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Chetwin, Crooke, and the Jonson Folios
by
William P. Williams
[*]
The history of the 1640 folio edition of Ben Jonson's Works is, in the words of Percy Simpson, a "record of muddle, evasion, and dishonesty."[1] Much of the evidence has been set out by Simpson and Greg,[2] but new information and new interpretations of old information which further our knowledge of the history of the Jonson folios, and particularly the folios of 1640-41, have not been assembled in a single presentation before. I intend to describe briefly the history of the publication and ownership of Jonson's works, and in the process to add some additional evidence about the folios and their publishers with the hope of bringing some order out of the "muddle."
There is little confusion about the so-called "first volume" of Jonson's works; the plays and poems making up this volume were those which Jonson collected in the folio of 1616 (hereafter I F1). This collection was published by William Stansby, with Richard Meighen having a minor interest in it as bookseller.[3] On 4 March 1639 this body of works was transferred from Stansby to Richard Bishop, the latter having acquired the rights to Every Man Out of His Humour from John Smethwick on 28 April 1638. In 1640 Bishop brought out a reprint of this collection under his imprint (hereafter I F2), with Andrew Crooke designated as the bookseller in the imprint of the general title-page. "Volume I" of the works was not printed again until 1692.
The so-called "second volume" presents the greatest confusion. An edition was printed in 1631 by John Beale for Robert Allot (hereafter II F1). The first issue of this edition had no general title-page, the leaf A1 which was later used for this purpose being a blank in the first issue. However, the individual title-pages of the three plays which make up this volume all bear the imprint "I. B. for Robert Allot . . . 1631." (The plays were Bartholomew Fair, The Staple of News, and The Devil is an Ass.) Only The Staple of News had been entered in the Stationers' Register, being transferred from John Waterson to Allot on 7 September 1631, Waterson having entered it originally on 14 April 1626, although he never printed it. Furthermore, Greg is of the opinion that the original intention of Jonson and Allot had been to produce a companion volume for I F1 and that the project failed; therefore, he feels that probably very few copies of II F1 were issued between 1631 and 1640 (III, 1075-76). In any event, Robert Allot died in 1635, his will being dated 18 October and proved on 10 November of that year.[4] Among the provisions of his will was the passing on of all his copies to his wife Mary and a gift of £20 to his "servant" Andrew Crooke on condition that he serve Mary Allot for three more years. It will be recalled that Andrew Crooke was to be a bookseller of I F2 in 1640. Further, Crooke had been Allot's apprentice, being freed on 26 March 1629,[5] but apparently staying on to work for his former master. Within a year Mary Allot was ready to remarry, but her future husband, Philip Chetwin, was a Clothworker, and Mary believed that her marriage outside the Stationers' Company invalidated her rights to retain ownership of her former husband's copyrights. On 7 November 1636 Philip Chetwin appeared before the Stationers' Court to request the transfer of "all" Allot copies to Andrew Crooke and John Legatt, a printer. The transaction was so complete that on the same day at the same court Chetwin paid £6 to clear the ownership rights of Mirror for Martyrs, ostensibly for the benefit of Crooke and Legatt. But in all the transactions of that date, the only specific title mentioned was the Mirror for Martyrs.[6] By the following spring it had been brought to the attention of the Company that the new owners had not yet entered their new property, although they were printing and/or publishing it. On 3 April 1637 the Court of the Company took the following action:
By the end of 1637 Crooke and Legatt legally controlled most of
Although both of these suppositions seem plausible on the surface, when one digs deeper one comes on an amazing and complex legal tangle which no doubt explains why anyone in any way connected with Philip Chetwin would be seeking to reaffirm his claims to publishable
Chas. I C30/36 Chetwynd vs. Crooke, etc.
Document I [1638?]
Crooke sets out the details of his relationship with Allot, saying he served him eleven years and that on Allot's deathbed in October of 1635, he asked Crooke to serve Mary Allot for three years after his death. He did promise that "he should remaine with her. But Crooke denyeth that he did promise to the said Robert Allott that he . . . would serve Mary Allot as her servant and shoopkeeper . . . for any other certeyne tyme or that he did vndertake or promise to the said Robert Allott to Convert the stocke of the said Robert Allott into readie money or to" settle his accounts. Crooke goes on to explain that Allot left him a legacy of £20 and he was also to be paid £25 per year as salary. He also says he does not know if Allot's estate was worth £14,000 at his death, but gives his opinion that it may have been half that much. Crooke says he only collected debts at the "appointment" of Mary and that he took no printed books from the stock for his own benefit. In general, Crooke says that he ran the business much as it had been run during his eleven years of service in Robert Allot's lifetime.
"And Crooke haueing after the decease of his said late Mtr remained in the said service of Mary Allot vntill about August followinge and the Contageon of the Plague then increasinge . . . he went into the Country and whilst he remained in the Cuntry the Complte Phillip that had as Crooke was informed become a sutor to the said Mary in the way of Marriadge And before Crooke retoered to London . . . Came to Crooke in the Cuntry . . . and did perswade him to stay two or three yeares with him in case the said Marriadge should take effect then promisinge Crooke if he would there vnto assent . . . that at the end there of Crooke should haue the house and shopp wherein . . . Mary then lived with the wares that should be then therein at a reasonable rate and made many other promises to Crooke . . . pretending to him that he was out of hope the said Marriadge
Then Mary learned that according to the rules of the Company of Stationers that "vnlesse the widdowe of a freeman of that Company doe in her widdoehood assigne ouer all her originall Coppies of bookes whereof she had the sole printinge or as printer with any other she should forfeit all Coppies [if she] did marry any but a freeman of the same Company of Staconers. But Crooke doth not remember that he did first informe . . . Mary. . . ." Crooke says it is not material since this was the case whether or not he told her [see Chancery Bill Chas. I C48/5, Chetwyn vs. Nevill]. "Crooke saith that Mary Allot therevpon intending as it seemed to have such an assignment made to John Legate, one of the defendts in the [bill of complaint] . . . [Crooke says that he] might say that it was to great a trust for one man and that it would be a disparadgment to the shoppe . . . [but he did] not say or Contend that it would be a disparadgment to the defendet [Crooke] not to be trusted as well as the said John Legate. And Crooke saith it is true that about the tyme in the Chetwins' bill . . . such a deed of Assignment [illegible] . . . Mary in her widdowehood and a little before her entermarriage with . . . Phillip Chettwinde vnto the said John Legate and Crooke but the certeyne date there of he doth not remember." Crooke says that all the details of the "trust" were set out in the deed of assignment but if any copies of it exist they are in Chetwin's custody. Shortly after the signing and sealing of the deed Philip and Mary married. After the marriage Crooke and Legatt "did become interessed in the estate of the said . . . Mary and of the Coppies soe intrusted in the said John Legate and Crooke . . . and Crooke denyeth that he did refuse to make any accompting . . . concerninge the estate . . . [and Mary] held her selfe satisfied. And Crooke saith that after the said Assignment made and the Complts entermarriage he did refuse to serve the Complts for the tearme of three yeares as they desired vnlesse that he be [assured] he should haue the said house and shoppe and all the stocke of books that should be then remaininge and all the originall coppies and right of printing them as the said Phillip Chetwinde had at first promised. . . . Crooke saith that . . . Phillip Chetwinde and Crooke about the tyme in the Complts bill menconed came to an agreement which was set downe in a certeyne booke of Articles. . . . And Crooke further saith that . . . Phillip Chetwynde in and by the said Articles did covenant and agree from tyme to tyme to furnish the said shoppe with [wares] from the king's Printing house and from the Company of Staconers and alsoe all other readie money books and other books sufficient to mainteyne the trade. And alsoe that . . . Chetwin whoe was ignorant [of the trade] should not either by himselfe or any act of his directly or indirectly sell any booke or bookes by whole sale or by retaile
Document II [1638?]
Crooke denies that he has in any way wrongfully kept the accounts of the business, or extended credit except as Chetwin dictated (£20 limit for customers not known to him and no limit for those known to him) and Chetwin, he hears, has not really tried to bring in the debts outstanding. He denies that he "put any of ye Complts parte into his private purse or that he did omitt to enter the receipt thereof into the Complts books when he did receive any moneys when the receipt thereof was vsed to be entered into the Complts books." He also denies lending money or books which belonged to Chetwin. "Crooke doth Confesse yt he hath deliued out books to Ministrs & others vpon likinge & if disliked then to be retourned as is vsed amonge staconers but they were . . . [entered on] a Slate kept for yt purpose or some other noate of remembrance made of them. . . . Crooke denieth yt he hath . . . the shoppe at the next dore or yt he hath any shoppe at all but had formerly put them all off . . . purposolie in hope yt accordinge to the Articles he should haue had the Complts Shoppe house goods etc. where he had him an apprentice & [was] best knowne." He denies that he in any way took for himself any of Robert Allot's estate or Chetwin's, except what was rightfully his. Crooke then says that Chetwin owes him money (mostly back wages and his legacy from Allot) of over £200. He denies any connection with Miles Flesher and/or Francis Quarles (also being complained of by Chetwin in Chancery Bill Chas. I C105/28) except to sell them things as Chetwin's agent. He says he also bought paper and books from Thomas Dainty for Chetwin's use and for his own use, but he always distinguished between the two in the accounts (Chetwin is also complaining against Dainty in Chancery Bill Chas. I C28/67). Crooke says that he is informed that while drunk Chetwin said that "he would sinke all his whole estate rather then yt he would be curbed by Crooke in ye diference betweene them. . . ." Crooke also says that Chetwin has said that Crooke spent £600 of Allot's money while he was his apprentice and servant, and that Chetwin will seek his arrest on the grounds of breaking the £2,000 bond entered into with Legatt and Chetwin at the signing of the Articles. Crooke finally asks that the case be dismissed.
Document III
Crooke says that the warehouse book will show that he did not, as Chetwin has charged in his bill of complaint, "printe or cause to be printed or sould any prohibited or other booke for which Chetwin was questioned before the Lords of his Maties honble privie Counsell [illegible] the terme of three yeares to vse the Trade of a Staconer, and noe longer as in and by the said bill of Chetwin is vntruelie surmised and pretended. But Crooke saith it is true Chetwin was questioned [by the] most honble prive Counsle
Of the 2,000 copies of Ruefuers' Trimball (?) there was apparently a three-year discount clause on unsold copies, and Crooke says he would have taken them off Chetwin's hands. Crooke denies that he put any "excessive rates" upon any books he bought for Chetwin. And Chetwin refused to barter, trade, or exchange copies. Crooke denies that he bought Norwood's Fortification [entered 12 August 1637 to Crooke; published 1639 (STC 18690), T. Cotes for A. Crooke; next published in 1679; never transferred] for Chetwin. 1,000 were done for Crooke, and Chetwin "beinge ignorant in the trade of a booke seller," Crooke was left to do as he thought fit. Crooke denies that he sold any books which were not his to sell to other stationers in London or to country booksellers. He also denies he took any money for himself from the sale of Chetwin's books. He mentions the printing of a speech before the Star Chamber and says he offered to give a full accounting of all he had done [the remainder of the document is illegible].
All these charges and counter charges make clear the sort of problems which Crooke saw in the business partnership with Chetwin. However, in a bill of complaint filed in Chancery by Chetwin in 1639 we are able to see Chetwin's side of the matter.
Document I (Chetwin's bill of complaint) [1639]
Chetwin begins by stating that Allot had many copies and the wares of a stationer and that Andrew Crooke was his servant. Four years ago Allot died [1635, thus this document is filed in 1639]. Chetwin recounts the deathbed requests made to Crooke [they are essentially those found in the other Chancery documents]. By Allot's will Mary was made sole heir, Crooke got £20 and £25 more annually for three years. Allot told Crooke to buy no new books but to print and sell his copies for Mary's use. On 9
About Christmas 1636 Chetwin asked to see Crooke's accounts for the period of Mary's widowhood but Crooke delayed in presenting them. About Christmas 1637 he asked again and Crooke said it would be very difficult to present them. Chetwin then told Crooke to buy a new set of record books for the use of the shop, but Crooke continued to keep bad, or no, records so that a total of six [sic: only four years could have elapsed] years eventually were unaccounted for, and Chetwin says he was worried about the business. Crooke also printed, or caused to be printed, books without the consent of, or benefit of, Chetwin. Chetwin says he paid a fine to practice the trade of a stationer for a term of three years, and when he took over the business he found that Crooke and Legatt had printed the works assigned over to them on paper charged to Chetwin. Crooke caused books to be printed in London and Ireland by printers not previously uesd so that Crooke could sell them without Chetwin knowing about it; also the books which were specifically excluded from reprinting were produced in new impressions. Crooke used Chetwin's money to buy books which were "dead Comodityes and not vsually vendible as namely a book Called Gwillmes display of Heraldrye where of the said Andrewe did buy ffive hundred [copies] of the booke and in further deceipt of Chetwin did Cause the person of whom he bought the same to . . . [put the] prise of sixe shillings vpon Chetwin's Accompt . . . and bought two thousand bookes of an other person Called Rufuers Trimball [?] and did other perches of bookes whout any Consent of Chetwin and att excessiue and fayned rates. . . ." Crooke also sold to chapmen without consent and bought Norwood's Fortification, another "dead Comoditye" and paid out "readye money" for them, and had them put in the warehouse. Crooke pretended that copies bought with Chetwin's money were his own and Chetwin says that "Andrewe contrarye to his said trust did alsoe print or Cause to be printed the Coppies of a booke belonginge to one Badger by reason where of Chetwin was [found] gueltie. . . ." Crooke continued to misrepresent the accounts and "concerninge Gerrads hearball [Gerard's Hearball, entered 6 June 1597 by John Norton, transferred to R. Whitaker 26 August 1632, transferred to Adam Islip 13 July 1634; published 1597 by B. and J. Norton (STC 11750), 1633 by Islip, Norton, and Whitaker (STC 11751), 1636 by the same three (STC 11752)] & Perkinsons hearball [probably John Parkinson, Theatrum botanicum . . . or an herball, entered by Richard Cotes 3 March 1635; published in 1640 by T. Cotes (STC 19302), no edition is recorded in Wing] beinge things of grate value, and . . . Crooke
Document II (the answers of Miles Flesher and Thomas Dainty to Philip and Mary Chetwin's complaints) [1639]
Flesher and Dainty begin their response by denying any knowledge of most of the matters mentioned by Chetwin in his bill against them. However, Flesher says he had sold books to Crooke worth £10, after Allot's death, for which he has been paid, and he believes they were for Chetwin and paid for with Chetwin's money, but he does not know it. Further, Chetwin owes Flesher, his partners, and other stationers £300, and has been asked to pay several times, and is now being sued. Both Flesher and Dainty have knowledge that Chetwin said in public that he would not pay unless sued. Flesher says this proceeding is a reprisal but they have not prosecuted their case.
Dainty says he sold Crooke paper, but that it was charged to Crooke's account and Dainty believes he has been paid by Crooke with Crooke's own money. Within the last few months he has sold a large amount of paper to Crooke for Chetwin's use, worth £83, and Chetwin paid for it. Chetwin has refused to pay a later bill of £100. Chetwin said he would pay on a given day but six weeks or two months later, about September, when Dainty asked for it, Chetwin said he could not pay now for "hee was to pay two hundred pounds to the Kings Printer and one hundred pounds to the Company of Staconers. But if Dainty would take Bookes for the said debt of one hundred pounds he . . . would deliver vnto Dainty all the said debt in quarto bibles printed att Cambridge [see Chancery Bill Chas. I C30/36, Document II] at six shillings per Booke and that if hee had not Bibles enough to pay the said debt in that manner That then hee would deliuer to Dainty soe many of Martins Cronicles at six shillings per Booke or the practise of piety or any of the best bookes which the said Complte had in his warehouse to make vpp the said full some of one hundred pounds." Dainty said he would rather wait for the money. Three months later [December] Dainty went to Chetwin's house; Chetwin gave him "very faire words" and said he was going to take the whole trade of bookselling into his own hands. Dainty also sold more paper and some books, through
It seems from all this that Crooke and Legatt, although they claimed to have some sort of legal rights to the plays of Jonson, as part of the Chetwin trust arrangement, were certainly not, in 1640, in a position to assert beyond question their rights to own or control any of the Allot copies, including the 1631 remainder sheets. The complexity and financial difficulties of the agreement(s) between the Chetwins and Crooke and Legatt were such that by 1640 it would have been necessary to proceed very cautiously in any printing or publishing venture.
In 1640 Crooke, Legatt, and John Benson were also engaged in a struggle over the control of the rest of Jonson's works, those titles which eventually made up the "third volume" of the works. John Benson had been one of Allot's apprentices too, being freed on 30 June 1631,[10] and would not only have known Crooke well from their days together in Allot's shop, but would also have been around those stationers involved in the production of the various volumes of Jonson's works (Allot, Stansby, Meighen, Bishop, etc.). On 16 December 1639 Benson entered the "Execration against Vulcan" and "Epigrams," on 18 February 1639/40 he entered "the Art of Poetry," and on 29 February 1639/40 he entered "The Masque of the Gypsies." In addition, Andrew or John Crooke and Richard Seirger, Junior, entered "The Masque of Augures," "Time Vindicated," "Neptunes Triumphs," and "Pan's Anniversary, or The Shepherds' Holiday," plus "sundry elegies and other poems by Ben. Johnson," all on 20 March 1639/40. Later in 1640 Benson did bring out a collection of these works, but in 12mo not folio. This was clearly an attempt on the part of Benson, Crooke, and others to get further rights to Jonson's works.
However, another stationer, Thomas Walkley, had apparently been privately assured the role of publisher for all the works of Jonson not in print by the time of the poet's death by his literary executor, Sir Kenelm Digby. The plots and counterplots which followed have been well traced and documented by other scholars,[11] and it should suffice here to note that Walkley started litigation on 20 January 1639/40
The answer to the question of who controlled the 1631 stock actually lies three years beyond the 1640 publication date. On 4 December 1643 the following item appears in the Court Book of the Stationers' Company:
We are also fortunate that some of the documents of the law case mentioned in the Stationers' Court Book on 4 December 1643 survive. Strangely, the accused is not the Company or Downes and Mead, but Abraham Colt, and a summary of the contents of the case follows:
Chas. I C19/23 Chetwin vs. Colt etc.
Document I (Abraham Colt's answer to Philip and Mary Chetwin's bill) [11 December 1643]
Colt was found to be bankrupt in 1638 and Richard Ballard, Maximilian Colt, his father, and Richard Hall were partners and/or kinsmen of Colt, and Colt also had business dealings with Thomas Downes and Robert Meade. Colt and Hall owed Ballard £100, Hall died, and Colt paid the debt to Ballard by assigning and giving to him 2,000 unbound copies of Practice of Piety. Colt insists that he did all this before he was declared to be bankrupt and his estate was registered in the Bankruptcy Commissioners' ledgers. "And after the Custome for the exportacon of these bookes out of England into Holland was paied at the Custome house in London [by Ballard] and alsoe very shortly after security was by bond given at the said Custome house in London that all the said Bookes should within Six Monthes then next followinge be exported into Holland and a Certificate brought from thence of theire beinge there landed the said Complt Chetwind did either by himselfe or by the said Thomas Downes and Robert Meade sease and carry away all the aforesaid Bookes and hath ever since most wrongfully and uniustly deteyned them from the deft Richard Ballard to his greate damage. And Colt beleeveth That the deft Richard Ballard did never adresse himselfe vnto the Master and Wardens of the Companie of Staconers for . . . satisfaccon. . . . But Colt doth knowe that . . . Ballard was wth some of the Companie of Statconers to be informed of them where and in whose hands and Custodie the said Twoe Thousand vnbound bookes were remayninge to thend he the said Richard Ballard might take some legall or equitable Course for the recovery of the said Bookes. And Colt denyeth that ever the said Thomas Downes and Robert Meade either by themselves or any others did perswade or advise Colt or . . . Ballard (to the knowledge of Colt [)] to sue the Complt Chetwind for the foresaid Twoe Thousand Bookes" or that Downes, Meade, or anyone ever promised to be a witness for Colt and Ballard in such an action against Chetwin. Finally, Colt says that because of the problem just explained, Ballard has never had the £100 debt which Colt owed him settled.
Document II (Answer of Robert Meade and Thomas Downes to the bill of Philip and Mary Chetwin) [11 December 1643]
"Downes and Meade for pleas and demurer to that part of Chetwin's bill where by he chargeth them these defts or one of them or by some other of the Mr and wardens of the Company of Staconers did seaze two thousand bookes called the practize of pietie and of the bookes called the diuell is an asse belonging to Robert Allott late husband of the Complt Mary who was and is executrix of the said Robert Allott for as much as the said seuerall charge are full of incertainty and doe not absolutly charge
In addition, the Practice of Piety copies seized were printed "beyond the seas" [Crooke's Irish printing?, see Chancery Bill Chas. I C28/67, Document I, or Dutch printing, see Calendar of State Papers Domestic, 1637-1639, p. 145, where Chetwin claims that the printing was done in Holland] without anyone's consent. Further, the bill does not state the number of copies seized or the date of the seizure. The bill does not state by what law, or Act of Parliament, the owner of the copies has a right to these copies.
They make the same demurrer in the complaints against Ballard and Colt over the Practice of Piety (see Document I).
"Touching the bookes called the diuell is an asse ther pretended by the Complt that theis defts seised & denied the Complt to enter his coppie in the name of . . . Richard Meighen for that there is noe matter of equity conteined in the same charge and noe grounds . . ." they also refuse to answer the charges.
Finally, they deny they conspired with anyone against anyone as complained of in the bill.
Document III (answer of Richard Ballard to the bill of Philip and Mary Chetwin) [? December 1643]
Ballard says he knows nothing of the Chetwins' situation with regard to Allot's copies and knows nothing of Colt's bankruptcy. The debt Colt owed Ballard was £100. He then discusses his financial dealings with Colt and the use of unbound copies of Practice of Piety to settle the debt. Ballard had documents allowing him to export the books to Holland, but then Chetwin seized and carried away all the copies [perhaps Practice of Piety and Devil is an Ass], and has not paid for them or returned them. Ballard denies that he ever brought Chancery bills against Chetwin for this in combination with the principals or singly, and he denies that he has ever brought it before the Stationers' Company.
Chetwin told Ballard he did not have the copies but that the Stationers' Company did, and Ballard went before the Company to see if he could get them back. Chetwin encouraged Ballard to sue the Company but Ballard did not.
Ballard hopes the court will have Chetwin pay him for the books.
If we are to believe the Company, all the seized copies were returned to Chetwin, and it appears that his suits in Chancery were
Richard Meighen's part in the venture is a little more doubtful, but it seems fairly clear that he was working in concert with Chetwin (the reference to the Company's refusal of his attempt to enter The Devil is an Ass in Downes' and Meade's Chancery answer shows this: Chas. I C19/23, Document II), who, being prevented from publishing under his own name, may simply have used Meighen as front man. However, by 1653 Chetwin was able to issue works with his name appearing in the imprint and he continued publishing openly until his death.
The remainder of Jonson's works which had not been collected in either I F1 or II F1 were published in folio in 1641 (III F1), probably by Thomas Walkley. There is no indication that Walkley was connected with any of the persons responsible for any of the other folios, and there is documentary evidence that he was in direct conflict with the combine of Crooke and Benson.[14] However, Walkley's publication, if indeed it is his, was clearly timed to capitalize on the appearance of I F2 and II F2 in 1640 and 1641. This was so successful that some of the oversupply of copies of The Devil is an Ass found their way, by whatever routes, into copies of III F1 (Greg, III, 1079-81).
The omission of The Devil is an Ass from Crooke and Legatt's transfer entry of 1637 had the ultimate effect of dissolving II F2 as a textual unit. By 1658 Walkley had not only successfully asserted his rights to all the works which appeared in III F1 but he had also gotten the rights to The Devil is an Ass, and the total contents of II F2 were now owned by Walkley and Crooke and Legatt, and the former publisher was in an open legal combat with the latter two. Walkley apparently made good his claims, for he entered on 17 September 1658 the entire contents of volume III of Jonson's works and The Devil is an Ass. On 20 November 1658 Walkley sold and transferred all the works he had entered on the preceding 17 September to Humphrey Moseley. Moseley continued to sell off the stock of III F1 during the 1650s and 1660s, and Andrew Crooke continued to sell the remaining stock of I and II F2 (Greg, III, 1082). No matter what the advertisements of these two may seem to imply, no further printing of any of the three volumes of Jonson's works occurred. In 1667 Moseley's widow sold the rights to the third volume to Henry Herringman. Herringman also must have obtained Crooke's rights to volumes I and II, though no evidence of the transfer has been preserved, for in 1692 Herringman published the first complete collected edition of Jonson's works (F3). However, by 1692 II F2 had been totally obliterated for the title-page reads: "THE | WORKS | OF | BEN JONSON, | Which were formerly Printed in Two Volumes, | are now Reprinted in One. | To which is added | A COMEDY, | CALLED THE | NEW INN." It seems clear that the two volumes referred to are the first and third volumes, and the second volume, which had been issued in various states and at various times for almost sixty years, which had been divided in ownership, and of which excess copies of one-third of it had been printed, simply was forgotten by
This rather complicated textual history may be displayed graphically as follows: The chart above indicates the peculiar situation of The Devil is an Ass in the textual tradition and further indicates that the texts of the greatest authority are, no matter the confusion, litigation, and peculiarities, just those we would expect, the first folio editions of each "volume." However, the history of the Jonson folios also demonstrates two other principles which, although they are not new to bibliographical study, have seldom been documented to this extent. The first principle is that often behind apparently clear and innocent transfer entries in the Stationers' Register lie complex and uncertain provisos, trust agreements, "Articles," and the like, and that if any difficulties arose concerning these arrangements then there may well be a trail of legal disputes in the records of the Company and in the public records. The second principle is that the Company of Stationers was most vigorous in asserting its rights to govern the operation of the whole book
Notes
An earlier version of this paper was was presented in 1974 before the Bibliography Section of the Midwest Modern Language Association.
Ben Jonson, VI, 145-154; IX, 13-122 and W. W. Greg, A Bibliography of the English Printed Drama to the Restoration (1939-1959), III, 1070-1084. For a recent and somewhat adverse view of Herford and Simpson's edition see T. H. Howard-Hill, "Toward a Jonson Concordance," RORD, 15-16 (1972-1973), 17-32.
Greg, III, 1070-1073. For a description of the copyrights and contents of I F1 see Ben Jonson, IX, 13-15.
William A. Jackson, ed., Records of the Court of the Stationers' Company 1602-1640 (1957), pp. 286-287.
These figures have been obtained by using Paul G. Morrison, Index of Printers, Publishers and Booksellers in STC (1950) and Index of Printers . . . in Wing (1955). Also used was William P. Williams, "An Index to the Stationers' Register 1640-1708" (to be published by The Nether Press, London).
Harry Farr, "Philip Chetwind and the Allott Copyrights," The Library, 4th series, 15 (1934), 129-160.
McKenzie, p. 34. For a study of other of Benson's activities see Josephine Waters Bennett, "Benson's Alleged Piracy of Shake-Speares Sonnets and Some of Jonson's Works," SB, 21 (1968), 235-248.
Allan Griffith Chester, "Thomas Walkley and the 1640 'Works' of Ben Jonson," TLS, 14 March 1935, p. 160, and Dunn, Greg, and Ben Jonson.
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