this and all the other headaches of running a small business, the onset of middle age, and a growing sense of urgency to produce the substantial piece of scholarship the bibliographical world had been waiting for since just after the war, the fact that the first six machines were built at a loss of “several thousand dollars” probably also did not encourage Hinman to stay involved (Johnson, Letter to Joseph Rubinstein, 23 Feb. 1957).

But whatever Hinman's reasons for falling back, Johnson was more than happy to march forward. From the early-1950s to the mid-1970s, he built over fifty machines, making many important modifications and improvements along the way. The change from black to bluish-gray flecked metal sides, the installation of a cabinet to conceal the motor, and the addition of chrome trim were all efforts on Johnson's part to improve the physical appearance of the collator. He made changes to improve its performance as well—for example, replacing the sealed beam headlights with 150-watt flood lamps, adding adjustable casters to compensate for uneven floors, upgrading the

quality of the mirrors, and eventually replacing the noisy “motor driven cam device that actuated a micro-switch to cause the lights to alternately blink” with a silent electronic circuit board (Johnson, Letter to William P. Barlow).[12] Johnson also had a habit of abandoning a change or improvement at a later date. The University of Kansas collator, for example, was the first and one of only a few to carry three viewing lenses instead of two. The Kansas collator was also the first to have a bluish-gray panel exterior and chrome ornamentation, and while the color stayed nearly the same on subsequent machines, the decoration did not. To help break up the “monotony on the large flat surface above the telescope,” Johnson added two chrome circles with two flat metal strips between them (Johnson, Letter to Joseph Rubinstein, 9 June 1958) [plate 6]. By the time he built the Iowa collator six or seven years later, this rather stylized design was replaced with two simple chrome strips [plate 7]. By the late sixties he had given up on ornamentation altogether, returning to the spare, or monotonous, style of the earliest machines [plate 8]. (No Hinmans, incidentally, ever sported tail fins!) In the beginning Johnson never expected to build more than one collator, and up until the late 1950s he seems to have expected each order to have been the last. But even after he realized a steady demand would continue, the market was not such that it justified mass production and the uniformity that follows therefrom. The first machines were built on order, one at a time, and in later years Johnson usually constructed them in batches of six or so (Michel, Telephone, 28 Sept. 2000). But whether one at a time or in batches, Johnson often took the opportunity to revise his earlier work. Thus like the First Folio itself, no two specimens of the Hinman Collator were ever constructed exactly alike.

In addition to manufacturing and improving the apparatus, Johnson also acted as deliveryman and chief promoter. Many people remember Johnson and his wife, Moni, delivering the latest machine on a U-Haul trailer attached to the back of their Cadillac and then making a vacation of the event by touring the area for a few days before heading home. The arrival of a new collator, especially in the early years, was a highly anticipated event and often greeted with fanfare. The Charlottesville Daily Progress and the Richmond Times-Dispatch covered the purchase of the University of Virginia Hinman, and a special demonstration was offered for members of the Bibliographical Society (Vander Meulen 23-25). Ohio State's purchase of a machine made the front page of the student newspaper (Hecht). Reporters from radio, television, and the newspaper covered the arrival of the Texas collator in Austin (Johnson, Letter to Jack Herring, 20 Mar. 1974). And even as late as 1974, when Texas A&M purchased one of the last Hinmans to be manu-

factured, library staffers “fell out en masse ” to witness demonstrations of the new “wonder machine” (Chapman).

There has always been a mystique about the Hinman Collator, even among individuals who know nothing of and care not one whit about bibliography and textual criticism. A sense of this appeal is apparent in the Richmond Times- Dispatch article mentioned above:

(Ball)

Other reporters also colorfully described the machine and along the way frequently misinterpreted or exaggerated its capabilities. Charlton Hinman once cited a reporter who described the invention as “an electronic machine in which an electric eye reads lines of type and flashes red lights when it comes upon any variation” (Hinman, Six 3). New technology frequently inspires a sense of awe mixed with a healthy dose of heightened expectation. These feelings were perhaps compounded in the Hinman bcause in addition to being new it also represented a unique application of technology to the humanities.

Another factor in the Hinman's appeal, and one that is also evident in the Times-Dispatch example, is its sheer impressiveness as a physical object. The Hinman stands just under six feet tall, five feet wide, and in its final form weighed 450 pounds. Its switches, binocular optics, flashing lights, chrome trim, and metal sides gives it an appearance more appropriate to a Buck Rogers movie than a library alcove. Hinman himself called his creation “at once awesome and a little ludicrous” and invoked the name Rube Goldberg in comparison (Hinman, “Mechanized Collation at the Houghton Library” 132). This is a sentiment shared by nearly everyone who has laid eyes on the Hinman, and whether we are awed, amused, or both by the machine, it retains a remarkable ability to fascinate. The design of the Hinman constitutes a wonderful example of late-1940s and 1950s futurism. Its hulking, metal exterior reminds us that it was invented in a great age of rocket ships, robots, and other types of imaginative technology—so much so that one would not be surprised to find it featured on the cover of Astounding Science Fiction or some other futuristic fantasy rag. Nor would it also be completely out of place in the appliance section of a mail order catalog. In the 1950s it looked like a piece of progressive technology ought to look, and Arthur Johnson's improvements both played upon and reinforced this appearance. In our own day the collator so embodies the stereotypical, mid-century machine that many people react to it with a kind of nostalgic amusement, much as they also do to toasters, blenders, and other gadgets of the same vintage.

Johnson, like any good salesman, was not above taking advantage of this mystique or of stoking some of the appeal. Showmanship came naturally to

him. Two vignettes from Johnson family lore underscore this point. When he delivered one of the machines to England by ocean liner, he often passed the afternoon shooting skeet off the rear deck. His marksmanship abilities were so impressive that he regularly drew throngs of onlookers, and he even worked up a couple of trick shots for their entertainment (Arthur Juniewicz, Telephone). He is also said to have promoted a device he invented to train hunting dogs (about which more in a moment) by occasionally offering impromptu public demonstrations, sometimes in busy urban areas. The device fired a sock in the air by means of a.22 caliber blank. The demonstration always attracted a crowd, and sometimes the attention of a policeman or two, though he was never arrested. His motivation was to cause enough of a stir to get coverage in the local paper, thereby garnering a little free publicity (Michel, Telephone, 28 Sept. 2000). Johnson used these same skills to promote the Hinman. When he sold a collator to Kansas, he suggested holding a reception for the express purpose of pulling a “publicity stunt” (Johnson, Letter to Joseph Rubinstein, 24 June 1958). Six years later, when officials at the University of Texas invited him to give demonstrations of their new machine, he assured them he would be happy to do so for as long as they could supply an “interested audience,” even if that audience consisted of only “one person” (Johnson, Letter to Dorothy Lawrence). Johnson had a standard lecture he offered as part of his delivery package. This “20 to 30 minute” talk explained in “layman's language” the “history of the Hinman Collator, how it came into being... and the success it had with the Works of Shakespeare” as well as “what makes it do what it does.” Moni also lent a hand with these events, helping set up and run a post-lecture “coffee hour and buffet” that the Johnsons offered at their own expense (Johnson, Letter to Jack Herring, 20 Mar. 1974; and Letter to Robert Vosper).

The institutions that purchased collators were also not shy about attempting their own “publicity stunts.” For many colleges and libraries, the Hinman provided a means of demonstrating the usefulness and seriousness of the work that went on within their walls, and some of them were quite ambitious in taking advantage of this opportunity. Ohio State may have produced a short promotional film in which the Hinman played the leading role. Entitled “Literary `Detectives' Produce New Hawthorne Edition,” the surviving script sets the film in the Center for Textual Studies and contrasts the old-fashioned means of collation (by “human hand and eye”) with the modern, machineaided method. The last line of narration sums up the work done on the collator as “an important contribution to American literature from the Ohio State campus” (Boyce).[13] The staff of the Newberry Library, home to the

Melville edition, did not make a film, but they did place their machine in a location that gave it prominent billing. Located in a glass-fronted room near the main entrance, the Hinman was one of the first things visitors saw on entering the Library. The spectacle of the machine in operation was frequently made all the more interesting by one of the editorial assistants who used it—a nun in full habit (Farren; Krummel).

Like any good businessman, Johnson also aggressively attempted to broaden the market by finding new applications for his product. In advertising circulars he proposed uses in fields ranging from photographic analysis to map-making to ballistics. In the mid-1950s he built a tabletop version to help drum up interest in these and other non-book applications. He demonstrated the mini-Hinman to the Air Force and even loaned it out for test runs to their Aeronautical Chart and Information Center in St. Louis, Missouri. He also showed the machine to a group of Wall Street bankers who were looking for a better way to compare signatures on checks and other documents. Neither the Air Force nor the bankers ended up purchasing a Hinman, large or small size. The bankers were “intrigued” and “amazed,” but they also thought the machine would be slower than their current system and require more staff (Johnson, Letter to Joseph Rubinstein, 26 Dec. 1957). Likewise the Air Force enjoyed the show, but in the end determined they needed a device that could compare photographs of objects that varied by as much as 50% in size (Johnson, Letter to Joseph Rubinstein, 9 June 1958). Johnson was undaunted by these rejections, however, and eventually did achieve some success in finding non-book applications. He sold about nine machines to pharmaceutical companies where they were used to proofread labels (Johnson, Letter to Jack Herring, 23 Nov. 1973). The CIA purchased a machine, presumably to detect forgeries.[14] The Royal Canadian Mounted

Police borrowed the collator at the University of New Brunswick for the same purpose (Gair). And to this day a graphic design company in Syracuse, New York, uses a Hinman on a weekly basis as a proofreading aid (Brockway).

In his promotion efforts, however, Johnson sometimes made claims that, at best, stretched the Hinman's capabilities. At worst, they suggest that he may not have fully understood the original application of the machine he did so much to improve and distribute. One wonders, for instance, how the collator could have, as Johnson claimed in early promotional material, been used to compare bullets “to determine if a certain gun was used” (“Blink Collator Specifications”). One also wonders why he thought the machine would be suitable for the comparison of handwritten signatures, which, though similar, are not identical enough from occurrence to occurrence to make their examination on the Hinman effective. These examples could be chalked up to over-optimism on the part of an eager salesman. His garbled understanding of Hinman's use of the machine is another matter, however. He stated in his advertising brochure: “The development herein described was first applied at the Shakespearean Library in Washington, D.C. for proofreading all of the printings of the works of Shakespeare back to the first folios or originals to detect the many typesetting errors that have taken place through the many years of printing. It was estimated that this job would require forty man years and would necessitate personnel with the ability to read accurately Old English print and thoroughly understand Elizabethan English” (Johnson, Hinman Collator [1972?] 4). Johnson, of course, knew the collator was made to compare identical or nearly identical objects, but he does not seem to have fully comprehended its exact bibliographical purpose. His statement that Hinman invented the device to study “all of the printings” of Shakespeare back to the “first folios” implies that the machine is capable of cross-edition collation. A few institutions purchased the machine with this expectation in mind. They were disappointed. Some of the misunderstanding that accompanies the mystique can be attributed to the fact that the Hinman represented a new and exotic technological application. A good deal of it no doubt also derives from the simple fact that the field of bibliography and textual criticism itself is not well understood. But Johnson must also bear some of the blame, for his efforts to promote the Hinman sometimes only promoted confusion about it.

When Johnson took up the cause of mechanical collation he was fifty years old and on the verge of semi-retirement. He left the Navy in 1953 and around 1955 sold Pentagon Products, having built the first six machines under that name. When he received inquiries from the University of Kansas in 1957 to build the seventh machine, he considered sub-contracting the job to the Polytronic Company, the firm to whom he had sold his business. By the time the order came through, however, he decided to hire his old shop foreman, Fred W. Buser, and build the machine himself (Johnson, Letter to Joseph Rubinstein, 23 Feb. 1957). Another worker to join the team about this time was Robert Michel, whose father had worked for Johnson at the

Bureau of Ships (Michel, Telephone, 28 Sept. 2000). Arthur M. Johnson, Inc., the company name under which most Hinmans would be built, was born, and Johnson would spend the rest of his life in the business of making and selling mechanical collators.

The Hinman was not Johnson's only product, however. Nor was it by a long shot his most profitable. In 1961 he patented the “Target Projecting Device Utilizing a Can and a Blank Cartridge.” Under the less cumbersome name of the “Targeteer,” Johnson developed and marketed this device as a poor man's skeet shooter, which instead of clay pigeons launched empty beer cans. Johnson was an expert marksman and avid hunter. The idea for the launcher occurred to him while taking pot shots at beer cans tossed from the front porch of his cabin on an otherwise uneventful hunting trip. Johnson reportedly sold over two hundred thousand Targeteers, Abercrombie & Fitch being his biggest customer (Michel, Telephone, 28 Sept. 2000; Alexander Juniewicz, Telephone, 2 Oct. 2000). Always one to make the most of a good idea, he later developed the Targeteer into the device for training hunting dogs mentioned earlier. The “Retriev-R-Trainer” fired a sock in the air in simulation of a duck or quail shot out of the sky. The launching device, a .22 caliber blank, also served to accustom the dogs to the sound of gunfire. The Hinman Collator never did for Johnson's bank account what the Targeteer and the Trainer did. On the other hand, though Johnson said he lost money on the first five or six, he seems to have at least broken even from the late 1950s on. The collators certainly subsidized trips throughout the United States and Europe. Nevertheless, one cannot help but wonder to what extent the Hinman, and in turn the wider world of bibliography and textual criticism, was underwritten by dog training devices and beer can launchers.

In 1973, Johnson wrote that he had poured his “life's blood into the development and building” of collators “for more than twenty years” (Johnson, Letter to William P. Barlow). At that time he was seventy-one. A year earlier he had “partially retired” again, which seems to mean only that he entered into an agreement with a small firm, MICO Engineering, owned by his longtime employee, Robert Michel, that relieved Johnson of the burden of production though he still retained responsibility for “quality... correspondence, delivery, etc.” (Johnson, Letter to E. F. Newland). He retained these responsibilities until the end of his life. In August 1977, he sent a dunning notice from MICO to the Herzog August Bibliothek (Johnson, Letter to Herzog August Bibliothek). In July they had taken delivery of a machine and were moving a little slower than he liked in paying the bill. Johnson died from a heart attack three months later. Ironically, Charlton Hinman had also passed away that year, just seven months earlier in March (Andrews, “Remembering”; Bowers, “Charlton Joseph Kadio Hinman”). A few more machines were sold after Johnson's death, the last one to Penn State in 1979. Around 1980, Bausch and Lomb stopped making the binocular viewers and Michel was unable to find another supplier. There was not enough demand to warrant the expense of tooling up to make the optics himself or to justify

the trouble of trying to convince another company to go into production. In 1986 Michel retired and closed his business (Michel, Telephone, 15 July 2000).

Though Johnson's role in the spread of mechanical collation was singular, it was not solitary. Other people and organizations also played important parts. Hinman himself, despite having withdrawn from the business, did not cease to influence demand for his invention. His masterpiece of analytical bibliography, The Printing and Proof-reading of the First Folio of Shakespeare (1963), underscored the value of machine collation. The publication of the Norton facsimile of the First Folio five years later did the same. The results of his research had been anxiously awaited for many years. On the appearance of Printing and Proof-reading, nearly every reviewer mentioned the importance of the collator to the project. Though the number and nature of the variants in the First Folio were less spectacular than Hinman had anticipated, the conclusions that he reached based on them seemed all the more remarkable for that very paucity. Frank Kermode spoke for nearly everyone who had an interest in the matter when he described Hinman's study as “a brilliant and protracted piece of laboratory work” (Kermode). This attention did not go unobserved by Johnson, who had also been anxiously awaiting the day when Hinman's research would see light. A year before the publication of Printing and Proof-reading, Johnson was citing its impending appearance as proof of the “value” of his product (Johnson, Letter to William B. Todd, 13 Sept. 1962). From about 1952 to 1962, twelve collators were built and sold. From 1963 to 1968, the five years bordered by the publication of Hinman's two books, over twenty were produced.

All through the 1950's, Hinman had been publishing partial and preliminary accounts of his research in Studies in Bibliography and the Shakespeare Quarterly. Clearly these as well as his books gave a boost, albeit indirectly, to the business of which he was no longer a part. During this period other scholars were also setting an example for the bibliographical world. William H. Bond was the first person after Hinman to publish research based on the collator. He was also the first to use the machine on a post- Renaissance text and to analyze non-verbal matter. In 1956, his examination of the illustrations in the 1865 and 1866 Alice's Adventures in Wonderland appeared in the Harvard Library Bulletin. The next year, Matthew J. Bruccoli's investigation of F. Scott Fitzgerald's This Side of Paradise demonstrated the applicability of machine collation to twentieth-century books. His study was also the first to use the Hinman on an American book. Bruccoli, then still a graduate student at the University of Virginia, used that school's machine to compare a copy of the Scribner's first edition with a 1954 Scribner's reprint from the same plates. He was encouraged in this project by John Cook Wyllie. In 1958, again with Wyllie's encouragement, Bruccoli published a similar account of Sinclair Lewis' Babbitt. Fredson Bowers used the same machine for the Centenary edition of Nathaniel Hawthorne's The Scarlet Letter (Ohio State University, 1962). Under his direction, eight copies of the first edition (1850) were collated as well as multiple copies of the second and third editions

(Bowers, “Old Wine” 10). These, however, were all preludes to the symphony. None of them was as influential, or as anticipated, as Hinman's two books.

In addition to Arthur Johnson, Charlton Hinman, and others, the collator also had an important institutional advocate. The same year that Printing and Proof- reading appeared, the Center for Editions of American Authors (CEAA) was founded by the Modern Language Association. The Center's initial purpose was simply to coordinate and initiate projects and to encourage responsible editorial practices. Its degree of influence and range of activities greatly increased when the program received funding from the National Endowment for the Humanities in 1965. Thereafter, in addition to dispensing significant research funds, the Center also issued a manual of procedures, published a semi-regular newsletter, sponsored exhibitions, and, perhaps most memorably, awarded a seal of approval for display in qualified volumes. In what can be regarded as the Center's founding document, William M. Gibson and Edwin H. Cady singled out the use of the Hinman on the centenary Hawthorne as an indication of high editorial standards. They also optimistically speculated that the machine would soon become more widely available (Gibson and Cady 2-3). A preliminary mimeographed version (1966), the first formal edition (1967), and the “Revised Edition” (1972) described machine collation as nothing less than an editorial “obligation” 11, 6, and 2, respectively).

The publications of the Center would continue to extol the virtues of mechanical collation, and scholars who followed this encouragement soon found a new purpose for the machine. The editors of many critical editions learned by hard experience that the volumes they were producing were subject to the same foibles of printing as the works they were studying. James B. Meriwether reported that the printer for the William Gilmore Simms project had a habit of resetting lines where “there had been no error” without being asked and, worse yet, without telling anyone. Such “uncalled for resetting” was particularly worrisome when it occurred after the very last set of proofs had been read (Meriwether 17)! Uncovering variants is part of a textual editor's job; introducing a new one is his or her bane. To combat this problem, Meriwether, David Nordloh, and others began to collate the succesive versions of their proof pages on the Hinman. This extra step, at first seen as little more than a bit of “preventive medicine,” proved so effective in catching last-minute errors that the CEAA eventually made it standard practice for all approved editions (Nordloh 18; and Statement of Editorial Principles and Procedures 13).

By 1973, seventy volumes of critical editions from works by a dozen American authors had been published under the guidelines of the CEAA and another thirty were in press (Bruccoli, “Note” 28). In varying degrees, all of these projects made use of mechanical collation. Funding from the CEAA also helped establish textual centers at universities throughout the United States, most of which acquired Hinmans. The University of South

Carolina, home to the Simms edition and headquarters for the CEAA after 1969, eventually purchased two. The study of Renaissance texts, and specifically the First Folio of William Shakespeare, had inspired the building of the first collator. However, thanks to the CEAA, many more works by American authors of the nineteenth century were subjected to scrutiny under the Hinman's “electric eye” than were works from any other nation or period.

The personalities behind the Hinman should also not be overlooked in accounting for its early and lasting prominence. The two principal figures, Charlton Hinman and Arthur M. Johnson, each played different but important and crucially complementary roles. Charlton Hinman, the urbane and eminently learned Rhodes Scholar and Reserve Naval Commander, lent academic and moral credibility to the machine. His credentials were impeccable and his reputation beyond reproach. His devotion to scholarship was amply demonstrated by his taking the time to invent the machine in the first place and then reinforced by his spending the better part of a decade (more or less all of the 1950s) analyzing what it revealed. For most of that time he supported himself on grants, sequestered in the Folger Library like some bibliographical version of a Trappist monk, isolating himself from many of the normal demands (e.g. teaching and students) and pleasures (e.g. teaching and students) of academic life. A sense of Hinman's standing in the scholarly world is shown in the fact that even while he was still working out the kinks and well before the collator would really be proven useful, Richard Altick described it as “the most ingenious gadget yet devised for the aid of literary scholarship” in the first edition of his popular Scholar Adventurers (Altick 186). And then there was Art Johnson, the self-taught engineer with a huckster's gift for showmanship. In many ways he was the man behind the curtain, for over the long term he was the one pulling the strings, manning the bellows, and sounding the whistles. Their efforts were neither coordinated nor premeditated, but all the same they made a potent combination in promoting the spread and use of the machine.

Arthur Johnson provided the manufacturing know-how. His promotional efforts also helped enlarge the market for the machine, and the research done using it by Charlton Hinman as well as Bond, Bruccoli, and Bowers inspired others to go and do likewise. The CEAA provided the funding to underwrite projects and set up centers in which the machine was employed. It also made mechanical collation an essential step in the editorial process. One cannot discount the innate appeal of the machine as a physical object in accounting for some of the fascination with it. All of these factors are important in helping us understand how and why the machine was used, but none of them (collectively or individually) completely explains the demand for it. The single most important factor is simply that the collator filled a need, namely, to make relatively fast and efficient comparisons of multiple copies of texts from the same edition or printing. No one would have used or bought one if it could not do this, and in serving this function the machine also created further demand by encouraging a kind of work that was not possible before

its invention. As the authors of the CEAA's 1966 Statement noted, the development of the collator contributed to the “drive among contemporary scholars to produce full, highly accurate texts of the writings of major American writers” (3). Just as the types of physical structures we build are often determined by the tools we own, so are the kinds of scholarly projects we engage in affected by the scholarly tools at our disposal. Moreover, the kind of information the machine detected, typographical as well as other printed variations, has proven exceptionally useful for the purposes of analytical bibliography, where the emphasis has always been on printed matter. Additional clues, such as those derived from bindings, watermarks, and other features of the book, have been put to good use, but none to better and more regular application than the discovery of typographical variants. Thus, Charlton Hinman, the numerous scholars who followed him, the CEAA, and Arthur M. Johnson, Inc., owe as much to the Hinman as the Hinman owes to them. Again, collation in itself was not a new idea, but relatively fast and accurate collation on a large scale was. The invention of the Hinman opened up a path of inquiry that could not have been pursued without its aid. This factor more than any other accounts for the demand that fueled the building and distribution of machines.

The theory that encouraged the machine's invention in the first place and provided much of the underpinning for its use would eventually be questioned, and these questions led to changes in attitudes and practice that would dampen enthusiasm for mechanical collation. Furthermore, starting in the mid-1960s, smaller and less expensive devices for collating texts were introduced to the field, and one of these, the Lindstrand Comparator, would eventually compete with the Hinman, albeit in a contracted market. However, from the early 1950s, when the machine was first commercially manufactured, well into the 1960s, the Hinman stood unrivaled and largely unquestioned.

APPENDIX

Current Locations of Surviving Hinman Collators

I am currently compiling a chronological census of Hinman Collators. It will attempt to account for every machine constructed and to incorporate details such as sale price, date of acquisition, the projects associated with a particular machine, previous locations for those few machines that have had multiple owners or have been used at different institutions, and other matters of interest. Though the full census is not ready for publication, I believe I have established the whereabouts of all surviving machines. Since it might be helpful for scholars engaged in editorial projects or bibliographical investigations to know these locations, and since the completion of the entire census would mean delaying the availability of this information for some time, it seems useful to make a list of current sites available now. I should

caution that not all of the machines listed below are necessarily available for use. Anyone having need of a Hinman is encouraged to make inquiries well in advance of traveling to one. Not mentioned here are locations in three previously published lists by Arthur Johnson that are no longer relevant, either because the machines at those sites have been lost or deaccessioned, or because they were misattributed in the first place.[15]

CALIFORNIA

Davis, Special Collections, University Library, University of California

Los Angeles, Clark Library, University of California

Oakland, privately owned by William P. Barlow

COLORADO

Boulder, Special Collections, University Library, University of Colorado

DISTRICT OF COLUMBIA

Folger Shakespeare Library

FLORIDA

Gainesville, Rare Books and Special Collections, Smathers Library East, University of Florida

GEORGIA

Athens, privately owned by David Gants

ILLINOIS

Carbondale, Special Collections, Morris Library, Southern Illinois University

Chicago, Newberry Library

DeKalb, Special Collections, University Library, Northern Illinois University

Urbana, Rare Book and Special Collections Library, University Library, University of Illinois

INDIANA

Bloomington, English Department, Indiana University

IOWA

Iowa City, Special Collections, Main Library, University of Iowa

KANSAS

Lawrence, Spencer Research Library, University of Kansas

KENTUCKY

Lexington, Special Collections and Archives, Margaret I. King Library, University of Kentucky

MASSACHUSETTS

Cambridge, Collection of Historical Scientific Instruments, Harvard University

Worcester, American Antiquarian Society

NEBRASKA

Lincoln, Department of English, University of Nebraska

NEW YORK

Ithaca, Division of Rare and Manuscript Collections, Kroch Library, Cornell University

Syracuse, Liberty Business Development Group

NORTH CAROLINA

Chapel Hill, Rare Book Collection, Wilson Library, University of North Carolina

OHIO

Columbus, Rare Books and Manuscripts, Ohio State University Libraries, Ohio State University

Kent, Institute for Bibliography and Editing, College of Arts and Sciences, Kent State University

SOUTH CAROLINA

Columbia, Department of Special Collections, Thomas Cooper Library, University of South Carolina

TEXAS

Austin, Humanities Research Center, University of Texas

College Station, Cushing Memorial Library, Texas A&M University

Houston, Department of Special Collections and Archives, University Libraries, University of Houston

Lubbock, Southwest Collection/Special Collections Library, Texas Tech University

Waco, Armstrong Browning Library, Baylor University

VIRGINIA

Charlottesville, Department of Special Collections, Alderman Library, University of Virginia

Charlottesville, privately owned by David Vander Meulen

Lynchburg, privately owned by R. Carter Hailey

WISCONSIN

Madison, Department of Special Collections, Memorial Library, University of Wisconsin

Milwaukee, Shakespeare Research Collection, Golda Meir Library, University of Wisconsin

CANADA

Ottawa, Rare Book Division, National Library of Canada

UNITED KINGDOM

Cambridge, Cambridge University Library, Cambridge University

Edinburgh, Edinburgh University Library, University of Edinburgh, Scotland

Oxford, Johnson Reading Room, Department of Western Manuscripts, Bodleian Library, Oxford University

Stirling, University Library, University of Stirling, Scotland

GERMANY

Münster, Institutum Erasmianum, Westfälische Wilhelms-Universität

Wolfenbüttel, Herzog August Bibliothek

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—. “Inquiry to Prospective Subscribers for a Collation Machine.” March 1954. Located with “Drawings for a Hinman Collating Machine.”

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—. Letter to John Cook Wyllie. [Mar. 1955]. Rare Books, Retired Files, Box 3, Hinman Charlton, Special Collections, Alderman Library, University of Virginia, Charlottesville, Virginia.

—. Letter to P. Stewart Macaulay. 9 Jan. 1953. Charlton Hinman File, Folger Shakespeare Library, Washington, D.C.

—. “Mark III: New Light on the Proof-Reading for the First Folio of Shakespeare.” Studies in Bibliography 3 (1950-51): 147-153.

—. “Mechanized Collation: A Preliminary Report.” Papers of the Bibliographical Society of Virginia 41 (1947): 99-106.

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—. Letter to Charlton Hinman. 19 Feb. 1970. Courtesy of Alexander Juniewicz.

—. Letter to Charlton Hinman. 21 Apr. 1972. Courtesy of Alexander Juniewicz.

—. Letter to Dorothy Lawrence. 5 Oct. 1964. Harry Ransom Humanities Research Center, University of Texas, Austin, Texas.

—. Letter to E. F. Newland. 20 Dec. 1973. Armstrong Browning Library, Baylor University, Waco, Texas.

—. Letter to Herzog August Bibliothek. 18 Aug. 1977. Herzog August Bibliothek, Wolfenbüttel, Germany.

—. Letter to Jack Herring. 23 Nov. 1973. Armstrong Browning Library, Baylor University, Waco, Texas.

—. Letter to Jack Herring, 20 Mar. 1974. Armstrong-Browning Library, Baylor University, Waco, Texas.

—. Letter to Joseph Rubinstein. 23 Feb. 1957. Uncataloged Hinman Papers. Spencer Research Library, University of Kansas, Lawrence, Kansas.

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—. Letter to Robert Vosper. 28 Apr. 1966. University Archives, University of California, Los Angeles, California.

—. Letter to Ross J. Foster. 10 Mar. 1958. Uncataloged Hinman Papers. Spencer Research Library, University of Kansas, Lawrence, Kansas.

—. Letter to William P. Barlow. 21 Nov. 1973. Courtesy of William P. Barlow.

—. Letter to William B. Todd. 13 Sept. 1962. Harry Ransom Humanities Research Center, University of Texas, Austin, Texas.

—. Letter to William B. Todd. 18 Oct. 1963. Harry Ransom Humanities Research Center, University of Texas, Austin, Texas.

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